In 1960 Kennedy was elected. He is a very good president. One day as he was going home from some place with the governor and his wife and the driver, Kennedy was told someone would do something now or later if we went in a[n] open car. But Kennedy wanted to be with his people. Someone shot [from] the top of a house. He shot at the governor and Kennedy. He left the gun and ran down the stairs as quick as a mouse. A policeman tried to catch him but the man shot him dead.

Now everyone new. They rushed to get him to the hospital but it was to late. He was dead. Mrs. Kennedy flew back to Washington D.C. By then the man got into the movies. But the policemen got him because he was standing up

Chapter 2:

The man’s name was Oswald. They took him to a place to ask him questions. On their way back a man named Ruby shot Oswald dead. They got hold of the man and took him to prison.

A few days later was Kennedy’s funeral and Kennedy was buried.

The End.

The Picture Archive of The Illustrated London News (ILN) is most readily accessed through the website of the Mary Evans Picture Library. In principle, the Archive still has its own website, but in practice it is likely to prove inaccessible. Since 2007, following a change of ownership of the ILN Publishing Group, the archive has been housed at Mary Evans. This transfer is unfortunate in some respects, since Mary Evans is a commercial rather than an educational organization and it charges fees to download images. The original site also had extensive background material on the history and printing processes of the ILN that does not appear in the new setting. Nonetheless, one can browse the watermarked images of the Mary Evans Picture Library for research purposes – and its ILN section now has more material than the original site, as new pictures are scanned into it. And of course one can always move from the ILN to scan the whole Mary Evans collection.

The story goes that Herbert Ingram, who founded the ILN in 1842, noticed as a newsagent in Nottingham that when newspapers included pictures, their sales increased. Most journals at this point were still grudging in their resort to illustrations, so when Ingram moved to London and founded a paper committed to lavish use of images, he was immediately successful.

Pictures of dramatic events such as the 1848 Revolution in France and the Crimean War (1853-6) helped its reputation for exciting journalism. By the 1860s, the ILN was selling 300,000 copies per week, far outstripping the circulation of conventional newspapers. To begin with Ingram printed only black-and-white wood engravings, but the ILN later made use of color, and, especially from the 1920s, photographs. Ingram also started a policy of hiring famous illustrators and top writers, including Robert Louis Stevenson, Wilkie Collins, and Arthur Conan Doyle. The archive has pictures from issues running from 1842 to 1971, including those from other journals in the "Great Eight" that came together in the 1920s, the best known apart from the ILN being The Tatler.

The search facility allows users to opt for ILN images only. Each of the 10,000 or so in the archive is well referenced with a number, date, description and further details. Searching under children brings up an eclectic collection of 282 images. Some only incidentally concern this heading, for example when King George V appears because there is a mention in the text to his six children.

Others are on the whimsical side: "Caught!" (ref. 10216446) shows children discovered by their parents in the larder scoffing jam from a huge jar. The text informs us that "sentimental or humorous scenes such as these were a popular addition to the ILN, especially over the Christmas period."

The royal families of Europe feature prominently as well as novelties, such as "Children being treated with ultra-violet light" (ref . 10216701). However Ingram, a Liberal MP, had some sympathy with the poor. Hence there are little clusters of pictures depicting children during such events as the Irish potato famine of the 1840s, the United States Civil War, and Jewish migration to London during the 1900s. "Children searching for potatoes" during the Irish famine (ref. 10220183), for example, conveys the desperation of their situation effectively.

More cheerful images from everyday life include "Audience of Children at a London Music Hall, 1882" (ref. 102216500) and "Children at the Circus, 1948," (ref. 10219941). There are also pictures of school strikes, somehow always with a portly-looking policeman in attendance (e.g. from 1889, demanding "shorter hours" and "no cane," (ref. 10219381), a Montessori school (ref. 10215457) and London youth clubs during the 1880s (e.g. 10220713).

In sum, the archive has a variety of delights for the historian of childhood, and a well-organized website, though no great depth of coverage or supporting material.

Morning Sun is a companion website for a documentary film of the same name about the "Great Proletarian Cultural Revolution" in China (1964-1976). The film is only available through the Center for Asian American Media, either to rent or for purchase (it is cost prohibitive for individuals). The documentary film was created by the Long Bow Group, who also created "The Gate of Heavenly Peace," a film and website about the 1989 events in Tiananmen Square.

Unlike the companion site for "The Gate of Heavenly Peace," Morning Sun does not contain any segments from the film, which is a major drawback of this site. If the documentary film is unavailable (as it is to this reviewer), then the site should be able to stand alone, however this is not entirely the case. The site has a wealth of primary and secondary sources, as well as video and audio clips created by the Communist Party during the Cultural Revolution. The site does not express a narrative of the Cultural Revolution; rather it presents the resources created, and leaves analysis and interpretation up to the viewer.

The site, which relies heavily on the use of Java, Shockwave Flash, and Quicktime, is divided into five major sections, each with its own topic. Living Revolution includes very brief clips from radio and television shows, readings, and even lessons taught to school children. The English Lesson is particularly interesting, giving the students an opportunity to study English and learn about racial inequality in the United States at the same time. Direct translations of what is said in the clips is available, but there is no context to help viewers understand the placement of the scene within the larger film, or its overall plot or purpose.

Smash the Old World contains writings about the Red Guard and the destruction of the "Four Olds" ("Old ideas, old culture, old customs, old habits"), including "reviews" of older revolutionary films written by Jiang Qing (Mao's wife). These reviews condemn the revolutionary attitudes and attempt to steer the reader toward a more acceptable form of behavior and attitude.

Reddest Red Sun and Stages of History are dedicated to the architects of the Cultural Revolution: Mao Zedong, Liu Shaoqi, Jiang Qing, and Lin Biao. Reddest Red Sun tackles the cult of Mao, although again, with little in the way of explanation or analysis. There is a video showing how Mao was able to "cure" deaf-mute children (those who had been abandoned by the Nationalist Party as incurable), using ordinary People's Liberation Army soldiers, Chairman Mao's words, and acupuncture. A note at the bottom of the page of this section indicates that the section is incomplete (there are no discernable dates on the site; however the documentary itself was made in 2003).

Stages of History shows how the Communist Party used place, drama and other media to create official histories of the new, revolutionary China. There is a virtual tour of Tiananmen Square as well as photographic essays on Liu Shaoqi, Jiang Qing, and Lin Biao. Of great interest is the section on Mao's Little Red Book. This includes a pamphlet published by the Communist Party with questions such as "What to do when you hear reactionary statements" and "What to do when you encounter arduous and hard work," all of which can be answered by quotations from Chairman Mao.

The site would be of greatest use to teachers as a supplement to a unit on the Cultural Revolution. The site gives the teacher access to amazing video, audio, and readings showing the lengths to which the Communist Party went in order to keep up revolutionary fervor during this time period. However, students will find the content of the site bewildering if they are not given either a narrative or an analytical guide.

Listen to podcast here.

One of the most important subjects in educating your child is "books and reading." Children should have a target of learning how to read and write, they should not want to be led, but rather promote themselves to the level of a guide. To know why you read is as important as reading itself.

Let us think about the following questions: "What is knowledge? What is the purpose of knowledge? Why do people read books? What is the target that we desire to reach by reading and understanding something?"

If a person learns the complex and confusing rules and principles of mathematics, but ignores their practical applications or never thinks of improving their knowledge with theories and hypotheses then they cannot be considered as having realized their goal.

Likewise, if we learn all the basic principles of medicine, but do not put this knowledge to use, not even examining a single patient, it is doubtful whether we will be able to keep up our knowledge, not to mention the fact that we have wasted our knowledge.

In short, knowledge in which we do not find anything that relates to ourselves or to someone else is, obviously, of no use to anyone.

. . .

At a time of religious revival across the Muslim world, Algeria's youth are in play. The focus of this contest is the schools, where for decades Islamists controlled what children learned, and how they learned, officials and education experts here said.

Now the government is urgently trying to re-engineer Algerian identity, changing the curriculum to wrest momentum from the Islamists, provide its youth with more employable skills, and combat the terrorism it fears schools have inadvertently encouraged.

It appears to be the most ambitious attempt in the region to change a school system to make its students less vulnerable to religious extremism.

But many educators are resisting the changes, and many disenchanted young men are dropping out of schools. It is a tense time in Algiers, where city streets are crowded with police officers and security checkpoints and alive with fears that Algeria is facing a resurgence of Islamic terrorism. From 1991 to 2002, as many as 200,000 Algerians died in fighting between government forces and Islamic terrorists. Now one of the main terrorist groups, the Salafist Group for Preaching and Combat, or G.S.P.C., has affiliated with Al Qaeda, rebranding itself as Al Qaeda in the Islamic Maghreb.

. . .

The two natures of the country reflect the way in which Algerian identity was cleaved in half by 132 years of French colonial rule, and then again by independence and forced Arabization. Once the French were driven out in 1962, the Algerians were determined to forge a national identity free from Western influence.

For full article, please click here.

Education is like water and air.

Cartoons is a website produced by the British Cartoon Archive, a collection based at the University of Kent (England), dedicated to cartooning in newspapers and other forms of publication in Britain over the past century. It has a collection of around 150,000 cartoons drawn by approximately 300 cartoonists. This site provides students and teachers alike with a way of enlivening their approach to British political and social history as well as the history of children and youth. The website has a huge amount of material available, and it is well organized to help the researcher find cartoons from a particular cartoonist, or on a particular theme.

The alphabetical list of cartoonists in the Biographies section will include some names familiar to anyone brought up in Britain – and many others they will never have heard of. Fortunately the names of the most famous ones (and the most important newspapers that published them) are specified in the Search section, which helps to orientate the researcher. The site gives a brief biography of each artist, written with a nice light touch. For example, we learn that Barry Fantoni was thrown out of Camberwell School of Arts and Crafts in 1958, accused of "wrecking the home of one of the teachers in a state of drunken madness." Fortunately for him, he was able to continue at the renowned Slade School of Art, and achieve fame and fortune as a pop artist as well as a cartoonist. A particular feature of the Archive is the Carl Giles Collection donated by the artist in 2005. This reviewer must confess to looking forward to seeing his cartoon in the Sunday Express each week during the 1950s and 1960s. His most famous creation was the Giles Family, a "bizarre fantasy," according to the biography, "of a working-class household living a comfortable middle-class life." The outstanding character was surely Grandma Giles, a ferocious looking character whose "anarchic vitality" led to her being heavily into drinking and betting. Also familiar to many will be the figure of Andy Capp, drawn by Reg Smythe under orders to appeal to readers in the north of England. Andy Capp, according to the biography of Smythe, emerged as the "flat-capped, pigeon-fancying, beer-swilling, work-shy northerner," with views on marriage going back to the "Neolithic Age."

The Search facility allows one to choose among numerous subjects. Each cartoon includes: a reference number, caption, embedded text (picking out detail not easily read in the reproduction), notes, the people depicted, and the subjects covered. The very abundance of the material may be a problem, especially as much of it will probably not appear useful to the modern reader. There are, for example, 6,099 entries under the heading of Children. In some cases, the cartoonist wishes to comment on events in contemporary society. W.K. Haselden, for example, turned out dozens of cartoons under this heading during the 1900s. Concerns over the declining birth rate in 1905 led the cartoonist to envisage a future in which babies become rare specimens, exhibited in cages and labelled "born in the managerie" (ref. WHO1490). In other cases, it is a matter of poking fun at politicians by depicting them as juveniles. "A row in the play-ground," by John Doyle, reduces politics in the 1830s to squabbling between Melbourne, Peel, Wellington and others (ref. mudyx9t). The cataloguers have provided numerous headings related to childhood and youth, such as girls, childhood romance, schools, schoolboys, juvenile delinquency, and mothers. Again the researcher will need to sift through the material to separate cartoons focused on that heading in particular from those with only a passing allusion.

The site includes advice on creating a group of cartoons as a teaching pack, to illustrate a particular theme. It provides a number of these but it is doubtless best to create your own, as the site advises. The site also points out in a section on Teaching Aids that "sophisticated searching" allows one to see, for example, what was happening on a specific day in history, by assembling all the cartoons that appeared in the newspapers on that day, or to grasp how politicians or major personalities (such as Princess Diana, with 321 entries) were perceived. This section promises five "resource packages" linked to themes in the British schools curriculum, and resources to help in the reading and analysis of cartoons. There is a section on Articles to help the teacher or researcher, though it remained obstinately stuck on "G" whenever consulted by this reviewer.

Overall, it is clear that a great deal of thought and effort has gone into making the vast collection of material available to the public, and into supporting the cartoons with relevant background information. The standard of presentation and the layout are excellent. It will need an awareness of the political stance of the newspapers involved to make much sense, and a feel for popular culture in Britain. Still, it is a cornucopia of delights.

Trust Territory Photo Archives contains 6,000 images selected from an archive of 52,000 photographs and slides documenting the American period in Micronesia between 1947 and 1988. It provides details on the Trust Territory Photograph Collection and links to information on the Trust Territories today, mostly in the form of government websites.

The Trust Territory of the Pacific Islands comprises three major Micronesian archipelagoes in the Pacific Ocean. These groups of islands, the Marshalls, Carolines, and Marianas, came under the control of the United States as a United Nations (UN) strategic trusteeship following World War II. This was one of 11 trusteeships established across the world by the UN at this time covering areas once controlled by defeated powers. The Trust Territory is unusual within an international context because the transitional arrangement remained in effect until 1990. The territories remain strongly tied to the United States, with the islands of the Northern Marianas designated U.S. commonwealth territory, and the other three localities (the Federated States of Micronesia, the Republic of the Marshall Islands, and the Republic Of Palau) in compacts of "free association" with the United States, which controls their defense.

The images in the collection are an extensive record of American views of Micronesian peoples, society, and culture and of the interaction between the United States and the Trust Territories. The photographs were mostly taken by those either employed by the government or closely associated with it. While the photographs are extremely diverse, a sense of the focus of the collection can be gained by the "Photo Gallery Displays." This presents nine broadly defined topics from the collection as a useful introduction to the material. They include themes such as "Parades," "Dancing," "Health/Hospitals," and "Architecture." The disadvantage of this function is the lack of any caption to identify or contextualize the photographs, rendering the collection of "Leaders," for example, largely meaningless for anyone not familiar with the politics of the region. The same photographs can be accessed through the search function, however.

The archive contains a large number of photographs of children. Searches of "boy" (94), "girl"(144), "child" (43), "children" (172), "infant" (2), "family" (26), "play" (7), and "school" (529). These results are indicative of good captioning and a well designed database. The images appear as thumbnails linked to a larger version with metadata, and even a means of adding user comments that must be accompanied by a name and/or e-mail address. The search results yielded photographs of children going about their normal lives with their families, in groups in the landscape, creating crafts, and participating in community or national activities.

Although the photographs are captioned and dated, these captions do not provide very much context. By comparing dates, settings, and the type of activity, these photographs of children document a transformation of individual and communal life under the influence of Americans. Images of a child at a well, shelling copra, your girls weaving, or a family preparing breadfruit seem to show a life that was closer to the period before contact. Other images show hospital and school buildings, girl scout troops, a home-made processions for visiting dignitaries and a general regimentation of communal life around nascent nationhood.

One striking difference among the photographs, which are identified with various islands, is the transition from traditional customs of dress for boys and girls to the wearing of European-style dresses and pants for boys. The archive includes many scenes of traditional line dancing in grass or wrapped fabric skirts, flowers and jewelry, in which young girls did not wear bodices. Other images show the girls performing similar dances wearing ruffled dresses with bodices, made from imported cotton fabrics. Girl Scout uniforms, nurses' attire, and formal European dress mark other images, especially of official scenes. The images show that children's dance and song performances were incorporated into national cultural displays, to which flag processions and other symbols were added.

Scholarly interest in the issue of imperialism with reference to the United States has paid less attention to the question of Micronesia than to other locations, such as the Philippines. The advantage of this site is that it provides extensive primary sources related to this issue. For students of world history it provides a visual record of cultural contact in a situation of quasi-colonialism that continued well into the 20th century.

In this regard, Robert Aldrich and John Connell's The Last Colonies 1 is a particularly useful companion to the site for teachers of world history interested in using it in this way. Aldrich and Connell situate Micronesia within a global discussion of territories formally dependent upon metropolitan powers. Given the relative unfamiliarity of many students with this topic and region, teachers may find the following resources useful: Gary Smith, Micronesia: Decolonisation and U.S. Military Interests in the Trust Territory of the Pacific Islands takes a geopolitical perspective and argues that U.S. control over the islands of Micronesia "was the strategic equivalent to the Soviet Union's control over Eastern Europe." 2 For Smith, local demands for self-determination were sacrificed to U.S. strategic and defense interests. Francis X. Hezel's The New Shape of Old Island Cultures: A Half Century of Social Change in Micronesia 3 explores social history more broadly, is focused on the same period as the site, and makes extensive use of the Photographic Archive.