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    <title><![CDATA[Children and Youth in History]]></title>
    <link>http://cyh.rrchnm.org/items/browse?tag=Music&amp;output=rss2</link>
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    <pubDate>Wed, 11 Aug 2021 03:18:32 +0000</pubDate>
    <managingEditor>chnm@gmu.edu (Children and Youth in History)</managingEditor>
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      <title><![CDATA["I Didn't Raise My Boy to Be a Soldier" [Song]]]></title>
      <link>https://cyh.rrchnm.org/items/show/396</link>
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                                    <div class="element-text">&quot;I Didn&#039;t Raise My Boy to Be a Soldier&quot; [Song]</div>
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                                    <div class="element-text"><p>By 1915, Americans began debating the need for military and economic preparations for war. Strong opposition to "preparedness" came from isolationists, socialists, pacifists, many Protestant ministers, German Americans, and Irish Americans (who were hostile to Britain). One of the hit songs of 1915, "I Didn't Raise My Boy to Be a Soldier," by lyricist Alfred Bryan and composer Al Piantadosi, captured widespread American skepticism about joining in the European war. Meanwhile, interventionists and militarists like former president Theodore Roosevelt beat the drums for preparedness. Roosevelt’s retort to the popularity of the antiwar song was that it should be accompanied by the tune "I Didn't Raise My Girl to Be a Mother." He suggested that the place for women who opposed war was "in China—or by preference in a harem—and not in the United States."</p> </div>
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                                    <div class="element-text">Al Pianadosi and Alfred Bryan, &quot;I Didn&#039;t Raise My Boy To Be a Soldier.&quot; Recording: Edison Collection, Library of Congress.</div>
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                                    <div class="element-text"><p>Ten million soldiers to the war have gone,<br />
Who may never return again.<br />
Ten million mothers' hearts must break,<br />
For the ones who died in vain.<br />
Head bowed down in sorrowin her lonely years,<br />
I heard a mother murmur thro' her tears:<br /> 
<em>Chorus:</em> 
I didn't raise my boy to be a soldier,<br />
I brought him up to be my pride and joy,<br />
Who dares to put a musket on his shoulder,<br />
To shoot some other mother's darling boy?<br />
Let nations arbitrate their future troubles,<br />
It’s time to lay the sword and gun away,<br />
There'd be no war today,<br />
If mothers all would say,<br />
I didn’t raise my boy to be a soldier.<br />
<em>(Chorus)</em>
What victory can cheer a mother’s heart,<br />
When she looks at her blighted home?<br />
What victory can bring her back,<br />
All she cared to call her own?<br />
Let each mother answer in the year to be,<br />
Remember that my boy belongs to me!<br />
<em>(Chorus)</em></p>

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      <pubDate>Sun, 17 Jan 2010 03:54:28 +0000</pubDate>
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    <item>
      <title><![CDATA["Jingle Bells, Batman Smells" [Folksong]]]></title>
      <link>https://cyh.rrchnm.org/items/show/333</link>
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                                    <div class="element-text">&quot;Jingle Bells, Batman Smells&quot; [Folksong]</div>
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                                    <div class="element-text"><p>This parodic folksong is representative of the "culture"—texts, toys, uses of technology, social practices, and shared meanings—young people create when they selectively incorporate commercial products into their peer activities. Borrowing from cultural traditions (the song "Jingle Bells") and contemporary media/material objects they find in their everyday lives (<em>Batman</em> products), the inventive remixing children engage in frequently inverts the powerlessness they experience in relation to adult authority and institutions. In this song the belittlement of the Dynamic Duo's heroic status, the breakdown of their super car, and the celebration of the escape of their enemy, the Joker, playfully challenges the moral order of right and wrong that organizes social behavior. Another variant of the song more explicitly challenges adult authority by changing the last line to: "And the Commissioner broke his leg." Other folksongs challenge adult authority and institutions more directly still, as in the parody "On top of Old Smoky/All covered with sand/I shot my poor teacher/With a pink rubber band."</p>

<p>Adults often expect children's toys, games, and play activities to be educational; they frequently express concern if mass-marketed products seem to promote anti-social behaviors: acquisitiveness, competition, play fighting/violence, and sexuality being the most objectionable. A great deal of the oral lore children share with each other deliberately transgresses these norms in order to create a distinct (often covert) culture among their peers that they control, however temporarily. Similarly, the lore that children create allows them to explore social taboos.</p>

<p>The song "Batman smells" exhibits common themes found in children's folklore. Batman's odor is an example of grosslore that allows children to pursue the curiosity they have about their own bodies. A fartlore variant of the song celebrates another villain in the last line: "And Mr. Freeze cut the cheese." The pun of Robin laying an egg is a rich example of many common features of childlore: (1) it demonstrates children's inventive play with, and contravention of, the rules of language; (2) it fantastically and nonsensically (as a challenge to adult insistence on rationality and reality) transforms Robin into an animal; and (3) it may be interpreted as an example of the common theme of food. If the adult authority invested in the hero status of Batman and Robin is challenged in this song, so too does the song undercut their masculinity. Variants of the song feature a last line that has Batman, Robin, or the Joker doing ballet. Interpreting this variant requires attention to the singer-audience context in which the song is performed. Childlore frequently reinforces traditional definitions of gender. By inverting traditional definitions of strong masculinity this variant is an example of children's awareness of and interest in gender difference. In another context, sung by girls, this variant is an example of the ways girls' lore sometimes challenges gender hierarchies.</p>

<p>Given the inventive, appropriative nature of children's culture, it is probable that "Batman Smells" is part of a longer tradition of folk parodies. It is likely that it was preceded by parodies of "Jingle Bells" dating from the publication of that song in 1857. As children have always turned the products of mass culture back into their own folklore, it is certain that "Batman Smells" has been sung continuously by generations of children (and adults) since the first <em>Batman</em> comic appeared in 1939. The song is a perennial favorite and has been infinitely reinvented because Batman has been continuously marketed to young people and adults as comic books, cartoons, television shows, action figures, Halloween costumes, movies, and video games. Now, with the gross and oppositional characteristics of children's folklore more pervasively available through 24/7 cable television programming and children themselves disseminating their parodies through streaming videos on the internet, the covert world(s) of children's folklore have become a more apparent and central part of our information societies and commercial cultures.<a href="#note1" id="fn1" class="footnote">1</a></p>

<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a> Jay Mechling, "Children's Folklore," in Elliott Oring, ed., <em>Folk Groups and Folklore Genres</em> (Logan, UT: Utah State University Press, 1986): 91–120.</p>
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                                    <div class="element-text">Unknown Author, <em>Jingle Bells, Batman Smells</em>, n.d. Annotated by Mike Willard.</div>
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                                    <div class="element-text"><p>Jingle bells, Batman smells<br />
Robin laid an egg<br />
Batmobile lost a wheel<br />
And Joker got away</p>
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      <pubDate>Sat, 24 Oct 2009 01:56:52 +0000</pubDate>
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      <title><![CDATA["The Scouts' War Dance": Sir Robert Baden Powell's adaptation of a Zulu chant, c1910s [Chant]]]></title>
      <link>https://cyh.rrchnm.org/items/show/96</link>
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                                    <div class="element-text">&quot;The Scouts&#039; War Dance&quot;: Sir Robert Baden Powell&#039;s adaptation of a Zulu chant, c1910s [Chant]</div>
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                                    <div class="element-text"><p>Like much of the public in turn-of-the-century Britain, Baden Powell was fascinated by "primitive" cultures. Although he claimed an expert knowledge of Africa from his service in colonial wars, Baden Powell was hardly an authority on Zulu customs. This did not matter, because metropolitan Britons were almost entirely ignorant of African institutions. Nevertheless, they were fascinated by romanticized depictions of their new colonial subjects in the popular press, juvenile literature, and memoirs of colonial war heroes. While they were confident in their cultural superiority, the British came to believe that African peoples like the Zulu preserved the simpler, savage, but nobler qualities that seemed to be disappearing from modern industrial society.</p> 	<p>Baden Powell built popular support for the scout movement by tapping into these sentiments. He claimed to have based scout ranks on Zulu age grades and used an Ndebele "war horn" to call his scouts to order. His "scout war dance" combined what he professed to be a Zulu military chant (the "Een-Gonyama song") with made up dancing and his "Be-Prepared chorus." The odd ritual was just the sort of thing that Edwardian schoolboys loved for it allowed them to play at being Africans in a thoroughly modern context.</p></div>
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                                    <div class="element-text">Baden Powell, Robert. <em>Scouting for Boys: A Handbook for Instruction in Good Citizenship</em>. 9th ed. London: C. Arthur Pearson, 1920. Annotated by Tim Parsons.</div>
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                                    <div class="element-text">2008-06-25</div>
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                                    <div class="element-text">Tim Parsons</div>
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        <h3>Relation</h3>
                                    <div class="element-text">95</div>
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        <h3>Format</h3>
                                    <div class="element-text">text</div>
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                                    <div class="element-text">en</div>
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        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Posting Consent</h3>
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        <div id="document-item-type-metadata-text" class="element">
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                                    <div class="element-text"><p>Scouts form up in one line with the leader in front, each holding his staff in the right hand, and his left on the next man's shoulder.</p>
	<p>Leader sings the Een-Gonyama song. Scouts sing chorus, and advance to their front a few steps at a time, stamping in unison on the long notes. Into the centre [a Scout] steps forward and carries out a war dance, representing how he tracked and fought with one of his enemies. He goes through the whole fight in dumb show, until he finally kills his foe; the Scouts meantime still singing the Een-Gonyama chorus and dancing on their own ground. So soon as he finishes the fight, the leader starts the 'Be Prepared' chorus.</p>
	<p>Then they commence the Een-Gonyama chorus, and another Scout steps into the ring, and describes in dumb show how he stalked and killed a wild buffalo. While he does the creeping up and stalking the animal, the Scouts all crouch and sing their chorus very softly, and as he gets more into the fight with the beast, they simultaneously spring up and dance and shout the chorus loudly.</p>
	<p>The Een-Gonyama song should be sung in a spirited way, and not droned out dismally like a dirge.</p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Thu, 26 Jun 2008 00:27:10 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[African Scouting (20th c.)]]></title>
      <link>https://cyh.rrchnm.org/items/show/95</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">African Scouting (20th c.)</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>This module examines the founding principles of Robert Baden-Powell's Boy Scout movement in terms of its vision for decreasing social tensions and fostering adherence to generationally transmitted values; the module illustrates the complexities of the Scouting movement among African youth living under European colonial rule.</p></div>
                    </div><!-- end element -->
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                                    <div class="element-text">2008-06-25</div>
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        <h3>Relation</h3>
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        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Language</h3>
                                    <div class="element-text">eng</div>
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        <h3>Online Submission</h3>
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        <h3>Rights Holder</h3>
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    <h2>Teaching Module Item Type Metadata</h2>
        <div id="teaching-module-item-type-metadata-bibliography" class="element">
        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">
<li>Brown, Arthur. "The Development of the Scout Movement in Nigeria." <em>African Affairs</em> 46 (1947), 38-42.<br /> <span>Written by a Nigerian Scout official, the article provides a useful survey of the scope of scouting in colonial Nigeria.</span></li>
<li>Baden Powell, Lord Robert. <em>Scouting for Boys.</em> 13th ed. London: C. Arthur Pearson, 1957.<br /> <span>This is the 13th edition of Baden Powell's original manual on scouting that launched the movement. He revised it regularly in later editions, but it remained scoutings' central canon.</span></li>
<li>Baden Powell, Sir Robert. "White Men in Black Skins." <em>Elders Review of West African Affairs</em> 8, no. 30 (July 1929), 6-7.<br /> <span>Baden Powell published hundreds of books and articles on scouting, but this piece offers a frank and rare glimpse into his views on race.</span></li>
<li>Gaitskell, Deborah. "Upward All and Play the Game: The Girl Wayfarers' Association in the Transvaal 1925-1975." In <em>Apartheid and Education: The Education of Black South Africans</em>, edited by Peter Kallaway. Johannesburg: Ravan Press, 1984.<br /> <span>There are very few scholarly works on the Pathfinder movement, but this article covers its sister movement, which was known as the "Wayfarers."</span></li> 
<li>Proctor, Tammy. "'A Separate Path': Scouting and Guiding in Interwar South Africa." <em>Comparative Studies in Society and History</em> 42, no. 3 (July 2000), 605-31.<br /> <span>Written by a historian specializing in modern Britain, this article is useful for comparing the South African versions of scouting and guiding to their metropolitan British counterparts.</span></li>
<li>Parsons, Timothy. <em>Race, Resistance and the Boy Scout Movement in British Colonial Africa</em>. Athens: Ohio University Press, 2004.<br />
<span>This is the only book length treatment of the Boy Scout movement in colonial Africa.  It focuses primarily on scouting in English-speaking eastern and southern Africa.</span></li>
<li><em>PAXTU: International Web Site for the History of Guiding & Scouting</em>, <a class="external" href=http://www.paxtu.org/index.html> http://www.paxtu.org/index.html</a> (accessed May 16, 2008).<br />
<span>This website tracks the most current scholarship on international Scouting and Guiding. </span></li>
</ol></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Elizabeth Ten Dyke<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p>In the introduction to this unit, author Tim Parsons writes, "Scouting was thus both an instrument of colonial authority and a subversive challenge to the legitimacy of the British empire." In other words, scouting would "train" African boys to accept colonial power as well as empower Scouts to use the movement to resist or oppose colonial power. Write a well-organized essay drawing on evidence from three primary sources that helps you support this point of view.</p>  </div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgment is made to the following institutions for primary sources</p>
<ul>
<li><a class="external" href="http://eaglepress.com/">Eagle Press</a>,</li>
<li><a class="external" href="http://standardmedia.co.ke/">East African Standard</a>,</li>
<li><a class="external" href="http://www.iwm.org.uk/">Imperial War Museum, London,</li>
<li>Journal of the Royal African Society,</li>
<li><a class="external" href="http://www.ox.ac.uk/">Oxford University</a>,</li>
<li><a class="external" href="http://www.scouting.org.za/">South African Scout Association</a>,</li>
<li>Tanzania National Archives,</li>
<li>Trustees of the National Library of Scotland, and</li>
<li><a class="external" href="http://web.wits.ac.za/">University of Witwatersrand</a>.</li>
</ul>

<h3>About the Author</h3>

<p>Tim Parsons is a Professor at Washington University. Parsons is the author of several books including: Race, Resistance and the Boy Scout Movement in British Colonial Africa; The 1964 Army Mutinies and the Making of Modern East Africa; The African Rank-and-File: Social Implications of Colonial Service in the King's African Rifles, 1902-1964; and The British Imperial Century, 1815-1914: A World History Perspective.</p>

<h3>About the Lesson Plan Author</h3>
<p>Elizabeth Ten Dyke has a Ph.D. in Cultural Anthropology. She  is Director of Instructional Services for the Kingston City School District,  and is the author of <em>Dresden: Paradoxes of Memory in History</em>.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">Washington University</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>Conceived by General Sir Robert Baden Powell to reduce class tensions in early 20th-century Britain, the Boy Scout movement evolved into an international youth movement that offered a romantic program of vigorous outdoor life for boys and adolescents as a cure for the physical decline and social disruption caused by industrialization and urbanization. One of scouting's main goals was to create social stability by dealing with the complex problem of adolescence. Every generation fears that the generation that comes after it will not respect its rules, values, and division of property. As a uniformed and disciplined youth organization, the Scout movement taught young males in the difficult years between childhood and adulthood to respect older generations and accept their place in society. By the 1920s most of the nations of the world had embraced the movement as a way to teach young people to be loyal to the state and respect their elders. While governments worldwide utilized scouting to reinforce political and social authority, such was not the case in colonial Africa where marginalized groups and social outsiders used scouting to challenge dominant institutions.</p>
<p>Scouting began in 1907 with Robert Baden-Powell's creation of a youth organization aimed at promoting physical, moral, and imperial fitness among British youth by capitalizing on their fascination with "frontier woodcraft" and "tribal" life. He incorporated these elements into scouting in order to inspire young Britons to emulate what he interpreted to be the most praiseworthy aspects of African life. A diverse and eclectic mix of tribal peoples that included Amerindians, Arab Bedouins, and New Zealand Maoris served as inspirations for the movement, but Africans occupied a central place in Baden Powell's thinking. A 20-year career fighting colonial wars made him a self-proclaimed expert on "tribal" cultures, which he claimed to have incorporated into the scout movement.</p>
<p>At first, Baden-Powell did not have a specific ideology for scouting.  But eventually several key themes emerged in his thinking and became the central core of the scout creed. Concerned that urban slums and vice were undermining British security, he aimed to prepare younger generations to defend their nation and empire. Just as life on the imperial frontier taught virility, resourcefulness, and self-control, scouting was a "school of the woods" that would instill these same ideals in British youth. By adopting the values and discipline of "tribal" peoples, scouting would teach the vital manly qualities that consumerism and materialism had drained away from "civilized" western society.</p>
<p>Similarly, Baden Powell also believed that class tensions led to national weakness. He therefore envisioned scouting as a way to teach working-class boys to accept their place in society by stressing obedience, discipline, and simplicity.  This helps to explain the Fourth Scout Law: "A Scout is a Brother to every other Scout." Baden Powell never intended for this brotherhood to lead to social equality; rather it was a sense of fraternity in scouting that would defuse social tensions by reducing friction between rich and poor boys.</p>
<p>In the tense years before World War One, the movement's critics charged that scouting secretly prepared young men for military service. Baden Powell emphatically denied the charge, and after the war he recast scouting as an international peace movement. More significantly, he also acknowledged that non-Europeans could also be scouts and gave his blessing to administrators and educators who introduced scouting throughout the empire to teach imperial loyalty, encourage African and Asian students to accept their place in colonial society, and reduce the political and social friction that came with foreign imperial rule. By the inter-war era, colonial administrators and educators had begun to fear that student unrest, urban migration, and juvenile delinquency were products of a growing social crisis in local African communities. British administrators relied on local allies and chiefs to govern the African majority, and they worried that the younger generation's rejection of their elders' authority threatened widespread political and social instability.</p> 	<p>The Boy Scout movement promised to correct this imbalance by teaching students and city boys to respect colonial authority throughout the continent. In French-speaking Africa, Baptist missionaries in the Belgian Congo tried to substitute scouting for secret male initiation ceremonies, which they considered immoral, while Catholic educators sought to use the movement to train "Christian knights" to assist in converting the wider African population. Similarly, in the French colonies the authorities tried to use scouting to train a small African elite that would help them control the rest of colonial society.</p> 	<p>In eastern and southern Africa, British officials claimed that the authority of their African allies stemmed from "tribal tradition." But they also introduced western schooling to train the young Africans to help run the colonies and to demonstrate that they were "civilizing" their "primitive" subjects. The scout movement never achieved a mass African following, but it targeted the students, juvenile delinquents, and urban migrants that were the greatest threat to British rule.  Colonial educators and administrators worried that these "detribalized" Africans were politically dangerous, particularly when they flaunted "tribal tradition" and aspired to live a western lifestyle alongside European settlers. The colonial authorities turned to scouting to "retribalize" African adolescents by teaching them to remain in the countryside and accept the authority of their "native chiefs." Ironically, they looked to scouting to teach African boys how to be "tribal."</p> 	<p>Yet Africans also used scouting to claim the rights of full citizenship. They invoked the Fourth Scout Law, which declared a scout was a brother to every other scout, to challenge racial discrimination. Rather than making colonialism run more smoothly, then, scouting offered African boys a way to resist the discriminatory laws and social barriers that made them second-class citizens. Rejecting the authority of official colonial scout associations, they formed their own unauthorized troops to claim the power and legitimacy of the scout movement for themselves. Scouting was thus both an instrument of colonial authority and a subversive challenge to the legitimacy of the British Empire. The African Scout experience thus demonstrated how marginalized groups and social outsiders could use the movement to challenge these very same institutions. </p> 	<p>Baden Powell would have been dismayed by how these independent troops twisted and reinterpreted the scout canon to demand rights, respect, and eventually independence. In Kenya, some African troops ventured into politics during the early 1950s by supporting the anti-colonial Mau Mau rebellion, which was essentially a civil war between landless Kikuyu young men and the wealthy Kikuyu chiefs and landowners who were allied with the British colonial regime. While some African boys who wanted to join the movement illegally acquired uniforms they donned, others used scout clothing to exploit the colonial authorities' assumption that they were trustworthy. Dressed as scouts, they could travel more freely about the colony and were often able to collect money for "scout" activities. Scouting thus simultaneously bolstered colonial authority and challenged the legitimacy of the British Empire.</p> 	<p>Despite the challenges they posed during the 1950s, most territorial scout associations in Africa grew and prospered by allying with the colonial authorities.  European scout leaders demonized African nationalists and were caught by surprise when these men came to power after independence in the early 1960s.  It seemed likely that the movement's close ties to British imperialism would lead to its demise in post-colonial Africa, but the Africans who inherited control of the scout associations reinterpreted the scout canon to transfer their loyalty to the new nationalist regimes. The survival of scouting in the nationalist era thus demonstrates that the movement's vulnerability to re-interpretation by outsiders was also one of its great strengths. Once the new lines of political authority were clear, the scout associations made African nationalist regimes the focus of their second law ("A Scout is Loyal"). Even modern South African scouting, which lost popular African support for its unwillingness to challenge apartheid, has successfully reinvented itself as a force for economic and social development in the new South Africa.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Tim Parsons</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><p>The Boy Scout movement exposes the tensions and divisions in any given society. Official scouting seeks an alliance with authority, and scout leaders interpret the scout canon to reflect prevailing values and social norms. Conversely, unofficial local modifications of scouting can express political and social opposition. National scout associations usually prevail in the struggle to define scout orthodoxy when their ties to political authority remain intact. Problems arise when the political and social terrain shifts before official scouting has time to react. As a result, scout authorities have become embroiled in controversies ranging from the civil rights struggle in the American South, nationalist resistance movements in India, and the contemporary American debate over gay rights.</p> 	<p>In colonial Africa, scouting exposed the hypocrisy and instability of British imperial rule. Administrators and educators hoped to use the movement to teach young Africans to accept their subordinate place in colonial society, but the Fourth Scout Law, which declared that all scouts were brothers, gave Africans the means to reject this second-class status. Thus, the two central themes that emerge from colonial African scouting are: 1) the movement's official role in imperial governance and administration, 2) African moves to take scouting over for their own purposes.</p> 
<h3>Discussion Questions</h3>
<ul>
<li>What was the official purpose of the scout uniform? Why would boys in general, and African boys in particular find it appealing? How did the scout uniform and badges both reinforce and disrupt British colonial rule in Kenya and South Africa?</li>  

<li> Why did the South African Scout Association force African boys to become Pathfinders instead of regular scouts? How did the segregated South African scout movement reflect the larger racial divisions in South African society? Why did Africans find the movement appealing despite its official ties to the apartheid regime?</li>
</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: ".. . And a Brother to Every Scout."</h3>
<p>by Elizabeth Ten Dyke</p>
<p><strong>Time Estimated:</strong> three 50-minute classes</p>

<h3>Objectives</h3>
<ol>
<li>Discuss the influence of colonial experience on Baden Powell's decision to found the Boy Scouts</li>
<li>Describe activities related to scouting in Africa</li>
<li>Explain how a cultural tradition (scouting) can express social conflict and political struggle in a particular time and place.</li>
</ol>
<h3>Materials</h3>
<ul>
<li>Five sheets of chart paper</li>
<li>Markers</li>
<li>Copies of the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/95?section=introduction">"Introduction"</a> to this module for all students, plus one extra</li>
<li>Tape/glue</li>
<li>Copies of each primary source, sufficient for all students</li>
<li>Copies of <a class="external" href="http://chnm.gmu.edu/cyh/archive/files/fact_fib.pdf">"Fact or Fib" worksheet</a>, sufficient for all students</li>
<li>Blank paper</li>
<li>Colored pencils</li>
</ul>

<h3>Preparation</h3>
<p>Take the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/95?section=introduction">"Introduction"</a> to this module and cut it into five sections&mdash;two paragraphs per section. Attach each section to a sheet of chart paper. Label the charts A through E.  Post the chart paper around the room, or set each on a different desk or table.</p>

<h3>Day One</h3>
<p><em>Hook</em><br />
Introduce the lesson by asking the students, "What do you think of when you think of the Boy Scouts?" Students may think of the uniforms of scouting, the rules and traditions, loyalty, activities such as camping, and awards including Eagle Scouts. They may mention Christian and anti-gay aspects of the scouting movement. Particularly if these subjects come up, ask students to speculate about how or why scouting has become an activity mired in disagreements about moral issues in our society today.</p>

<p><em>Instruct</em><br />
Explain to students that they will learn about the history of the Boy Scouts (when, where, and why it was founded). They will study primary sources that illustrate some of the tensions and conflicts that occurred when scouting expanded into colonial Africa. This lesson will help students see how cultural traditions can reflect complicated social situations in which different groups of people express disagreement and exercise competing interests.</p>

<p><em>Activity</em><br />
Give each student a complete copy of the introduction. Break the students into five groups, one at or near each poster. Assign each group the two paragraphs of reading that correspond to their poster. After they have completed their reading, they should make a bulleted list on the chart paper in which they outline the main ideas of the assigned passage. Have each group present their summary in turn. Students who are listening as others speak should take notes on the material.</p>

<p><em>Discussion Questions</em></p>
<ul>
<li>Chart A (paragraphs 1, 2): What tribal peoples served as inspiration for the scouting movement? What was scouting supposed to teach the young people who participated in it?</li>
<li>Chart B (paragraphs 3, 4): What concerned Baden Powell about his nation&rsquo;s youth? What values did he hope the Scouts would learn through their participation? Explain the Fourth Scout Law "A Scout is a Brother to every other Scout."</li>
<li>Chart C (paragraphs 5, 6): Explain how scouting became an international movement. How was scouting supposed to help British colonial authorities maintain their power in places like Africa?</li>
<li>Chart D (paragraphs 7, 8): Which young people were targeted for the African scouting movement? Why them? Give two examples of how "Africans . . . used scouting to claim the rights of full citizenship."</li>
<li>Chart E (paragraphs 9, 10): How did scouting become involved in the 1950 Mau Mau rebellion in Kenya? Explain what happened to African scouting after British colonial rule came to an end. Did scouting come to an end as well? Why or why not?</li>
</ul>

<p><em>Homework</em><br />
Working from their class notes, students should summarize information about how the basic values and goals were part of the Boy Scout movement early on. They should describe the goals of British colonial authorities as scouting was brought into Africa, and they should give one example of the way in which the Scouts went against British power.</p>

<h3>Day Two</h3>
<p><em>Activity #1</em></p>
<ul>
<li>Distribute copies of primary source: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/95?section=primarysources&source=96">The Scouts' War Dance--Baden Powell's adaptation of a Zulu chant, c. 1910</a></li>
<li>Distribute blank paper, colored pencils</li>
</ul>

<p>Have students look at the introduction to this primary source. Point out that Tim Parsons writes, the "odd ritual" of the war dance "was just the sort of thing that Edwardian schoolboys loved for it allowed them to play at being Africans in a thoroughly modern context." Ask students to speculate about what the author means by this statement.</p>

<p>Have the whole class carefully read the description of the dance. Working in pairs, students should:</p>
<ul>
<li>Restate the different steps and parts of the dance in their own words.</li>
<li>Draw or sketch an image of the scouts participating in this dance.</li>
<li>Discuss what elements of the dance incorporate stereotypes about African culture.</li>
<li>Discuss what elements of the dance incorporate scouting traditions.</li>
</ul>
<p>As a whole class: share sketches and discuss "How would this dance help Baden Powell achieve some of his goals for scouting?"</p>

<p><em>Activity #2</em></p>

<ul><li>Distribute copies of primary source: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/95?section=primarysources&source=98">"Appeal for African Scouts: Canon William Palmer to Imperial Scout Headquarters May 5, 1923."</a></li></ul>

<p>Using a pen, pencil, or highlighter, underline passages in the letter that answer the following questions:</p>

<ul>
<li>Who is the author of the letter? To whom is it addressed?</li>
<li>Where in Africa (what territory) was the author of this letter and his students?</li>
<li>Why were the students not allowed to call themselves Scouts?</li>
<li>What <em>were</em> they allowed to do?</li>
<li>What are three points the author makes to demonstrate that this is unfair?</li>
</ul>

<p><em>Homework</em><br />
Respond in writing to the following question: "What does this conflict (over who may be a Scout) reveal or show about society in the Transvaal at this time?" Support your response with evidence from the document.</p>

<h3>Day Three</h3>
<ul>
<li>Discuss the previous day's homework, focusing on the ways students used documentary evidence to support their point of view.</li>
<li>Distribute primary source: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/95?section=primarysources&source=102">"Legal Protection for Scout Uniform 1935: Tanganyika Government Ordinance."</a></li>
<li>Distribute copies of the "Fact or Fib?" worksheet.</li>
</ul>

<p>Have students read the legislation with the worksheet in front of them. For each question on the worksheet, they should write a correct response (fact) and an incorrect response (fib).</p>

<p>The entire class should address each question in turn. The student who answers may give the correct response, or the student may give an incorrect response. The other students should listen carefully. If the response is correct they should call out "Fact!" If the answer is false, they should call out "Fib!" Then, when asked, a student who identified a fib may give the correct information.</p>

<p><em>Discussion</em><br />
Based on your reading of this legislation, infer some of the problems that were occurring with Scouts in this time and place. In other words, what may have been going on that that government felt it was necessary to create this ordinance?</p>
<p>Distribute copies of primary source: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/95?section=primarysources&source=97">"Organization of British Imperial Scouting"</a> (table, 1951)/</p>

<p>As a whole class discuss:</p>
<ul>
<li>What are the four groups of troops at the bottom of the chart?</li>
<li>How many levels of authority were above them?</li>
<li>What was the highest level?</li>
<li>What was the second highest level?</li>
<li>What does this chart show about the relationship between the British Empire and Africa?</li>
</ul>
<h3>Day Four</h3>

<h3><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/95?section=dbq">DBQ Essay</a></h3>
</div>
                    </div><!-- end element -->
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        <h3>Primary Sources</h3>
                                    <div class="element-text">96, 97, 98, 99, 100, 101, 102, 103, 104, 105, 106</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Thu, 26 Jun 2008 00:01:00 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Jailbait (1957) [Song Lyrics]]]></title>
      <link>https://cyh.rrchnm.org/items/show/46</link>
      <description><![CDATA[<div class="element-set">
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                                    <div class="element-text"><em>Jailbait</em> (1957) [Song Lyrics]</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text"><p>Zeffrey 'Andre' Williams, a Rhythm and Blues performer, born in Chicago in 1936, is best known as co-writer and producer of songs such as "Shake a Tailfeather" by the Five Dutones. After moving to Detroit in his teens, he befriended the owners of Fortune Records.  Among the recordings he released on that label in 1957 was "Jailbait," one of two solo singles in which he talked over a funky rhythm.</p> 

<p>The slang term jailbait appeared in the US in the 1930s, and captured the awareness of the legal significance of age that had percolated through popular culture by the early decades of the 20th century. It is not just underage girls look sexually attractive that makes them jailbait, but that they also express sexual desire, something that experts argued was a normal feature of adolescence. Acting on that desire, however, was not. Girls might walk free from age-of-consent prosecutions, as Williams laments, but working-class girls at least would have suffered consequences in the juvenile justice system.</p>

<p>Among the other pop music performers who have recorded songs titled jailbait or which deal with the age of consent are Gary Puckett and the Union Gap, Eric Clapton, ABBA, Dragon, Motley Cru, and Aerosmith.</p></div>
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                                    <div class="element-text">Williams, Andre. "Jailbait." On <em>Movin On: Greasy and Explicit Soul Movers 1956-70</em>. Vampi Soul, 2006. Annotated by Stephen Robertson.</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">2008-04-18</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Stephen Robertson</div>
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                                    <div class="element-text">230</div>
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                                    <div class="element-text">en</div>
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                                    <div class="element-text"><p>I'm running<br>
Yes before it's too late<br>
Trying to get away<br>
From that jail bait</p>

<p>It's a rough temptation<br>
But a common invitation<br>
And a good association<br>
But a quick elimination<br>
That will take you out of circulation<br>
Yes I'm talking about that younger generation</p>

<p>So take my advice fellas<br>
For goodness sake<br>
15, 16, 17 that's jail bait</p>

<p>Now they swear that they're in love<br>
That you and her good stars above<br>
And she's lookin mighty good<br>
Just like a young girl should</p>

<p>Well we try to tell ya no<br>
And let that young girl go<br>
But you you know it all<br>
You have yourself a ball</p>

<p>And now it is too late<br>
As you look from cell number 8<br>
I tried to tell you old mate<br>
17 and 1/2 is still jail bait</p>

<p>So tomorrow's the date<br>
For the trial of jail bait<br>
And this you watch and see<br>
The young girl will go free<br>
And you'll get one to three</p>

<p>So out the door she walks<br>
To another man she talks<br>
Before you can count<br>
From one to eight<br>
Another man in for<br>
Jail bait</p>

<p>Please mister judge<br>
If you just let me go this time<br>
I won't mess with them young girls no more<br>
I swear I'm not gunna bother them Mister Judge</p>

<p>I ain't gunna bother nothin fifteen<br>
I ain't gunna bother nothin sixteen<br>
I ain't gunna bother nothin seventeen<br>
I ain't gunna mess with none at eighteen</p>

<p>I'm gunna leave the twenty year old ones alone too<br>
Gunna get me a girl about forty-two<br>
If you just believe what I say Mister Judge
Please Mister Judge I ain't gunna bother them young girls no more</p>

<p>Gimme a break Mister Judge</p></div>
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                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 18 Apr 2008 18:40:24 +0000</pubDate>
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