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    <title><![CDATA[Children and Youth in History]]></title>
    <link>http://cyh.rrchnm.org/items/browse?tag=MIgration&amp;output=rss2</link>
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    <pubDate>Wed, 11 Aug 2021 03:19:50 +0000</pubDate>
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      <title><![CDATA[In Motion: The African-American Migration Project]]></title>
      <link>https://cyh.rrchnm.org/items/show/391</link>
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                                    <div class="element-text">In Motion: The African-American Migration Project</div>
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                                    <div class="element-text">http://www.inmotionaame.org/home.cfm</div>
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                                    <div class="element-text">The New York Public Library&#039;s Schomburg Center for Research in Black Culture</div>
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                                    <div class="element-text">September 2009</div>
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                                    <div class="element-text"><p><a class="external" href="http://www.inmotionaame.org/home.cfm"><em>In Motion: The African-American Migration Project</em></a> portrays the history of 13 defining migrations that formed and transformed African Americans from the 16th century to the present. These themes include such central topics as <a class="external" href="http://www.inmotionaame.org/migrations/landing.cfm;jsessionid=f830624231262980393202?migration=1&bhcp=1">"The Transatlantic Slave Trade"</a> and <a class="external" href="http://www.inmotionaame.org/migrations/landing.cfm?migration=4">"Colonization and Emigration"</a> but also include migrations internal to the United States (<a class="external" href="http://www.inmotionaame.org/migrations/landing.cfm?migration=7&bhcp=1">"The Northern Migration"</a> and <a class="external" href="http://www.inmotionaame.org/migrations/landing.cfm?migration=8">"The Great Migration"</a>) and more recent (and often overlooked) movements, such as <a class="external" href="http://www.inmotionaame.org/migrations/landing.cfm?migration=11">"Return South Migration"</a> and <a class="external" href="http://www.inmotionaame.org/migrations/landing.cfm?migration=12">"Haitian Immigration: 20th Century."</a> The selection of topics itself, presents some interesting revisions to conventional notions of both the narrative of African American history and the constitution of today's African American population. While only a relatively narrow portion of the database addresses the history of children and childhood, the unique source materials available here and the excellent supporting documentation collected at the site still make it an attractive option for course adaptation.</p>
<p>Produced by The New York Public Library's <a class="external" href="http://www.nypl.org/locations/schomburg">Schomburg Center for Research in Black Culture</a>, the database comprises more than 16,500 pages of texts, 8,300 illustrations, and over 60 maps. Substantial contextual information and teaching resources are available for each migration. These include a narrative, about 100 illustrations, from 20 to 40 research resources (essays, books, articles, and manuscripts), maps, and well thought-out lesson plans for teachers. Most of the latter are aimed at the high school level, but could be adapted to other levels. A bibliography and list of related web sites is also supplied for each migration, and a <a class="external" href="http://www.inmotionaame.org/glossary/index.cfm?id=undefined">Glossary</a>, located on the <a class="external" href="http://www.inmotionaame.org/education/">Educational Materials</a> page, contains encyclopedic explanations of various key terms in African American history. The site is visually attractive and generally well organized.</p> 
<p>Finding material relating specifically to children at this site, however, is not straight forward. The <a class="external" href="http://www.inmotionaame.org/source_materials.cfm">Source Materials "search"</a> function did not work any of the times this reviewer attempted to use it. Searching for "children" using the <a class="external" href="http://www.inmotionaame.org/search.cfm">search</a> function from the site's <a class="external" href="http://www.inmotionaame.org/home.cfm">home page</a> produces a list of those subsections of the site in which the term appears. From there, users can locate "Migration References," <a class="external" href="http://www.inmotionaame.org/search.cfm?q=children&type=image&searchType=new&searchScope=any&prevQ=">"Images"</a> (there are nearly 700 images), <a class="external" href="http://www.inmotionaame.org/search.cfm?q=children&type=text&searchType=new&searchScope=any&prevQ=">"Texts"</a> (over 200, including both primary and secondary sources), <a class="external" href="http://www.inmotionaame.org/search.cfm?q=children&type=edmat&searchType=new&searchScope=any&prevQ=">"Educational Materials,"</a> or <a class="external" href="http://www.inmotionaame.org/search.cfm?q=children&type=glossary&searchType=new&searchScope=any&prevQ=">"Glossary Terms"</a> involving children, (although with regard to the Texts in particular, it is not always evident where the material addressing children's history is located.) Teachers could also direct students directly to those sections treating family life in particular: <a class="external" href="http://www.inmotionaame.org/migrations/topic.cfm?migration=11&topic=7">"Family Matters"</a> (Return South Migration), <a class="external" href="http://www.inmotionaame.org/migrations/topic.cfm?migration=12&topic=8">"Family Life and the Second Generation"</a> (Haitian Immigration), <a class="external" href="http://www.inmotionaame.org/migrations/topic.cfm?migration=13&topic=6">"Family Life: Continuity and Change"</a> (African Immigration).</p> 
<p>Once located, viewers can access materials ranging from tables documenting the proportion of children among enslaved Africans who crossed the Atlantic, to post-Civil war era letters written by former slaves searching for children who had been taken from them, to advertisements for <a class="external" href="http://www.inmotionaame.org/gallery/large.cfm?migration=&topic=&id=575150&type=image&metadata=&page= ">"The Crisis,"</a> a periodical edited by W.E. DuBois addressing African-American lives in the early 20th century. As these sources suggest, although the site purports to move the discussion of African-American history beyond an exclusive concentration on the history of slavery, the bulk of the documentation available here does deal with the legacy of the slave trade.</p>
<p>While it is a little challenging to locate material on children at the site, the primary sources and supporting materials sometimes allow students and teachers to see how children themselves changed the course of African American history. Children, for instance, created an important bond between different branches of African American families, northern-born children moved south to be cared for by, and later to care for, their grandparents. Instructors might use the materials available at this site to create exercises dealing with the different migrations treated here. For instance, students could locate and analyze material dealing with children's experiences in two of the different migrations: If they played transformative roles for kin networks during the Great Migration northward and in its aftermath, what was children's comparative impact during Africans' initial migration to America? What factors might explain the differences?</p>
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                                    <div class="element-text">Nora Jaffary</div>
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                                    <div class="element-text">Concordia University</div>
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                                    <div class="element-text"><em>In Motion: The African-American Migration Project</em> portrays the history of 13 defining migrations that formed and transformed African Americans from the 16th century to the present. </div>
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</a></div>]]></description>
      <pubDate>Thu, 14 Jan 2010 02:39:03 +0000</pubDate>
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      <title><![CDATA[Immigrant Crossing Road Sign [Newspaper Article and Photograph]]]></title>
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                                    <div class="element-text">Immigrant Crossing Road Sign [Newspaper Article and Photograph]</div>
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                                    <div class="element-text"><p>Interstate 5 runs from the Mexican/U.S. border crossing at San Ysidro, California, to the Peace Arch Crossing into Canada at Blaine, Washington. This official yellow warning road sign is posted along Interstate 5 near the San Ysidro crossing and north of San Diego. The sign shows a man and a woman running as the woman pulls a girl with pigtails along, her feet barely touching the ground. San Ysidro is the world's busiest land border crossing, with more than 17 million vehicles and 50 million people crossing legally in 2005. The California Department of Transportation, or Caltrans, developed this warning sign after more than 100 undocumented immigrants were killed on the highway, especially near border control points. After trying a wordy and ineffective sign that read, "Caution Watch for People Crossing Road," Caltrans assigned graphic artist John Hood, a Vietnam veteran of Navaho parentage, to develop the new sign. Posted in 1990, it quickly became a cultural icon for those who tolerate and those who oppose immigration, both legal and illegal.</p> 
<p>Migration in borderlands such as the California/Mexico crossing have attracted academic attention as a phenomenon of globalization. In 1990 and 1991, almost 3.5 million immigrants were admitted legally to the United States—a number larger than at any previous point in American history, and as of 2009, over 25 million people in the U.S. are foreign born, excluding illegal immigrants. In some urban Southern California counties, the majority of residents are immigrants, and many of these are children who require schooling, health care, and other services. Academic study of immigration tracks both the reception of immigrants among the resident population, and the interaction of the immigrants with the destination country. Of the 24 million Americans in the United States today who migrated since 1960, 40% came as children.</p>
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                                    <div class="element-text">Leslie Berestein, "Highway safety sign becomes running story on immigration," <em>The San Diego Union Tribune</em>, April 10, 2005. <a class="external" href="http://www.signonsandiego.com/uniontrib/20050410/news_1n10signs.html">Available online</a> (accessed July 1, 2009). Photograph by permission, Copyright  Roger J. Wendell, <a class="external" href="http://www.rogerwendell.com/images/photography/immigrant_crossing_san_diego_03-18-2004.jpg">http://www.rogerwendell.com/images/photography/immigrant_crossing_san_diego_03-18-2004.jpg</a>  (accessed July 1, 2009).</div>
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                                    <div class="element-text">Susan Douglass</div>
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                                    <div class="element-text"><p>. . . The assignment to create the road sign landed on the desk of Caltrans graphic artist John Hood in the late 1980s. He was asked to design an image that, in the blink of an eye, would alert drivers to the unexpected sight of pedestrians in their headlights.  Before Hood began drawing the sign, he and his supervisors met with Highway Patrol officers and saw photos of accident scenes. What got to him most were the deaths that involved families. "Graphically, I wanted to show a family," said Hood, who lives in San Diego. He chose to include a pigtailed girl, rather than a boy, because "there is something about a little girl running across with her parents that we are more affected by."</p> 
<p>At first he drew detailed figures, with faces that showed "a little bit of fright." But, in the end, Hood and his supervisors decided on a silhouette. "When you are looking through headlights, that is what you see," Hood said, "an outline of the image itself." As he sketched, Hood tried to imagine the despair that might drive such a family across the border and onto a forbidding foreign highway. He drew from his own experience fighting in Vietnam, where he had seen families run for their lives as villages were attacked. He remembered stories his Navajo parents had told him about ancestors who died trying to escape as U.S. soldiers marched them onto reservations.</p> 
<p>The drawing was finished in a week. Even without faces, the characters conveyed a sense of urgency in their flight. "It doesn't just mean they are running across the freeway," Hood said. "It means they are running from something else as well. I think it's a struggle for a lot of things, for opportunities, for freedom."</p> 
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                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/224/fullsize"><img src="/files/display/224/square_thumbnail" class="thumb" alt="Immigrant Crossing Road Sign [Newspaper Article and Photograph]" width="250" height="250"/>
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      <pubDate>Mon, 07 Sep 2009 20:42:12 +0000</pubDate>
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