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    <title><![CDATA[Children and Youth in History]]></title>
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    <pubDate>Wed, 11 Aug 2021 03:25:42 +0000</pubDate>
    <managingEditor>chnm@gmu.edu (Children and Youth in History)</managingEditor>
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      <title><![CDATA["I Didn't Raise My Boy to Be a Soldier" [Song]]]></title>
      <link>https://cyh.rrchnm.org/items/show/396</link>
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                                    <div class="element-text">&quot;I Didn&#039;t Raise My Boy to Be a Soldier&quot; [Song]</div>
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                                    <div class="element-text"><p>By 1915, Americans began debating the need for military and economic preparations for war. Strong opposition to "preparedness" came from isolationists, socialists, pacifists, many Protestant ministers, German Americans, and Irish Americans (who were hostile to Britain). One of the hit songs of 1915, "I Didn't Raise My Boy to Be a Soldier," by lyricist Alfred Bryan and composer Al Piantadosi, captured widespread American skepticism about joining in the European war. Meanwhile, interventionists and militarists like former president Theodore Roosevelt beat the drums for preparedness. Roosevelt’s retort to the popularity of the antiwar song was that it should be accompanied by the tune "I Didn't Raise My Girl to Be a Mother." He suggested that the place for women who opposed war was "in China—or by preference in a harem—and not in the United States."</p> </div>
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                                    <div class="element-text">Al Pianadosi and Alfred Bryan, &quot;I Didn&#039;t Raise My Boy To Be a Soldier.&quot; Recording: Edison Collection, Library of Congress.</div>
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                                    <div class="element-text"><p>Ten million soldiers to the war have gone,<br />
Who may never return again.<br />
Ten million mothers' hearts must break,<br />
For the ones who died in vain.<br />
Head bowed down in sorrowin her lonely years,<br />
I heard a mother murmur thro' her tears:<br /> 
<em>Chorus:</em> 
I didn't raise my boy to be a soldier,<br />
I brought him up to be my pride and joy,<br />
Who dares to put a musket on his shoulder,<br />
To shoot some other mother's darling boy?<br />
Let nations arbitrate their future troubles,<br />
It’s time to lay the sword and gun away,<br />
There'd be no war today,<br />
If mothers all would say,<br />
I didn’t raise my boy to be a soldier.<br />
<em>(Chorus)</em>
What victory can cheer a mother’s heart,<br />
When she looks at her blighted home?<br />
What victory can bring her back,<br />
All she cared to call her own?<br />
Let each mother answer in the year to be,<br />
Remember that my boy belongs to me!<br />
<em>(Chorus)</em></p>

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      <pubDate>Sun, 17 Jan 2010 03:54:28 +0000</pubDate>
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      <title><![CDATA[World War II American Soldiers and a Bengali Child [Photographs]]]></title>
      <link>https://cyh.rrchnm.org/items/show/299</link>
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                                    <div class="element-text">World War II American Soldiers and a Bengali Child [Photographs]</div>
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                                    <div class="element-text"><p>These photographs are among a series of fifteen taken in 1945 by U.S. soldier  Glenn S. Hensley.  Hensley was a professional photographer participating in aerial surveillance of Burma for the U.S. Army. The images illustrate an encounter between Hensley and four fellow U.S. airmen with the residents of the village of Kharagpur, West Bengal. Some of the photographs have significant annotations that reveal how they and the people they encountered felt about their interactions. The airmen had access to darkroom facilities, so they were able to show the results of the encounter to Mukta and her father, whom they report as being very proud. The response of the other villagers is shown in their gathering at the scene. The collection of nearly 600 photographs and notes were prepared by Hensley for his wife to use in teaching world history courses in Missouri during World War II.</p>


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                                    <div class="element-text">Glenn S. Hensley, "New Sari," <a class="external" href="http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=k006">http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=k006</a>; "New Sari," <a class="external" href="http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=k008">http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=k008</a>; "Mukhta and father," <a class="external" href="http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=k009">http://dsal.uchicago.edu/images/hensley/hensley_search.html?depth=details&id=k009</a>, <a class="external" href="http://dsal.uchicago.edu/"><em>Digital South Asia Library</em></a> (accessed June 3, 2009).</div>
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                                    <div class="element-text">Susan Douglass</div>
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                                    <div class="element-text">image/jpeg, text</div>
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                                    <div class="element-text"><h3>Photographer's Annotation:</h3> 
<p>The annotations by U.S. soldier and photographer Glenn S. Hensley tell the story of a girl he knew as "Mukhta." "Several friends and myself noticed her choking back tears as she sat near the road between the air base and Khragupur. . . We asked her about her problem and in fairly good English, she showed us the stub of a broken comb. She had fallen and smashed one of her most cherished items, her comb. She was wearing only a loin cloth. While in town that day, we decided to buy Mukta a comb. . . On the way back to the base, we saw her again and presented her with the new comb. Then, her charm and personality began to glow. Her dimpled smile and older-than-her age conversation plus profuse thanks captured our hearts. She made a good photo model, too, as she climbed onto a nearby log and began to work with her long, black hair."</p> 
<p>The encounter continued: ". . . the next time we saw Mukta. We decided she needed more than a loin cloth, so next time-we were in we bought her a brightly-colored, child-sized saree. That afternoon, she met us as we had asked and she was given the package containing her new clothes. What happened is illustrated. She hurriedly opens the package and quickly drapes herself with the garment. "The next photograph in the series "shows Mukta, surrounded by her friends just after she has donned the new saree. The American is Noel Hepp, Troy, NY. Behind Mukta, her father proudly shows an enlargement we had made of Mukta wearing only the loin cloth and combing her hair. Many crowd around to see."</p>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/232/fullsize"><img src="/files/display/232/square_thumbnail" class="thumb" alt="World War II American Soldiers and a Bengali Child [Photographs]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Tue, 15 Sep 2009 03:26:20 +0000</pubDate>
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