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    <title><![CDATA[Children and Youth in History]]></title>
    <link>http://cyh.rrchnm.org/items/browse/14?tag=1750-1914&amp;output=rss2</link>
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    <pubDate>Wed, 11 Aug 2021 03:25:47 +0000</pubDate>
    <managingEditor>chnm@gmu.edu (Children and Youth in History)</managingEditor>
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      <title><![CDATA[Camila O'Gorman [Painting]]]></title>
      <link>https://cyh.rrchnm.org/items/show/68</link>
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    <h2>Dublin Core</h2>
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                                    <div class="element-text"><em>Camila O'Gorman</em> [Painting]</div>
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                                    <div class="element-text"><p>The story of Camila O'Gorman (1828-1848), the daughter of a prominent merchant in the Buenos Aires community, is one of the most famous cases of a young person challenging both parental and state authority. In 1847, at the height of Rosas's power, 19-year-old Camila and Ladislao Gutiérrez, a young Catholic priest from Tucumán, fell in love. On December 12, 1847, they eloped and fled to Corrientes, a neighboring province to Buenos Aires, where they tried to survive in the hopes of escaping to another country. Eight months later, they were captured, imprisoned at Santos Lugares, and put to death by a firing squad.</p> 

<p>Although both were punished in the same way, one could argue that history has been more kind to Camila than to Gutiérrez. The young priest was condemned for violating the Church's code of conduct and the social order. Many eyewitnesses, including Camila's father, <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/69">Adolfo O'Gorman</a>, blamed the beleaguered priest for manipulating an impressionable young woman. Camila was a more sympathetic figure, too, because she was reportedly eight months pregnant at the time of her death. News of her (and her unborn child's) demise spread quickly throughout the province and beyond. Even Rosas's staunchest supporters could not defend the death of what they saw as an innocent, unborn child. For them, the "Restorer of the Laws" had gone too far.</p>

<p>This lithograph by the French Brazilian-born artist Juan León Pallière (1823-1887) is one of many representations of Camila. This is an idealized portrait intended to memorialize Camila as a decent and innocent young woman. The hairstyle, necklace, and clothing all suggest that she was a member of a respectable and prominent family. Since he was living in Buenos Aires in 1848 (the same year that Camila met her death), Pallière must have been deeply affected by the talk surrounding the event. However, he would not have dared to paint such an image while Rosas was still in power. The painter waited to finish this portrait after the regime was overthrown in 1852, and it often accompanied official and popular histories of the post-Rosas era.</p></div>
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                                    <div class="element-text">Pallière, Juan León. <em>Camila O'Gorman</em>. c. 1860. Reprinted in Luna, Félix, ed. <em>Camila O'Gorman</em>. Buenos Aires: Planeta, 2002. Available online <a class="external" href="http://www.irlandeses.org/dilab_ogormanc.htm">http://www.irlandeses.org/dilab_ogormanc.htm</a> (accessed March 5, 2009). Annotated by Jesse Hingson.</div>
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                                    <div class="element-text">2008-05-09</div>
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                                    <div class="element-text">Jesse Hingson</div>
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                                    <div class="element-text">60</div>
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                                    <div class="element-text">Color lithograph by the French Brazilian-born artist Juan León Pallière (1823-1887) of Camila O&#039;Gorman (1828-1848) the daughter of a prominent merchant in the Buenos Aires community. This is an idealized portrait intended to memorialize Camila as a decent and innocent young woman. The hairstyle, necklace, and clothing all suggest that she was a member of a respectable and prominent family. Portrait from the shoulders up.</div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/25/fullsize">OGorman.jpg</a></div>]]></description>
      <pubDate>Fri, 09 May 2008 18:03:11 +0000</pubDate>
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    <item>
      <title><![CDATA[Petition for Permission to Marry by José Antonio Juárez  (May 15th, 1830) [Petition]]]></title>
      <link>https://cyh.rrchnm.org/items/show/67</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Petition for Permission to Marry by José Antonio Juárez  (May 15th, 1830) [Petition]</div>
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        <h3>Subject</h3>
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        <h3>Description</h3>
                                    <div class="element-text"><p>Children frequently turned to the courts in seeking greater independence from their parents, especially in matters related to marriage choice. Dozens of petitions asking the state for permission to marry were filed at a time when the state was attempting to socialize young people as citizens of the new nation-state and patriarchy was in decline.</p>

<p>In this document, José Antonio Juárez petitioned a judge for permission to marry Candelaria Portillo. Argentine law legally defined "manhood" at age 25, after which males were allowed to marry without permission from their parents, but Juárez had to prove that he was actually 25. An exception was made if the parents were deceased. Young people had to collect evidence, affidavits, and eyewitnesses to prove either case. Although many lost their legal battles, these experiences likely helped young people in 19th-century Argentina develop a sense of rights and entitlement.</p>

<p>This document also raises the issue of race. José Antonio was a <em>pardo</em>, a term that described someone who was a free, mixed race person. Candelaria, his fiancé, was a slave, and they had to ask permission of her owner. This couple challenged various types of social restrictions.</p></div>
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                                    <div class="element-text">Archivo Histórico de la Provincia de Buenos Aires, 7-5-14-4. Translated and annotated by Jesse Hingson.</div>
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                                    <div class="element-text">2008-05-09</div>
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                                    <div class="element-text">Jesse Hingson</div>
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                                    <div class="element-text">60</div>
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                                    <div class="element-text"><p>José Antonio Juárez requests the court's permission to marry Candelaria Portillo. In Buenos Aires on May 15th, 1830, presented before the Señor President of the Tribunal of Justice is José Antonio Juarez, native of Corrientes, son of Martín Juarez, of Pardo status, and of Manuela Antonia Bentis, Indian, and both parents deceased, and said that he aspires to contract a marriage with Candelaria Portillo, slave of Don Juan Antonio Carmona, who lives in the neighborhood of the residence in this city.</p> 

<p>[He is] requesting through the Señor Provisor judicial license in a manner showing that he is older than 25, that he does not have living parents nor kin (relatives) in this city where he has been raised since he was a very young child, that there is a difference of status [between the two], [and] that his expected wife is a slave. In consequence of this request, it will happen that within four days, I will present witnesses which they know and to whom are certain to testify about their deceased parents and of the condition that she has shown. . . Fernando Baez Escobar.</p></div>
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                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 09 May 2008 17:58:38 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Manuelita [Painting]]]></title>
      <link>https://cyh.rrchnm.org/items/show/66</link>
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    <h2>Dublin Core</h2>
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                                    <div class="element-text"><em>Manuelita</em> [Painting]</div>
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                                    <div class="element-text"><p>Manuela Rosas (1817-1898), the daughter of Juan Manuel de Rosas, emerged as one of the most important political symbols of the early 19th century. In 1838, her mother, Doña Encarcación, died, and her father proclaimed his daughter as the nation's first lady. At the age of 21, Manuela was thrust into a new political role. By all accounts, she was very popular. She regularly participated in gatherings and festivals in honor of her father. Foreign visitors were impressed by how much responsibility was delegated to her.  In 1848, one English observer noted: "His daughter is his real minister and secretary, and through her it is easy to convey any communication that it may be wished to make. She is amiable, apparently kind hearted and affectionate. Her manners and appearance are graceful, though she is no longer pretty. Her adoration for her father amounts to passion."</p>

<p>In 1840, Prilidiano Pueyrredon (1823-1870), an Argentine artist known for painting images of everyday life, was commissioned to paint Manuela as the embodiment of her father’s brand of Federalism. One thing that is striking about this painting is the use of the color red. All citizens of Argentina, especially young people, were expected to wear red as part of their clothing in order to symbolize support for the regime. Those who did not often faced public scorn, imprisonment, and fines. This stood in stark contrast to Unitarians, who advocated wearing celestial blue. Interestingly, Manuela also became an important symbol for Unitarians. Propagandists often depicted her as an unwitting political tool for the regime or a victim of her father’s sexual abuse. In his scathing 1851 essay, "Manuela Rosas," José Mármol argued that Manuela, like many young supporters of the Rosas regime, could actually be redeemed through education. In 1852, she accompanied her father in exile in Great Britain and later died there in 1898.</p></div>
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                                    <div class="element-text">Pueyrredon, Prilidiano. <em>Manuelita</em>. 1840. Image reprinted in Marmol, Jose. <em>Manuela Rosas y otros escritos poliìticos del exilio</em>. Buenos Aires: Taurus, 2001. Annotated by Jesse Hingson.</div>
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                                    <div class="element-text">2008-05-09</div>
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                                    <div class="element-text">Jesse Hingson</div>
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                                    <div class="element-text">60</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Image Description</h3>
                                    <div class="element-text">Painting of Manuela Rosas by Prilidiana Pueyrredon (1840). Color painting, soft, red is dominant color. Portrait from the waist up wearing a fancy dress and jewelry.</div>
                    </div><!-- end element -->
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        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/26/fullsize"><img src="/files/display/26/square_thumbnail" class="thumb" alt="&lt;em&gt;Manuelita&lt;/em&gt; [Painting]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Fri, 09 May 2008 17:31:03 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/26/fullsize" type="image/jpeg" length="152547"/>
    </item>
    <item>
      <title><![CDATA[Ignacia Funes and Teresa Bulnes to Manuel López [Letter]]]></title>
      <link>https://cyh.rrchnm.org/items/show/65</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Ignacia Funes and Teresa Bulnes to Manuel López [Letter]</div>
                    </div><!-- end element -->
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        <h3>Subject</h3>
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                                    <div class="element-text"><p>In Córdoba, Argentina's second largest province, two women, Ignacia Funes and Teresa Bulnes, found themselves defending the conduct of two children, who were accused by their stepfather, known only as "Roca," of composing pro-Unitarian songs. This was a grave offense, and the children were immediately jailed for their crime. This demonstrates that local authorities were willing to arrest those accused of politically suspicious behavior no matter the age of the offender.</p>

<p>In 1841, Funes and Bulnes wrote this letter as a direct appeal to Manuel López, a strong Rosas ally and Córdoba's provincial governor between 1835 and 1852. They pleaded with López not to consider the stepfather's denunciation and to release the children into community custody. Although the ages of the children were not noted in this appeal, these women argued that the children were too young to understand what they were doing, and if the children had done something wrong, it was actually a reflection on their stepfather. This document shows the ways in which political divisions divided families and the ease with which children could be swept into the partisan political arguments of the era.</p></div>
                    </div><!-- end element -->
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        <h3>Source</h3>
                                    <div class="element-text">Archivo Histórico de la Provincia de Córdoba, Gobierno, tomo 176, folios 124-25. Translated and annotated by Jesse Hingson.</div>
                    </div><!-- end element -->
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                                    <div class="element-text">2008-05-09</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Jesse Hingson</div>
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Relation</h3>
                                    <div class="element-text">60</div>
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        <h3>Format</h3>
                                    <div class="element-text">text</div>
                    </div><!-- end element -->
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                                    <div class="element-text">en</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Text</h3>
                                    <div class="element-text"><h3>LONG LIVE THE FEDERATION!</h3>
<p>Córdoba, April 16th, 1841</p>

<p>Most Excellent Señor Governor Don Manuel López,</p>

<p>I just found out at this moment that Roca addressed a little letter to Your Excellency, and I have anticipated that it will be his business to communicate to Your Excellency a disagreement that he has had with his stepchildren: Your Excellency cannot imagine the grief that it has caused me to have to tell you [about] the annoyance of a man that should close his mouth in a matter in which he is precisely at fault. . . only a man like him can have the audacity to address Your Excellency. But I hope that Your Excellency will not take one step without being well informed; I hope that you will acquaint the authorities with "my sons" because that is also what I call them. . . and all of [the local authorities] have known that…[Roca] does not have the authority because only he has wanted to commit the most atrocious slander, and hoping to find protection in Your Excellency that everyone here denies. . . But as Providence does not forsake justice, I have been able to be afforded counsel, and as such, I feel obligated to say in favor of justice that whatever Roca says against them is a grave lie; because I know the irreprehensible behavior of the children, their honor, and all the qualities that can rest in a man that has the title of honest and honorable man.</p>

<p>Not having time to make a report of what has happened, I will be content with saying to Your Excellency that Roca has wanted to accuse the children of being Unitarians because he had no other more noble weapons to attack them; but he has deceived himself into believing that he could prove anything because he cannot provide more proof than hearsay that one of them composed a song against the Federalists. . . and above all, they are children who still do not have the ability to think things over, and [even if the accusations were true] it is not so strange that they were blinded, and [even] cautious men have been surprised by the craftiness of the Savages [Unitarians].</p>

<p>I hope that Your Excellency will not make the case [only] from all that Roca says, and that you will not take action against them until you are well informed, and in order not to have the slightest misgivings, Teresita and I will guarantee their conduct. . .</p>

<p>Ignacia Funes<br>
Teresa Bulnes de Aldao</p></div>
                    </div><!-- end element -->
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        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 09 May 2008 17:00:25 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Don Eduardo Brown v. Don Leonardo Brown [Lawsuit]]]></title>
      <link>https://cyh.rrchnm.org/items/show/64</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Don Eduardo Brown v. Don Leonardo Brown [Lawsuit]</div>
                    </div><!-- end element -->
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        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>During the Rosas era, parents in Argentina grew increasingly concerned about the behavior of their children. Lawsuits throughout this turbulent period illustrate the disagreements between young people and their parents over marriage choice, property rights, and inheritance. Mothers and fathers often went to court seeking to constrain their children's free will when they believed that the family's well-being and social standing were at risk.</p>

<p>In 1831, Leonardo (Leonard) Brown wanted to marry his sweetheart, but his father, Don Eduardo (Edward) Brown, a prominent merchant of British descent, objected to the engagement. Leonardo ran away from his family's house, taking some furniture and other items with him in order to start a new life. In response, Eduardo sued his son for defying his authority and based this on his rights as the male head of a family, or <em>patria potestad</em>. Eduardo argued that this legal concept gave him final say over his son's life decisions until he turned 23. Since Leonardo was only 19, Eduardo argued that he had every right to deny his son permission to marry. Moreover, he wanted the authorities to order Leonardo to return home at once.</p>

<p>The following two documents represent the final stage of the lawsuit. The first is the court's final judgment against Leonardo, who was ordered to provide restitution to his father and return home.  However, the second document is Eduardo's plea to the court to do something about his son, who continued to defy his and the court's authority.</p></div>
                    </div><!-- end element -->
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        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Source</h3>
                                    <div class="element-text">Archivo Histórico de la Provincia de Córdoba, Gobierno, tomo 176, folios 124-25. Translated and annotated by Jesse Hingson. </div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                                    <div class="element-text">Archivo Histórico de la Provincia de Buenos Aires, 7-5-14-48. Translated by Jesse Hingson.</div>
                    </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-05-09</div>
                    </div><!-- end element -->
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        <h3>Contributor</h3>
                                    <div class="element-text">Jesse Hingson</div>
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">60</div>
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        <h3>Format</h3>
                                    <div class="element-text">text</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Transcription</h3>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><p><em>[Excerpted from Final Judgement, June 8, 1831]</em></p>

<p>In Buenos Aires on June 8th, 1831, [those] present in the courtroom of the Public Court are Dr. Don Ventura Martínez, Counsel to Don Eduardo Brown, his son Don Leonardo Brown, Don Manuel Alvarez, and Doña Magdalena Rivas and her daughter, Doña Magdalena. Having provided the report of Don Martínez, as the counsel to the first expressed [Don Eduardo Brown], to the judge: that in attention to having left the authority of his father without consent and finding the young Don Leonardo still under the <em>patria potestad</em> for not being more than nineteen years of age, asked the court the restitution of what was taken, such as a box that had been bought and a mattress as a sign of marriage which had been given to the young woman that he had tried to marry. In this case, I take the word of Doña Magdalena Rivas, mother of the young woman indicated, who confessed that these were gifts that had been made to the referred daughter by the young man Don Leonardo. Heard before all of You Señores and Señoras, it is resolved that the young man be returned to his house of his father, ordering the same mother of the young woman the expressed indicated be restituted with which this concludes this act. . .</p>

<p>Edward Brown<br />
Leonard Brown</p>


<p><em>[Plea to Court, August 11, 1831]</em></p>
<p>Don Edward Brown, appearing before Your Excellency as the best law provider, says: that after having reclaimed from Your Excellency the legal protection of <em>patria potestad</em> for the flight that my son made from my house and the other excesses committed by my son, Leonardo, he reached the point of denying his ancestry, which I proved to the satisfaction of the court. Unfortunately, another incident has occurred that adds further credence to the bad behavior of this young man.</p> 

<p>He has presented himself before the President of the most Excellent Chamber denying my authority as a father and requesting permission to contract marriage, and to prove my authority, it is indispensable to have the court clerk provide me the affidavit of what happened before Your Excellency for the reasons I have already indicated. . . Edward Brown, Buenos Aires, August 11, 1831.</p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 09 May 2008 16:49:04 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Handwriting Assignment, San Telmo Parish [School Assignment]]]></title>
      <link>https://cyh.rrchnm.org/items/show/63</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Handwriting Assignment, San Telmo Parish [School Assignment]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>In early 19th-century Argentina, political leaders considered schools to be one of the nation's most important institutions of social control and politicization. The following is an 1817 handwriting assignment from a public elementary school in the parish of San Telmo. This document illustrates how Buenos Aires officials attempted to channel young people's behavior. Classes offered lessons in morality, good behavior, discipline, and above all, a deep respect for authority. For example, notice in the first lesson how children were taught to wash their hands only "after all other persons superior to him have done so. . ." The second part of the document demonstrates how religion reinforced these ideas. This assignment invokes the fourth commandment in the Bible, which, in Catholic teachings, requires a good Christian to "honor" one's parents.</p>
 
<p>This document also points to the idea that schools reconstituted the social order. Young people from the lower classes rarely completed formal training while those of middle-class and elite families had greater opportunities to complete their education. In this lesson, the role of a "man-servant" in one of the assignments speaks directly to children from middle-class and elite families. These children also had more opportunities to attend private Catholic schools and receive scholarships funded by private donations. Indeed, the middle and elite classes saw education as a means to maintain their social status, and port city leaders from these classes especially valued a literate and educated citizenry who could fill the ranks of the state's bureaucracies.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Archivo General de la Nación, X-6-1-1, Instrucción Pública, 1812–35. Reprinted in Szuchman, Mark D. <em>Order, Family, and Community in Buenos Aires, 1810–1860</em>. Stanford, CA: Stanford University Press, 1988. Annotated by Jesse Hingson.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-05-09</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Jesse Hingson</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">60</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">text</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><p>A person must be very conscious of himself at the dinner table, since it is there that he must observe an infinite number of rules in order to avoid all forms of rudeness and ill-breeding. Parting from the notion that cleanliness is never more necessary than at the table, the Child will wash his hands after all other persons superior to him have done so, taking care not to wash at the same time as these others, unless he is expressly not forbidden to do so, in which case the man-servant should be nearby to provide a towel.</p>

<p>The fourth Commandment of the Decalogue indicates to us in the strongest fashion the reverence and respect that must be shown toward our parents. It is the first precept imposed on us by the second tablet of the Law of Grace, and which must be obeyed in the strictest fashion after the first three precepts of the first tablet which refer to God. The Child will look with horror upon all deeds or words that may be interpreted as disobedience, contempt, mockery, or inattention toward his Parents. He will kiss their hands upon entering the house or wherever He encounters them.</p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 09 May 2008 16:13:46 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Benjamín Montes with Bourgan, Funge, and Company [Labor Contract]]]></title>
      <link>https://cyh.rrchnm.org/items/show/62</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Benjamín Montes with Bourgan, Funge, and Company [Labor Contract]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p> Since 1810, social critics in Buenos Aires had long been concerned about young people from the lower classes—especially young men—exercising greater independence within the home. With the decline of parental authority, they were alarmed at the sight of growing numbers of young people as a potential source of disorder, and they looked to the state for solutions. As a result, the police were granted broad authority to place youngsters into jobs that would keep them off of the streets and supply businesses and homes with badly needed laborers.<p>

<p>In 1841, Benjamín Montes, a minor, signed a contract with Bourgan, Funge, and Company, a hat factory in Buenos Aires, to work for three years as an apprentice. At first glance, the terms of the contract seem harsh. It limited Montes's mobility, governed his behavior in and out of the factory, and the work was probably very grueling. However, this type of arrangement was also illustrative of the weakening of parental authority in favor of state authority. Montes's mother, Juana María Olivera, clearly transferred power over her son to the company (mothers could sign contracts if male heads of households were unavailable). These kinds of jobs provided greater opportunities for young people, like Benjamín, to gain enough income to make a life of their own when they reached adulthood.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Archivo General de la Nación, X-31-9-5, Policía, 1823–50. Reprinted in Szuchman, Mark D. <em>Order, Family, and Community in Buenos Aires, 1810-1860</em>. Stanford, CA: Stanford University Press, 1988. Annotated by Jesse Hingson.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-05-09</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Jesse Hingson</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">60</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">text</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><h3>LONG LIVE THE FEDERATION!</h3>

<p>General Department of Police</p>

<p>CONTRACT<br>
Buenos Aires, March 1841<br>
Year 32 of Liberty, 25 of Independence,<br>
and 12 of the Argentine Confederation</p>

<p>We, the undersigned, in accordance with the Law of November 17, 1821, agree upon the following articles:</p>
<p>Art. 1. We, the principals of Bourgan, Funge, and Co., declare that, in accordance with the proposal made to us by Doña Juana María Olivera to accept her son, Benjamín Montes, as apprentice in our factory, and receiving her promises of his good conduct, have agreed to do so for a term of three years, beginning at such time as we commence his training in the making of plush and silk hats at the level of perfections at which they are currently produced.</p>
<p>Art. 2. We commit ourselves to his maintenance and to give him shelter and thirty-five pesos monthly during the agreed-upon term of three years.</p> 
<p>Art. 3. Benjamín Montes commits himself to perform all duties customary in the factory on Sundays and holidays, as required of him. He will maintain his cleanliness, he will be punctual in his working hours, and with his obligations away from the factory during such days when there is no work, and he will comply with his religious obligations.</p> 
<p>Art. 4. Benjamín Montes, apprentice, will be obligated to maintain good order and harmony with the other members of the house during the agreed-upon term of three years, and to obey without hesitation whatever we or the foreman may ask of him (which will be only those things related to the factory or to its good order), and in the event that Benjamín should flee from the factory, it is the obligation of his mother to find him and to bring him back, and two days will be added to the contracted period of service for every day that he remains a fugitive.</p> 
<p>Art. 5. I, Benjamín Montes, fully cognizant of everything contained in the previous four articles, and with the approval of My Lady Mother, declare that from this day forth I enter into apprenticeship for the agreed upon term of three years in the hat factory of Messrs. Bourgan Bunge (sic) and Co. under the conditions and obligations herein expressed, and as proof or our [agreement] they add their signatures to the one of My Lady Mother…and to the same effect it is all hereby authorized by the Chief of Police.</p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 09 May 2008 16:08:40 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[School Population in Buenos Aires, Argentina [Quantitative Evidence]]]></title>
      <link>https://cyh.rrchnm.org/items/show/61</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">School Population in Buenos Aires, Argentina [Quantitative Evidence]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>This chart demonstrates the fluctuating attendance rates of school aged children in a select number of schools in Buenos Aires between 1815 and 1831. This is not a complete list of the port city’s schools; it represents schools that maintained the most complete attendance records. By 1815, Buenos Aires had 13 elementary schools with 1,200 students, which only accounted for approximately five percent of the city’s school aged children. Clearly, these children were not attending public educational institutions in large numbers.</p> 

<p>By the end of the late 19th century, these numbers improved, but only marginally. During the 1870s, for instance, there were 107 public schools in Buenos Aires (along with 120 private schools), which taught more than 7,700 students. This meant that only 22 percent of all of the city’s school aged children attended classes on a regular basis. Thus, Argentina (and Buenos Aires in particular) had not yet succeeded in extending public education to all.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Chart of "Changes in Population in Public Primary Schools, 1815–1831." <em>El Censor</em>, April 24, 1817; Archivo General de la Nación, X-6-1-1, Instrucción Pública, 1812–35; and Archivo General de la Nación, Sala X, División Gobierno Nacional, Censos, 1813–61. Reprinted in Szuchman, Mark D. <em>Order, Family, and Community in Buenos Aires, 1810–1860</em>. Stanford, CA: Stanford University Press, 1988. Annotated by Jesse Hingson.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-05-09</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Jesse Hingson</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">60</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">text</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Data Item Type Metadata</h2>
        <div id="data-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><p><strong>Quantitative Evidence, School Population in Buenos Aires, Argentina</strong></p>

<table>
   <thead>
       <tr>
	<th></th>
	<th colspan="4">Population</th>
	<th>Net Percentage Change</th>
       </tr>

       <tr>
           	<th>School</th>
          	 <th>1815</th>            	
           	<th>1817</th>
          	<th>1829</th>
          	<th>1831</th>
           	<th>1815-31</th>
       </tr>
   </thead>

   <tbody>
       <tr>
           <td>Cathedral</td>
           <td>150</td>
           <td>147</td>
           <td>90</td>
           <td>148</td>
           <td>0.0</td>
      </tr>

       <tr>
           <td>Montserrat</td>
           <td>114</td>
           <td>144</td>
           <td>85</td>
           <td>123</td>
           <td>+7.9</td>
      </tr>

      <tr>
<td>Concepción</td>
<td>59</td>
<td>65</td>
<td>82</td>
<td>89</td>
<td>+50.8</td>
      </tr>

      <tr>
	<td>San Nicolás</td>
	<td>130</td>
	<td>113</td>
	<td>73</td>
	<td>81</td>	
	<td>-37.7</td>
      </tr>

      <tr>
	<td>Piedad</td>
	<td>130</td>
	<td>143</td>
	<td>83</td>
	<td>11</td>	
	<td>-14.6</td>
      </tr>

      <tr>
	<td>Hospicio</td>
	<td>59</td>
	<td>62</td>
	<td>52</td>
	<td>55</td>	
	<td>-6.8</td>
      </tr>

      <tr>
	<td>San Telmo</td>
	<td>--</td>
	<td>176</td>
	<td>93</td>
	<td>119</td>	
	<td>--</td>
      </tr>

      <tr>
	<td>Socorro</td>
	<td>69</td>
	<td>150</td>
	<td>--</td>
	<td>140</td>	
	<td>+102.9</td>
      </tr>

   </tbody>
</table></div>
                    </div><!-- end element -->
            <div id="data-item-type-metadata-description" class="element">
        <h3>Description</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="data-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 09 May 2008 16:00:11 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Love & Authority in Argentina (19th c)]]></title>
      <link>https://cyh.rrchnm.org/items/show/60</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Love &amp; Authority in Argentina (19th c)</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Shifting boundaries of parental roles and expectations, young people's behaviors, and social status in early to mid-19th century Argentina are examined through a variety of primary sources, helping students to understand the reasons for underdevelopment, authoritarianism, and political instability in Argentina past and shedding light on such continuing problems in Latin America today.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-05-06</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">eng</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Teaching Module Item Type Metadata</h2>
        <div id="teaching-module-item-type-metadata-bibliography" class="element">
        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">
<li>Lynch, John. <em>Argentine Caudillo: Juan Manuel de Rosas</em>. Wilmington, DE: Scholarly Resources, 2001.<br />
	
<span>This classic work is the most accessible English-language biography on Juan Manuel de Rosas; it provides a cogent explanation of how the <em>rosista</em> state employed state terror within Argentina.</span></li>

<li>Shumway, Jeffrey M. <em>The Case of the Ugly Suitor and Other Histories of Love, Gender, and Nation in Buenos Aires, 1776-1870.</em> Lincoln: University of Nebraska Press, 2005.<br /> 

	<span>This important book documents the rich variety of legal challenges that young people of Buenos Aires brought against parental and state authorities.</span></li>

<li>Stevens, Donald F. "Passion and Patriarchy in Nineteenth-Century Argentina: María Luisa Bemberg's Camila." In <em>Based on a True Story: Latin American History at the Movies</em>, edited by Donald F. Stevens, 85-102. Wilmington, DE: Scholarly Resources, Inc., 1997.<br />

	<span>Stevens's superb article compares the real life story of Camila O'Gorman with María Luisa Bemberg's film <em>Camila</em> (1984), which, as he argues, is a feminist critique of patriarchy and state authority. Author includes a solid bibliography of Spanish-language primary sources on O'Gorman's life.</span></li>

<li>Szuchman, Mark D. "A Challenge to the Patriarchs: Love Among the Youth in Nineteenth-Century Argentina." In <em>The Middle Period in Latin America: Values and Attitudes in the 17th-19th Centuries</em>, edited by Mark D. Szuchman, 141-65. Boulder, CO: Lynne Rienner Publishers, 1989.<br />
	
<span>The author deftly traces how children challenged parental authority by filing lawsuits in provincial courts over spousal choices.</span></li>

<li>Szuchman, Mark D. <em>Order, Family, and Community in Buenos Aires, 1810-1860.</em> Stanford, CA: Stanford University Press, 1988.<br />

	<span>Szuchman discusses the impact of authoritarianism on household structure and families. He also includes seminal chapters on parental conflicts with children during the Rosas era and the Argentine state's attempts to use the educational system to socialize children.</span></li>
</ol></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Janelle Collett<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p>The following question is based on the documents included in this module. This question is designed to test your ability to work with and understand historical documents.</p>

<p>Drawing on specific examples from the sources in the module, write a well- organized essay of at least five paragraphs in which you answer the following question:</p>

<ul>
<li>What ideals did the Rosas regime promote for the youth of Argentina? How did the regime enforce those ideals and how did the youth combat them?</li></ul>

<p>Your essay should:</p>
<ul>
<li>have a relevant, clear thesis that answers the question,</li>
<li>use at least six of the documents,</li>
<li>analyze the documents by grouping them in as many appropriate ways as possible, not simply summarize the documents individually, and</li>
<li>take into account both the sources of the documents and the creators' points of view.</li></ul>

<p>Be sure to analyze point of view in at least three documents or images.</p>

<p>What additional sources, types of documents, or information would you need to have a more complete view of this topic?</p>

<p>You may refer to relevant historical information not mentioned in the documents.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgement is made to the following institutions for primary sources:</p>
<ul>
<li><a class="external" href="http://www.agn.gob.mx/">Archivo General de la Nación</a>,</li>
<li><a class="external" href="http://www.amigoslevene.com.ar/archivo.htm">Archivo Histórico de la Provincia de Buenos Aires</a>,</li>
<li>Archivo Histórico de la Provincia de Córdoba,</li>
<li><a class="external" href="http://www.planetapublishing.com/">Planeta Publishing</a>,</li>
<li>Scholarly Resources,</li>
<li><a class="external" href="http://www.sup.org/">Stanford University Press</a>, and</li>
<li><a class="external" href="http://http://www.tauruspub.net/">Taurus Publishing</a>.</li>
</ul>


<h3>About the Author</h3>

<p>Jessie Hingson is an Assistant Professor of History at Jacksonville University in Jacksonville, Florida. He received his Doctorate from Florida International University and is the author of several articles on the history of race and family in post-independence Argentina. His work has been supported by grants from Fulbright, Rotary International, and the Department of Education.</p> 

<h3>About the Lesson Plan Author</h3>
<p>Janelle Collett is the chair of the History Department at Springside School in Philadelphia, Pennsylvania, where she teaches seventh grade World History, ninth grade World History, and electives on the history of violence and nonviolence. In January of
2006, she was a member of an American History Association Conference panel, "Teaching the Nation as Imagined Community: Strategies for Understanding Nationalisms in the Classroom," and she has presented in a variety of settings on effective uses of
technology in the classroom.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">Jacksonville University</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>Between 1810 and 1860, Argentina emerged as a deeply divided nation. One of the main problems that remained unresolved throughout the 19th century was how power would be shared between Buenos Aires, the capital, and the rest of the provinces. Juan Manuel de Rosas, who ruled the country between 1829 and 1852, provided some semblance of order. However, he failed to share power with other groups, and the nation was not able to establish a lasting peace until the early 1860s. Studying this period is significant because it allows us to better understand the reasons for underdevelopment, authoritarianism, and political instability in Argentina's not so distant past and why these problems continue to exist in many parts of Latin America today.</p>

<h3>A New and Divided Nation</h3>

<p>After Argentina formally declared its independence from Spain in 1816, partisan wars broke out between two elite factions, Federalists and Unitarians. These groups had vastly different visions for how Argentina should be governed, but these views were based mostly on self-interest rather than ideology. Unitarians promoted the idea of centralizing power into Buenos Aires. They sought to reduce the power of the Catholic Church, which they saw as a symbol of the "colonial past." and they wanted to establish freer domestic and foreign trade. Unitarians also imagined a nation that promoted European-style "progress" and "civilization." This vision of modernization favored European immigrants over Argentina's poorer <em>gaucho</em> (rural itinerant workers) population and <em>caudillos</em> (regional strongmen).  During the 1820s, Unitarian governments in control of Buenos Aires attempted to implement their reforms throughout the nation.</p>  

<p>Opposing these efforts, Federalists emerged as a broad-based group, including ranchers and local merchants, who saw free trade and foreign competition as threats to their economic interests. Federalists tended to favor local political control and viewed Unitarians' political reforms as violations of their sovereignty. Federalists also wanted to maintain the power of the Church as an institution of social control. The Unitarians rejected what they called the "barbarism" of Federalist supporters, including Argentina's poorer <em>gaucho</em> (rural itinerant workers) population and their <em>caudillo</em> (regional strongman) leaders.</p>

<p>Throughout the 1820s, Unitarian governments implemented their reforms in Buenos Aires while the rest of the country fiercely resisted these efforts. Political tensions mounted when, in 1826, Unitarians tried to impose a Unitarian constitution over the rest of the country. However, in the following year, the Unitarian government in Buenos Aires resigned under pressure from powerful interests within the interior provinces. Manuel Dorrego, a Federalist, became governor. One of his first acts was to invalidate the Unitarian constitution, but he especially angered Unitarians by establishing peace with Brazil, which had been at war with Argentina since 1825. Both countries had been fighting for control of the eastern bank of the River Plate. Unitarians wanted to continue the war in order to add another province to Argentina and to prevent the loss of lands held by wealthy ranchers from Buenos Aires. However, the war was costly, and in late 1828, Dorrego accepted a British-brokered deal, which recognized the creation of a new "Uruguay" as a buffer state between the two countries. Returning from their military campaigns, Unitarian forces overthrew the Federalist government and assassinated Dorrego. The provinces did not accept the Unitarian constitution, and civil war broke out.</p>


<h3>"The Restorer of the Laws"</h3>

<p>In response to the discord, different regions of the country experienced the rise of brutally repressive regimes ruled by <em>caudillos</em>, who re-established order. Beginning in 1829, Juan Manuel de Rosas, a wealthy rancher and Federalist, asserted his control over Buenos Aires and the rest of the nation. Supported by a powerful, large land-holding class, Rosas governed through a combination of patronage and state violence. Seen by his supporters as "The Restorer of the Laws," he sanctioned property confiscation, execution, torture, and forced exile against Unitarian suspects and other political enemies.</p>
 
<p>Historians often underscore Rosas's brutality against his foes by pointing to the headings on most official documents: "Long Live the Federation! Death to the Savage Unitarians!" By 1835, Rosas dominated the other provinces, expanded the Indian frontier, awarded land to influential people and loyalists, and exported wool and hides to meet the demands of Western Europe. In 1852, the dictator's reign ended when other Federalists, tired of his meddling in provincial affairs, defeated him at the Battle of Caseros.</p>

<h3>Youth and the Rosas State</h3>

<p>The political violence, civil strife, and authoritarianism of the early 19th century deeply affected the daily lives of young people. One consequence was the weakening of powers that fathers, as patriarchs, had within the household. Colonial authorities long recognized the traditional legal concept of <em>patria potestad</em>, whereby absolute authority within families was given to male heads. This meant that patriarchs would have, in theory at least, the last word over their children's life decisions, particularly relating to education, work, and marriage. After independence, however, patriarchal authority began a slow decline. Hundreds of male heads of families were imprisoned, killed, drafted into Unitarian or Federalist armies, or took extended leaves for business or seasonal labor.</p>

<p>For middle class and elite families, Argentina's political leaders viewed schools as one of the most important institutions of civil life and social control. The idea was that teachers would aid in the state's efforts to incorporate children into the political system. Indeed, scholars have shown that primary and secondary schools were crucial in educating an entire generation of new Argentine citizens. Thousands of boys and girls were not only taught grammar and arithmetic, but also a deep respect for authority and patriotic values.</p>
 
<p>The Rosas state moved aggressively to employ lower-class youngsters when the wars and civil strife of the early 19th century caused labor shortages, especially in rural areas. Social critics also saw lower-class children as a potential source of social disorder and sought to harness their energies as laborers. Law enforcement officials restricted youngsters' mobility by strictly enforcing passport and anti-vagrancy laws.</p>
 
<p>In towns across Argentina, the <em>conchabo</em> system gave local police broad authority to draft children to work in public works projects, private homes, factories, or wherever laborers were needed. The office typically in charge of placing young workers was called the <em>defensor de menores</em>, a public institution dating back to the colonial period. The <em>defensor</em> drew up labor agreements that tied young people to particular jobs, but these contracts had the unintended effect of giving young people some degree of freedom from parental authority.</p>

<p>Argentina's laws also allowed children to be entrusted with decisions related to marriage and property. Girls could marry and hold a dowry at the age of 12. Boys could not marry until they turned 14. This is not to say that parents or their children sought marriage contracts at these early ages. By law, girls and boys had to wait until they were 23 and 25 years old, respectively, before they could marry without permission from their parents. After 1810, however, young people were marrying at younger ages and had more input into selecting spouses. This included choosing mates who were closer to their own ages and sometimes outside their familial socio-economic and racial boundaries.</p>

<p>Parents lamented with growing frequency and alarm the rebelliousness of their children and attempted to control their behavior through legal means. Many of these disputes appeared in lawsuits, or <em>disensos</em>, filed by parents asserting their parental rights and obligations in order to guide the behaviors of their children. Sons and daughters also sued their parents, seeking the right to marry freely partners of their own choosing.</p>
 
<p>While these individual actions played out in the courts, authorities under Rosas dealt harshly with youngsters who violated legal and social conventions. In 1847, Camila O'Gorman, the daughter of a prominent merchant, and Ladislao Gutiérrez, a Catholic priest, caused a huge public scandal when they ran away together. The following year, the couple was captured. Rosas personally ordered their execution for violating the social order. According to the dictator, their actions were a direct attack on his authority and that he wanted to make an example out of them.</p>

<p>Camila's story is often seen as an example of the extreme measures the Rosas state took to control the behaviors of Argentina's younger population. Indeed, Rosas wanted to make an example out of the young couple. However, this story of forbidden love is also representative of how young people challenged authority as ideas of republicanism, equality, and individualism swept through the Americas. The execution of the young couple (along with the fact that Camila was eight months pregnant at the time of her death!) undermined support for the Rosas regime. Moreover, Camila's story resonates even today as a reminder of the legacy of authoritarianism in Argentina's history. María Luísa Bemberg wrote and directed the feature film, <em>Camila</em> (1984), as a harsh critique of patriarchy and military rule.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Jesse Hingson</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><p>This teaching module incorporates a variety of primary sources that shed light on the shifting boundaries of parental roles and expectations, young people's behaviors, and social status in early to mid-19th century Argentina.</p>
 
<p>One strategy is to divide the sources into two sets. The first set might include evidence on the expectations that both parents and political leaders had for children. Parents, especially fathers, in early 19th century Argentina wanted their children to marry for particular strategic reasons (e.g., to maintain wealth across generations) rather than for romantic love. In addition, Argentina's leaders sought to socialize children by closely regulating dress, public behavior, and education. Young people today should have little difficulty understanding the weight of parents' expectations on their lives and the rules that authorities create to govern their conduct. Thus, it might be a good exercise to relate these ideas to the students' lives.</p>

<p>A second set of documents would be organized around the variety of ways in which Argentina's youth responded to the rules and regulations that governed their lives. The evidence from the era shows that young people adopted a variety of political viewpoints. Manuelita Rosas's portrait, for example, represents one way in which young people supported the regime. However, legal documents reveal the willingness and capability of young people to use the court system to advance their interests, which were often at odds with those of their parents. Camila's story demonstrates one young person's challenge to both parental <em>and</em> state authority. This evidence not only demonstrates sharp generational differences but also how legal institutions became increasingly involved in family matters as parental authority began to wane.</p>
 
<p>Examining official records, however, presents special challenges. For example, legal language may be confusing, and biases may be difficult to detect. Nevertheless, it is possible to make sense of these documents by following some general advice.</p>

<p>First, it is necessary to understand that the primary role of civil courts in any adversarial system is to satisfy demands. Typically, this involved two parties, who were recognized as legitimate groups before the courts. Children or their legal guardians had the right to sue, especially when property or transfer of wealth was involved.</p>

<p>Second, gather basic information from the document about what happened. The "facts" of a case might be incongruous with our own understanding of prevailing norms and practices. For example, students today might have a hard time reconciling the fact that people in their early 20s were still considered minors.</p>


<h3>Discussion Questions</h3>
<ul>
<li>What areas of young people's lives did parental and state authorities try to control in Argentina during the early 19th century?</li>
<li> What strategies did young people in early 19th-century Argentina use to resist parental control?</li>
</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Love and Rebellion in Argentina</h3>
<p>by Janelle Collett</p>
<p><strong>Time Estimated:</strong> four 50-minute classes</p>


<h3>Objectives</h3>
<ol>
<li>Synthesize understanding of primary sources with understanding of secondary sources.</li>
<li>Understand why the Rosas regime asserted its authority in this case and the larger implications for how an unstable state responds to threats to their power.</li>
<li>Debate how a state can best maintain order.</li>
</ol>

<h3>Materials</h3>
<ul>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/70">"To the Spirits of Camila O'Gorman" [Poem]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/68">"Camila O'Gorman" [Painting]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/69">Adolfo O'Gorman to Juan Manuel de Rosas [Letter]</a></li>
</ul>

<h3>Day One</h3>
<p><em>Hook</em><br />
Read out loud <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/70">"To the Spirits of Camila O'Gorman."</a> Make sure students are not given the introduction.</p>
 
<p>Ask students to write a short story imagining who she was and what happened to her.</p>
<p>Have students volunteer to share their stories.</p>
<p>As a class, identify patterns in the stories. What were they able to infer about Camila O'Gorman from the poem?</p>

  
<p><em>Homework</em><br />
Students must read the introduction to <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/70">"To the Spirits of Camila O'Gorman"</a> in order to find out the story of what actually happened to her AND the introduction to the Teaching Module, <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/60">"Youth, Love, & Authority in Argentina" (19th c).</a></p>

<h3>Day Two</h3>
<p><em>Background</em><br />
Discuss "Youth, Love, & Authority in Argentina."</p>

<p>Create a timeline as a class, including the most significant events that occurred in Argentina between 1810 and 1860.</p>
<p>Who was Camila O'Gorman? Why is her fate significant to understanding this period in Argentina?</p>

<p><em>Examine "Camila O'Gorman" Painting</em></p>
<ul> 
<li>How has the artist portrayed Camila? Does she look like a criminal? Like an innocent victim?</li>  
<li>How do you believe the artist felt about her execution?</li>
</ul>


<p><em>Read the letter from Adolfo O'Gorman to Juan Manuel de Rosas out loud.</em></p>
<ul>
<li>Why did Adolfo O'Gorman write this letter? (What was his purpose?)</li>
<li>What arguments does he use to try to persuade Juan Manuel de Rosas to agree with him?</li>
</ul>

<h3>Day Three</h3>
<p><em>Four Corners Debate! </em></p>
<ul>
<li>Write the following statement on the board: "A government has the right to use violence to enforce the law."</li>
<li>In each of the four corners of the room, hang a poster with one of the following statements: "Strongly Agree," "Agree," "Disagree," and "Strongly Disagree."</li>
<li>Instruct students to stand in the corner of the room with the poster that states the position they want to argue.</li>
<li>Once students are in the corner of their choice, instruct them to discuss with their group why they all chose that position. As a group, they must construct an argument and evidence to support that argument. Then, they must choose a group leader.</li>
<li>Group leaders present their argument and evidence to the class.</li>
<li>When group leaders are finished presenting, students may change corners if they have been persuaded to another point of view.</li>	
	</ul>


<p><em>Homework</em><br />
Students will each write a paragraph defending the point of view written on the poster they chose at the end of class yesterday.</p>

<h3>Day Four</h3>
<p><em>Debrief</em></p>
<ul>	
<li>Which group was most persuasive in their arguments? What did they do differently that made them so persuasive?</li> 
<li>Which group would Juan Manuel de Rosas have agreed with? Adolfo O'Gorman? Camila O'Gorman? Juan Leon Palliére?</li>
<li>What drives a government to be so extreme in its enforcement of the law?</li>  
<li>What drives individuals to disobey a government that is all-powerful and willing to use violence to punish disobedience?</li>
<li>Is there any way for a government to maintain order if individuals disobey the law other than violence?</li>
</ul>

<h3>Differentiation</h3>
<p><em>Advanced Students</em><br />
After the debate, instead of a paragraph, students will write an essay for homework answering the question, "What are the strengths and weaknesses of an authoritarian regime?"</p>

<p><em>Less Advanced Students</em><br />
Allow one more day for activity. As a class, fill out a SCARABS sheet for each of the three primary sources.</p>

<ul>  
<li><strong>S</strong>ubject of the primary source</li>
<li><strong>C</strong>ontext: what was happening when it was created?</li>
<li><strong>A</strong>uthor or creator</li>
<li><strong>R</strong>eason the source was created</li>
<li><strong>A</strong>udience: for whom was this source created?</li>
<li><strong>B</strong>ias of creator of source</li>
<li><strong>S</strong>ignificance of the source (why is it important?)</li>
	</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-primary-sources" class="element">
        <h3>Primary Sources</h3>
                                    <div class="element-text">61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Tue, 06 May 2008 23:52:03 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African [Book Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/58</link>
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                                    <div class="element-text"><em>The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African</em> [Book Excerpt]</div>
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                                    <div class="element-text"><p>One of the very first slave narratives, <em>The Interesting Narrative</em> of Olaudah Equiano (1745-1797), served as a prototype for the well-known slave autobiographies of the 19th century written by such fugitive slaves as Frederick Douglass and Harriet Jacobs. First published in 1772, the volume recounts Equiano's kidnapping in Africa at the age of 10 or 11, and how he was subsequently shipped to the West Indies, sent to a Virginia plantation, purchased by an officer in the British navy, and toiled on a merchant ship for a decade until he was able to buy his freedom. It also tells readers how as a free man he worked on merchant and military ships, served in the Seven Years War, and traveled to the Arctic, as well as how he became a leading figure in the British antislavery movement.</p>
  
 <p>This autobiography, which is one of the very few slave narratives to offer a first-hand description of life in Africa as well as of capture, enslavement, and experiences during the Middle Passage to the New World, can be read on multiple levels. It offers a graphic first-hand look at slavery's cruelties, including the process of enslavement and the horrors of the Middle Passage. It provides vivid insights into the social history of the 18th century and a gripping first-person account of the workings of triangular trade connecting Africa, the Americas, and Europe. The book is also a religious conversion narrative, which helps us understand how an individual coped with slavery's oppressions, as well as a travel narrative, which offers a vivid glimpse of the 18th-century Atlantic world.</p> 

<p>Yet the narrative is also problematic. The biographer Vincent Carretta has raised difficult questions about the truthfulness of Equiano's claim that he was born in Africa and the authenticity of his account of his capture and his experiences during the Middle Passage. Carretta likens the volume to another 18th-century autobiography, Benjamin Franklin's, which also uses a life story to advance larger themes and arguments.  In short, reading this book challenges a reader to weigh historical evidence and to address the problematic nature of any autobiography, including the extent to which we can rely on a writer's memories and self-representation.</p></div>
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                                    <div class="element-text">Olaudah Equiano</div>
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        <h3>Source</h3>
                                    <div class="element-text">Equiano, Olaudah. <em>The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa the African</em>. New York: Printed and sold by W. Durell, at his book-store and printing-office, no. 19, Q. Street, M,DCC,XCI, 1791.</div>
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                                    <div class="element-text">Printed and sold by W. Durell, at his book-store and printing-office, no. 19, Q. Street, M,DCC,XCI</div>
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                                    <div class="element-text">2008-05-01</div>
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                                    <div class="element-text">Steven Mintz</div>
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                                    <div class="element-text">57, 141, 142, 143, 144, 145</div>
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                                    <div class="element-text"><h3>Excerpt I. Enslavement</h3>

<p>My father, besides many slaves, had a numerous family, of which seven lived to grow up, including myself and a sister, who was the only daughter. As I was the youngest of the sons, I became, of course, the greatest favourite of my mother, and was always with her; and she used to take particular pains to form my mind. I was trained up from my earliest years in the arts of agriculture and war; and my mother adorned me with emblems, after the manner of our greatest warriors. In this way I grew up till I was turned the age of eleven, when an end was put to my happiness in the following manner:- - Generally, when the grown people in the neighbourhood were gone far in the fields to labour, the children assembled together in some of the neighborhood's premises to play; and commonly some of us used to get up a tree to look out for any assailant, or kidnapper, that might come upon us; for they sometimes took those opportunities of our parents' absence, to attack and carry off as many as they could seize. One day, as I was watching at the top of a tree in our yard, I saw one of those people come into the yard of our next neighbour but one, to kidnap, there being many stout young people in it. Immediately, on this, I gave the alarm of the rogue, and he was surrounded by the stoutest of them, who entangled him with cords, so that he could not escape till some of the grown people came and secured him. But alas! ere long, it was my fate to be thus attacked, and to be carried off, when none of the grown people were nigh. One day, when all our people were gone out to their works as usual, and only I and my dear sister were left to mind the house, two men and a woman got over our walls, and in a moment seized us both; and, without giving us time to cry out, or make resistance, they stopped our mouths, and ran off with us into the nearest wood. Here they tied our hands, and continued to carry us as far as they could, till night came on, when we reached a small house, where the robbers halted for refreshment, and spent the night. We were then unbound; but were unable to take any food; and, being quite overpowered by fatigue and grief, our only relief was some sleep, which allayed our misfortune for a short time.</p>

<h3>Excerpt II. The Middle Passage</h3>

<p>I now saw myself deprived of all chance of returning to my native country or even the least glimpse of hope of gaining the shore, which I now considered as friendly. I even wished for my former slavery in preference to my present situation, which was filled with horrors of every kind.</p>

<p>There I received such a salutation in my nostrils as I had never experienced in my life. With the loathesomeness of the stench and the crying together, I became so sick and low that I was not able to eat, nor had I the least desire to taste anything. I now wished for the last friend, Death, to relieve me.</p>

<p>Soon, to my grief, two of the white men offered me eatables and on my refusing to eat, one of them held me fast by the hands and laid me across the windlass and tied my feet while the other flogged me severely. I had never experienced anything of this kind before. If I could have gotten over the nettings, I would have jumped over the side, but I could not. The crew used to watch very closely those of us who were not chained down to the decks, lest we should leap into the water. I have seen some of these poor African prisoners most severely cut for attempting to do so, and hourly whipped for not eating. This indeed was often the case with myself.</p> 

<p>I inquired of these what was to be done with us. They gave me to understand we were to be carried to these white people's country to work for them. I then was a little revived, and thought if it were no worse than working, my situation was not so desperate. But still I feared that I should be put to death, the white people looked and acted in so savage a manner. I have never seen among my people such instances of brutal cruelty, and this not only shown towards us blacks, but also to some of the whites themselves.</p> 

<p>One white man in particular I saw, when we were permitted to be on deck, flogged so unmercifully with a large rope near the foremast that he died in consequence of it, and they tossed him over the side as they would have done a brute. This made me fear these people the more, and I expected nothing less than to be treated in the same manner.</p> 

<p>I asked them if these people had no country, but lived in this hollow place? They told me they did not but came from a distant land. "Then," said I, "how comes it that in all our country we never heard of them?"</p> 

<p>They told me because they lived so far off. I then asked where were their women? Had they any like themselves? I was told they had.</p> 

<p>"And why do we not see them" I asked. They answered, "Because they were left behind."</p>

<p>I asked how the vessel would go? They told me they could not tell, but there was cloth put upon the masts by the help of the ropes I saw, and then vessels went on, and the white men had some spell or magic they put in the water when they liked in order to stop the vessel when they liked.</p> 

<p>I was exceedingly amazed at this account, and really thought they were spirits. I therefore wished much to be from amongst them, for I expected they would sacrifice me. But my wishes were in vain- - for we were so quartered that it was impossible for us to make our escape.</p> 

<p>At last, when the ship we were in had got in all her cargo, they made ready with many fearful noises, and we were all put under deck, so that we could not see how they managed the vessel.</p> 

<p>The stench of the hold while we were on the coast was so intolerably loathsome, that it was dangerous to remain there for any time. . . some of us had been permitted to stay on the deck for the fresh air. But now that the whole ship's cargo were confined together, it became absolutely pestilential. The closeness of the place and the heat of the climate, added to the number of the ship, which was so crowded that each had scarcely room to turn himself, almost suffocated us.</p> 

<p>This produced copious perspirations so that the air became unfit for respiration from a variety of loathsome smells, and brought on a sickness among the slaves, of which many died- - thus falling victims of the improvident avarice, as I may call it, of their purchasers. This wretched situation was again aggravated by the galling of the chains, which now became insupportable, and the filth of the necessary tubs [toilets] into which the children often fell and were almost suffocated. The shrieks of the women and the groans of the dying rendered the whole a scene of horror almost inconceivable.</p> 

<p>Happily perhaps for myself, I was soon reduced so low that it was necessary to keep me almost always on deck and from my extreme youth I was not put into fetters. In this situation I expected every hour to share the fate of my companions, some of whom were almost daily brought upon the deck at the point of death, which I began to hope would soon put an end to my miseries. Often did I think many of the inhabitants of the deep much more happy than myself. I envied them the freedom they enjoyed, and as often wished I could change my condition for theirs. Every circumstance I met with, served only to render my state more painful and heightened my apprehensions and my opinion of the cruelty of the whites.</p> 

<p>One day, when we had a smooth sea and moderate wind, two of my wearied countrymen who were chained together (I was near them at the time), preferring death to such a life of misery, somehow made through the nettings and jumped into the sea. Immediately another quite dejected fellow, who on account of his illness was suffered to be out of irons, followed their example. I believe many more would very soon have done the same if they had not been prevented by the ship's crew, who were instantly alarmed. Those of us that were the most active were in a moment put down under the deck, and there was such a noise and confusion among the people of the ship as I never heard before to stop her and get the boat out to go after the slaves. However, two of the wretches were drowned, but they got the other and afterwards flogged him unmercifully for thus attempting to prefer death to slavery.</p> 

<h3>Excerpt III. Arrival in the New World</h3>

<p>As the vessel drew nearer, we plainly saw the harbor and other ships of different kinds and sizes and we soon anchored amongst them off Bridgetown. Many merchants and planters came on board. . . They put us in separate parcels and examined us attentively. They also made us jump, and pointed to the land, signifying we were to go there. We thought by this we should be eaten by these ugly men, as they appeared to us. When soon after we were all put down under the deck again, there was much dread and trembling among us and nothing but bitter cries to be heard all the night from the apprehensions. At last the white people got some old slaves from the land to pacify us. They told us we were not to be eaten, but to work, and were soon to go on land, where we should see many of our country people. This report eased us much, and sure enough, soon after we landed, there came to us Africans of all languages.</p> 

<p>We were conducted immediately to the merchant's yard, where we were all pent up together, like so many sheep in a fold, without regard to sex or age. As every object was new to me, everything I saw filled me with surprise. What struck me first was that the houses were built with bricks and stories, and in every respect different from those I had seen in Africa, but I was still more astonished to see people on horseback. I did not know what this could mean, and indeed I thought these people were full of nothing but magical arts. While I was in this astonishment, one of my fellow prisoners spoke to a countryman of his about the horses who said they were the same kind they had in their country. I understood them, though they were from a distant part of Africa and I thought it odd I had not seen any horses there; but afterwards when I came to converse with different Africans, I found they had many horses amongst them, and much larger than those I then saw.</p> 

<p>We were not many days in the merchant's custody, before we were sold after their usual manner. . . . On a signal given, (as the beat of a drum), buyers rush at once into the yard where the slaves are confined, and make a choice of that parcel they like best. The noise and clamor with which this is attended, and the eagerness visible in the countenances of the buyers, serve not a little to increase the apprehension of terrified Africans. . . . In this manner, without scruple, are relations and friends separated, most of them never to see each other again. I remember in the vessel in which I was brought over. . . there were several brothers who, in the sale, were sold in different lots; and it was very moving on this occasion, to see and hear their cries in parting.</p></div>
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                                    <div class="element-text">142, 143, 144, 145</div>
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      <pubDate>Thu, 01 May 2008 21:46:58 +0000</pubDate>
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