Franciscan friar Bernardino de Sahagún recorded this text in the mid-16th century as part of an effort to gather information about native Aztec history and customs. Sahagún went to Mexico in 1529 as one of the first missionaries assigned to the newly conquered territory of New Spain. He remained there until his death, preaching and instructing youth in Spanish, Latin, science, religion, and music. He acquired mastery of the Aztec language and collected information to help missionaries and government officials convert the indigenous people to Christianity.

The 12-volume manuscript included text, illustrations, and a grammar of the Aztec language. Completed in 1569, authorities in Spain did not want the work published in New Spain for fear of encouraging the continuation of indigenous practices. It was first published in 1829 as Historia General de las Cosas de Nueva España, with an English translation in 1831.

The advice given to a young daughter, likely near marriageable age, in this excerpt reflects the Aztec (Nahua) philosophy of personal balance in earthly life. Moral, psychological, and physical health related to well-being, righteousness, and purity. Compare this advice with the counsel offered to young boys. In what ways does the advice for daughters differ from that of sons, and how does each relate to the principle of balance and the dangers of earthly life?

Handwoven by a woman in Nigeria, this traditional Yoruba cloth that is tied around the mother’s waist is used as a baby carrier. The baby sits snugly against her mother’s back; her legs wrap around her mother’s waist. The mother’s hands remain free to work or carry other things. The Yoruba wrapper measures 72 inches (183 cm) long and 16 inches (41 cm) wide. Hand loomed of cotton, the ends are plain-woven with a fringed ending, but at the center where the baby sits, the carrier is embellished with thick cut-pile weaving which provides warmth, absorbency, and decoration. An additional, modern embellishment is the use of lurex—a shiny, synthetic thread—interwoven with the cotton. This piece is from the collection of Christopher D. Roy, a scholar and expert on the material culture of West Africa. The piece was made during the 20th century. This method of transporting a baby can be compared with other methods elsewhere in the world and from different periods. Different methods of carrying babies reflect varied meanings about the relation between mother and child, the period of carrying infants, and the mothers' daily work. Opinions also differ on the benefit or harm in constraining infants in wrappers and carriages for the sake of mothers and the needs of family, kin and community.

Theodore de Bry included this colorful engraving in his publication of Hariot's, A Briefe and True Report of the New Found Land of Virginia (1590). It was based on a watercolor by John White (fig. 2) painted five or six years earlier. Despite their differences, in both versions a mother is standing with her 8- to 10-year-old daughter who is wearing a string of beads and a leather string around her waist (tied to another holding moss between her legs). The girl is holding an English "puppet" or "poppet." In 16th century England, wax dolls (of adult women) like this one were mass-produced from molds. According to Hariot, a scientific advisor who sailed to Roanoke in 1585-6 and collaborated with John White while colonizing the mid-Atlantic region, the native people were "greatlye delighted” with the "puppets and babes" "broughte oute of England." The rattle, which did not appear in John White's water color, was a popular toy in early modern Europe.

Representations like these can be useful sources of information about Native-American children. However, those who produced them drew upon artistic traditions and Western cultural values in their often embellished and stylized representations of indigenous children. As a result, these visual sources must be used critically, cautiously, and comparatively. For instance, how does the girl in John White’s watercolor compare with one in the lavish engraving? Also compare the girl in the hand-painted illustration to the boy in the 1705 engraving published in The History and Present State of Virginia, In Four Parts (fig. 3).

What might account for the change in the sex of the child and the toys in their hands? Robert Beverley did write this book just a few years after his 16-year-old wife died while giving birth to their only son. In what ways might the boy also have served as a more suitable representation of emergent Enlightenment notions of childhood innocence and activity at the dawn of the 18th century?