Decisions of the Superior Courts of New South Wales, 1788-1899 was created to publish records of the superior courts of New South Wales with the goal of recovering the records of colonial law. At present it concentrates on the decisions of the Supreme Courts and other courts of unlimited jurisdiction between 1788 and 1841.

This archival site is challenging to use, but worth the effort. There are several ways to locate information relevant to children. Searches using keywords such as "boy," "girl," "child," "children," and "family," produce a few hits; this should improve as more materials become accessible in digital form.

Interesting material on children is available, though, by browsing the subject index. A range of relevant topics emerge, including "child, failure to support," "children, defendants," and "children, evidence by." Other subjects include Aboriginal affairs, family law, infancy, infanticide, marriage of infants, children and oaths, Orphan School, and schools (and education laws).

"Other features" presents cases and groups of documents, such as Justice Burton's collected documents concerning Aborigines 1797-1840. This includes the key law that resulted in the "Stolen Generation," Original Document 5, "Proclamations &c Black Natives Establishment of Institution for Children Government and General Orders Government House Sydney: 10th December 1814." This law provided for the "civilizing" of the Aboriginal people by placing their children into state-run schools.

Photographs, recollections, legal records and commentary tell this harrowing story. Records document the school/orphanages that housed and educated Aboriginal children, warehousing them in military-style schools where they often lost touch with their identities and families. The schools trained boys for low-skilled work and girls for domestic service. An especially interesting feature is Dawn Magazine, "An introduction to the public face of the Aborigines Welfare Board (1952–1969) and the photos it reproduced."

Two factors about the public use of the site are noteworthy. First, many of the archives on Aboriginal communities are closed for 100 years due to sensitivity about the treatment of indigenous peoples of Australia who were deprived of their rights over their culture, lands, bodies, and children. The site also offers a finding aid for genealogical searches. New South Wales was the staging ground for the settlement of Australia by convicts brought from overcrowded British prisons. Many contemporary Aussies may be able to trace their genealogy back to those original settlers through the site.

This is a site that will increase in usefulness on children and other topics as the archive becomes more complete. In the meantime, dedicated searching will reveal significant material on the laws and implementation of those laws affecting many aspects of the lives of children.

The National Museum of African Art website is a colorful destination that showcases a dynamic mixture of historical, traditional, and contemporary African art forms.

The museum and its website cover the entire continent of Africa, so the focus is not on children or youth. There are some valuable resources, but they finding them can be tricky.

Explore the Collection features three sample sub-collections showing the diversity, uses, and symbols of African art. An advanced search allows for sorting by type of object, country, ethnic group, and artist, but there is no keyword search for narrowing to "child" or "childhood." The search engine would be best for browsing by users with prior knowledge of the collection, or if a user wanted to search a particular region or type of artifact.

To locate material on children, explore categories such as "toys and entertainment" (18, including the image of the Zimbabwean toy turtle made from a gourd and woven fiber shown here); "doll" (12) ; "mother and child" (25); and "masks" (120). These bring up objects related to initiation and puberty rituals. "Costume and textile" (142) offers clothing types such as aprons and chest cloths associated with the passage to womanhood.

Unfortunately, many of the images are not very large, even expanded versions (when available). For smaller objects such as dolls, the images are quite detailed. For larger objects, such as clothing and weavings, the images do not allow the user to focus on the elements identified in the written descriptions. In addition, some of the texts are generic, repeating paragraphs for similar objects, such as dolls, game boards, ornaments, and clothing types.

Information and objects related to childhood, though difficult to find, are sprinkled throughout the site. For example, in the podcast and exhibit on the Tuareg, we learn that the highly refined traditions of leatherwork and silversmithing are being passed on to the next generation and are well received in the global marketplace. Other items include masks, aprons, dolls, costumes, and symbolic items that refer to the practice of initiation rites and clothing or ornaments associated with the transition from childhood to adulthood in various parts of Africa.

Radio Africa features an audio story for children, "The Leopard's Drum," and performance of a squirrel story by an Ethiopian musician. The exhibit TxtStyles/Fashioning Identity draws connections between traditional and modern clothing among African youth and how it has become part of the global youth style. Activities for children invite them to participate in discussion, try on virtual clothes, and view images of children in various forms of dress.

Museum activities for children offer records of children's art activities, especially workshops held for public and local schools. There are photo streams of children making masks, learning about textiles, colors, and symbols in African art, or interacting with the exhibits. Playtime has dynamic activities for learning how to make kente cloth, designing beaded decorations and motifs, and a virtual paper doll set on costume.

Another section worthy of note is the Warren M. Robbins Library of African Art, billed as the leading library on the subject in the United States. African Art on the Web leads to additional information on children and youth in museums and websites around the world.

The content on Art and Life in Africa is primarily the work and scholarship of Christopher D. Roy, Professor of Art History at the University of Iowa. There are rich materials on children, although finding them requires some creative searching.

The site design is not as elegantly organized or aesthetically pleasing as the rich content warrants. There are many broken links, such as the one to the Stanley Collection database. The link to a teacher's forum is also broken. Links to other sites do function.

What the site lacks in quality, however, it makes up in quantity of information. This includes photographs and videos that illustrate the landscape, arts, craft production, and everyday life of a wide variety of groups in the region and more than 60 streaming videos of craft production, dancing, singing and mask performances.

The site includes most countries of sub-Saharan Africa, which are designated on the map in black lettering. A database lists the names of 107 "peoples" (as the site designates these ethnic, clan, or tribal groups) in Africa. Each name links to a chart with information, a map of the territory, and sometimes the multiple countries they inhabit.

Materials on children appear throughout the site, but are not easy to find. The design includes an ALA search engine found only at the bottom of the index page—not on the home page. There is no easy way to navigate among sections of the site. Keyword searches such as "child," "girl," and "boy" yield only two general links, so the search engine apparently excludes a lot of site content. The keyword "doll," for example, which is found in at least a dozen articles, photo captions, and artworks, only returned the main website link.

The best strategy, then, is to browse the site looking in likely places. The beautiful and interesting pictures make this rewarding time spent. Key Moments in Life describes the stages from birth to initiation, marriage, old age and death, including both males and females, using photographs and art. Each is discussed in a paragraph with citation information.

A streaming video shows uninitiated boys in Boni and Lollio making masks out of millet stalks in imitation of the adults' elaborate masks. They play music, weave elaborate masks, and clown for the camera; in the evening they take part in the procession and dance. Watching this video is as interesting for the skill and intensity the boys bring to the process, as for the other children, both boys and girls, who mill around at the performance.

Many of the other videos and photos allow the viewer to catch glimpses of babies wrapped onto their mother's backs and of children and youth participating in daily activities or special occasions. A number of articles by Roy include information about children, the best example being the article on Mossi dolls. The article describes wooden figurines carved by blacksmiths for little girls that simultaneously fulfill the function of babies (biiga) for young caregivers as well as adult female role models.

This project is testament to a lifetime of work among people for whom the scholar Roy had great affection, and into whose lives he was able to gather deep insight. The materials here are based on a CD-ROM of the same name that is available for purchase on the site, but increasingly the CD content is available online.

O my son, O my youth, O boy, O servitor, listen, for our lord hath placed you here. And now, to you who are my son, who are my child, who are my precious necklace, who are my precious feather, who are my oldest, my second, my youngest son. I speak, I call out a word or two. Verily, now I form, I say, I reflect upon the word or two which I shall give thee of my motherhood, my fatherhood. I shall perform my obligation, lest tomorrow, the next day, our lord, . . . will have hidden us. Certainly no one enjoys the hard, the heavy. Certainly our living on earth is not assured. . .

Here is what thou art to do, what thou art to realize, that which. . . the old men, the old women…our forefathers, left as they departed. For they came to live on earth; for they came to live with others. And they came to occupy position and authority among the people. . . .

Behold still a word to finish my talk. Perhaps I shall deceive if I have hidden a word left by our forefathers as they departed, in order that you may dwell with others on earth, in order that you may be prudent in all things, in everything.

First: you are to be one who rises from sleep, one who holds vigil through the night. You are not to give yourself excessively to sleep, lest it will be said of you, lest you will be called a heavy sleeper, one who goes falling asleep, a constant sleeper, a dreamer. . . .

And second, you are to be prudent in your travels; peacefully, quietly, tranquilly, deliberately you are to go, to take the road, to travel. Do not throw your feet much, nor raise your feet high, nor go jumping, lest it be said of you, lest you be named fool, shameless. Neither are you to travel very slowly, nor to drag your feet, lest it be said of you that you are a dragger, you are a lout. . .

Also you are not to hang your head, not to incline your head much, not to stand up off balance, not to look sideways, not to look out of the corner of your eyes, lest it be said of you that you are an imbecile. . .

Third: you are to speak very slowly, very deliberately; you are not to speak hurriedly, not to pant, nor to squeak, lest it be said of you that you are a groaner, a gawker, a squeaker. . . .

Fourth: you are to pretend not to dwell on that which is done, that which is performed. Especially you are to depart from, to forsake evil. And you are not to peer at one, not to peer into one's face, not to stare at one...especially a woman. . .

Fifth: Guard, take care of your ears, of that which you hear. Do not gossip; let what is said remain as said. Ignore it. Pretend not to understand the words. If you cannot ignore it, respond not. And speak not; only listen; let what is said remain as said. . . .

Thus this is very necessary; you are to be prudent, O my precious son. Do not die somewhere in vice, do not die somewhere in vain. Take good heed, take care; see to it that your eyes are open.

Sixth: when you are summoned. . . you are to arise responding, to arise quickly. If you are to be sent as a messenger, you are to run, to be swift. If you are ordered to get something, you are to get it promptly. You are to travel swiftly, to travel bounding, in no wise sluggish; like the wind are you to go. . . .

Seventh: as you are to array yourself, as you are to clothe yourself, you are not to dress vainly, you are not to array yourself fantastically, you are not to place upon yourself the gaudy cape, the gaudy clothing, that which is embroidered. Neither are you to put on rags, tatters, an old loosely-woven cape. . . .

Thus are you to tie on your cape: do not tie it on so that you go tripping over it; neither are you to shorten your cape. Moderately are you to tie it on. Nor are you to expose your shoulder. . . place on you that which is always good, proper, all fine.

Eighth: Listen! Above all you are to be prudent in drink, in food. . . in this wise: when you are to eat, you are not to be hasty, not to be impetuous; you are not to take excessively nor to break up your tortillas. You are not to put a large amount in your mouth; you are not to swallow it un-chewed. You are not to gulp like a dog, when you are to eat food. . . .

And when you are ready to eat, you are to wash your hands, to wash your face, to wash your mouth. And if somewhere you are to eat with others, do not quickly seat yourself at the eating place with others. . . . And you, when you have eaten, once again are you to wash your hands, to wash your mouth, to clean your teeth.

In brief, these are the words as I give you. . . as many words lie guarded. . . Our forefathers, the old men, the old women, the white-haired ones, the white-headed ones, departed leaving them. The many words—O that you could later take them to heart!. . .

They went saying that on earth we travel, we live along a mountain peak. Over here there is an abyss, over there is an abyss. Wherever you are to deviate, wherever you are to go astray, there will you fall, there will you fall into the deep. . .

Download the full text of the document as pdf here.

And behold how began the life of the young boy. At first, while still a small boy, his hair was shorn. And when he was already ten years old, they then let a tuft of hair grown on the back of his head. And when he was fifteen years old, then the tuft of hair became long. [This was] when he had nowhere taken captives.

And if he took a captive with the help of others, —perchance doing so with the aid of two, or of three, or four, or of five, or of six, at which point came to an end [the reckoning] that a captive was taken with others' help—then the lock of hair was removed. And this was the division of their captive: in six parts it came. The first, who was the real captor, took his body and one of his thighs—the one with the right foot. And the second who took part [in the capture] took the left thigh. And the third took the right upper arm. The fifth took the right forearm. And as for the sixth, he took the left forearm.

And when the tuft on the back of his head was removed, he was shorn so that he was left [another] lock: his hair dress kept, on the right side, the hair hanging low, reaching the bottom of his ear; to one side [only] was is lock of hair set. When this [was done], he assumed another face, he appeared otherwise, so that it might be seen that he had made a captive with the help of others [and that] the tuft of hair on the back of his head had been removed.

And then his grandfather, or his beloved uncle, addressed him. He said to him: “My beloved grandson, the sun the lord of the earth, hath washed thy face. You have taken another face; and you have gone to throw yourself against the foe. Let them take you if, without profit, once more you take a captive with the aid of others. What would you be? Would you have a young girl's lock of hair? Take care lest you again take a captive with others' help. Cast yourself against our foes…