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    <title><![CDATA[Children and Youth in History]]></title>
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    <pubDate>Wed, 11 Aug 2021 03:23:05 +0000</pubDate>
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      <title><![CDATA[Japanese American Incarceration at Amache, Colorado, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/318</link>
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                                    <div class="element-text">Japanese American Incarceration at Amache, Colorado, Interview [Oral History]</div>
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                                    <div class="element-text"><p>Norman I. Hirose is a Nisei (second generation) Japanese American born in 1926 in Oakland, California. He grew up in Oakland and Berkeley, California. After the bombing of Pearl Harbor, the Hirose family was removed to the Tanforan Assembly Center, California (a converted racetrack), and later to Topaz incarceration camp, Utah. Authorities in charge of the camps organized recreational activities to occupy the imprisoned population. In this interview excerpt, Hirose describes a Fourth of July celebration at Tanforan and the diversions practiced by the Issei ("first generation"). Along with other former detainees, Hirose received a presidential apology and partial reparations in the 1980s for being incarcerated without due process of law, solely on the basis of his Japanese ancestry.</p></div>
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                                    <div class="element-text">Norman I. Hirose, interview, July 31, 2008, Emeryville, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Tom Ikeda, segment, 15, denshovh-hnorman-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
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                                    <div class="element-text">2008-07-31</div>
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                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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                                    <div class="element-text">314, 315, 316, 317, 319, 320, 321, 322</div>
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                                    <div class="element-text"><p>TI: Any other memories of Tanforan, like any fun memories?</p>
<p>NH: Well, we had, we had a Fourth of July celebration, and I don't know why, but we did. [Laughs]</p>
<p>TI: I mean, did anyone, people must have commented on the irony of Independence Day?</p>
<p>NH: I guess so. I don't know why, come to think of it, I really don't know why, but I remember we had Fourth of July celebration. And then was it Friday evening, we would have talent shows, 'cause we didn't have any movies or anything like that, and so Goro, Goro, what's his name? I can't remember his last name, but he was a very talented -- well, I thought -- singer and emcee. And he was funny and we enjoyed whatever it is that he said. And he must have been about, oh, I don't know, couldn't have been more than twenty years old, I don't think.</p>
<p>TI: So you looked forward to the Friday night talent shows. What were some of the things other people did? You said singing. . .</p>
<p>NH: Oh, then they went around and, scrounged around and asked people, and so-and-so played the violin so she, the girl came and played the violin for us, and some people played the piano and they played selections on the piano. I don't know where they got the piano from, but they got it from somewhere. Mostly singing, and that was our show. But then it was fun.</p>
<p>TI: And going back to that Fourth of July celebration or party, what did they do on the Fourth of July? I'm curious.</p>
<p>NH: I don't remember. All I know it was the Fourth of July, but there were no fireworks, obviously there weren't any fireworks. But we all went in the grandstand, and I guess we were singing, mostly.</p>
<p>TI: And your parents, what kind of activities did the Isseis have?</p>
<p>NH: Oh, Isseis had. . . well, my father played go, so they, they played go, all around camp you would see the older men playing go all day long.</p>
<p>TI: And your mother? What would, what would the women do?</p>
<p>NH: I don't know what they did, but I know that she crocheted a lot and knitted a lot. She was left-handed. I still have her, she made a bedspread for each of us, huge double bed bedspread, all crocheted by hand. And where did her, her thread, our neighbor in Berkeley, she asked, came to see us, and she asked her if she could bring some crocheting thread, and she brought it, Mrs. Lindberg. And she's since passed, on, too.</p>
<p>TI: And so with that thread, your mom made these bedspreads for each of the kids. And you said you still have that?</p>
<p>NH: I still have mine, yeah.</p>
<p>TI: Oh, that's, what a treasure.</p>
<p>NH: Yeah, and I think I know where it is, but oh well.</p>
<p>TI: You should, you should take care of that. That'd be a really important artifact for people, something made in camp.</p>
<p>NH: Yeah, it was made in camp.</p></div>
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                                    <div class="element-text">Norman I. Hirose, interview, July 31, 2008, Emeryville, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Tom Ikeda, segment, 15, denshovh-hnorman-01 (accessed October 14, 2009).</div>
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                                    <div class="element-text">Tom Ikeda</div>
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                                    <div class="element-text"><p>TI: Any other memories of Tanforan, like any fun memories?</p>
<p>NH: Well, we had, we had a Fourth of July celebration, and I don't know why, but we did. [Laughs]</p>
<p>TI: I mean, did anyone, people must have commented on the irony of Independence Day?</p>
<p>NH: I guess so. I don't know why, come to think of it, I really don't know why, but I remember we had Fourth of July celebration. And then was it Friday evening, we would have talent shows, 'cause we didn't have any movies or anything like that, and so Goro, Goro, what's his name? I can't remember his last name, but he was a very talented -- well, I thought -- singer and emcee. And he was funny and we enjoyed whatever it is that he said. And he must have been about, oh, I don't know, couldn't have been more than twenty years old, I don't think.</p>
<p>TI: So you looked forward to the Friday night talent shows. What were some of the things other people did? You said singing. . .</p>
<p>NH: Oh, then they went around and, scrounged around and asked people, and so-and-so played the violin so she, the girl came and played the violin for us, and some people played the piano and they played selections on the piano. I don't know where they got the piano from, but they got it from somewhere. Mostly singing, and that was our show. But then it was fun.</p>
<p>TI: And going back to that Fourth of July celebration or party, what did they do on the Fourth of July? I'm curious.</p>
<p>NH: I don't remember. All I know it was the Fourth of July, but there were no fireworks, obviously there weren't any fireworks. But we all went in the grandstand, and I guess we were singing, mostly.</p>
<p>TI: And your parents, what kind of activities did the Isseis have?</p>
<p>NH: Oh, Isseis had. . . well, my father played go, so they, they played go, all around camp you would see the older men playing go all day long.</p>
<p>TI: And your mother? What would, what would the women do?</p>
<p>NH: I don't know what they did, but I know that she crocheted a lot and knitted a lot. She was left-handed. I still have her, she made a bedspread for each of us, huge double bed bedspread, all crocheted by hand. And where did her, her thread, our neighbor in Berkeley, she asked, came to see us, and she asked her if she could bring some crocheting thread, and she brought it, Mrs. Lindberg. And she's since passed, on, too.</p>
<p>TI: And so with that thread, your mom made these bedspreads for each of the kids. And you said you still have that?</p>
<p>NH: I still have mine, yeah.</p>
<p>TI: Oh, that's, what a treasure.</p>
<p>NH: Yeah, and I think I know where it is, but oh well.</p>
<p>TI: You should, you should take care of that. That'd be a really important artifact for people, something made in camp.</p>
<p>NH: Yeah, it was made in camp.</p></div>
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                                    <div class="element-text">July 31, 2008</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">3:41</div>
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                                    <div class="element-text">Emeryville, California</div>
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                                    <div class="element-text">Norman I. Hirose</div>
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      <pubDate>Wed, 14 Oct 2009 16:29:30 +0000</pubDate>
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      <title><![CDATA[Japanese American Incarceration at Amache, Colorado, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/317</link>
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                                    <div class="element-text">Japanese American Incarceration at Amache, Colorado, Interview [Oral History]</div>
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                                    <div class="element-text"><p>(Yoshimitsu) Bob Fuchigami is a Nisei (2nd generation) Japanese American, born in 1930 in Marysville, California. His family operated a farm prior to World War II. Following the bombing of Pearl Harbor, he and his family were removed to the Merced Assembly Center, California, and later to the Granada (Amache) incarceration camp, Colorado. He currently resides in Colorado. In this interview clip, he describes the makeshift school at the Amache, Colorado, incarceration camp. Along with other former detainees, Fuchigami received a presidential apology and partial reparations in the 1980s for being incarcerated without due process of law, solely on the basis of his Japanese ancestry.</p></div>
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                                    <div class="element-text">Bob Fuchigami, interview, May 14, 2008, Denver, Colorado. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Richard Potashin, segment 20, denshovh-fbob-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
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                                    <div class="element-text">2008-05-14</div>
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                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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                                    <div class="element-text">314, 315, 316, 318, 319, 320, 321, 322</div>
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                                    <div class="element-text"><p>RP: Bob, your family arrived at Amache, was it in August, did you say, of '42?</p>
<p>BF: We, we got there in September, early September.</p>
<p>RP: Was, were you able to enroll in school that first semester? Or. . .</p>
<p>BF: In Amache?</p>
<p>RP: Yes.</p>
<p>BF: Yeah. They, they. . . I don't remember school right away. But they, they did open up a school probably in late September or maybe even early October. The school was in the barracks.</p>
<p>RP: Right, can you share with us a little, a little bit of what you remember of junior high school, as it was in Amache.</p>
<p>BF: Yeah. I was, I was a twelve year. The, the barracks, they didn't have the partitions in there. They might have had a couple, couple of partitions. But we, we sat on wooden benches.</p>
<p>RP: Benches.</p>
<p>BF: No, no books to begin with. Later on we got, we got some discarded, outdated books. But there was a teacher with a chalkboard in front and they would put the information, some of the information on the chalkboard and we'd just copy it. So we, we had tablets and copied the information from the textbook. Then, lecture and that, that was the educational process for several months. The. . . we had, there was a high turnover of teachers because these, these were teachers -- we had some good teachers, but -- I'd have to say that by and large, the quality of, of teachers was, was not very good at first. There's a high turnover. Because they didn't know the conditions that they would be living under. Although they lived in Lamar and came by bus to Amache. But they weren't prepared to, to deal with the population. First of all, they must have looked at us like, how come. . . these are all Japanese Americans. They had never seen that kind of population. We hadn't, I hadn't seen such a population except for the language school. And so there was a high turnover. Some had, some of the teachers had come from Indian reservations some had come from. . . teachers who had just finished college. 'Course, I'm sure they expected that we would have books and desks and things like that. We didn't. I can give you an example of. . . music. They were gonna start a little orchestra or a band, I guess. I remember went to, went to the music room and the only thing they had left was an oboe. Never seen an oboe in my life. And didn't know how difficult it would be to play such a, such a thing. I remember going home with an oboe. Never did master that. And, it was, it was discarded stuff. I don't think. . . well, I guess they eventually had some kind of, of a band or an orchestra. I certainly wasn't a part of that. Although later on, they, they somehow someone got some instruments and formed a band, an orchestra.</p>
<p>RP: An orchestra for dances and. . .</p>
<p>BF: Yeah, for dances. There's a fellow out of Santa Anita named Brush Arai and he had the Brush Arai and his (Kanaka Boys Band) or something like that.</p>
<p>RP: So, the conditions under which education developed in Amache didn't sound very stimulating academically.</p>
<p>BF: Well, at that, at that. . . yeah.</p>
<p>RP: Did it change?</p>
<p>BF: It did change over time. I remember, well, another thing that happened was it was P.E. classes. And they didn't have the equipment so when it, when the weather's. . . you got snow and stuff outside, they have to hold P.E. classes inside one of the barracks and the equipment they had was a, was a mattress that they rolled up. And we spent the hour jumping around that and diving over the, over the mattress. I mean, what kind of P.E. class is that? And the, so the conditions were not ideal, by any means.</p></div>
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        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Bob Fuchigami, interview, May 14, 2008, Denver, Colorado. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Richard Potashin, segment 20, denshovh-fbob-01 (accessed October 14, 2009).</div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Richard Potashin</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>RP: Bob, your family arrived at Amache, was it in August, did you say, of '42?</p>
<p>BF: We, we got there in September, early September.</p>
<p>RP: Was, were you able to enroll in school that first semester? Or. . .</p>
<p>BF: In Amache?</p>
<p>RP: Yes.</p>
<p>BF: Yeah. They, they. . . I don't remember school right away. But they, they did open up a school probably in late September or maybe even early October. The school was in the barracks.</p>
<p>RP: Right, can you share with us a little, a little bit of what you remember of junior high school, as it was in Amache.</p>
<p>BF: Yeah. I was, I was a twelve year. The, the barracks, they didn't have the partitions in there. They might have had a couple, couple of partitions. But we, we sat on wooden benches.</p>
<p>RP: Benches.</p>
<p>BF: No, no books to begin with. Later on we got, we got some discarded, outdated books. But there was a teacher with a chalkboard in front and they would put the information, some of the information on the chalkboard and we'd just copy it. So we, we had tablets and copied the information from the textbook. Then, lecture and that, that was the educational process for several months. The. . . we had, there was a high turnover of teachers because these, these were teachers -- we had some good teachers, but -- I'd have to say that by and large, the quality of, of teachers was, was not very good at first. There's a high turnover. Because they didn't know the conditions that they would be living under. Although they lived in Lamar and came by bus to Amache. But they weren't prepared to, to deal with the population. First of all, they must have looked at us like, how come. . . these are all Japanese Americans. They had never seen that kind of population. We hadn't, I hadn't seen such a population except for the language school. And so there was a high turnover. Some had, some of the teachers had come from Indian reservations some had come from. . . teachers who had just finished college. 'Course, I'm sure they expected that we would have books and desks and things like that. We didn't. I can give you an example of. . . music. They were gonna start a little orchestra or a band, I guess. I remember went to, went to the music room and the only thing they had left was an oboe. Never seen an oboe in my life. And didn't know how difficult it would be to play such a, such a thing. I remember going home with an oboe. Never did master that. And, it was, it was discarded stuff. I don't think. . . well, I guess they eventually had some kind of, of a band or an orchestra. I certainly wasn't a part of that. Although later on, they, they somehow someone got some instruments and formed a band, an orchestra.</p>
<p>RP: An orchestra for dances and. . .</p>
<p>BF: Yeah, for dances. There's a fellow out of Santa Anita named Brush Arai and he had the Brush Arai and his (Kanaka Boys Band) or something like that.</p>
<p>RP: So, the conditions under which education developed in Amache didn't sound very stimulating academically.</p>
<p>BF: Well, at that, at that. . . yeah.</p>
<p>RP: Did it change?</p>
<p>BF: It did change over time. I remember, well, another thing that happened was it was P.E. classes. And they didn't have the equipment so when it, when the weather's. . . you got snow and stuff outside, they have to hold P.E. classes inside one of the barracks and the equipment they had was a, was a mattress that they rolled up. And we spent the hour jumping around that and diving over the, over the mattress. I mean, what kind of P.E. class is that? And the, so the conditions were not ideal, by any means.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">May 14, 2008</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">6:49</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Denver, Colorado</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">(Yoshimitsu) Bob Fuchigami</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 318, 319, 320, 321, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/317_denshovh-fbob-1-20_2a48fda3e3.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/317_denshovh-fbob-1-20_2a48fda3e3.ogv" type="video/ogg" />
                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 16:08:15 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/331/fullsize" type="video/quicktime" length="19105180"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Merced Assembly Center, California, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/316</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Merced Assembly Center, California, Interview [Oral History]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>(Yoshimitsu) Bob Fuchigami is a Nisei (second generation) Japanese American, born in 1930 in Marysville, California. His family operated a farm prior to World War II. Following the bombing of Pearl Harbor, he and his family were removed to the Merced Assembly Center, California, and later to the Granada (Amache) incarceration camp, Colorado. He currently resides in Colorado. In this interview excerpt, Fuchigami describes the conditions of the Merced Assembly Center and tells how he contemplated crossing the barbed wire fence. Along with other former detainees, Fuchigami received a presidential apology and partial reparations in the 1980s for being incarcerated without due process of law, solely on the basis of his Japanese ancestry.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Bob Fuchigami, interview, May 14, 2008, Denver, Colorado. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Richard Potashin, segment 15, denshovh-fbob-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-05-14</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 317, 318, 319, 320, 321, 322</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                                    <div class="element-text"><p>BF: Yeah, Merced was like a prison camp, surrounded by barbed wire, guard towers manned by military. I'm sure they had rifles or machine guns or whatever, and they had the jeep patrol come around, around the perimeter of the camp, and they would come fairly often. At night the searchlights were there, and they crisscrossed the camp. It's the first time we ever ate at the. . . there was no toilets in the, no water in the barracks, and they had these buildings where, they called 'em mess halls, where you're fed rations. Communal toilet, latrine areas. And there's dust and dirt all over the place. It was just a fairgrounds that had been converted into a prison camp, and there were about four thousand Japanese Americans put into that particular camp. And there are other, other similar camps up and down the state and also in Oregon and Washington.</p>
<p>RP: You shared a story about looking out the fence and seeing some grapes.</p>
<p>BF: Oh, yeah, we were there about, well, we moved there in May, and of course, by June, the grapes were ripening. And we happened to be, the camp happened to be next to a vineyard. And when the grapes get ripe, there's a distinct smell, and I thought, "Gosh, it wouldn't take much to cross that little road beyond the fence to get the grapes." I mean, you could see them, you could smell them. I know several times that I thought about crawling under the fence and just getting some grapes. But you're sort of trying to time the lights because, but they weren't, they weren't set into a standard pattern, so you couldn't judge where that light was gonna show the next, next point. And I tried, I figured, well, the lights were shining over there and they would be swinging over here and so forth, but they, I could never figure them out. And we were told, "You go beyond that fence, you're gonna get shot." So I guess I just didn't have enough courage to do that, and never tried to get those grapes. And that stayed in my mind for a long time, because later on when, in the years, when we were out of the camps and finally were able to get grapes, it was the time of the Cesar Chavez and his boycott of grapes. And I really honored that; I thought highly of that movement, the Farm Workers Movement, and boycotting grapes. So I was unable to purchase grapes, I mean, I just didn't do it. And I remember talking to some Mexican American friends of mine about that, and one of those guys that, "Oh, I don't, I don't," he says, "I buy grapes." I said, "How do you do that? How can you go in your good conscience, buy grapes?" He said, "Well, I buy non-union grapes." And I thought, "Well, that's still not right. You're undermining the movement." So I didn't until the strike was over, and then I could indulge myself. But that's, that was a very strong memory of grapes.</p>
<p>RP: Wanting the grapes and not quite being able to get them?</p>
<p>BF: I, I relish, I still enjoy buying Thompson seedless.</p></div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Bob Fuchigami, interview, May 14, 2008, Denver, Colorado. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Richard Potashin, segment 15, denshovh-fbob-01 (accessed October 14, 2009).</div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Richard Potashin</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>BF: Yeah, Merced was like a prison camp, surrounded by barbed wire, guard towers manned by military. I'm sure they had rifles or machine guns or whatever, and they had the jeep patrol come around, around the perimeter of the camp, and they would come fairly often. At night the searchlights were there, and they crisscrossed the camp. It's the first time we ever ate at the. . . there was no toilets in the, no water in the barracks, and they had these buildings where, they called 'em mess halls, where you're fed rations. Communal toilet, latrine areas. And there's dust and dirt all over the place. It was just a fairgrounds that had been converted into a prison camp, and there were about four thousand Japanese Americans put into that particular camp. And there are other, other similar camps up and down the state and also in Oregon and Washington.</p>
<p>RP: You shared a story about looking out the fence and seeing some grapes.</p>
<p>BF: Oh, yeah, we were there about, well, we moved there in May, and of course, by June, the grapes were ripening. And we happened to be, the camp happened to be next to a vineyard. And when the grapes get ripe, there's a distinct smell, and I thought, "Gosh, it wouldn't take much to cross that little road beyond the fence to get the grapes." I mean, you could see them, you could smell them. I know several times that I thought about crawling under the fence and just getting some grapes. But you're sort of trying to time the lights because, but they weren't, they weren't set into a standard pattern, so you couldn't judge where that light was gonna show the next, next point. And I tried, I figured, well, the lights were shining over there and they would be swinging over here and so forth, but they, I could never figure them out. And we were told, "You go beyond that fence, you're gonna get shot." So I guess I just didn't have enough courage to do that, and never tried to get those grapes. And that stayed in my mind for a long time, because later on when, in the years, when we were out of the camps and finally were able to get grapes, it was the time of the Cesar Chavez and his boycott of grapes. And I really honored that; I thought highly of that movement, the Farm Workers Movement, and boycotting grapes. So I was unable to purchase grapes, I mean, I just didn't do it. And I remember talking to some Mexican American friends of mine about that, and one of those guys that, "Oh, I don't, I don't," he says, "I buy grapes." I said, "How do you do that? How can you go in your good conscience, buy grapes?" He said, "Well, I buy non-union grapes." And I thought, "Well, that's still not right. You're undermining the movement." So I didn't until the strike was over, and then I could indulge myself. But that's, that was a very strong memory of grapes.</p>
<p>RP: Wanting the grapes and not quite being able to get them?</p>
<p>BF: I, I relish, I still enjoy buying Thompson seedless.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">May 14, 2008</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">6:55</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Denver, Colorado</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">(Yoshimitsu) Bob Fuchigami</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 317, 318, 319, 320, 321, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/denshovh-fbob-01-0015_0fa5b092af.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/denshovh-fbob-01-0015_0fa5b092af.ogv" type="video/ogg" />
                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 15:53:18 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/349/fullsize" type="video/quicktime" length="14663078"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Minidoka, Idaho, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/315</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Minidoka, Idaho, Interview [Oral History]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>May K. Sasaki is a Nisei (2nd generation) Japanese American. She was born Kimiko May Nakamura in 1937 in Seattle. Her parents ran a small grocery store in Nihonmachi (Japantown). She had just turned six years old when Japanese Americans were ordered to leave military zones declared on the West Coast in spring 1942. She was incarcerated with her family at the Washington state fairgrounds at Puyallup, named "Camp Harmony" Assembly Center. After living in a converted animal stall for several months, the family was moved to the Minidoka incarceration camp, located in the high desert of south Idaho. Sasaki resettled in Seattle. In these interview excerpts, she discusses her childhood memories of the camps and experiencing shame and loss of Japanese American identity as a result of incarceration. Along with other former detainees, Sasaki received a presidential apology and partial reparations in the 1980s for being incarcerated without due process of law, solely on the basis of her Japanese ancestry.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">May K. Sasaki, interview, October 28, 1997, Seattle, Washington. From the Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Lori Hoshino, Alice Ito, segments 14 and 15. Video, denshovh-smay-01-0014 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1997-10-28</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">314, 316, 317, 318, 319, 320, 321, 322</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                                    <div class="element-text"><p>LH: So you arrived at Puyallup. And when you entered, do you recall any of the way it looked?</p>
<p>MS: Well, you know, it was a former fairgrounds, which I had never been there before, so I didn't know. But the one thing I remembered was the animal smells, you know, that's how fairs are. You have your animal smells. I remember that. That was very different for me, and then the living quarters, of course, were some of the stalls and some of the buildings. But we had one of the row of stalls and so therefore the smells were greater there. And I remember that there were cots and, for some reason, some kind of mattress. It wasn't the kind of mattress I was used to but, and then army blankets. And then we had the bare lightbulb hanging from the ceiling. And each stall is yea big, and there weren't ceilings. They did not come to the top, so the walls, excuse me, didn't come to the ceiling. So you could see all the way across. If you climbed up on something high, you could see all the way to the other end, and voice traveled all the way through.</p>
<p>LH: So you're all there together with your mother, your father, your two brothers, and yourself. And in a barrack?</p> 
<p>MS: Yes, we had one. [Laughs] It wasn't even a barrack -- it was a stall. It literally was a stall. And they told us it was temporary, so they just had to get us all assembled there so that they'll know which camps we're going to. So we had an idea that this was temporary and that's where we're supposed to get ready for this. So part of that was inoculations; we all had to have a series of shots.</p> 
<p>LH: Now, what was that to prevent?</p>
<p>MS: Diphtheria and small pox and you name it. But I remember having at least three or four because my arms were just sore and then there were scabs. You know, these black scabs that came out. [Laughs] And I remember feeling like that must be how cows and animals feel like. Because we were all lined up, and we had to have a couple shots at a time, 'cause they couldn't, we couldn't keep coming back. So I remember having two shots and then being very ill for at least. . . I felt ill about it, and a sore arm.</p>
<p>LH: I can imagine that's a pretty vivid memory for a six-year-old.</p>
<p>MS: I remember those things that were kind of painful, and that definitely was a painful time.</p> 
<p>LH: Do you recall -- is there any other memory that sort of sticks out in your mind about that time?</p>
<p>MS: Well, one of the things I thought were kind of strange was that we had the barbed wire fencing all around the fairgrounds. And there was a road that passed by close to the fairgrounds. And there were, they would bring busloads of non-Japanese people, and they would actually let 'em off and let them look at us like we were, you know, like we were caged animals. And I used to remember, "Why are they doing that?" But they actually came and looked at us while we were behind barbed wire fencing there. That was a little bit weird for me. I just remember we used to do gyrations. [Laughs]</p>
<p>LH: That's the first mention I've heard of these tour buses.</p>
<p>MS: Yeah. Well, they were either tour buses or buses that happened to stop by 'cause we were right along the main drag. And they actually let the people off and let 'em look at us and they'd go back. And I could hear them saying some things, you know, not quite understanding but just knowing that they were looking at us. So we must have been some kind of attraction for this group to come and look at us.</p>
<p>LH: And they were up against the barbed wire, looking in?</p>
<p>MS: Well, they didn't come too close to us 'cause we were near the wire and I think they were a little bit worried about what we might do.</p>
<p>LH: Were there ever any warnings from your parents about the barbed wire or the guards?</p>
<p>MS: Only that to obey whatever they told us to do. Only that. They didn't. . . I just. . . I have to say, I don't remember feeling threatened by them. Halfway just wondering why they were there and why they had guns. Because I couldn't imagine any of us doing anything. Of course, you know, I'm so young. Maybe the older folks might have been threatening to them, but I never felt, as a child, but everything is from a child, six-year-old's perspective.</p>
<p>LH: About how long were you at "Camp Harmony"?</p>
<p>MS: I think we were there for a few months. We weren't there for over that time. And then when my parents told us that we're going to be moving again, because I was wondering why they were getting the things all ready again. And I said, "Oh, where are we going?" Well, we're gonna. . . they said far away 'cause I wouldn't know where Minidoka was. So they said, "Far away," and enough so that we'd have to take a train to go there.</p></div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">May K. Sasaki, interview, October 28, 1997, Seattle, Washington. From the Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Lori Hoshino, Alice Ito, segments 14 and 15. Video, denshovh-smay-01-0014 (accessed October 14, 2009).</div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Lori Hoshino and Alice Ito</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>LH: So you arrived at Puyallup. And when you entered, do you recall any of the way it looked?</p>
<p>MS: Well, you know, it was a former fairgrounds, which I had never been there before, so I didn't know. But the one thing I remembered was the animal smells, you know, that's how fairs are. You have your animal smells. I remember that. That was very different for me, and then the living quarters, of course, were some of the stalls and some of the buildings. But we had one of the row of stalls and so therefore the smells were greater there. And I remember that there were cots and, for some reason, some kind of mattress. It wasn't the kind of mattress I was used to but, and then army blankets. And then we had the bare lightbulb hanging from the ceiling. And each stall is yea big, and there weren't ceilings. They did not come to the top, so the walls, excuse me, didn't come to the ceiling. So you could see all the way across. If you climbed up on something high, you could see all the way to the other end, and voice traveled all the way through.</p>
<p>LH: So you're all there together with your mother, your father, your two brothers, and yourself. And in a barrack?</p> 
<p>MS: Yes, we had one. [Laughs] It wasn't even a barrack -- it was a stall. It literally was a stall. And they told us it was temporary, so they just had to get us all assembled there so that they'll know which camps we're going to. So we had an idea that this was temporary and that's where we're supposed to get ready for this. So part of that was inoculations; we all had to have a series of shots.</p> 
<p>LH: Now, what was that to prevent?</p>
<p>MS: Diphtheria and small pox and you name it. But I remember having at least three or four because my arms were just sore and then there were scabs. You know, these black scabs that came out. [Laughs] And I remember feeling like that must be how cows and animals feel like. Because we were all lined up, and we had to have a couple shots at a time, 'cause they couldn't, we couldn't keep coming back. So I remember having two shots and then being very ill for at least. . . I felt ill about it, and a sore arm.</p>
<p>LH: I can imagine that's a pretty vivid memory for a six-year-old.</p>
<p>MS: I remember those things that were kind of painful, and that definitely was a painful time.</p> 
<p>LH: Do you recall -- is there any other memory that sort of sticks out in your mind about that time?</p>
<p>MS: Well, one of the things I thought were kind of strange was that we had the barbed wire fencing all around the fairgrounds. And there was a road that passed by close to the fairgrounds. And there were, they would bring busloads of non-Japanese people, and they would actually let 'em off and let them look at us like we were, you know, like we were caged animals. And I used to remember, "Why are they doing that?" But they actually came and looked at us while we were behind barbed wire fencing there. That was a little bit weird for me. I just remember we used to do gyrations. [Laughs]</p>
<p>LH: That's the first mention I've heard of these tour buses.</p>
<p>MS: Yeah. Well, they were either tour buses or buses that happened to stop by 'cause we were right along the main drag. And they actually let the people off and let 'em look at us and they'd go back. And I could hear them saying some things, you know, not quite understanding but just knowing that they were looking at us. So we must have been some kind of attraction for this group to come and look at us.</p>
<p>LH: And they were up against the barbed wire, looking in?</p>
<p>MS: Well, they didn't come too close to us 'cause we were near the wire and I think they were a little bit worried about what we might do.</p>
<p>LH: Were there ever any warnings from your parents about the barbed wire or the guards?</p>
<p>MS: Only that to obey whatever they told us to do. Only that. They didn't. . . I just. . . I have to say, I don't remember feeling threatened by them. Halfway just wondering why they were there and why they had guns. Because I couldn't imagine any of us doing anything. Of course, you know, I'm so young. Maybe the older folks might have been threatening to them, but I never felt, as a child, but everything is from a child, six-year-old's perspective.</p>
<p>LH: About how long were you at "Camp Harmony"?</p>
<p>MS: I think we were there for a few months. We weren't there for over that time. And then when my parents told us that we're going to be moving again, because I was wondering why they were getting the things all ready again. And I said, "Oh, where are we going?" Well, we're gonna. . . they said far away 'cause I wouldn't know where Minidoka was. So they said, "Far away," and enough so that we'd have to take a train to go there.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">October 28, 1997</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">5:36</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Seattle, Washington</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">May K. Sasaki</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 316, 317, 318, 319, 320, 321, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/315_denshovh-smay-1-14_358cbafe42.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/315_denshovh-smay-1-14_358cbafe42.ogv" type="video/ogg" />
                 </video></div>]]></description>
      <pubDate>Mon, 12 Oct 2009 20:22:54 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/350/fullsize" type="video/quicktime" length="15335330"/>
    </item>
    <item>
      <title><![CDATA[Russian Youth and Masculinity (19th c.)]]></title>
      <link>https://cyh.rrchnm.org/items/show/273</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Russian Youth and Masculinity (19th c.)</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">This Teaching Case Study explores <em>My Past and Thoughts</em>, written by Alexander Herzen (the first self-proclaimed Russian socialist), which is part of a larger genre of writing on childhood and youth in the middle of 19th-century Russia.</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Rebecca Friedman</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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                                    <div class="element-text"><h3>Why I Taught the Source</h3>

<p>Autobiographical writing as a rich source for the exploration of European childhood and youth is self evident; in many cases, it is one of the most nuanced ways to understand historical actors' earliest experiences. <a href="#note1" id="fn1" class="footnote">1</a> Such is the case in Russia, where there emerged a new genre of writing on childhood and youth in the middle of the 19th century. Russian authors tended to paint bucolic portraits of their own childhood years on the gentry estate, often spent away from the tyrannical clutches of parental discipline and ensconced instead in the pleasures and freedoms of roaming through domestic corridors and wild gardens. These narratives of Russian childhood and youth often provide poignant examples of how individuals came of age amidst a backdrop of radical insurgence, peasant emancipation, and decades of repression. Many of these narratives, written by members of Russia's first generations of intelligentsia, include descriptions of rebellion against their elders and an attachment to their peers. <em>My Past and Thoughts</em>, written by Alexander Herzen—the first self-proclaimed Russian socialist—fits precisely into this genre of 19th-century Russian writing. It is in this historical context that I use this particular text in my course on Modern Russia.</p>

<h3>How I Introduce the Source</h3>
<p>My undergraduate class on modern Russia provides an introduction to the history of the tsarist era from the time of Peter the Great in 1682 to the end of the Romanov dynasty in 1917. Over the course of the semester we discuss and debate the nature of autocracy, Russia's relationship to Europe, the emergence of the intelligentsia and radicalism as well as the building of the vast Russian empire. We also concentrate on the everyday lives of rulers, peasants, workers, intellectuals and student radicals, by using primary documents, whether memoirs, poems or political tracts. The course proceeds both chronologically and thematically, with special attention paid to gender, including the subject of this discussion: masculinity and youth.</p>

<h3>Reading the Source</h3>

 	<p>An excerpt of Alexander Herzen's memoir <em>My Past and Thoughts</em> is placed in the syllabus about mid-way, during the session where we discuss the emergence of the first generation of Russia's intelligentsia and Russia's relationship to "the West," both imagined and real. We read the text with particular attention to Herzen's own self-conscious telling of his youth and coming of age: both as an intellectual and as a young man. I remind students that this is a story written decades after Herzen's own experiences as a highly influential anti-autocratic author took place.</p> 

<p>At the outset, I draw students' attention to the ways in which Herzen's autobiography both conforms to and challenges a larger, emergent 19th-century genre in Russian literature, that is, narratives on childhood and youth. <a href="#note2" id="fn2" class="footnote">2</a> Herzen's writing, on the one hand, tends to reject the notion of a bucolic domestic experience so important in the Lev Tolstoy-inspired "myth" of Russian childhood as a golden age of freedom on the estate. On the other hand, it is through his friendship —alternately Romantic and erotic—with Nikolai Ogarev that Herzen is able to capture some of the joys of childhood and magic of first love. In Herzen's own depictions, it was the oppressiveness of his father's house that ultimately pushed him into the arms of his friend and inspired his coming of age from boyhood to youth. It was this friendship with Nikolai Ogarev—the Russian poet, historian, political activist, and fellow-exile and collaborator of Herzen—which serves as a point of departure for understanding homosociability (i.e., same-sex relationships) and masculinity among Russia's first generation of intelligentsia. While George Mosse argues in <em>Nationalism and Sexuality</em> that romantic friendships between men declined by the early part of the 19th century, young Russian men expressed their affections for one another well into the 19th century and beyond. <a href="#note3" id="fn3" class="footnote">3</a></p> 

<p>Another aspect of my introduction involves contextualizing the text in a variety of ways, the literary and the historical. I explain the propensity of 19th-century authors to script their own childhood and youthful experiences in Romantically-tinged language (a practice evidenced in Herzen's descriptions not of his own domestic experiences, but certainly of his friendship with Ogarev). Moreover, by the time we encounter Herzen, everyone is well versed in the social, cultural and political history of Russia up until that point and with the various intellectual struggles within Russian educated society to keep up with the "West," most often embodied in France (but sometimes England).</p>

<p>A close reading of the text provides insight into the ways in which gender roles and norms of sociability are historical in nature and change over time. The logistics of teaching Herzen's text includes a formal, small-group, in-class discussion exercise. About 30 students in all divide themselves into small groups of 5-6 and study the relevant passages included in their course readers. They are instructed to focus on the language and tone of Herzen's depictions of his friend and what it might reveal about the nature of male friendship in 19th-century Russia. (As most of the readings in the course are primary sources, including other autobiographical writings, my students already know how to conduct a close reading of a historical document.) I draw their attention to the role that "Sparrow Hills"—the site of Herzen and Ogarev's boyhood vow of love—has in Herzen's memory. "Flushed and breathless. . . the sun was setting, the cupolas glittered. . . a fresh breeze blew on our faces, we stood leaning against each other and, suddenly embracing, vowed in sight of all Moscow to sacrifice our lives to the struggle we had chosen [toppling the autocracy]. (62)" Through a close reading of these passages, students learn how Herzen's memories of coming of age became intertwined with his love of Ogarev, his loss of childhood innocence, and their commitment to political activism. These passages illustrate what friendship meant for Herzen: it was more powerful than love and its intensity was reflected in the beauty of the natural surroundings. During his youth, male friendship and homosocial relations signaled for Herzen the highest of callings-—more powerful than romantic love. The power of this friendship was only heightened by their frequent outings, where they basked in their connection with the natural surroundings and in their writing.</p> 
<p>What emerges from their analyses is a picture of two young boys meeting and declaring their devotion to one another, a devotion that—according to Herzen—included a politically self-conscious desire to overthrow the autocracy <em>together</em>. A particular theme that we examine is the homoerotic language with which students are often unaccustomed. We examine such as passages: "Nick attracted me. . . [there was] something kind, gentle and pensive about him. . . . His heart beat as mine did. . . . With all of the impulsiveness of my nature I attached myself more and more to Nick, while he had a quiet, deep love for me (pages 58-60)." Elsewhere Herzen declares that "I had long loved Nick and I loved him passionately (64)." These descriptions provide us with the opportunity to discuss 19th-century social and gender norms. I explain that closeness between young men was part and parcel of their coming of age experiences.</p>  

<p><h3>Reflections</h3></p>

	<p>The one real difficulty that I encountered with this exercise was the challenge of getting students to think historically about interpersonal relationships, patterns of sociability, and gender expectations. For many students, the notion of male romantic, expressive friendship as a legitimate topic of historical investigation was a new idea. Interfering with their ability to think historically was a contemporary prejudice against homosexuality. Therefore, it is essential to define "homosociability" and to emphasize it political potential especially among youth who contest the social order.</p> 

<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a> There is a whole literature on childhood and youth, which relies on memoir as a key historical source. On the subject of masculinity and friendship, see my book <em>Masculinity and Autocracy and the Russian University, 1804-1863</em> (New York: Palgrave Macmillan, 2005), especially chapter 4.</p>
<p><a href="#fn2" id="note2" class="footnote">2</a> On Childhood in Russian literature see Andrew Wachtel, <em>The Battle for Russian Childhood</em> (Stanford: Stanford University Press, 1990). The title of Lev Tolstoy's seminal text is <em>Childhood, Boyhood, Youth.</em>s</p> 
<p><a href="#fn3" id="note3" class="footnote">3</a> Some scholars, included German historians, have described how intimate male friendships gave way to a collective love for the nation in the early years of the 19th century. On this see most prominently, George Mosse, <em>Nationalism and Sexuality: respectability, and abnormal sexuality in modern Europe</em> (New York: H. Fertig, 1985).</p>
</div>


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                                    <div class="element-text">Rebecca Friedman</div>
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                                    <div class="element-text">Florida International University</div>
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                                    <div class="element-text">274</div>
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      <pubDate>Tue, 18 Aug 2009 01:55:04 +0000</pubDate>
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      <title><![CDATA[Africa Speaks: West African University Students Write About Their Lives]]></title>
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                                    <div class="element-text">http://patstoll.org/afspeaknew/</div>
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                                    <div class="element-text">University of Niamey, Niger</div>
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                                    <div class="element-text">July 2009</div>
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                                    <div class="element-text">	<p><a class="external" href="http://patstoll.org/afspeaknew/"><em>Africa Speaks: West African University Students Write About Their Lives</em></a> features a collection of short autobiographical essays written by students in an English-language composition class taught by Dr. Patricia Stoll at the University of Niamey in the Niger Republic. Dr. Stoll, a Fulbright Professor of Writing and Literature, who collected, edited, and published her students' deeply personal life histories, explains that the common denominator in all their stories is the shared experience of becoming "an outsider in one's own country" through a western-style education. Written between 1990 and 1992, the letters touch on a wide range of topics related to the trials of children, adolescents, and young adults in Niger and several other African countries. These include the tensions between individualism and family obligations, gender roles, parenting, love and courtship, rural versus urban life, formal religion and folk beliefs, and most significantly, the trials and consequences of a western-style education.</p>
	<p>The Fulbright Association-supported <em>Africa Speaks</em> site that went on-line in 1998 lacks the usability and polish of today's more advanced websites. The student essays are grouped into non-searchable thematically organized collections on: education, childhood, marriage, customs, family, magic and belief, teaching, politics, martyrs, town and country, trouble, heritage, letters home, life stories, and outsider. While the website's overall layout is simple but serviceable, the single spacing and dense formatting of the students' entries make them difficult to read on line. There are also seven galleries of general images featuring the geography and people of Niger. Dr. Stoll also provides a detailed account of her experiences teaching at the University of Niamey.</p>
	<p>Despite the site's shortcomings, the great strength of <em>Africa Speaks</em> is the honest and unfiltered voices of the Nigerien students. Rather than being described and defined by journalists, scholars, and other outsiders, they speak for themselves about the experience of growing up in a developing and politically unstable African country during the 1970s and 1980s. Unfortunately, the website offers little guidance on how to contextualize their stories. There is no supporting information on the authors' gender, ethnicity, or regional origin apart from what can be gleaned directly from the entries.  Similarly, there is not much information on the intense political upheavals that shook Niger in the early 1990s apart from the information provided by Dr. Stoll.  Consequently, it will take some extra reading and research for non-specialists to use these materials. To this end, the following sources will provide a helpful starting place: Jibrin Ibrahim "Political Exclusion, Democratization and Dynamics of Ethnicity in Niger," <em>Africa Today</em>, 41:3 (1994), 15-39; Samuel Decalo, "The Process, Prospects and Constraints of Democratization in Africa," <em>African Affairs</em>, 91:362 (1992),  7-35; Samuel Decalo, <em>Historical Dictionary of Niger</em>, (Lanham MD: Scarecrow Press, 1997); U.S. Department of State, <a class="external" href="http://www.state.gov/r/pa/ei/bgn/5474.htm">Background Note: Niger</a>; University of Pennsylvania African Studies Center, <a class="external" href="http://www.africa.upenn.edu/Country_Specific/Niger.html">Niger Page</a>.</p>
	<p>With additional preparation, Africa Speaks will provide teachers with some interesting possibilities for lecturing and lesson planning. The simplest but perhaps most productive assignment would be to ask students to compare and contrast their own life and schooling experiences with those of their Nigerien counterparts. Additionally, the essays in the <a class="external" href="http://patstoll.org/afspeaknew/magic1.htm">"Magic and Belief 1"</a> and <a class="external" href="http://patstoll.org/afspeaknew/customs2.htm">"Customs 2"</a> collections about the importance of rain in agrarian societies provide an opportunity to think about the origins and meanings of the folk customs that western observers often dismiss as primitive superstition. Teachers willing to undertake more detailed background reading in Nigerien history can use the stories about school strikes and general unrest in the <a class="external" href="http://patstoll.org/afspeaknew/politic1.htm">"Politics 1"</a> and <a class="external" href="http://patstoll.org/afspeaknew/martyrs1.htm">"Martyrs 1"</a> collections. For students, these will shed new light on how younger Nigerien generations experienced the inherent fear and optimism associated with the populist demands for reform and multi-party democracy that swept through much of sub-Saharan Africa following the end of the Cold War in the early 1990s.</p>

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                                    <div class="element-text">Tim Parsons</div>
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                                    <div class="element-text">Washington University</div>
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                                    <div class="element-text">Africa Speaks: West African University Students Write About Their Lives features a collection of short autobiographical essays written by students in an English-language composition class taught by Dr. Patricia Stoll at the University of Niamey in the Niger Republic. </div>
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      <pubDate>Sat, 08 Aug 2009 17:12:46 +0000</pubDate>
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      <title><![CDATA[Louisa’s World]]></title>
      <link>https://cyh.rrchnm.org/items/show/231</link>
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                                    <div class="element-text">Louisa’s World</div>
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                                    <div class="element-text">Ilana Nash</div>
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            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Website Review Item Type Metadata</h2>
        <div id="website-review-item-type-metadata-website-url" class="element">
        <h3>Website URL</h3>
                                    <div class="element-text">http://www.brookhousepress.ca/louisa/home.htm</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-website-creator" class="element">
        <h3>Website Creator</h3>
                                    <div class="element-text">Brook House Press</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-date-of-review" class="element">
        <h3>Date of Review</h3>
                                    <div class="element-text">January 2009</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-website-review-text" class="element">
        <h3>Website Review Text</h3>
                                    <div class="element-text"><p><a class="external" href="http://www.brookhousepress.ca/louisa/home.htm"><em>Louisa's World</em></a> is a website that presents, in full text, the extant fragments of a diary written by Louisa Collins, a girl of about 18 who lived near Nova Scotia during the Regency period [1811-1820].  Hosted by Brook House Press, a Canadian publisher, <em>Louisa's World</em> is based on a manuscript donated to the Public Archives of Nova Scotia by a descendant of Louisa Collins' family.</p>

<p>The site's main page offers a menu of six sections: <a class="external" href="http://www.brookhousepress.ca/louisa/index/namedex.htm">People</a>,<a class="external" href="http://www.brookhousepress.ca/louisa/textltd.htm"> Intro</a>, <a class="external" href="http://www.brookhousepress.ca/louisa/textltd.htm">Diary</a>, <a class="external" href="http://www.brookhousepress.ca/louisa/galltt2.htm">Gallery</a>, <a class="external" href="http://www.brookhousepress.ca/louisa/colgrov.htm">Colin Grove</a>, and <a class="external" href="http://www.brookhousepress.ca/louisa/afterwd/afterwd.htm">Afterword</a>. Of these, it is the diary itself&mdash;covering a one year period from 1815 to 1816&mdash;that provides the best material for a class on the history of youth generally and female adolescence specifically.</p>
<p>Louisa's entries are full of rich detail about the daily activities of an 18 to 19 year old woman in a rather isolated rural environment. Through Louisa's descriptions of such tasks as carding wool and churning butter, the reader glimpses a stark world in which manual labor abounds, but excitements are few and far between. Louisa loves reading, and the webpages offer hypertext links to the poems of Edward Young, some of whose phrasings and metaphors seem to be mimicked in Louisa&rsquo;s writing.</p>
<p>Indeed, the whole text of Louisa's diary is full of such links, which lead to brief explanations of context and background data. For example, Louisa's reference to a neighbor's "black girl" is linked to a paragraph about the probable status of that unnamed girl as a maid-servant rather than a slave, given the emancipationist sentiments that prevailed in Nova Scotia at the time.</p>
<p>Louisa seems to have delighted above all in the companionship of her female friends, although her opportunities for visiting with them were limited by bad weather. Many entries voice plaintive regret at having to bear the tedium of long, dark days without the company of friends. On October 24, she wrote of one such day: "I don't think I shall git the rheumatism in my fingers for want of exercise, for I have been in my spinning room all day. No one intrudes on my solitude; my mind has free scope for thinking. &ndash; If it were not for hope and anticipation, time indeed would pass heavily on. &ndash; It has been very unpleasant all day; no one has been here."</p>
<p>In the <a class="external" href="http://www.brookhousepress.ca/louisa/intro/intro2.htm">"Intro"</a> section the text's editor, Dale McLare, summarizes and interprets Louisa's entries. McLare comments upon the detailed descriptions of daily chores, noting that Louisa seemed to glean satisfaction from a job well done, and that she had "the attitude of one who has never doubted [work's] importance nor her responsibility for carrying it out. At the same time, it is very clear that Louisa has no urban-romantic nostalagia [sic] about the things she has to do. The work is just something that has to be done not the be-all and end-all of her life." (Before directing students to this site, a teacher would have to caution them about the numerous lapses of spelling and punctuation in the editor's prose&mdash;an unfortunate oversight of proofreading that somewhat compromises the site's value.)</p>
<p>McLare's introduction provides yet another body of material for history students to analyze: the impact of an editor's world-view on the production of knowledge. The editorial comments are historically specific: they suggest a current-day sensibility, one that finds it noteworthy when a teenager approaches hard work with a sense of duty, and one that knows all about "urban-romantic nostalgia" as a social construct.</p>
<p>McLare also takes several opportunities to note similarities between Louisa and Anne Shirley, fictional heroine of the Canadian classic, <em>Anne of Green Gables</em>.  Although Louisa Collin's childhood occurred a century before Anne Shirley&rsquo;s, McLare finds similarities (e.g., sentiments) between the real-life girl and the later fictional one, and clearly wants to link Louisa&rsquo;s diary to a famous Canadian text. This is just one of several elements of <em>Louisa's World</em> that cater to a sense of nationalism and "pride of place" among the site's imagined readers, who seem to be comprised mainly of local historians and genealogists. The <a class="external" href="http://www.brookhousepress.ca/louisa/index/namedex.htm">"People"</a> section&mdash;the first one listed in the menu&mdash;is tailored for genealogists, in its cross-indexed listing of all the people named in Louisa's diary.</p>
<p>The <a class="external" href="http://www.brookhousepress.ca/louisa/galltt2.htm">"Gallery"</a> section provides some excellent visual aids for readers of the diary, featuring maps, paintings, sketches, and survey-plans of locations near Louisa's home. Some of these images date from the relevant period, including a watercolor painting of a Micmac Indian encampment near Halifax in 1790.</p>
<p>The section on "Colin Grove" provides a detailed time-line of events in the history of the 5,000 acre estate owned by Louisa's family. The "Afterword" uses data from local histories and census records to provide information on the events in Louisa's family (marriages, deaths, etc.) in the years after the diary ends.</p>
<p>All in all, <em>Louisa's World</em> is very limited in scope, but broad in its historical information. It provides a good example of the sort of historiography that resembles miniature paintings: it focuses intensely on the fine details of a small primary document. The site's organization, with numerous hyperlinks and cross-indexing, make it very user-friendly. Most importantly for historians of youth, it impresses upon readers the feeling or tone and the quotidian realities or details of life in a rural town 200 years ago, as lived by a teenaged young woman.</p></div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-image-file-name" class="element">
        <h3>Image File Name</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="website-review-item-type-metadata-website-reviewer" class="element">
        <h3>Website Reviewer</h3>
                                    <div class="element-text">Ilana Nash</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-website-reviewer-institution" class="element">
        <h3>Website Reviewer Institution</h3>
                                    <div class="element-text">Western Michigan University</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-pullquote" class="element">
        <h3>Pullquote</h3>
                                    <div class="element-text"><em>Louisa’s World</em></a> is a website that presents, in full text, the extant fragments of a diary written by Louisa Collins, a girl of about 18 who lived near Nova Scotia during the Regency period [1811-1820].</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/152/fullsize"><img src="/files/display/152/square_thumbnail" class="thumb" alt="Louisa’s World" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Wed, 15 Apr 2009 17:13:57 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/152/fullsize" type="image/jpeg" length="49225"/>
    </item>
    <item>
      <title><![CDATA[Italian accounts of the Black Death [Personal Accounts]]]></title>
      <link>https://cyh.rrchnm.org/items/show/178</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Italian accounts of the Black Death [Personal Accounts]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Several chroniclers wrote about the Black Death in their own town or region. They described the symptoms of the disease, which they generally called "the mortality," how it arrived with portents of warning from the East, and how many people it killed. Some accounts are long and embellished with the descriptions of townspeople's actions, but most are brief, providing little more than the dates for the plague's entry and mortality rates, which they usually inflated. The description of families and children, if present, is often quite short. The chroniclers wrote in either Latin or Italian. Note the terms they use in the original language as well as the modern English translation.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">[1] Chronicle of Marco Battagli of Rimini, from the "Marcha di Marco Battagli da Rimini." In <em>Rerum Italicarum Scriptores</em> [RIS]. Vol. 16, part 3. Edited by A. F. Massèra, 54. Città di Castello, 1912, 54. [2] Chronicle of Guglielmo Cortusi of Padua, from the "Chronica de Novitatibus Padue et Lombardie Guilielmi de Cortusis." In <em>RIS</em>. Vol. 12, part 5. Edited by B. Pagnin, 120–21. [3] Città di Castello, 1941, 120–121. Tuscan Chronicle Account, from the "Storie Pistoresi." In <em>RIS</em>. Vol. 11, part 5. Edited by S. A. Barbi, 235. Città di Castello, 1906, 235. [4] Chronicle of Agnolo di Tura del Grasso, in "Cronica senese di Agnolo di Tura del Grasso." In <em>RIS</em>. Vol. 15, part 6. Edited by ed. A. Lisini and F. Iacometti, 555. Bologna, 1935, 555. Annotated by Shona Kelly Wray.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-12-08</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Shona Kelly Wray</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">167</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">text</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><p>1. Chronicle of Marco Battagli of Rimini<br />The chronicler of Rimini, from the northeastern coastal region, wrote that "father fled his son once he became sick, brother avoided brother, wife her husband, and thus the healthy fled from the ill."<br /><br />

[Original in Latin]<br />
<em> pater postea infirmum filium evitabat, frater fratrem, uxor virum, et sic de singulis sani infirmos penitus evitabant.</em></p> 


<p>2. Chronicle of Guglielmo Cortusi of Padua<br />
Guglielmo Cortusi wrote in his city chronicle of Padua that during the plague "wife fled the embrace of a dear husband, the father that of a son, and the brother that of a brother."</p>

<p>[Original in Latin]<br /><em>uxor fugiebat amplexum cari viri, pater filii, frater fratris.</em></p>


<p>3. Tuscan Chronicle Account<br />
The <em>Storie Pistoresi</em> announce that in Tuscany and especially in Pisa, "father abandoned son, children abandoned their mother and father, and one brother abandoned the other."</p>

<p>[Original in Italian]<br /><em> lo padre abbandonava li figliuoli, e' figliuoli lo padre e la madre, e l'uno fratello l'altro.</em></p> 


<p>4. Chronicle of Agnolo di Tura del Grasso<br />
The Sienese chronicler, Agnolo di Tura del Grasso, left a poignant account of the plague. "It is not possible," he says "to describe this horrible thing with human speech." After noting truncated burial practices, without priest, appropriate liturgy or bells, he discusses the subject of child abandonment with the familiar words "father abandoned child, wife her husband, and one brother the other." He, himself, did not abandon his children for he tells us that he buried his five children with his own hands.</p>

<p>[Original in Italian]<br /><em>El padre abbandonava el figluolo, la moglie el marito, e l'uno fratello l'altro.</em></p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Sun, 07 Dec 2008 02:24:20 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Health in England (16th–18th c.)]]></title>
      <link>https://cyh.rrchnm.org/items/show/166</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Health in England (16th–18th c.)</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Health and sickness, as it pertains to children and youth in Early Modern England, is examined through an array of primary sources that illuminate both the perils of childhood in that age and the measures taken for the care of the ill and the emotional investment of families in caring for them.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Lynda Payne</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-10-14</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">eng</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Teaching Module Item Type Metadata</h2>
        <div id="teaching-module-item-type-metadata-bibliography" class="element">
        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">
<li>Abbot, Mary. <em>Life Cycles in England, 1560-1720: Cradle to Grave</em>. London: Routledge, 1996.<br />
<span>Includes chapters on children and youth and primary written and visual sources with suggestions for their use.</span></li>

<li>Beier, Lucinda. <em>Sufferers and Healers: The Experience of Illness in Seventeenth-century England</em>. London: Routledge, 1988.<br />
<span>Focuses on the patients and those who treated them, from housewives to bonesetters to surgeons. Includes an analysis of the casebook of Joseph Binn, a London surgeon and some of his younger patients.</span></li>

<li>Ben-Amos, Ilana Krausman. <em>Adolescence and Youth in Early Modern England</em>. New Haven: Yale University Press, 1994.<br />
<span>Discusses the shorter life span of pre-modern people and why youth was so important as a result. Themes include the physical and emotional effects of being an apprentice or a servant. Not an easy read.</span></li>

<li>Houlbrooke, Ralph A. <em>The English Family, 1450-1700</em>. New York: Longman, 1984.<br />
<span>A classic work on the importance of understanding family structure in this period as the context to disease and death. Includes a chapter on children.</span></li>

<li>Pollock, Linda. <em>Forgotten Children: Parent-Child Relations from 1500-1900</em> Cambridge University Press, 1983.<br />
<span>A controversial work that argues against the idea that there was little concept of a childhood in the past and that life for the young was a brutal experience. Discusses the treatment of sick children and youth.</span></li>
</ol></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Sharon Cohen<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p><strong>Directions</strong><br />
The following question is based on the documents included in this module. This question is designed to test your ability to work with and understand historical documents.</p>

<p>Drawing on specific examples from the sources in the module, write a well- organized essay of at least five paragraphs in which you answer the following question:</p>
<ul>
<li> To what extent did parents in early modern England try not to become too attached to their children, as infant and child mortality was so high? </li>
</ul>

<p>Write an essay that:</p>
<ul>
<li>has a relevant, clear thesis that answers the question,</li>
<li>uses at least six of the documents,</li>
<li>analyzes the documents by grouping them in as many appropriate ways as possible. Does not simply summarize the documents individually, and</li>
<li>takes into account both the sources of the documents and the creators' points of view.</li>
</ul>
<p>You may refer to relevant historical information not mentioned in the documents.</p>
<p>Be sure to analyze point of view in at least three documents or images.</p>
<p>What additional sources, types of documents, or information would you need to have a more complete view of this topic?</p> 
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgment is made to the following institutions for primary sources:</p>

<ul>
<li><a class="external" href="http://www.fordham.edu/halsall/mod/modsbook.html">Fordham University</a>,</li>
<li><a class="external" href="http://www.irwin-pub.com/">Irwin Publishing</a>,</li>
<li><a class="external" href="http://www.neonatology.org/index.html">Neonatology on the Web</a>,</li>
<li><a class="external" href="http://www.nypl.org/">The New York Public Library, Astor, Lenox and Tilden Foundations</a>, and</li>
<li><a class="external" href="http://images.wellcome.ac.uk/indexplus/image/L0030701.html">Wellcome Library</a>.</li>
</ul>

<h3>About the Author</h3>

<p>Lynda Payne, Ph.D., RN, Sirridge Missouri Endowed Professor in Medical Humanities and Bioethics and Associate Professor of History, University of Missouri-Kansas City. She is the author of <em>With Words and Knives: Learning Medical Dispassion in Early Modern England</em>, and is currently researching and writing a monograph on the 18th-century surgeon Percivall Pott.</p>

<h3>About the Lesson Plan Author</h3>
<p>Sharon Cohen teaches AP World History and IB Theory of Knowledge at Springbrook High School in Maryland. She regularly presents papers on world history pedagogy at the annual conferences of the World History Association, the American Historical Association, the National Council for Teaching History, and the National Council for the Social Studies, served on the College Board's AP World History Development Committee, contributed articles to the online journal <em>World History Connected</em>, and published curriculum units in world history for the College Board and the online model world history project <em>World History For Us All</em>.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">University of Missouri-Kansas City</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>Children and youth in early modern England (1500-1800) were subject to many diseases and physical hardships. From the great epidemic diseases of bubonic plague and smallpox, to more common illnesses such as measles and influenza that still afflict children today, sickness put children and youth at great risk. With no knowledge of bacteria or antibiotics, and surgery performed without anesthesia or even hand washing, there were few remedies for childhood illnesses beyond a nourishing diet and keeping the patient warm. Even surviving an illness could have permanent consequences, for example, scarlet fever left many children blind and deaf, and measles could cause severe scarring and facial bone loss.</p> 
<p>One measurement of health in early modern England is revealed in the statistics of the number of deaths kept by church parishes. From these records historians have gleaned that infant mortality (death during the first year of life) was approximately 140 out of 1000 live births. The average mother had 7-8 live births over 15 years. Unidentifiable fevers, and the following list of diseases, killed perhaps 30% of England's children before the age of 15 – the bloody flux (dysentery), scarlatina (scarlet fever), whooping cough, influenza, smallpox, and pneumonia.</p> 
<p>Death from disease was higher in urban than in rural areas. Early modern cities were widely, and often rightly, regarded as deadly environments. They contained large concentrations of population who were often poorly fed and housed. "Crowd diseases" such as typhus, smallpox, and tuberculosis prospered, and bubonic plague epidemics periodically swept through dense urban populations. In 1563, 1603, 1625 and 1665, about one fifth of the population of London died in plague outbreaks. In 1665, one of the deadliest years, 80,000 people died in the capital city. Of this number, historians estimate that at least 45,000 of the victims were under the age of 15.</p>
<p>Besides diseases, accidents were common sources of sickness, disability and death for children and youth. From surveys of coroners's inquests, drowning in wells and bathtubs, was the most reported accidental death in children under the age of 5. Accidents were also reported connected to the work in which children were engaged beginning around age 8. Children cracked their skulls while fetching water, were trampled by horses while ploughing, or dropped and injured while under the care of siblings. Boys, unless they were from the noblest of families, were expected to serve an apprenticeship. They were often placed in dangerous crafts such as tanning, blacksmithing, or serving on ships, where chemical poisonings, fires, and war injuries were frequent occurrences. There are also accounts in diaries of the period of youthful pranks leading to injury, for example, hiding gunpowder in candles so they blew up when lit.</p> 
<p>Throughout this period the primary place where sick children and youth were cared for was in the home, and the principal healers were women – mothers, daughters, wives, and servants. Powder burn remedies —applying a mixture of poultry fat and dung—were commonly included in home receit (remedy/recipe) books kept by the mistress of the household. Women developed considerable professional knowledge after the rise of the printing press in 1500 and the publication of books that had been only in the hands of physicians. Both herbal and chemical medicines were described as suitable for the young in family receit books, such as dried dill in honey for a cough, and iron filings in beer for paleness of the skin.</p> 
<p>Children were rarely treated by the small and expensive elite of university-trained physicians to whom adult patients turned for a prognosis and not for a cure. Their remedies were also considered too drastic for children as they largely consisted of rectal purging (laxatives), bloodletting (cutting a vein open with a lancet), and forced vomiting (emetics). These treatments were based on an ancient Greek medical theory that the body was composed of four substances, or humors, created from the digestion of food. The four humors were choler or yellow bile, phlegm or mucus, black bile, and blood, and all had properties of being hot/cold and dry/wet. If the humors were balanced – neither too strong nor too weak – you were healthy. The hot and wet humor of blood and the hot and dry humor of yellow bile were believed to be naturally stronger in the young. Occasionally if these humors were not weakened and released from the body in the form of sweat, tears, urine, feces, or even sneezing, physicians would give children emetics to make them vomit or let blood through "cupping." Heated glass, bone, or brass cups would be placed upon skin that had been scratched or scarified with a knife. Blood would then flow gently from these wounds due to the creation of a vacuum by the heated cup.</p> 
<p>Worried parents consulted surgeons, trained through apprenticeship, for broken limbs, ruptures, and the bladder stone. The latter was caused by the early modern diet, which was rich in gravel. Boys were often operated on for the stone by surgeons in this period with a mortality rate of 30%. The operation was called a lithotomy and took about three to five minutes to perform.  No anesthesia was used, instead surgeons relied on the child fainting from pain and being out during the extraction of the stone. Most often, parents turned first to family, friends, and neighbors, for medical advice, even the local blacksmith for a fee would set bones in humans as well as animals.</p. <p>As the specialty of pediatrics (from the Greek for child and healing) had yet to emerge, children were treated as small adults in hospitals and kept in the same wards as adult men and women. Some charitable institutions were opened in the early modern period, for example, the Children's Hospital in Norwich in 1621, but they tended to be more for children who were abandoned by their parents or orphaned, than for sick youngsters. The largest institution for orphans was the Foundling Hospital in London, opened in 1741. There were also medical discoveries that helped children and youth in this period, most notably, inoculation and vaccination for smallpox.</p> 
		<p>Starting in the 1960s several scholars have argued that early modern parents tried not to invest too much emotion (or money) in a child until it reached an age where survival was likely. High birth rates, accompanied by high death rates for children under the age of ten years old, meant that family life was fragile and uncertain. Yet the parent-child relationship seems to have been as strong in the early modern period as in any other age, and former ideas of emotional indifference before the eighteenth century are now widely questioned by scholars. Most of the population had a hard struggle for existence but children were cared for as much as conditions would allow. The harrowing grief of mothers and fathers who lost children to disease or accident is indeed all too apparent in diaries and letters of the period.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Lynda Payne</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><p>I have found that the best way to teach about sickness and health from centuries ago is to not to focus on the biology and statistics of diseases but to focus on the suffering and the impact of illness on a person's life. I have had students write about their own experience of illness until the age of 18, and then had them compare and contrast that with the common illnesses a child and youth would have experienced in early modern England. Students have also researched how medical conditions of children and youth would be diagnosed and treated by a variety of healers. They took into consideration wealth and poverty, class status, gender, and whether they were living in a city or in the countryside. Finally, I have had success with using visuals to illustrate not just medical care and treatment but environmental conditions. If you have students imagine life without modern conveniences such as electricity, gas, sewers, clean water, cars, and so forth (the list is long), their understanding and interpretation of images of early modern children and youth grows as they take into account the context of health, hygiene, and illness.</p>

<h3>Discussion Questions</h3>
<ul>
<li>What were the common illnesses of children and youth in early modern England? What remedies were suggested and by whom? Can you describe some of the changes in medical treatment during this period? (Classification and description of diseases, inoculation and vaccination).</li>

<li>Some historians have argued that children and youth had a miserable existence and that parents in early modern England tried not to become too attached to their children, as infant and child mortality was so high. Can you use the sources to argue for and against this thesis? (Teeth pulling, Gin Lane, Infanticide Trial versus The Graham Children and the Evelyn Diary).</li>
</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Health in England (16th&ndash;18th c.)</h3>
<p>by Sharon Cohen</p>
<p><strong>Time Estimated:</strong> three 45-minute classes</p>

<h3>Objectives</h3>
<ol>
<li> Students will be able to identify possible connections between the lack of modern conveniences and health, hygiene, and illness among children in early modern England.</li>

<li>Students will be able to debate the extent to which parents demonstrated attachment to children in a period of high mortality for infants and young children. </li>
</ol>

<h3>Materials</h3>
<ul>
<li>Printouts of primary sources sufficient for each student to have a full set of the texts and images in the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/166?section=introduction"><em>Health in England</em></a> Teaching Module. <a id="fn1" class="footnote" href="#note1">1</a></li>
<li>Highlighters</li>
<li>Index cards </li>
</ul>

<h3>Day One</h3>
<p><em>Hook</em><br />
Ask students to imagine life without modern conveniences such as electricity, sewers, and clean water by listing ten possible effects on health, hygiene, and illness. Then, with a partner, have them predict which of those effects were common among children in early modern England. Make a class list of these predictions to post for comparison later.</p>

<p><em>Activity</em><br />
Students will read the primary sources looking for any connections between the lack of modern conveniences and health, hygiene, and illness among children. One strategy to help with close reading is to help the students generate lists of typical words they might find in the text, and then encouraging them to underline or highlight the words associated with a lack of conveniences (such as lack of clean water for drinking or washing) and circle or highlight the words associated with symptoms of illness (complexion, fever, fits, pain, sweat, swollen, shivers, blisters) and treatments (ointment, medicine, bloodletting, fasting, bed rest). Have the students turn in their annotated sources. Check to make sure they found most of the key words. If not, show them to the students the next day.</p>

<h3>Day Two: Debate Prep</h3>

<p>Return the annotated sources and ask students to share with a partner the words that appeared the most often.</p>

<p>With partners, have students try to translate those words into lists:</p>
<ul>
<li>identifying the common illnesses of children and youth in early modern England and</li>
<li>identifying the remedies suggested and by whom.</li></ul>
<p>They should write these analyses of the sources in the margins.</p>

<p>Students prepare for a debate on whether parents in early modern England tried not to become too attached to their children, as infant and child mortality was so high. </p>

<h3>Day Three: The Debate</h3>
<p><em>Debate Directions</em><br />
Divide the class into two groups (pro and con).</p>
<p>Assign each student a specific speaking role in the debate.</p> 
<ul>
<li>Each group has a different student make the opening statement and the closing statement.</li>
<li>Each group has six main pieces of evidence delivered by six different students.</li>
<li>Each group also assigns six students to critique the evidence delivered on the basis of the authority or reliability and perspective of the source.</li>
<li>That's 28 student roles. Adjust as necessary for the size of the class. If the class is larger, assign students to critique the arguments and evidence used overall in the debate and then report on their assessment at the end.</li>
</ul>
<h3>Differentiation</h3>
<p>Some strategies for supporting and challenging students are already included in the lesson. For struggling readers, the sources might need to be translated into modern English, and perhaps even analyzed together as a class. The preparation for the debate for students still learning how to construct and support arguments might take an extra day, so the teacher can speak individually with each student to guide the framing of the arguments and selection of evidence to support the main points. To challenge students further, it might be possible for them to find additional evidence not included in this module, even perhaps going beyond the borders of England to compare the attitudes and practices toward children's health in other places.</p>

<hr />
<div id="notes">
<p><a id="note1" class="footnote" href="#fn1">1</a> Texts include:</p>
<ul>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=155>Boke of Chyldren</a></li>

<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=156">"On Scarlet Fever"</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=162">Infanticide Trial Transcript from the Old Bailey of Elizabeth Taylor of Clerkenwell</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=158">Gin Lane text and illustration</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=160">Diary of John Evelyn</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=163">The Graham Children</a></li>
</ul>
</div>
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-primary-sources" class="element">
        <h3>Primary Sources</h3>
                                    <div class="element-text">155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Wed, 15 Oct 2008 00:12:45 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[John Evelyn's Diary, 1658 [Literary Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/160</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">John Evelyn's <em>Diary</em>, 1658 [Literary Excerpt]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>The English lawyer John Evelyn (1620-1706) kept a diary for nearly 50 years and in it recorded his grief at the death of four of his children. John and Mary Evelyn had eight children altogether: Richard (1652–8), John Standsfield (1653–4), John (1655–99), George (1657–8), Richard (1664), Mary (1665–85), Elizabeth (1667–85) and Susanna (1669–1754). Only Susanna outlived her parents. In January 1658 the eldest son Dick (Richard) fell ill from a quartan ague or fever, had sweats and fits, and finally died. Physicians were sent for from London but the bitterly cold weather prevented them from arriving in time to help little Dick. Evelyn's devastation at the loss of his son shows all too well when he painfully records Dick's age as 5 years, 5 months, and 3 days. He angrily blames the death on the servants keeping Dick too hot with a great fire and blankets. Evelyn was an educated man interested in science or natural philosophy as it was called in the 17th century. This may have led to his somewhat unusual decision to attend the autopsy of Dick. The findings of <em>liver growne</em> and a large spleen, suggest possibly rickets or malaria as the cause of Dick's death. The following month Evelyn recorded the death of yet another son – his youngest, George, aged only seven weeks.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">John Evelyn</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">John Evelyn, "1658," <em>Geocities</em>, <a class="external" href=http://www.geocities.com/Paris/LeftBank/1914/ed_1658.html#1658> http://www.geocities.com/Paris/LeftBank/1914/ed_1658.html#1658</a> (accessed March 28, 2008). Annotated by Lynda Payne.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-10-12</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Lynda Payne</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">166</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">text</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><h3>1658</h3>
<h3>January</h3>

<p>27 After six fitts of a Quartan Ague it pleased God to visite my deare child Dick with fitts so extreame, especiale one of his sides, that after the rigor was over & he in his hot fitt, he fell into so greate & intollerable a sweate, that being surpriz'd with the aboundance of vapours ascending to his head, he fell into such fatal Symptoms, as all the help at hand was not able to recover his spirits, so as after a long & painefull Conflict, falling to sleep as we thought, & coverd too warme, (though in the midst of a severe frosty season) and by a greate fire in the roome; he plainely expired, to our unexpressable griefe & affliction.</p>

<p>We sent for Physitians to Lond, whilst there was yet life in him; but the river was frozen up, & the Coach brake by the way ere it got a mile from the house; so as all artificial help failing, & his natural strength exhausted, we lost the prettiest, and dearest Child, that ever parents had, being but 5 years <5 months> & 3 days old in years but even at that tender age, aprodigie for Witt, & understanding; for beauty of body a very Angel, & for endowments of mind, of incredible & rare hopes.</p>

<p>30 On the Saturday following, I sufferd the Physitians to have him opened: Dr. Needham & Dr. Welles, who were come three days before, & a little time ere he expired, but was past all help, & in my opinion he was suffocated by the woman & maide that tended him, & covered him too hott with blankets as he lay in a Cradle, neere an excessive hot fire in a close roome; for my Wife & I being then below & not long come from him, being come up, & I lifting up the blanket, which had quite cove<re>d the Cradle, taking first notice of his wonderfull fresh colour, & hardly hearing him breath or heave, soone perceived that he was neere overcome with heate & sweate, & so doubtlesse it was, & the Child so farr gon, as we could not make him to heare, or once open his eyes, though life was apparently in him: we gave him something to make him sneeze but ineffectivly:
Being open'd they they found a membranous substance growing to the cavous part of the liver, somewhat neere the edge of it for the compasse of 3 Inches, which ought not to be; for the Liver is fixed onely by three strong ligaments, all far distant from that part; on which they confidently affirm'd, the Child was (as tis vulgarly cald) liver-growne, & thence that sicknesse & so frequent complaint of his side: & indeede both Liver & Splen were exceedingly large &c:</p>

<p>After this I caused the body to be Cofin'd in Lead & reposited him that night, about 8 a clock in the Church of Deptford, accompanied with divers of my relations & neighbours, among whom I distributed rings with this ___ Dominus abstulit: intending (God willing) to have him transported with my owne body, to be interrd at our Dormitorie in Wotton chur<c>h in my deare native County Surry, & to lay my bones & mingle my dust with my Fathers <a href="#note1" id="fn1" class="footnote">1</a> If God be so gracious to me; & make me as fit for him, as this blessed child was: Here ends the joy of my life, & for which I go even mourning to the grave: The L. Jesus sanctifie this & all others my Afflictions: Amen:</p>


<h3>February</h3>
<p>15 The afflicting hand of God being still upon us, it pleased him also to take away from us this morning my other youngest sonn George now 7 weeks languishing at Nurse, breeding Teeth, & ending in a Dropsie: Gods holy will be don: he was buried in Deptford church the 17th following:____</p>
<h3>March</h3>
<p>. . . This had ben the severest Winter, that man alive had knowne in England: The Crowes feet were frozen to their prey: Ilands of Ice inclosed both fish & foule frozen, & some persons in their boates:</p>


<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a> Richard's body was never moved. His epitaph is still at St. Nicholas, Deptford. E gave a similar account of his son's life in the preface to his translation of the Golden Book of John Chrysostom, see p. 119 and 459.</p>

<p><a href="#fn2" id="note2" class="footnote">2</a> Foeffees were 'trustees holding land for charitable uses' (de Beer).</p>
<p><a href="#fn3" id="note3" class="footnote">3</a>'with great pomp', Acts of the Apostles, xxv.23. E's translation, see p. 459.</p>
</div></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Mon, 13 Oct 2008 05:55:59 +0000</pubDate>
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