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    <title><![CDATA[Children and Youth in History]]></title>
    <link>http://cyh.rrchnm.org/items/browse?tag=Han+dynasty&amp;output=rss2</link>
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    <pubDate>Wed, 11 Aug 2021 03:24:50 +0000</pubDate>
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      <title><![CDATA[Learning begins in the Womb: Fetal Instruction [Official Document]]]></title>
      <link>https://cyh.rrchnm.org/items/show/195</link>
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                                    <div class="element-text">Learning begins in the Womb: Fetal Instruction [Official Document]</div>
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                                    <div class="element-text"><p>Han dynasty intellectuals such as Liu Xiang (c. 77-6 BCE) advocated "fetal instruction" [<em>taijiao</em>] as a means to influence the moral development of the child at the earliest possible opportunity. Fetal instruction demands that the pregnant mother take care in what she allows herself to see, eat, hear, and say, and requires her to be ritually correct in her deportment. This prescription was based on the principle of "simulative transformation" [<em>xiaohua</em>]. Liu believed that, "People's resemblance to various things at birth is due to their mothers' being moved by these things." He further claimed that if a woman is affected by good things, her child will be good, if she is affected by bad things, the child will be bad. Simulative transformation is a radical view of the environment's effect on both the spiritual and corporeal constitution of human beings. In this case, the environment is the womb, and the sensory stimuli that affect the mother simultaneously affect the fetus. Purely physical transformations were also thought to occur. For example, a birth defect, such as a harelip, was thought to be the result of the pregnant mother's eating hare. We can surmise that fetal instruction was an accepted element of prenatal care among early Han aristocrats since a manual addressing this art was discovered in 1973 in the tomb of the son of the Marquis of Dai (d. 168 BCE). This approach to fetal care gave the pregnant mother some degree of control over, but at the same time, a heavy responsibility for the health and well-being of her child.</p></div>
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                                    <div class="element-text">Liu Xiang</div>
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                                    <div class="element-text">Kinney, Anne Behnke, trans. <em>Traditions of Exemplary Women: An Annotated Translation of Liu Xiang's Lienü zhuan</em>. Forthcoming. Annotated by Anne Kinney.</div>
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                                    <div class="element-text">2009-01-29</div>
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                                    <div class="element-text">Anne Kinney</div>
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                                    <div class="element-text"><p>Tairen was the mother of King Wen (11th cen. BCE) and a middle daughter of the Zhiren clan. Wang Ji took her as his wife. By nature Tairen was devoted and reverent, completely virtuous was her conduct. When she was with child her eyes beheld no evil sights, her ears heard no perverse sounds, her mouth uttered no careless words. She was able to teach her child in the womb. When she went to relieve herself in the [privy over] the pigpen, she gave birth to King Wen. At birth King Wen was brilliant and sagacious.</p>
<p>The Gentleman says, “Tairen may be considered as one who was capable at fetal instruction. In ancient times, a woman with child did not lie on her side as she slept; neither would she sit sideways or stand on one foot. She would not eat dishes having harmful flavors; if the food was cut awry, she would not eat it; if the mat was not placed straight, she would not sit on it. She did not let her eyes gaze on lewd sights or let her ears listen to depraved sounds. At night she ordered blind musicians to chant the <em>Odes</em>; she spoke only of proper things. <a href="#note1" id="fn1" class="footnote">1</a> In this way she gave birth to children of correct physical form who excelled others in talent and virtue.”</p>

<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a>Here the text suggests exposing the unborn child to one of the classics in order to predispose the child to talent and virtue.</p>
<p><a href="#fn1" id="note1" class="footnote">2</a>Here Tairen aligns herself with correct ritual, her posture mirroring the attitudes prescribed in the <em>Book of Rites</em>, as well as those that purportedly distinguished Confucius. The <em>Analects</em>, for example, provide a similar account of the master’s deportment: “He did not eat meat that was not properly cut up. . . . If his mat was not straight, he did not sit on it. . . . In bed he did not lie like a corpse.”</p>
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      <pubDate>Thu, 29 Jan 2009 20:46:11 +0000</pubDate>
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    <item>
      <title><![CDATA[Biography of Empress Deng [Literary Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/192</link>
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                                    <div class="element-text">Biography of Empress Deng [Literary Excerpt]</div>
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                                    <div class="element-text"><p>This biography details the childhood of Empress Deng of the Later Han dynasty. Here she is noted for her precocious intelligence, beauty, and filial piety. She was named empress to Emperor He in 102 CE. The emperor died four years later and Empress Deng served as virtual regent for one infant emperor who died in 106 CE. She dominated the government through the reign of another boy who came to the throne at age twelve and even after he had come of age in 109 CE. Her biographer relates the omens to similar signs that presaged the reigns of sage kings of antiquity in order to justify her unusual non-conformance to traditional gender roles. The narrative also tries to naturalize her active political involvement by suggesting that it was a Heavenly reward bestowed on her through the merit of her male relatives.  Her filial piety is noted through her forbearance of her grandmother's painful haircut and her deep mourning for her father.</p>

<p>It is important to note that the relationship between actual children and the virtue of filial piety is not as clear as it might seem. Throughout the Han dynasty, the concept of filial piety was primarily associated with the duties and attitudes of <em>adult</em> offspring toward their parents. This is not to say that young children were not expected to obey and revere their parents. Children were clearly taught <em>about</em> filial piety, but they were normally not in a position to practice it. What is emphasized in the concept of <em>xiao</em>: that offspring cheerfully provide financial support to aged parents, produce offspring to carry on ancestral sacrifices, and preserve and bring honors (through public recognition) to the good name of the family--duties small children normally cannot perform.</p>









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                                    <div class="element-text">Hou Han shu</div>
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                                    <div class="element-text">Hou Han shu. 10B [the Biographies of the Empresses]. Translated by Anne Kinney. Beijing: Zhonghua shuju, 1965, 418-30. Annotated by Anne Kinney.</div>
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                                    <div class="element-text">2009-01-21</div>
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                                    <div class="element-text"><p>Empress Deng (81-121 CE), who had the personal name of Sui, was the granddaughter of the Grand Tutor Deng Yu. Her father, Shun, was governor of the protectorate over the Qiang people; her mother, Yin Shi, was the daughter of a younger cousin of Empress Guanglie. When the Empress Deng was five years old, her paternal grandmother, being fond of her, cut the child's hair. The grandmother was old, and because of poor eyesight she wounded the forehead of the empress, who suffered the pain without a word. Those near her seeing this wondered at it and questioned her. The empress answered, "It is not that it did not hurt. Grandmother loves to cut my hair. As it is hard to wound an old person's feelings, so I bore the pain." At six years of age the empress was able to read the <em>Historical Reader</em>; at twelve she recited the <em>Book of Poetry</em> and the <em>Confucian Analects</em>. Whenever her elder brothers studied the classics or history, she would interrupt by asking difficult questions. Her interest was in ancient books and records, and she never paid any attention to home duties. Her mother often scolded her, saying, "You do not learn needle-work with which you may make garments; instead you set your heart on studies, don't you? Are you hoping to win a post at the Imperial Academy?” The empress repeatedly disobeyed her mother, performing women's tasks during the day but studying the classics at night. Her family gave her the nickname, "The Student," while her father marveled at her and consulted her in all things.</p> 
<p>In the fourth year of the Yungyuan period, (92 CE), she should have entered the group to be admitted to the women's apartments of the palace, but her father died. Day and night the empress wept bitterly; for three years she would not take any salt in her food. Her deep grief destroyed her looks; her relatives did not recognize her. During this time she dreamt of touching the heavens, vast and clear, as if in the form of a stalactite, and lifting her head, she drank from it. When she inquired of an interpreter of dreams, he said that the sage-king Yao dreamt of grasping and ascending the heavens. The dynastic-founder Tang dreamt that he reached up to heaven and licked it. These are all signs of Sage Kings, whose auspicious omens are beyond description. A physiognomist upon seeing the future empress was startled and said, "Here is the likeness of the founder Tang."<a href="#note1" id="fn1" class="footnote">1</a>  Her family privately rejoiced, but did not dare to spread these prognostications abroad. The empress' uncle, her father's younger brother Gai, said, "It is often heard that he who saves the lives of a thousand persons shall have descendants honored with ranks of nobility, and my elder brother Shun (the empress' father) is such a recipient because in his commission  to repair Shiqiu River he saved in a year the lives of several thousand persons. The way of Heaven may be trusted; it is certain that his family will be rewarded with blessings! In former days the Grand Tutor Yu once remarked, 'I, a leader of a million troops, never once killed a single man uselessly.' Among his descendants there must be one who will be ennobled."</p> 
<p>In 95 CE the future empress again was chosen, together with others, to enter the palace. She was five feet and five inches tall, beautiful in manner and figure, so entirely different from ordinary young women that all those around her were startled. In 96 CE, in the winter, at the age of sixteen she was made an honorable lady of the court. She was reverent, solemn and cautious. Her manner was measured and correct. She served Empress Yin deferentially, at all times terrified and trembling.   In dealing with those of her own rank, she invariably deferred to others. She was kind, generous, and polite even to the palace attendants, servants, and slaves. The emperor delighted in her greatly.</p>
<br />
<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a> A physiognomist is a fortune teller who predicts fate based on a person's physical features.</p>
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      <pubDate>Sun, 18 Jan 2009 22:22:01 +0000</pubDate>
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      <title><![CDATA[The Boy Prodigy: Xiang Tuo [Stone Carving]]]></title>
      <link>https://cyh.rrchnm.org/items/show/190</link>
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                                    <div class="element-text">The Boy Prodigy: Xiang Tuo [Stone Carving]</div>
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                                    <div class="element-text"><p>These two images from the Later Han dynasty (2nd century CE) depict the most famous child in early Chinese literature, Xiang Tuo (pronounced She-Ang Too-o). In both stone carvings, which decorated the outer walls of shrines or funerary monuments, the artists indicated Xiang Tuo's tender age by his relatively smaller size with toys in his hands. The great philosophers Confucius and Laozi stand beside him, each man focused on the words of the boy prodigy. Although his image frequently appears on funerary structures, early textual references tell us only that Xiang Tuo was a much younger contemporary of Confucius (c. 551-479 BCE), who at age 7 was able to instruct the Master.</p>
 
<p>The earliest reference to Xiang Tuo, or any child prodigy, occurs in the 3rd century BCE. From the 2nd century BCE onward, the image of the precocious child begins to figure with some prominence not only in legend but also in biographical portraits of historical figures. The increasing number of Later Han (25-220 CE) references to juvenile achievements also reflect new opportunities created specifically for boys.</p>

<p>According to one set of criteria, boys and girls in the Han reached the age of majority at age 16, at which time they were required to pay the taxes levied on adults; other criteria suggest that boys were not regarded as men until they reached age 21. Still, Han records show that as the dynasty progressed, boys ages 11 to 14 were recommended for government service with greater frequency. In such cases, the selection process demanded a review of a candidate's childhood in order to assess his suitability for recommendation. Boys who assumed official posts at age 13, for example, would have been forced to exhibit a potential for government service at a fairly early age.</p>

<p>Xiang Tuo, continued to serve as an exemplar of precocious wisdom and a model for elite and upwardly mobile boys throughout China's imperial period.</p></div>
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        <h3>Source</h3>
                                    <div class="element-text">The Boy Prodigy Xiang to the Philosophers Confucius and Laozi. Later Han dynasty, 2nd century C.E. Excavated in 1978 at Songshan, Jiaxiang, Shandong province. Ink rubbings from Shandong Provincial Museum and Shandong Cultural Relics and Archeology Institute, <em>Shandong Han huaxiangshi xuanji</em> (Ji’nan: Qi Lu shushe, 1982), plates 186, 188. Annotated by Anne Kinney.</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">2009-01-18</div>
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                                    <div class="element-text">Anne Kinney</div>
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                                    <div class="element-text">187</div>
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                                    <div class="element-text">en</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Image Description</h3>
                                    <div class="element-text">Images of stone carvings. Silhouetted human figures. In both stone carvings, which decorated the outer walls of shrines or funerary monuments, the artists indicated Xiang Tuo&#039;s tender age by his relatively smaller size with toys in his hands. The great philosophers Confucius and Laozi stand beside him, each man focused on the words of the boy prodigy.</div>
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                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/121/fullsize"><img src="/files/display/121/square_thumbnail" class="thumb" alt="The Boy Prodigy: Xiang Tuo [Stone Carving]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Sun, 18 Jan 2009 21:54:08 +0000</pubDate>
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