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    <title><![CDATA[Children and Youth in History]]></title>
    <link>http://cyh.rrchnm.org/items/browse?tag=Customs&amp;output=rss2</link>
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    <pubDate>Wed, 11 Aug 2021 03:25:20 +0000</pubDate>
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      <title><![CDATA[Children Working in a Village [Photographs]]]></title>
      <link>https://cyh.rrchnm.org/items/show/298</link>
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                                    <div class="element-text">Children Working in a Village [Photographs]</div>
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                                    <div class="element-text"><p>These photographs are included in an archive with over 600 images all taken by U.S. airman Glenn S. Hensley in 1945 in various locations where he was stationed. The island of Akyab in the Bay of Bengal, which is called Sittwe today, was occupied during World War II, first by the Japanese, then, in 1945, by the British and the Americans. It was a strategically important airfield from which supplies could be airlifted into Burma. These are two of a series of photographs documenting four different ways in which children pounded or ground grain for use. These small children wielded heavy hardwood implements for hulling rice or grinding grain. The tools have a timeless quality and show obvious signs of constant use. Similarly, the chores that the village children carry out in these images, and drawing water in others, were typical children's activities.</p> 
<p>Hensley served the U.S. Army as a professional reconnaissance photographer. He and other American photographers Robert Keagle and Frank Bond had access to darkroom facilities, and often accompanied one another on photo excursions among civilians, so that each man's archive contains shots of the same scenes and people. For this reason, it is likely that wherever they went, "everyday" scenes took on an extraordinary quality for the people depicted. The archive, according to Hensley, was created and shipped to the U.S. for his wife to use in teaching world history courses in Missouri during World War II.</p>
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                                    <div class="element-text">"The Digital South Asia Library - Details for four forms of grinding grain" <a class="external" href="http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=a035">http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=a035</a>; "The Digital South Asia Library - Details for four forms of grinding grain" <a class="external" href="http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=a036">http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=a036</a>,  <a class="external" href="http://dsal.uchicago.edu/"><em>Digital South Asia Library</em></a> (accessed May 22, 2009).</div>
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                                    <div class="element-text">Susan Douglass</div>
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                                    <div class="element-text">Two black and white photographs from the island of Akyab in the Bay of Bengal, which is called Sittwe today, taken during World War Two (1945). Both are images of small children wielding heavy hardwood implements for hulling rice or grinding grain. The tools have a timeless quality and show obvious signs of constant use. The second photo is a close shot of a young child using a very large mortar and pestle tool; the tool is larger than the child.</div>
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        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/230/fullsize"><img src="/files/display/230/square_thumbnail" class="thumb" alt="Children Working in a Village [Photographs]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Tue, 15 Sep 2009 03:00:14 +0000</pubDate>
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    <item>
      <title><![CDATA[Cremation Rites with the Youngest Son, Calcutta 1944 [Photographs]]]></title>
      <link>https://cyh.rrchnm.org/items/show/297</link>
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    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Cremation Rites with the Youngest Son, Calcutta 1944 [Photographs]</div>
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                                    <div class="element-text"><p>The photographs depict a Hindu cremation site, or burning ghat, in the city of Calcutta in 1944. The first photo shows the men of the family, including the deceased's sons, seated in front of the corpse, which lies shrouded and bedecked with flowers on a bier. The child sitting on one of the men's laps at the head is the youngest son, a child of no more than 4-6 years old. The photographer, U.S. airman Robert Keagle, stated that it was the duty of the youngest to light his father's funeral pyre. In the first photo the boy is wearing a shirt and some form of waist covering.  In the second photo, the boy's  head has been freshly shaven and he wears a white loin cloth. The photographer's annotation states that the turbanned man assisting the young child is his grandfather. The photographs are two in a series of over a half-dozen photographs taken on the same occasion by three different servicemen. This fact requires the viewer to imagine what is outside the camera's viewfinder; at least three foreign servicemen in uniform are snapping pictures of the same solemn scene, which appears to proceed as if no outsiders were present. Further, the photographer's annotation states, “Family assembles for photo with deceased relative before cremation at burning ghat.” The presence of the foreigners may have added a very untraditional element to the ritual occasion. We do not know whether the family received a print of the photos. These U.S. servicemen were stationed in South and Southeast Asia during World War II, were reconnaissance photographers for the military who often accompanied one another on photo excursions among civilians, and had access to darkroom facilities. Keagle stated that the prints were shipped home to the United States as personal possessions of the photographer.</p></div>
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        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Source</h3>
                                    <div class="element-text">"The Digital South Asia Library - Cremation at burning ghat," <a class="external" href="http://dsal.uchicago.edu/images/keagle/large.html?id=0003">http://dsal.uchicago.edu/images/keagle/large.html?id=0003</a>; "The Digital South Asia Library - Cremation at burning ghat," <a class="external" href="http://dsal.uchicago.edu/images/keagle/large.html?id=0004">http://dsal.uchicago.edu/images/keagle/large.html?id=0004</a>, <a class="external" href="http://dsal.uchicago.edu/"><em>Digital South Asia Library</em></a> (accessed July 14, 2009).</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Susan Douglass</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">Two black and white photographs depicting a Hindu cremation site, or burning ghat, in the city of Calcutta in 1944. The first photo shows the men of the family, including the deceased&#039;s sons, seated in front of the corpse, which lies shrouded and bedecked with flowers on a bier. The child sitting on one of the men&#039;s laps at the head is the youngest son, a child of no more than 4-6 years old. In the first photo the boy is wearing a shirt and some form of waist covering. In the second photo, the boy&#039;s head has been freshly shaven and he wears a white loin cloth and is in the act of setting fire to the pyre. The photographer&#039;s annotation states that the turbanned man assisting the young child in the second photo is his grandfather.</div>
                    </div><!-- end element -->
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        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/231/fullsize"><img src="/files/display/231/square_thumbnail" class="thumb" alt="Cremation Rites with the Youngest Son, Calcutta 1944 [Photographs]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Tue, 15 Sep 2009 02:24:51 +0000</pubDate>
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    <item>
      <title><![CDATA[Emperor Jahangir Weighing His Son Khurram in Gold [Album Painting]]]></title>
      <link>https://cyh.rrchnm.org/items/show/257</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Emperor Jahangir Weighing His Son Khurram in Gold [Album Painting]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>The finely detailed miniature painting in an album created for the Emperor Jahangir (reigned 1605–1627) of the Mughal Empire in India shows a ceremony initiated by Jahangir's father, Akbar the Great (reigned 1556-1605), Jahangir's father. Twice each year on the first day of the solar and lunar years, at an hour calculated by the court astrologers, the emperor himself or one of his sons would be weighed in a great balance against gold, silver, or other metals to be given away to the poor as charity. In addition to the precious metal, trays of textiles were laid out on a cloth to be given as gifts. The ceremony was witnessed by attendants of the court and other dignitaries, while religious officials held the ropes of the scale and recited blessings and prayers for the son.</p>

<p>The boy on the scale in this painting is Khurram, who became Shah Jahan (reigned 1628-57), builder of the Taj Mahal. The emperor may have chosen to weigh Khurram to commemorate a milestone in his life, important in a time of high infant mortality, or it might have indicated his status as heir apparent. The ceremony took place in a pavilion, or gardened canopied space. The wealth of the Mughals was displayed in the form of precious items from China and rich Persian carpets, couches, and clothing. This may have been a part of the ceremony or an artifice of the painter. The association of charitable giving with children and birth is a custom that goes back to the <em>sunnah</em>, or practice of Prophet Muhammad, when charity was given at the <em>aqiqa</em>, or feast in celebration of childbirth. The child's hair was cut and an equivalent in charity was given away. The practice of bestowing textiles, or robes of honor, was also one associated with Islam for centuries, in which it was customary for heads of households or officials to present those under their authority with suits of clothing at holidays.</p></div>
                    </div><!-- end element -->
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        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Manohar (attributed to). <em>Emperor Jahangir Weighing His Son Khurram in Gold</em>. Album-painting in gouache on paper. Mughal dynasty, circa 1615
AD. India (height: 303 mm, width: 188 mm), Object reg. no: AC 1948,1009,0.69 © The Trustees of the British Museum at <a class="external"href="http://www.bmimages.com/preview.asp?image=00034195001&imagex=6&searchnum">http://www.bmimages.com/preview.asp?image=00034195001&imagex=6&searchnum</a> (accessed April 30, 2009).
</div>
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                                    <div class="element-text">Susan Douglass</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Image Description</h3>
                                    <div class="element-text">Finely detailed miniature painting in an album created for the Emperor Jahangir (reigned 1605–1627) of the Mughal Empire in India shows a ceremony initiated by Jahangir&#039;s father, Akbar the Great (reigned 1556-1605), Jahangir&#039;s father. Depicts a traditional ceremony wherein the emperor&#039;s son is being weighed in a balance against gold, silver, or other metals to be given away to the poor as charity. It is set in a pavilion, or gardened canopied space. The wealth of the Mughals was displayed in the form of precious items from China and rich Persian carpets, couches, and clothing.</div>
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        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/184/fullsize"><img src="/files/display/184/square_thumbnail" class="thumb" alt="Emperor Jahangir Weighing His Son Khurram in Gold [Album Painting]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Sun, 02 Aug 2009 00:29:23 +0000</pubDate>
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    <item>
      <title><![CDATA[Aqiqa, Islamic Birth Ritual [Religious Text]]]></title>
      <link>https://cyh.rrchnm.org/items/show/252</link>
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    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Aqiqa, Islamic Birth Ritual [Religious Text]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>The hadith, or narrated report, reflects the Islamic custom of sacrificing a sheep upon the birth of a child, sharing the meat with extended family members, and donating some of it as charity (sadaqa). This practice of the people of Madinah mentioned in Al-Muwatta is based on the precedent of Muhammad in establishing the custom as an Islamically appropriate one. Several aspects of the hadith and the interpretation are noteworthy: the sacrifice was made for both boys and girls, the animal must be a healthy and sound one, and the pagan custom of smearing blood on the child is deemed un-Islamic. This may refer to a pre-islamic custom, like denying this ceremony to a girl child. Part of the aqiqa ceremony is naming the child and cutting its hair (or shaving the baby's head) and weighing the hair so as to give an equal amount of silver as charity.</p>

<p><em>Al-Muwatta</em> is among the earliest written compendia of legal interpretations based on the two pre-eminent sources of Islamic knowledge, the Qur'an, or scripture, and the hadith, or reports of the sayings and deeds of Muhammad. <em>Al-Muwatta</em>, compiled and edited by Malik ibn Anas (c. 711 – 795 CE), means "well-trodden path" for its authoritative documentation of legal opinion and practices in Madinah, the city where Islam was established. The hadith covers both religious duties and social practices such as contracts, family matters, civil and commercial matters, and customs.</p>
</div>
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                                    <div class="element-text"><em>Al-Muwatta</em>. Hadith, WinAlim Islamic database, ISL Software, Silver Spring MD, 1997-2008.</div>
                    </div><!-- end element -->
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        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Susan Douglass</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">238, 252</div>
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                                    <div class="element-text">text</div>
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                                    <div class="element-text">en</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Text</h3>
                                    <div class="element-text"><p>"Yahya related to me from Malik from Hisham ibn Urwa that his father, Urwa ibn az-Zubayr made an aqiqa for his male and female children of a sheep each." [Al-Muwatta Hadith, 26:7]</p>

<p>[Legal interpretation of the hadith:] "Malik said, 'What we do about the aqiqa is that if someone makes an aqiqa for his children, he gives a sheep for both male and female. The aqiqa is not obligatory but it is desirable to do it, and people continue to come to us about it. If someone makes an aqiqa for his children, the same rules apply as with all sacrificial animals - one-eyed, emaciated, injured, or sick animals must not be used, and neither the meat or the skin is to be sold. The bones are broken and the family eat the meat and give some of it away as sadaqa. The child is not smeared with any of the blood.'"</p>
</div>
                    </div><!-- end element -->
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                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set -->]]></description>
      <pubDate>Wed, 22 Jul 2009 17:13:40 +0000</pubDate>
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