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    <title><![CDATA[Children and Youth in History]]></title>
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    <pubDate>Wed, 11 Aug 2021 03:15:44 +0000</pubDate>
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      <title><![CDATA[Alexander Herzen’s My Past and Thoughts [Excerpts] ]]></title>
      <link>https://cyh.rrchnm.org/items/show/274</link>
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                                    <div class="element-text">Alexander Herzen’s <em>My Past and Thoughts</em> [Excerpts] </div>
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                                    <div class="element-text"><p>Autobiographical writing as a rich source for the exploration of European childhood and youth is self evident; in many cases, it is one of the most nuanced ways to understand historical actors' earliest experiences. Such is the case in Russia, where there emerged a new genre of writing on childhood and youth in the middle of the 19th century. Russian authors tended to paint bucolic portraits of their own childhood years on the gentry estate, often spent away from the tyrannical clutches of parental discipline and ensconced instead in the pleasures and freedoms of roaming through domestic corridors and wild gardens. These narratives of Russian childhood and youth often provide poignant examples of how individuals came of age amidst a backdrop of radical insurgence, peasant emancipation, and decades of repression. Many of these narratives, written by members of Russia's first generations of intelligentsia, include descriptions of rebellion against their elders and an attachment to their peers. <em>My Past and Thoughts</em>, written by Alexander Herzen—the first self-proclaimed Russian socialist—fits precisely into this genre of 19th-century Russian writing.</p>

<p>This is a selection from an abridged version of Alexander Herzen's four-volume memoir on his childhood, youth, and adult years that spans the course of much of the 19th century. Alexander Herzen is known primarily for his writings in exile in the second half of the century (he is known as "the father of Russian socialism"), but his autobiography provides an unusually textured glimpse into the social world and formative moments of Russia's influential generation of radical youth.</p></div>
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                                    <div class="element-text">Alexander Herzen, <em>The Memoirs of Alexander Herzen: My Past and Thoughts</em> (UCAL Press, 1991 edition), 58-65. Annotated by Rebecca Friedman.

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                                    <div class="element-text">Rebecca Friedman</div>
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                                    <div class="element-text"><h3><em>Nick and the Sparrow Hills</em></h3>

<p><em>'Write then how in this place [the Sparrow Hills] the story of our lives, yours and mine, began to unfold….'</em><br />
	A Letter, 1833</p>

<p>Three years before the time I am speaking of we were walking on the banks of the Moskva at Luzhniki, that is, on the other side of the Sparrow Hills. At the river's edge we met a French tutor of our acquaintance in nothing but his shirt; he was panic-stricken and was shouting, 'He is drowning, he is drowning!' But before our friend had time to take off his shirt or put on his trousers a Ural Cossack ran down from the Sparrow Hills, dashed into the water, vanished, and a minute later reappeared with a frail man, whose head and arms were flopping about like clothes hung out in the wind. He laid him on the bank, saying, 'He'll still recover if we roll him about.'</p>
	<p>The people standing round collected fifty roubles and offered it to the Cossak. The latter, without making faces over it, said very simply: 'It's a sin to take money for such a thing, and it was no trouble; come to think of it he weighs no more than a cat. We are poor people, though.' He added. 'Ask, we don't; but there, if people give, why not take? We are humbly thankful.' Then tying up the money in a handkerchief he went to graze his horses on the hill. My father asked his name and wrote about the incident the next day to Essen. Essen promoted him to be a non-commissioned officer. A few months later the Cossak came to see us and with him a pock-marked, bald German, smelling of scent and wearing a curled, fair wig; he came to thank us on behalf of the Cossak—it was the drowned man. From that time he took to coming to see us.</p>
	<p>Karl Ivanovich Sonnenberg, that was his name, was at that time completing the German part of the education of two young rascals; from them he went to a landowner of Simbirsk, and from him to a distant relative of my father's. The boy, the care of whose health and German accent had been entrusted to him, and whom Sonnenberg called Nick, attracted me. There was something kind gentle and pensive: I was high-spirited but afraid to rag him.</p>
	<p>About the time when my cousin went back to Korcheva, Nick's grandmother died; his mother he had lost in early childhood. There was a great upset in the house and Sonnenberg, who really had nothing to do, fussed about too, and imagined that he was run off his legs; he brought Nick in the morning and asked that he might remain with us for the rest of the day. Nick was sad and frightened; I suppose he had been fond of his grandmother.</p>
<p>…After we had been sitting still a little I suggested reading Schiller. I was surprised at the similarity of our tastes; he knew far more by heart than I did and knew precisely the passages I liked best; we closed the book and, so to speak, began sounding each other's sympathies.</p>
	<p>From Möros who went with a dagger in his sleeve 'to free the city from the tyrant,' from Wilhelm tell who waited for Vogt on the narrow path at Küsznacht, the transition to Nicholas and the Fourteenth of December was easy. These thoughts and these comparisons were not new to Nick; he, too, knew Pushkin's and Ryleyev's unpublished poems. The contrast between him and the empty-headed boys I had occasionally met was striking.</p>
	<p>Not long before, walking near the Prenensjy Ponds, full of my Bouchot, terrorism, I had explained to a companion of my age the justice of the execution of Louis XVI.<p>
	<p>'Quite so,' observed the youthful Prince O., 'but you know he was God's anointed!'<p>
	<p>I looked at him with compassion, ceased to care for him and never asked to go and see him again.</p>
	<p>There were no such barriers with Nick: his heart beat as mine did. He, too, had cast off from the grim conservative shore, and we had but to shove off together, and almost from the first day we resolved to work in the interests of the Tsarevich Constantine!</p> 
<p>Before that day we had few long conversations. Karl Ivanovich pestered us like an autumn fly and spoilt every conversation with his presence; he interfered in everything without understanding, made remarks, straightened Nick's shirt collar, was in a hurry to get home: in fact, was detestable. After a month we could not pass two days without seeing each other or writing a letter; with all the impulsiveness of my nature I attached myself more and more to Nick, while he had a quiet deep love for me.</p>
<p>From the very beginning our friendship was to take a serious tone. I do not remember that mischievous pranks were our foremost interest, particularly when we were alone. Of course we did not sit still: our age came into its own, and we laughed and played the fool, teased Sonnenberg and played bows and arrows in our courtyard; but at the bottom of it all there was something very different from idle companionship. Besides our being of the same age, besides our 'chemical affinity,' we were united by the faith that bound us. Nothing in the world so purifies and ennobles early youth, nothing keeps it so safe as a passionate interest in the whole of humanity. We respected our future in ourselves, we looked at each other as 'chosen vessels,' predestined.</p>
<p>Nick and I often walked out into the country. We had our favourite places, the Sparrow Hills, the fields beyond the Dragomilovsky Gate. He would come with Sonnenberg to fetch me at six or seven in the morning, and if I were asleep would throw sand and little pebbles at my window. I would wake up smiling and hasten out to him.</p>
<p>These walks had been instituted by the indefatigable Karl Ivanovich.</p>
<p>In the old-fashioned patriarchal education of Ogarëv, Sonnenber plays the part of Biron. When he made his appearance the influence of the old male nurse who had looked after the boy was put aside; the disconnected oligarchy of the hall were forced against the grain to silence, knowing that there was no overcoming the damned German who fed at the master's table. Sonnenberg made violent changes in the old order of things. The old man who had been nurse positively grew tearful when he learnt that the wretched German had taken the young master <em>himself </em> to buy ready-made boots at a shop! Sonnenberg's revolution, like Peter I's, was distinguished by a military character even in the most peaceful matters. It does not follow from that  that Karl Ivanovich' thin little shoulders had ever been adorned with epaulettes; but nature has so made the German that if he does not reach the slovenliness and sans-géne of a philologist or a theologian, he is inevitably of a military mind even though he be a civilian. By virtue of his peculiarity Karl Ivanovich liked tight fitting clothes, buttoned up and cut with a waist; by virtue of it he was a strict observer of his own rules, and, if he proposed to get up at six o' clock in the morning, he would get Nick up at one minute to six, and in no case later than one minute past, and would go out into the open air with him.</p>
<p>The Sparrow Hills, at the foot of which Karl Ivanovich had been so nearly drowned, soon became our 'sacred hills.'</p>
	<p>One day after dinner my father proposed to drive out into the country. Ogarëv was with us and my father invited him and Sonnenberg to go too. These expeditions were not a joking matter.  Before reaching the town gate we had to drive for an hour or more in a four-seated carriage 'built by Joachim,' which had not prevented it from becoming disgracefully shabby in its fifteen years of service, peaceful as they had been,  and from being, as it always had been, heavier than a siege gun. The four horses of different sizes and colours with sweat and foam within a quarter of an hour; the coachman Avdey was forbidden to let this happen, and so had no choice but to drive at a walk. The windows were usually up, however hot it might be; and with all this we had indifferently oppressive supervision of my father and the restlessly fussy and irritation supervision of Karl Ivanovich. But we gladly put up with everything for the sake of being together.</p>
<p>At Luzhniki we crossed the river Moskva in a boat at the very pot where the Cossak had pulled Karl Ivanovich out of the water. My father walked, bent and morose as always; beside him Karl Ivanovich tripped along, entertaining him with gossip and scandal. We went on in front of them, and getting far ahead ran up to the Sparrow Hills at the spot where the first stone of Vitberg's temple was laid.</p>
<p>Flushed and breathless, we stood there mopping our faces. The sun was setting, the cupolas glittered, beneath the hill the city extended farther than the eye could reach; a fresh breeze blew on our faces, we stood leaning against each other and, suddenly embracing, vowed in sight of all Moscow to sacrifice our lives to the struggle we had chosen.</p>
<p>This scene may strike others as very affected and theatrical, and yet twenty-six years afterwards I am moved to tears as I recall it; there was a sacred sincerity in it, and our whole life has proved this. But apparently a like destiny defeats all vows made on that spot; Alexander was sincere, too, when he laid the first stone of that temple, which as Joseph II said (although then mistakenly) at the laying of the first stone in some town in  Novorossiya, was destined to be the last.</p>
<p>We did not know all the strength of the foe with whom we were entering into battle, but we took up the fight. That strength broke much in us, but it was not that strength that shattered us, and we did not surrender to it in spite of all its blows. The wounds received from it were honourable. Jacob's strained thigh was the sign that he had wrestled in the night with God.</p>
<p>From that day the Sparrow Hills became a place of worship for us and once or twice a year we went there, and always by ourselves. There, five years later, Ogarëv asked me timidly and shyly whether I believed in his poetic talent, and wrote to me afterwards (1883) from his country house: 'I have come away and feel sad, as sad as I have never been before. And it's all the Sparrow Hills. For a long time I hid my enthusiasm in myself; shyness or something else, I don't myself know what, prevented me from uttering it; but on the Sparrow Hills that enthusiasm was not burdened with solitude: you shared it with me and those moments have been unforgettable; like memories of past happiness they have followed me on my way, while round me I saw nothing but forest; it was all so blue, dark blue and in my soul was darkness.</p>
	<p>'Write then,' he concluded, 'how in this place' (that is, on the Sparrow Hills) 'the story of our lives, yours and mine began to unfold.'</p>
<p>Five more years passed. I was far from the Sparrow Hills, but near me their Prometheus, A. L. Vitberg, stood, austere and gloomy. In 1842, returning to Moscow, I again visited the Sparrow Hills, and once more we stood on the site of foundation stone and gazed at the same view, two together, but the other was not Nick.</p>
<p>Since 1827 we had not been parted. In every memory of that time, general and particular, he with his boyish features and his love for me was everywhere in the foreground. Early could be seen in him that sign of grace which is vouchsafed to few, whether for woe or for bliss I know not, but certainly in order not to be one of the crowd. A large portrait of Orgarëv as he was at that time (1827-8), painted in oils, remained for long afterwards in his father's house. In later days I often stood before it and gazed at him. He is shown with an open shirt collar; the painter has wonderfully caught the luxuriant chestnut hair, the undefined, youthful beauty of his irregular features and his rather swarthy colouring; there was a pensiveness in the portrait that gave promise of powerful thought; an unaccountable melancholy and extreme gentleness shone out from his big grey eyes that suggested the future stature of a mighty spirit; such indeed he grew to be. This portrait, presented to me, was taken by a woman who was a stranger; perhaps these lines will meet her eyes and she will send it to me.</p>
<p>I do not know why the memories of first love are given such precedence over the memories of youthful friendship. The fragrance of first love lies in the fact that it forgets the difference of the sexes, that it passionate friendship. On the other hand, friendship between the young has all the ardour of love and all its character, the same delicate fear of touching on its feelings with a word, the same mistrust of self and absolute devotion, the same agony at separation, and the same jealous desire for exclusive affection.</p>
<p>I had long loved Nick and loved him passionately, but had not been able to resolve to call him my friend, and when he was spending the summer at Kuntsevo I wrote to him at the end of a letter: 'Whether your friend or not, I do not yet know.' He first used the second person singular in writing to me and used to call me his Agathon after Karamzin, while I called him my Ralphael after Schiller.</p>
<p>You will smile, perhaps, but let it be a mild, good-natured smile, such as one smiles when one thinking of the time when  on was fifteen. Or would it not be better to muse over the question, 'Was I like that when I was blossoming out?' and to bless your fate if you have had youth (merely being young is not enough for this), an to bless it doubly if you had a friend then.</p>
<p>The language of that period seems affected and bookish to us now; we have become unaccustomed to its vague enthusiasm, its confused fervour that passes suddenly into languid tenderness or childish laughter. It would be as absurd in a man of thirty as the celebrated <em>Bettina will schlafen</em>, but in its proper time this language of youth, this <em>jargon de la puberté</em>, this change of the psychological voice is very sincere; even the shade of bookishness is natural to the age of theoretical knowledge and practical ignorance.</p>
<p>Schiller remained our favourite. The characters of his dramas were living persons for us; we analysed them, loved and hated them, not as poetic creations but as living men. Moreover we saw ourselves in them. I wrote to Nick, somewhat troubled by his being too fond of Fiesco, that behind every Fiesco stands his Verrina. My ideal was Karl Moor, but soon I was false to him and went over to the Marquis of Posa. I imagined in a hundred variations how I would speak to Nicholas, and how afterwards he would send me to the mines or the scaffold. It is a strange thins that almost all our day-dreams ended in Siberia or the scaffold and hardly ever in triumph; can this be the way the Russian imagination turns, or is it the effect of Petersburg with its five gallows and its penal servitude reflected on the young generation?</p>
<p>And so, Ogarëv, hand in hand we moved forward into life! Fearlessly and proudly we advanced, generously we responded to every challenge and single heartedly we surrendered to every inclination. The path we chose was no easy one; we have never left it for one moment: wounded and broken we have gone forward and no one has outdistanced us. I have reached…not the goal but the spot where the road goes downhill, and involuntarily seek thy hand that we may go down together, that I may press it and say, smiling mournfully, 'So this is all!'</p>
<p>Meanwhile in the dull leisure to which events have condemned me, finding in myself neither strength nor freshness for new labours, I am writing down our memories. Much of that which united us so closely has settled in these pages. I present them to thee. For thee they have a double meaning, the meaning of tombstones on which we meet familiar names.</p>
<p>…And is it not strange to think that had Sonnenberg known how to swim, or had he been drowned then in the Moskva, had he been pulled out not by a Cossak of the Urals but by the soldier of the Apsheronsky infantry, I should not have met Nick or should have met him later, differently, not in that room in our old house, where, smoking cigars on the sly, we entered so deeply into each other's lives and drew strength from each other.</p>
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      <pubDate>Tue, 18 Aug 2009 02:18:42 +0000</pubDate>
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      <title><![CDATA[The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African [Book Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/58</link>
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                                    <div class="element-text"><em>The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African</em> [Book Excerpt]</div>
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                                    <div class="element-text"><p>One of the very first slave narratives, <em>The Interesting Narrative</em> of Olaudah Equiano (1745-1797), served as a prototype for the well-known slave autobiographies of the 19th century written by such fugitive slaves as Frederick Douglass and Harriet Jacobs. First published in 1772, the volume recounts Equiano's kidnapping in Africa at the age of 10 or 11, and how he was subsequently shipped to the West Indies, sent to a Virginia plantation, purchased by an officer in the British navy, and toiled on a merchant ship for a decade until he was able to buy his freedom. It also tells readers how as a free man he worked on merchant and military ships, served in the Seven Years War, and traveled to the Arctic, as well as how he became a leading figure in the British antislavery movement.</p>
  
 <p>This autobiography, which is one of the very few slave narratives to offer a first-hand description of life in Africa as well as of capture, enslavement, and experiences during the Middle Passage to the New World, can be read on multiple levels. It offers a graphic first-hand look at slavery's cruelties, including the process of enslavement and the horrors of the Middle Passage. It provides vivid insights into the social history of the 18th century and a gripping first-person account of the workings of triangular trade connecting Africa, the Americas, and Europe. The book is also a religious conversion narrative, which helps us understand how an individual coped with slavery's oppressions, as well as a travel narrative, which offers a vivid glimpse of the 18th-century Atlantic world.</p> 

<p>Yet the narrative is also problematic. The biographer Vincent Carretta has raised difficult questions about the truthfulness of Equiano's claim that he was born in Africa and the authenticity of his account of his capture and his experiences during the Middle Passage. Carretta likens the volume to another 18th-century autobiography, Benjamin Franklin's, which also uses a life story to advance larger themes and arguments.  In short, reading this book challenges a reader to weigh historical evidence and to address the problematic nature of any autobiography, including the extent to which we can rely on a writer's memories and self-representation.</p></div>
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                                    <div class="element-text">Olaudah Equiano</div>
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                                    <div class="element-text">Equiano, Olaudah. <em>The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African</em>. New York: Printed and sold by W. Durell, at his book-store and printing-office, no. 19, Q. Street, M,DCC,XCI, 1791.</div>
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                                    <div class="element-text">Printed and sold by W. Durell, at his book-store and printing-office, no. 19, Q. Street, M,DCC,XCI</div>
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                                    <div class="element-text"><h3>Excerpt I. Enslavement</h3>

<p>My father, besides many slaves, had a numerous family, of which seven lived to grow up, including myself and a sister, who was the only daughter. As I was the youngest of the sons, I became, of course, the greatest favourite of my mother, and was always with her; and she used to take particular pains to form my mind. I was trained up from my earliest years in the arts of agriculture and war; and my mother adorned me with emblems, after the manner of our greatest warriors. In this way I grew up till I was turned the age of eleven, when an end was put to my happiness in the following manner:- - Generally, when the grown people in the neighbourhood were gone far in the fields to labour, the children assembled together in some of the neighborhood's premises to play; and commonly some of us used to get up a tree to look out for any assailant, or kidnapper, that might come upon us; for they sometimes took those opportunities of our parents' absence, to attack and carry off as many as they could seize. One day, as I was watching at the top of a tree in our yard, I saw one of those people come into the yard of our next neighbour but one, to kidnap, there being many stout young people in it. Immediately, on this, I gave the alarm of the rogue, and he was surrounded by the stoutest of them, who entangled him with cords, so that he could not escape till some of the grown people came and secured him. But alas! ere long, it was my fate to be thus attacked, and to be carried off, when none of the grown people were nigh. One day, when all our people were gone out to their works as usual, and only I and my dear sister were left to mind the house, two men and a woman got over our walls, and in a moment seized us both; and, without giving us time to cry out, or make resistance, they stopped our mouths, and ran off with us into the nearest wood. Here they tied our hands, and continued to carry us as far as they could, till night came on, when we reached a small house, where the robbers halted for refreshment, and spent the night. We were then unbound; but were unable to take any food; and, being quite overpowered by fatigue and grief, our only relief was some sleep, which allayed our misfortune for a short time.</p>

<h3>Excerpt II. The Middle Passage</h3>

<p>I now saw myself deprived of all chance of returning to my native country or even the least glimpse of hope of gaining the shore, which I now considered as friendly. I even wished for my former slavery in preference to my present situation, which was filled with horrors of every kind.</p>

<p>There I received such a salutation in my nostrils as I had never experienced in my life. With the loathesomeness of the stench and the crying together, I became so sick and low that I was not able to eat, nor had I the least desire to taste anything. I now wished for the last friend, Death, to relieve me.</p>

<p>Soon, to my grief, two of the white men offered me eatables and on my refusing to eat, one of them held me fast by the hands and laid me across the windlass and tied my feet while the other flogged me severely. I had never experienced anything of this kind before. If I could have gotten over the nettings, I would have jumped over the side, but I could not. The crew used to watch very closely those of us who were not chained down to the decks, lest we should leap into the water. I have seen some of these poor African prisoners most severely cut for attempting to do so, and hourly whipped for not eating. This indeed was often the case with myself.</p> 

<p>I inquired of these what was to be done with us. They gave me to understand we were to be carried to these white people's country to work for them. I then was a little revived, and thought if it were no worse than working, my situation was not so desperate. But still I feared that I should be put to death, the white people looked and acted in so savage a manner. I have never seen among my people such instances of brutal cruelty, and this not only shown towards us blacks, but also to some of the whites themselves.</p> 

<p>One white man in particular I saw, when we were permitted to be on deck, flogged so unmercifully with a large rope near the foremast that he died in consequence of it, and they tossed him over the side as they would have done a brute. This made me fear these people the more, and I expected nothing less than to be treated in the same manner.</p> 

<p>I asked them if these people had no country, but lived in this hollow place? They told me they did not but came from a distant land. "Then," said I, "how comes it that in all our country we never heard of them?"</p> 

<p>They told me because they lived so far off. I then asked where were their women? Had they any like themselves? I was told they had.</p> 

<p>"And why do we not see them" I asked. They answered, "Because they were left behind."</p>

<p>I asked how the vessel would go? They told me they could not tell, but there was cloth put upon the masts by the help of the ropes I saw, and then vessels went on, and the white men had some spell or magic they put in the water when they liked in order to stop the vessel when they liked.</p> 

<p>I was exceedingly amazed at this account, and really thought they were spirits. I therefore wished much to be from amongst them, for I expected they would sacrifice me. But my wishes were in vain- - for we were so quartered that it was impossible for us to make our escape.</p> 

<p>At last, when the ship we were in had got in all her cargo, they made ready with many fearful noises, and we were all put under deck, so that we could not see how they managed the vessel.</p> 

<p>The stench of the hold while we were on the coast was so intolerably loathsome, that it was dangerous to remain there for any time. . . some of us had been permitted to stay on the deck for the fresh air. But now that the whole ship's cargo were confined together, it became absolutely pestilential. The closeness of the place and the heat of the climate, added to the number of the ship, which was so crowded that each had scarcely room to turn himself, almost suffocated us.</p> 

<p>This produced copious perspirations so that the air became unfit for respiration from a variety of loathsome smells, and brought on a sickness among the slaves, of which many died- - thus falling victims of the improvident avarice, as I may call it, of their purchasers. This wretched situation was again aggravated by the galling of the chains, which now became insupportable, and the filth of the necessary tubs [toilets] into which the children often fell and were almost suffocated. The shrieks of the women and the groans of the dying rendered the whole a scene of horror almost inconceivable.</p> 

<p>Happily perhaps for myself, I was soon reduced so low that it was necessary to keep me almost always on deck and from my extreme youth I was not put into fetters. In this situation I expected every hour to share the fate of my companions, some of whom were almost daily brought upon the deck at the point of death, which I began to hope would soon put an end to my miseries. Often did I think many of the inhabitants of the deep much more happy than myself. I envied them the freedom they enjoyed, and as often wished I could change my condition for theirs. Every circumstance I met with, served only to render my state more painful and heightened my apprehensions and my opinion of the cruelty of the whites.</p> 

<p>One day, when we had a smooth sea and moderate wind, two of my wearied countrymen who were chained together (I was near them at the time), preferring death to such a life of misery, somehow made through the nettings and jumped into the sea. Immediately another quite dejected fellow, who on account of his illness was suffered to be out of irons, followed their example. I believe many more would very soon have done the same if they had not been prevented by the ship's crew, who were instantly alarmed. Those of us that were the most active were in a moment put down under the deck, and there was such a noise and confusion among the people of the ship as I never heard before to stop her and get the boat out to go after the slaves. However, two of the wretches were drowned, but they got the other and afterwards flogged him unmercifully for thus attempting to prefer death to slavery.</p> 

<h3>Excerpt III. Arrival in the New World</h3>

<p>As the vessel drew nearer, we plainly saw the harbor and other ships of different kinds and sizes and we soon anchored amongst them off Bridgetown. Many merchants and planters came on board. . . They put us in separate parcels and examined us attentively. They also made us jump, and pointed to the land, signifying we were to go there. We thought by this we should be eaten by these ugly men, as they appeared to us. When soon after we were all put down under the deck again, there was much dread and trembling among us and nothing but bitter cries to be heard all the night from the apprehensions. At last the white people got some old slaves from the land to pacify us. They told us we were not to be eaten, but to work, and were soon to go on land, where we should see many of our country people. This report eased us much, and sure enough, soon after we landed, there came to us Africans of all languages.</p> 

<p>We were conducted immediately to the merchant's yard, where we were all pent up together, like so many sheep in a fold, without regard to sex or age. As every object was new to me, everything I saw filled me with surprise. What struck me first was that the houses were built with bricks and stories, and in every respect different from those I had seen in Africa, but I was still more astonished to see people on horseback. I did not know what this could mean, and indeed I thought these people were full of nothing but magical arts. While I was in this astonishment, one of my fellow prisoners spoke to a countryman of his about the horses who said they were the same kind they had in their country. I understood them, though they were from a distant part of Africa and I thought it odd I had not seen any horses there; but afterwards when I came to converse with different Africans, I found they had many horses amongst them, and much larger than those I then saw.</p> 

<p>We were not many days in the merchant's custody, before we were sold after their usual manner. . . . On a signal given, (as the beat of a drum), buyers rush at once into the yard where the slaves are confined, and make a choice of that parcel they like best. The noise and clamor with which this is attended, and the eagerness visible in the countenances of the buyers, serve not a little to increase the apprehension of terrified Africans. . . . In this manner, without scruple, are relations and friends separated, most of them never to see each other again. I remember in the vessel in which I was brought over. . . there were several brothers who, in the sale, were sold in different lots; and it was very moving on this occasion, to see and hear their cries in parting.</p></div>
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                                    <div class="element-text">142, 143, 144, 145</div>
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      <pubDate>Thu, 01 May 2008 21:46:58 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Childhood and Transatlantic Slavery]]></title>
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                                    <div class="element-text">Analysis of excerpts from <em>The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African</em> helps students to reconstruct children's experience under slavery, to place slavery in a world history perspective, and to explore the problems facing historians in assessing evidence and addressing the problematic nature of sources.</div>
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                                    <div class="element-text">Steven Mintz</div>
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                                    <div class="element-text"><p>Carretta likens the volume to another 18th-century autobiography, Benjamin Franklin's, which also uses a life story to advance larger themes and arguments. In short, reading this book challenges a reader to weigh historical evidence and to address the problematic nature of any autobiography, including the extent to which we can rely on a writer's memories and self-representation.</p></div>
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                                    <div class="element-text"><p>Until recently, the subject of childhood under slavery was almost entirely unstudied. This was true despite the fact that childhood is central to an understanding of slavery. In classical antiquity, abandoned children were a major source of slaves. Although most sub-Saharan Africans forced into slavery were in their teens and 20s, a substantial and growing proportion were children. In the American South in the decades before the Civil War, half of all slaves were under the age of 16.</p>

<p>A focus on children not only underscores slavery's oppressions, it also reveals the ways that enslaved children and their parents dealt with slavery's hardships and horrors. It demonstrates that even children were active agents who were able to carve out a space where they could find a degree of autonomy.</p>

<p>The study of slave children has brought many important facts to light. Infant and child mortality rates were twice as high among slave children as among southern white children. A major contributor to the high infant and child death rate was chronic undernourishment. Slaveowners showed surprisingly little concern for slave mothers' health or diet during pregnancy, providing pregnant women with no extra rations and employing them in intensive field work even in the last week before they gave birth. Not surprisingly, slave mothers suffered high rates of spontaneous abortions, stillbirths, and deaths shortly after birth. Half of all slave infants weighed less than 5.5 pounds at birth, or what we would today consider to be severely underweight.</p>

<p>Growth rates among slave children were extremely slow. Most infants were weaned early, within three or four months of birth, and then fed gruel or porridge made of cornmeal. Around the age of three, they began to eat vegetables soups, potatoes, molasses, grits, hominy, and cornbread. This diet lacked protein, thiamine, niacin, calcium, magnesium, and vitamin D, and as a result, slave children often suffered from night blindness, abdominal swellings, swollen muscles, bowed legs, skin lesions, and convulsions. These apparently stemmed from beriberi, pellagra, tetany, rickets, and kwashiorkor, diseases that are caused by protein and nutritional deficiencies.</p> 

<p>Deprived of an adequate diet, slave children were very small by modern standards. Their average height at age three was shorter than 99 percent of 20th-century American three year olds. At age 17, slave men were shorter than 96 percent of present day 17-year-old men and slave women were shorter than 80 percent of contemporary women.</p>

<p>About half of all U.S. slave children grew up apart from their father, either because he lived on another plantation, had been sold away, or was white. On large plantations, infants and very young children were supervised and cared for by adults other than their parents. Children as young as two or three might work at domestic chores, including childcare or collecting trash and kindling, toting water, scaring away birds, weeding, or plucking grubs off of plants. Generally, in the U.S. South, children entered field work between the ages of eight and 12.</p>

<p>Slave children received harsh punishments, not dissimilar from those meted out to adults. They might be whipped or even required to swallow worms they failed to pick off of cotton or tobacco plants. During adolescence, a majority of slave youth were sold or hired away.</p>

<p>The study of childhood under slavery has given rise to a series of controversies. One is the extent to which slave children succeeded in "stealing" a childhood. Despite slavery's hardships and brutalities, many slave children were able to experience something that we would consider a childhood. Children played with home-made toys, including improvised marbles and hobby horses. Even where education was forbidden or strongly discouraged, a surprising proportion—perhaps between five and ten percent—learned how to read and write. Through their activities, games, religion, and relations with kin and other members of the slave community, children were able to make life bearable.</p>

<p>Like children of the Holocaust, they played games that helped them cope with slavery's oppressions, including mock auctions or games that included whipping. Their songs, too, helped them deal with slavery's horrors. One song included the following lyrics that addressed the subject of family separation directly: "Mammy, is Ole' Massa gwin'er sell us tomorrow? / Yes, my chile. / Whar he gwin'er sell us? / Way down South in Georgia."</p>

<p>Another area of controversy involves the extent to which slave parents were able to shield their children from slavery's brutalities. We have discovered that there was a "tug-of-war" between slave children's parents and plantation masters and mistresses, who were eager to make slave children, especially young children, feel loyalty, and even gratitude, to their owners. To win over children's affection, owners sometime gave them gifts and favors. At times, owners asked children to report rules violations within the slave quarters.</p>

<p>Slave parents, in turn, sought to instill in their children a sense of loyalty to the slave community as a whole. They taught children to refer to other girls and boys as sister and brother, and to unrelated adults as aunt or uncle. Through folk tales, such as the famous "Br'er Rabbit" stories, parents taught their children how to outwit more powerful adversaries.</p>

<p>Less studied questions are how the lives of slave children differed in urban and rural areas or on larger and smaller plantations, and how childhood experience differed at various points in time.</p> 

<h3>Why I Taught the Source</h3>

<p>In reconstructing children's experience under slavery, historians tap a wide range of sources. These include the published testimony of fugitive or emancipated slaves, contemporary letters, journals, plantation records, and oral histories, such as those collected by the U.S. Works Projects Administration during the Great Depression of the 1930s. Recently, scholars have supplemented traditional sources with unconventional forms of evidence, including photographs, slave songs, and artifacts, such as toys.</p> 

<p>Published narratives by fugitive or former slaves provide especially useful insights into the world history of slave children. Especially notable are those by Frederick Douglass and Harriet Jacobs, who were enslaved in the U.S. during the early 19th century and whose writings underscore important aspects about childhood under slavery: (1) the extent of interracial interaction, including interracial play, on plantations in the U.S. South; (2) the moment when the full reality of life-long bondage dawned on slave children and the moment when they learned that adults in their lives, including parents, could not protect them from punishment; and (3) the harsh reality of sexual abuse faced by slave girls in their teenage years.</p>

<p>Especially useful in helping to place slavery in a world history perspective is one of the first slave narratives, <em>The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African</em>, originally published in 1772. A former slave who purchased his freedom from a Quaker merchant in 1766, he traveled across the Atlantic and the Mediterranean on British merchant ships, served in the British navy, and became a leading figure in the 18th-century British antislavery movement. His autobiography, which went through nine editions between 1789 and 1797 and was translated into Dutch, German, and Russian, awakened thousands of readers to the horrors of the Atlantic slave trade.</p>

<p>His narrative challenges the view that Africa at the time of the slave trade was a benighted or backward region. His region, "a charming fruitful vale, named Essaka," was "uncommonly rich," and his fellow countrymen were "almost a nation of dancers, musicians, and poets." He offers a graphic account of his kidnapping into slavery at the age of 11, and describes being held captive along the West African coast for seven months before was subsequently sold to British slavers, who shipped him to Barbados and then took him to Virginia.</p>

<p>His narrative also offers a harrowing account of the shock and isolation he felt during the Middle Passage across the Atlantic. His description of the inhuman conditions aboard the slave ship has a power that has not been matched. "The air soon became unfit for respiration, from a variety of loathsome smells, and brought on a sickness among the slaves, of which many died," he wrote. "The closeness of the place and the heat of the climate," he wrote, "added to the number in the ship, which was so crowded that each had scarcely room to turn himself, almost suffocated us. . . .  The wretched situation was again aggravated by the galling of the chains, now become insupportable. . . . The shrieks of the women, and the groans of the dying, rendered the whole a scene of horror almost inconceivable."</p>

<h3>How I Introduce the Source</h3>

<p>Our knowledge about the past is derived from surviving sources of varying reliability. Primary sources provide the raw data out of which history is reconstructed. These may include printed or published texts, unpublished manuscripts and papers, maps and other visual materials, music and other audio materials, and artifacts. Primary sources must be used cautiously and critically because they do not offer an unmediated view of the past. At best, they offer a partial view. How, then, should students read the sources? By asking a series of questions dealing with: (1) <strong>authorship</strong> (who was the author of the primary source? when and why did the author write this text?); (2) <strong>content</strong> (what information does the primary source convey? is the author propounding a thesis or argument? what rhetorical techniques does the author use?); (3) <strong>purpose</strong> (what was the author's purpose in writing this text? what was the intended audience?); and (4) <strong>reliability</strong> (is the author's account credible? how would you describe the author's tone?)</p>

<h3>Reading the Source</h3>

<p>I have students read several excerpts from Equiano's autobiography. Either as a class or in small groups, we discuss each one, focusing on the questions about authorship, content, purpose, and reliability noted above.</p>
 
<p>This autobiography can be read on multiple levels. It offers a graphic first-hand look at slavery's cruelties, including the process of enslavement and the horrors of the Middle Passage. It provides vivid insights into the social history of the 18th century and a gripping first-person account of the workings of triangular trade connecting Africa, the Americas, and Europe. The book is also a religious conversion narrative, which helps us understand how an individual coped with slavery's oppressions, as well as a travel narrative, which offers a vivid glimpse of the 18th-century Atlantic world.</p>

<p>At this point, I complicate the discussion by introducing students to a lively scholarly controversy: a recent debate over whether Equiano was actually born in Africa. Two surviving documents—Equiano's baptismal records and the Royal Navy's muster rolls—indicate that he was born in "Carolina," leading Equiano's biographer, Vincent Carretta, to conclude that his "account of Africa may be based on oral history and reading, rather than personal experience." Carretta likens the volume to another 18th-century autobiography, Benjamin Franklin's, which also uses a life story to advance larger themes and arguments. In short, reading this book challenges a reader to weigh historical evidence and to address the problematic nature of any autobiography, including the extent to which we can rely on a writer's memories and self-representation.</p> 

<p>Critics argue that the surviving documents may be mistaken, noting, for example, that the muster list gives the wrong last name for Equiano, suggesting its reference to his birthplace might also be incorrect. I then have the students discuss whether the debate over Equiano's birthplace lessens the value of his account. Here, it is important to note that even if his account is a composite of stories and information gathered from others, this does not make it a work of fiction.</p></div>
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        <h3>Case Study Author</h3>
                                    <div class="element-text">Steven Mintz</div>
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        <h3>Case Study Institution</h3>
                                    <div class="element-text">Columbia University</div>
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        <h3>Primary Source ID</h3>
                                    <div class="element-text">142, 143, 144, 145</div>
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      <pubDate>Thu, 01 May 2008 21:31:15 +0000</pubDate>
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