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    <title><![CDATA[Children and Youth in History]]></title>
    <link>http://cyh.rrchnm.org/items/browse?tag=Birth&amp;output=rss2</link>
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    <pubDate>Wed, 11 Aug 2021 03:22:49 +0000</pubDate>
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      <title><![CDATA[Thai Palm Leaf Fish Mobile for the Cradle [Object]]]></title>
      <link>https://cyh.rrchnm.org/items/show/367</link>
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                                    <div class="element-text">Thai Palm Leaf Fish Mobile for the Cradle [Object]</div>
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                                    <div class="element-text"><p>The fish mobile above is a type traditionally hung over the cradle in Thailand. It is made from the folded, woven leaves of the palm, especially in Phra Nakhon Si Ayutthaya province. The fish depicted is the Thai barb, or carp, which is a symbol of prosperity. The smaller fish, the offspring of the larger one, are thought to symbolize fertility. The custom of making the woven mobiles is indigenous to Thai Muslims, particularly the spice traders who sailed in houseboats along the Chao Phraya River. Fish mobiles are also placed in the entry of homes and shops as a harbinger of good fortune. The text describing the custom is from the 1948 book by Phya Anuman Rajadhon (1888-1969) <em>Customs Connected with Birth and the Rearing of Children</em>. The author is a prolific and well regarded literary figure and university professor. Although he did not receive formal academic training in anthropology, his writings have constituted a major source for anthropologists and others on customs from Siam, the traditional name for Thailand.</p></div>
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                                    <div class="element-text">Text: Phya Anuman Rajadhon, <em>Life and Ritual in Old Siam; Three Studies of Thai Life and Customs</em> (New Haven: HRAF Press, 1961). Photograph: The Lima Place Ayutthaya, <a class="external" href="http://www.limaplace.com/index.php?lay=show&ac=article&Id=538852464l">http://www.limaplace.com/index.php?lay=show&ac=article&Id=538852464</a> (accessed July 5, 2010). Annotated by Susan Douglass.</div>
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                                    <div class="element-text"><p>"While  the child is lying in the cradle, besides singing lullabys and swinging it to sleep, there is also a fish or waterskipper for the child to look at, hanging over the cradle toward the head, but not too high, for the child will roll its eyes  upward to look at it. When a child rolls its eyes  upward like this, they believe that this is a time when the purchasing mother [spirit] comes to molest it. These fish are tied and woven of nipa palm leaves in the form of a fish of fairly large size, and painted green, red, and, yellow. There are many small fish which are supposed to be its young, hanging from it. Even now these are sometimes seen for sale." <a href="#note1" id="fn1" class="footnote">1</a> 

<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a>  Phya Anuman Rajadhon, <em>Customs Connected with Birth and the Rearing of Children</em>, 1948.</p>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/356/fullsize"><img src="/files/display/356/square_thumbnail" class="thumb" alt="Thai Palm Leaf Fish Mobile for the Cradle [Object]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Mon, 23 Nov 2009 15:59:12 +0000</pubDate>
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    <item>
      <title><![CDATA[Samoan Baby and Baby-Tender [Anthropology Text]]]></title>
      <link>https://cyh.rrchnm.org/items/show/366</link>
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                                    <div class="element-text">Samoan Baby and Baby-Tender [Anthropology Text]</div>
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                                    <div class="element-text"><p>In 1928, Margaret Mead published <em>Coming of Age in Samoa</em>, an anthropological work based on fieldwork she had conducted on female adolescents in Samoa. In 1925, Mead observed, interviewed, and interacted with 68 girls between the ages of 9 and 20 living in three villages on the island of Ta‘ū in American Samoa. After 9 months of study, Mead concluded that unlike stressed American girls, the well-balanced and carefree nature of sexually active Samoan girls was due to the cultural stability of their society free of conflicting values, expectations, and shameful taboos.</p>

<p>According to Margaret Mead, Samoan girls' healthy adolescence was shaped by their upbringing. In this excerpt from her study, Mead describes Samoan birth rituals, infancy, childhood as well as such child-rearing issues as nourishment and punishment.</p> 

<p>The focus of the final excerpt is the role of baby-tender thrust on the 6-or 7-year-old girl. This tyranny of toddlers represents "the worst period"
in the life-cyle of Samoan females. How do Samoan girls' work responsibilities compare with the komori in Japan and "little mothers" in the U.S.?</p>
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                                    <div class="element-text">Margaret Mead, <em>Coming of Age in Samoa: A Psychological Study of Primitive Youth for Western Civilisation</em> (New York: Morrow Quill, 1961), 20–24. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text"><p>Birthdays are of little account in Samoa. But for the birth itself of the baby of high rank, a great feast will be held, and much property given away. The first baby must always be born in the mother's village and if she has gone to live in the village of her husband, she must go home for the occasion. For several months before the birth of the child the father's relatives have brought gifts of food to the prospective mother, while the mother's female relatives have been busy making pure white bark cloth for baby clothes and weaving dozens of tiny pandanus mats which form the layette. The expectant mother goes home laden with food gifts and when she returns to her husband's family, her family provides her with the exact equivalent in mats and bark cloth as a gift to them. At the birth itself the father's mother or sister must be present to care for the new-born baby while the midwife and the relatives of the mother care for her. There is no privacy about a birth. Convention dictates that the mother should neither writhe, nor cry out, nor inveigh against the presence of twenty or thirty people in the house who sit up all night if need be, laughing, joking, and playing games. The midwife cuts the cord with a fresh bamboo knife and then all wait eagerly for the cord to fall off, the signal for a feast. It the baby is a girl, the cord is buried under a paper mulberry tree (the tree from which bark cloth is made) to ensure her growing up to be industrious at household tasks; for a boy it is thrown into the sea that he may be a skilled fisherman, or planted under a taro plant to give him industry in farming. Then the visitors go home, the mother rises and goes about her daily tasks, and the new baby ceases to be of much interest to any one. The day, the month in which it was born, is forgotten. Its first steps or first words are remarked without exuberant comment, without ceremony. . .</p>

<p>Babies are always nursed, and in the few cases where the mother's milk fails her, a wet nurse is sought among the kinsfolk. From the first week they are also given other food, papaya, cocoanut milk, sugar-cane juice; the food is either masticated by the mother and then put into the baby's mouth on her finger, or if it is liquid, a piece of bark cloth is dipped into it and the child allowed to suck it, as shepherds feed orphaned lambs. The babies are nursed whenever they cry and there is no attempt at regularity. Unless a woman expects another child, she will nurse a baby until it is two or three years old, as the simplest device for pacifying its crying. Babies sleep with their mothers as long as they are at the breast; after weaning they are usually handed over to the care of some younger girl in the household. They are bathed frequently with the juice of a wild orange and rubbed with cocoanut oil until their skins glisten.</p>

<p>The chief nurse-maid is usually a child of six or seven who is not strong enough to lift a baby over six month sold, but who can carry the child straddling the left hip, or on the small of the back. A child of six or seven months of age will assume this straddling position naturally when it is picked up. Their diminutive nurses do not encourage children to walk, as babies who can walk about are more complicated charges. They walk before they talk, but it is impossible to give the age of walking with any exactness, though I saw two babies walk whom I knew to be only nine months old, and my impression is that the average age is about a year. The life on the floor, for all activities within a Samoan house are conducted on the floor, encourages crawling, and children under three or four years of age optionally crawl or walk. . .</p>

<p>The weight of the punishment usually falls upon the next oldest child, who learns to shout, “Come out of the sun,” before she has fully appreciated the necessity of doing so herself. By the time Samoan girls and boys have reached sixteen or seventeen years of age these perpetual admonitions to the younger ones have become an inseparable part of their conversation, a monotonous, irritated undercurrent to all their comments. I have known them to intersperse their remarks every two or three minutes with, “Keep still,” “Sit still,” “Keep your mouth shut,” “Stop that noise,” uttered quite mechanically although all of the little ones present may have been behaving as quietly as a row of intimidated mice. On the whole, this last requirement of silence is continually mentioned and never enforced. The little nurses are more interested in peace than in forming the characters of their small charges and when a child begins to howl, it is simply dragged out of earshot of its elders. No mother will ever exert herself to discipline a younger child if an older one can be made responsible. . . .</p>

<p>This fear of the disagreeable consequences resulting from a child's crying, is so firmly fixed in the minds of the older children that long after there is any need for it, they succumb to some little tyrant's threat of making a scene, and five-year-olds bully their way into expeditions on which they will have to be carried, into weaving parties where they will tangle the strands, and cook houses where they will tear up the cooking leaves or get thoroughly smudged with the soot and have to be washed—all because an older boy or girl has become so accustomed to yielding any point to stop an outcry.</p>
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      <pubDate>Sun, 22 Nov 2009 20:10:15 +0000</pubDate>
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    <item>
      <title><![CDATA[Fire Hair Shaving and Khwan Ceremony, Thailand [Still Image]]]></title>
      <link>https://cyh.rrchnm.org/items/show/365</link>
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                                    <div class="element-text">Fire Hair Shaving and Khwan Ceremony, Thailand [Still Image]</div>
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                                    <div class="element-text"><p>The text and photographs above describe a traditional Thai birth ritual that celebrates the child's reaching the milestone of one month old, at which time its survival seems more assured than at birth, and it becomes a full-fledged member of the family. Before the infant is one month old, according to tradition, it may have belonged merely to spirits. At this time, a Buddhist monk cuts the infant's hair. "Fire hair" refers to the hair with which the child was born and that grows until the end of its mother's postpartum period of lying in, or lying near the fire as Phya Anuman described the custom. The photograph shows the monk cutting or shaving the hair. The hair is placed on a small raft made of banana leaf and set afloat. The second part of the ceremony involves tying unspun cotton threads around the child's wrists and ankles.</p> 
<p>This ceremony of the "khwan," the soul or life spirit, is a prominent object of ritual, and the   text describing the custom is from Phya Anuman Rajadhon's (1888-1969) <em>Customs Connected with Birth and the Rearing of Children</em> (1948). The author is a prolific and well regarded literary figure and university professor. Although he did not receive formal academic training in anthropology, his writings have constituted a major source for anthropologists and others on customs from Siam, the traditional name for Thailand. The photographs are from the baby photo album on a website by Thailand's most prominent teenage blogger, Panrit "Gor" Daoruang, who began an online diary at the age of twelve, and chronicled his own life and aspects of Thai culture and contemporary life, and teaching both English and Thai language through stories, quizzes and audio files. The site attracted the attention of the Office of the National Culture Commission for its value in promoting Thailand's image to a worldwide audience.</p> 
</div>
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                                    <div class="element-text">Photographs: Panrit "Gor" Daoruang at <em>Thailand Life</em>, <a class="external" href="http://www.thailandlife.com/my-thai-childhood/index.php">http://www.thailandlife.com/my-thai-childhood/index.php</a> (accessed November 1, 2009). Text: Phya Anuman Rajadhon, <em>Customs Connected with Birth and the Rearing of Children</em> in Anuman Rajadhon, <em>Life and Ritual in Old Siam; Three Studies of Thai Life and Customs</em>, trans. William J. Gedney (New Haven: HRAF Press, 1961), 171–5. Annotated by Susan Douglass.</div>
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                                    <div class="element-text"><p>"When a child reaches the age of one month and one day (probably people wish to make sure that it is a full month, and so they add another day), it is past danger from illnesses which are understood to be inflicted by spirits. They arrange a big fire-hair-shaving and khwan ceremony. Sometimes they also name the child at this time; this is a matter of receiving the new born child into the register of membership in the family.</p> 
<p>In shaving the fire-hair they must make an offering for the spirit of the place according to custom. When they shave the hair they leave a clump at the top of the head, saying that it protects the top of the head which is still thin. The hair that is shaved off is placed in a banana-leaf container with a Caladium or lotus leaf laid in the bottom; sometimes flowers are mixed in. . . . Then it is taken and floated on the water at low water. . .  The person who takes it and floats it must say,'‘We ask for a life of coolness and happiness like the sacred Ganges,' or something else of this sort. . . .  Our floating the hair on the water is probably derived from. . . Indian custom. . . Then the relatives preform [sic] a ceremony of tying the khwan cotton thread around the child's wrists and ankles, and give a blessing according to custom; or if things are done well there are also gifts for the child. What has been described is the ceremony which ordinary people may perform. In the case of wealthy or prominent people the ceremony may be as large as their resources, ability and birth permit. That is, they must have an astrologer name the auspicious day for the khwan ceremony; there must be Brahman and astrologer's ceremonial things (the astrologer goes and speaks in a low tone beside the eye level shrine on which offerings are laid, there are various offerings; there must be a baaj sii [offering]; there is a person to perform the khwan ceremony, called the child's purchasing mother [midwife]; there is encircling with candles; and there are monks to give Buddhist chants in this ceremony. Sometimes the pot containing the afterbirth which has been saved is also entered in this ceremony, together with the silver and gold coconuts for planting when the afterbirth is buried. What has been described briefly is not always performed exactly like this. There are sometimes additions or deletions. It is rather a matter which depends on one's teacher.</p>
<p>. . . When the khwan and shaving-the-fire-hair ceremony is finished, they perform a ceremony of placing the child in the cradle. They are to procure a white gourd…a medicine-pounding mortar and pestle, and a tom-cat. They must tidy up the cat first. Besides these things there are small cloth bags, one filled with paddy, one with pulse, one with sesame, and one with cottonseed. . . These  things are laid in the cradle. If the child to enter the cradle is a boy, there are to be a notebook and pencil. If it is a girl, there are to be a thread and needle laid in the cradle also. . . Besides this there may also be a baaj sii [offering] in a dish and encircling with candles. When the objects named above have been placed in the cradle they begin at once to swing it. . . When they have swung it three times they take the cat out of the cradle and carry the child in the arms and put it in the cradle in place of the cat. They swing it three times in the same way, pronouncing a blessing upon the child according to custom, as they swing it. Thus the ceremony is finished. If the child is also to be named at this time, some teachers write the child's name on a paper and lay it in the cradle also."</p>
</div>
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            <div id="document-item-type-metadata-related-primary-sources" class="element">
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                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/366/fullsize"><img src="/files/display/366/square_thumbnail" class="thumb" alt="Fire Hair Shaving and Khwan Ceremony, Thailand [Still Image]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Thu, 19 Nov 2009 17:52:50 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/366/fullsize" type="image/jpeg" length="142010"/>
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    <item>
      <title><![CDATA[Birth Rituals - Codex Mendoza [Painting]]]></title>
      <link>https://cyh.rrchnm.org/items/show/305</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Birth Rituals - Codex Mendoza [Painting]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>The image from the <em>Codex Mendoza</em> (produced ca. 1535-1550) describes the Aztec birth ritual of bathing and naming the child, which, according to accounts from the 16th century, was usually held on the fourth day after birth. It was attended by the parents and kin, who gathered in the house before sunrise to feast and observe the ceremony. The midwife who aided the birth conducted the ceremony, and she is shown holding the infant. After consulting with the <em>tonalpouhqui</em>, a person knowledgeable in the sacred books would determine the sign of the child based on the moment of birth.</p>

<p>The image is a narrative, showing a sequence of events through the use of multiple images connected by dotted lines. The midwife took the infant from the cradle near its mother and carried it to a pottery vessel filled with water, placed on a mat. The midwife's counterclockwise footprints circle the mat, where two sets of symbolic objects are placed. Male infants were given a shield and arrows, tools for wood-, feather-, and metal-work, and the scribe's implements (depicted above the mat). Female children were given domestic objects: a broom, a reed basket and a spindle (depicted below the mat). The midwife performed four rituals with the water: she invoked the goddess of water and put drops of water on the baby's mouth, telling it to receive the water it needs to live upon the earth; she touched the baby's chest with her wet hand and invoked the purifying property of water that cleans the heart; she cast drops of water on the baby's head, telling the baby to let the water enter its body to dwell there. Finally, the midwife washed the child's body to keep evil away from it. After these four rites, a boy child was presented to the sky four times, calling on the sun and the astral gods, asking that he become a warrior. A girl child was not presented to the sky—a masculine god, but after the washing the midwife spoke to the cradle asking the protection of the mother goddess. Following the ceremony, the baby was given a name, often one based on the day and time of birth.</p> 

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                                    <div class="element-text"><em>Codex Mendoza</em>, prepared on the order of Don Antonio de Mendoza, Viceroy of New Spain, for the Emperor Charles V., Mexico; c. 1535-50, Bodleian Library, MS. Arch. Selden. A. 1, fol. 57r. Annotated by Susan Douglass.</div>
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                                    <div class="element-text">Dana Leibsohn</div>
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                                    <div class="element-text">275</div>
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                                    <div class="element-text">image/jpeg</div>
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                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/240/fullsize"><img src="/files/display/240/square_thumbnail" class="thumb" alt="Birth Rituals - Codex Mendoza [Painting]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Wed, 30 Sep 2009 01:44:06 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/240/fullsize" type="image/jpeg" length="93376"/>
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    <item>
      <title><![CDATA[Gender Roles among the Nahua in the Codex Mendoza [Painting]]]></title>
      <link>https://cyh.rrchnm.org/items/show/276</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Gender Roles among the Nahua in the Codex Mendoza [Painting]</div>
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        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text"><p>From the time of birth, children in Aztec, or Nahua, society were socialized into gender roles. In the birth ritual introducing the infant to society, symbolic objects clearly differentiated. Boys were to be warriors and craftsmen, and girls were to tend to domestic chores. Articles of clothing&mdash;loincloth and cape for the boy, shift and skirt for the girl&mdash;were given to the child. The umbilical cord of the boy was buried in a field to associate him with the battlefield; the girl&rsquo;s cord was buried in a corner of the house, each space signifying the sites of social productivity. The image from the <em>Codex Mendoza</em> depicts ways in which childhood socialization patterns differed for boys and girls, systematically divided into panels on the left and right sides of the page, each vignette separated from the other by a line.  In each scene, male and female adults preside over raising boys and girls, respectively. From infant to adult, children were classed into age-cohorts, each with its expectations. A ritual called <em>izcalli</em> took place every four years and involved a purification ceremony for children of that cohort in a fire with the acrid smoke from chili peppers. The image shows a small boy being held over the fire, the girl in front of it. Children were also held up by the head or neck to make them grow tall; their ears were pierced with maguey thorns for later ornaments. Other scarification rituals took place at various stages of maturity. After the age of four, children became responsible for gender-specific chores, and began to wear adult-like garments. They were socialized into patterns of speaking, showing respect, and sitting in gender-specific postures. Boys learned endurance, sleeping bound on the cold, wet ground; girls perfected sweeping rituals for purification of the house. The boy is taught to carry firewood, while the girl learns to grind maize and make tortillas. The image on the bottom shows an older boy learning to fish, and the girl weaving spun thread on a back-strap loom&mdash;both tasks that would require a child to reach a certain size and strength. These measures in early childhood may reflect brief life expectancies in which every member of the family had to contribute to the prosperity of the society.</p>
<p>&nbsp;</p>
<p><em>Annotation written by Susan Douglass.</em></p></div>
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        <h3>Source</h3>
                                    <div class="element-text"><em>Codex Mendoza</em>, prepared on the order of Don Antonio de Mendoza, Viceroy of New Spain, for the Emperor Charles V., Mexico; c. 1535-50, Bodleian Library, MS. Arch. Selden. A. 1, fol. 60r.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Dana Leibsohn</div>
                    </div><!-- end element -->
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">275</div>
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            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">image/jpeg</div>
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        <h3>Language</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="still-image-item-type-metadata-image-description" class="element">
        <h3>Image Description</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/207/fullsize"><img src="/files/display/207/square_thumbnail" class="thumb" alt="Gender Roles among the Nahua in the Codex Mendoza [Painting]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Wed, 19 Aug 2009 17:19:33 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/207/fullsize" type="image/jpeg" length="134441"/>
    </item>
    <item>
      <title><![CDATA[Linen towel with Indigo Woven Border [Object]]]></title>
      <link>https://cyh.rrchnm.org/items/show/246</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Linen towel with Indigo Woven Border [Object]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Italian noblewomen presented soft, absorbent, linen towels with indigo woven borders to birthing mothers during the 14th century and later. The cultural context of the towels is illustrated in Italian paintings of the period depicting childbirth customs such as presentation and use of the towels. For example, this fresco by Paolo di Giovanni Fei, <em>Birth of the Virgin Mary</em> (1380) displays several uses for the towels. Women used these soft, fringed cloths as head coverings, tablecloths, and for wrapping household items. The towels were originally imported from Egypt, a center for linen and indigo dye production and weaving. Weavers finished the white body of the towels with fringe and woven border designs featuring Arabic inscriptions called tiraz. Tiraz bands alternated with geometric, plant, or animal designs. Like other luxury textiles from the East, imported Egyptian towels were copied by Italian weavers, eventually becoming a specialty of Perugia and other weaving centers. In place of the tiraz, pseudo-Arabic and then Latin lettering with Christian motifs appeared in the European border designs.</p> </div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Paolo di Giovanni Fei (Italian, act. 1372-1411), <em>The Birth of the Virgin with Saints</em>, 1391, Tempera on wood: 259 x 204 cm Siena: Pinacoteca Nazionale, image at the University of Wisconsin, Madison, 
<a class="external" href="http://www.wisc.edu/arth/ah321/22.html">http://www.wisc.edu/arth/ah321/22.html </a> (accessed June 1, 2009);  Towel, Italy, Perugia (?), late 15th-early 16th Century, Accession Number:1917.281 Cleveland Museum of Art, Cleveland, Ohio at 
<a class="external" href="http://www.clemusart.com/explore/helpmeta.asp?woid=26842">http://www.clemusart.com/explore/helpmeta.asp?woid=26842</a> (accessed June 1, 2009).</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Susan Douglass</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">image/jpeg</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="still-image-item-type-metadata-image-description" class="element">
        <h3>Image Description</h3>
                                    <div class="element-text">Two images. First image of a soft, absorbent, linen towel with indigo woven borders. Second image is an Italian fresco that illustrates the cultural context of the towels. This fresco by Paolo di Giovanni Fei, titled &quot;Birth of the Virgin Mary&quot; (1380) displays several uses for the towels. Women used these soft, fringed cloths as head coverings, tablecloths, and for wrapping household items.</div>
                    </div><!-- end element -->
            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/167/fullsize"><img src="/files/display/167/square_thumbnail" class="thumb" alt="Linen towel with Indigo Woven Border [Object]" width="250" height="250"/>
</a></div><div class="item-file image-jpeg"><a class="download-file" href="/files/download/168/fullsize"><img src="/files/display/168/square_thumbnail" class="thumb" alt="Linen towel with Indigo Woven Border [Object]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Mon, 22 Jun 2009 16:34:12 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/167/fullsize" type="image/jpeg" length="62199"/>
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