The vast collection of the Metropolitan Museum is effectively arranged and integrated on the www.metmuseum.org website. Navigation of the site is straightforward, enabling efficient browsing or research. Although no specific essays or exhibits on children and youth are found on the site, several hundred artworks relevant to the topic can be located by searching the Collection Database or the Timeline of Art History (TOAH)—more than sites dedicated to the subject.

The Collection Database of 129,022 objects can be searched as a whole, by subject, by curatorial department, or by exhibit. The collection database search is comprehensive, and returned 3629 entries under "children." Childe Hassam is a distracter in this keyword search, but the search "Children NOT Childe" reduced the return to 319 items. "Boy" returned many distracters, but "girl" returned 954 items, and "infant" returned 252 items. "Toys" returned only 21 items, indicating a limitation of the museum's collection in that area. "Youth" returned 186 works and "young" 1741 items. The biggest drawback of the collection search was that many of the works are associated with placeholder images, although the metadata may help locate images elsewhere. As digitization of the collection proceeds, this may improve.

The TOAH is an unmatched resource for educators. The 6,000 included artworks are organized by three integrated elements: maps, timelines, and thematic essays. World and regional maps correlate artwork to eleven world eras and locate it in ten world regions. Timelines place the artworks in historical context, and include key events, political, stylistic and technological periodization. Eight hundred thematic essays provide historical context for groups of artwork and discuss characteristics, techniques, and significance. The essays reveal connections among civilizations and regions, and provide material for comparative study.

Educators searching for information on children in art can locate artworks featuring children and youth by a search of the TOAH, which seems more rewarding than the database search because all of the works are associated with images, and they are easily placed in context by TOAH's features. The searches are conveniently shown by category, so the user can bring up all relevant artworks, essays, timelines or other occurrences with one click.

A TOAH search of "children" found the term in 23 timelines, 153 thematic essays, and 396 works of art. "Figure, Child" in the Subject Index returned 21 essays and 80 works of art, each shown as a thumbnail image with titles. On the subject of childbirth, 15 artworks can be viewed. Terms such as "girl" (97 works), "boy" (9) and "young" or "youth" (4) returned artworks from across the globe and the eras.

An activity using the 97 artworks under "girl" might compare the relative age connoted by the term in various cultures and periods. Some depict small children, while others are clearly young women. A selection of western European drawings and paintings could focus on the changing definition of girlhood over time or explore symbols and objects associated with girlhood. Some of the artworks show girls in active social roles, playing sports and games, fulfilling ritual roles, or being mourned in funerary works. Some of the works are expressions of girls' work in various societies, such as needlework, preparation of trousseaus, or manual labor at home. In short, the collection can be used to gather ideas about girlhood over time and across cultures. Similar explorations about youth and boys could be made. Educators will find many ways to place childhood in historical context using this website.

THE TAOIST PRIEST OF LAO-SHAN

There lived in our village a Mr. Want, the seventh son in an old family. This gentleman had a penchant for the Taoist religion; and hearing that at Lao-shan there were plenty of Immortals, 1 shouldered his knapsack and went off for a tour thither. Ascending a peak of the mountain he reached a secluded monastery, where he found a priest sitting on a rush mat, with long hair flowing over his neck, and a pleasant expression on his face. Making a low bow, Wang addressed him thus: "Mysterious indeed is the doctrine: I pray you, Sir, instruct me therein." "Delicately nurtured and wanting in energy as you are," replied the priest, "I fear you could not support the fatigue." "Try me," said Wang. So when the disciples who were very many in number collected together at dusk, Wang joined them in making obeisance to the priest, and remained with them in the monastery. Very early next morning the priest summoned Wang, and giving him a hatchet sent him out with the others to cut firewood. Wang respectfully obeyed, continuing to work for over a month until his hands and feet were so swollen and blistered that he secretly meditated returning home. One evening when he came back he found two strangers sitting drinking with his master. It being already dark, and no lamp or candles having been brought in, the old priest took some scissors and cut out a circular piece of paper like a mirror, which he proceeded to stick against the wall. Immediately it became a dazzling moon, by the light of which you could have seen a hair or a beard of corn. The disciples all came crowding round to wait upon them, but one of the strangers said, "On a festive occasion like this we out all to enjoy ourselves together." Accordingly he took a kettle of wine from the table and presented it to the disciples, bidding them to drink each his fill; whereupon our friend Wang began to wonder how seven or eight of them could all be served out of a single kettle. The disciples, too, rushed about in search of cups, each struggling to get the first drink for fear the wine would be exhausted. Nevertheless, all the candidates failed to empty the kettle, at which they were very much astonished, when suddenly one of the strangers said, "You have given us a fight bright moon; but it's dull work drinking by ourselves. Why not call Ch'ang-ngo 2 to join us?" He then seized a chop-stick and threw it into the moon, whereupon a lovely girl stepped forth from its beams. At first she was only a foot high, but on reaching the ground lengthened to the ordinary size of woman. She had a slender waist and a beautiful neck, and went most gracefully through the Red Garment figure. 3 When this was finished she sang the following words:–

Ye fairies! ye fairies! I'm coming back soon,
Too lonely and cold is my home in the moon.

Her voice was clear and well sustained, ringing like the notes of a flageolet, and when she had concluded her song she pirouetted round and jumped up on the table, where, with every eye fixed in astonishment upon her, she once more became a chop-stick. The three friends laughed loudly, and one of them said, "We are very jolly to-night, but I have hardly room for any more wine. Will you drink a parting glass with me in the palace of the moon?" They then took up the table and walked into the moon, where they could be seen drinking so plainly that their eyebrows and beards appeared like reflections in a looking-glass. By-and-by the moon became obscured; and when the disciples brought a lighted candle they found the priest sitting in the dark alone. The viands, however, were still upon the table and the mirror-like piece of paper on the wall. "Have you all had enough to drink?" asked the priest; to which they answered that they had. "In that case," said he, "you had better get to bed so as not to be behind-hand with your wood-cutting in the morning." So they all went off, and among them Wang, who was delighted at what he had seen, and thought no more of returning home. But after a time he could not stand it any longer; and as the priest taught him no magical arts he determined not to wait, but went to him and said, "Sir, I have traveled many long miles for the benefit of your instruction. If you will not teach me the secret of Immortality, let me at any rate learn some trifling trick, and thus soothe my cravings for a knowledge of your art. I have now been here two or three months, doing nothing but chopping firewood, out of in the morning and back at night, work to which I was never accustomed in my own home." "Did I not tell you," replied the priest, "that you would never support the fatigue? To-morrow I will start you on your way home." "Sir," said Wang, "I have worked for you a long time. Teach me some small art, that my coming here may not have been wholly in vain." "What art?" asked the priest. "Well," answered Wang, "I have noticed that whenever you walk about anywhere, walls and so on are no obstacle to you. Teach me this, and I'll be satisfied." The priest laughingly assented, and taught Wang a formula which he bade him recite. When he had done so he told him to walk through the wall; but Wang, seeing the wall in front of him, didn't like to walk at it. As, however, the priest bade him try, he walked quietly up to it and was there stopped. The priest here called out, "Don't go so slowly. Put your head down and rush at it." So Wang stepped back a few paces and went at it full speed; and the wall yielding to him as he passed, in a moment he found himself outside. Delighted at this, he went back to thank the priest, who told him to be careful in the use of his power, or otherwise there would be no response, handing him at the same time some money for his expenses on the way. When Wang got home, he went about bragging of his Taoist friends and his contempt for walls in general; but as his wife disbelieved his story, he set about going through the performance as before. Stepping back form the wall, he rushed at it full speed with his head down; but coming in contact with the hard bricks, finished up in a heap on the floor. His wife picked him up and found he had a bump on his forehead as big as a large egg, at which she roared with laughter; but Wang was overwhelmed with rage and shame, and cursed the old priest for his base ingratitude.

In the name of Christ, amen. August 9, 1348. Phylippinus, son of late Laurentius olim Fratris Phyllippi, butcher of the parish of San Felice, healthy in mind and senses, but sick in body makes his will thus. For the benefit of his soul, he gives land in Borgo Panigale to the church of San Lorenzo di Porta Stiera in Bologna so that an altar be built in that church to honor St James and that one priest be chosen to celebrate the divine offices at that altar for the benefit of the testator's soul. He choses that his body be buried at the church of San Francesco, for which his executors should decide on the expenses. As executors he nominates the Prior of the Worthy Poor, the rector of the church of San Lorenzo di Porta Stiera, whoever that is now or will be, and his daughter Chadiana. For the benefit of his soul, he leaves ten lire in aid of dowry to Francischina, daughter of Narlus olim ser Martini butcher of the parish of Santa Maria della Carità. For the benefit of his soul, he leaves 25 lire in aid of dowry for a woman from Borgo Panigale. For the benefit of his soul and the soul of his brother-in-law Bonacosa Arardi, he leaves five lire to clothe six poor persons, who will be chosen by the butcher Narlus olim Ser Martini of Santa Maria della Carità. He leaves 13 lire to be distributed among the poor for the benefit of the soul of his brother-in-law Bonacosa Arardi. He leaves three quarters of one butcher's shop in the meat market in the town square to his nephews, sons of his late brother. He leaves half of one butcher's shop in the said meat market to the son of a butcher. He leaves ten lire to his two neices [daughters of his deceased brother] for them to use when they marry or enter a convent. He leaves ten lire each to the two daughters of notary Paulus son of Ser Franciscus de Castagnolo for them to use when they marry or enter a convent. He leaves 50 lire for Zoleta, Cola, Bencevenis, and Nicolaus, his grandchildren and children of his deceased daughter and Francischinus de Medicis. He leaves 15 lire for one person to go and visit the shrine of St. James of Campostella. He leaves his servant Sante from the village of Monte Marino two silk gowns that belonged to his deceased wife. He also leaves Sante two towels, pillows, and cloth that his wife used. He leaves 30 lire to his cousin, Thomas, a butcher in the parish of Santa Maria della Carità, for him to ensure that the altar in the church of San Lorenzo be constructed within the next three years. He names as guardians for his four grandchildren his daughter Chadiana and notary Paulus, son of Ser Francescus de Castagnolo. For all of his goods and property, moveable and immovable, and all his rights and actions, both now and in the future, he institutes as universal heir his daughter, Chadiana. He declares that this is his last will and cancels and invalidates any previous testament or codicil. Enacted in the testator's house in the parish of San Felice, in the presence of the following witnesses: don Andrea, parish priest of San Felice, Franciscus Jacobi, shoemaker of San Nicolo del Borgo di San Felice, Azzolinus Petri of San Felice, Petrus Cursii of San Felice, Petrus Medaglini of San Lorenzo di Porta Stiera, Nicolaus Johannis butcher of San Felice, Petrus ser Jacobi, agricultural worker [laborator terre] of San Nicolo del Borgo di San Felice, and Petrus Guidonis Symonis from Borgo Panigale. Written by the notary Petrus Anthonii de Burellis. The notary and Franciscus Jacobi, designated as proctor for the testator, went to the Office of the Memoriali to register the testament on that day.

In the name of Christ, Amen. July 29, 1348. Phylippa, daughter of the late Aradus, wife of Philippinus Laurentii butcher and citizen of the parish of San Felice, healthy in mind and senses, but sick in body, declares her will thus. For the benefit of her soul, she leave three lire to don Johannes, chaplain of the parish church of San Felice, for masses for his necessities. She leaves 20 lire to her servant, Sante daughter of the late Senitius from the village of Monte Marino. She leaves 40 solidi to Nicolaus and Bencevenis, sons of Francischinus de Medicis, who was married to her deceased daughter Agnexia, which money they can have after her husband, Philippinus, has died. She leaves 40 lire to her grand-daughters Zoleta and Chola, daughters of her son-in-law Francischinus, which money they can have after her husband has died. For all of her goods and property, moveable and immoveable, and all her rights and actions, both now and in the future, she institutes as universal heir, her husband, Phylippinus. She leaves her daughter, Chadiana, 25 lire, which she can have after the death of her father, ordering Chadiana and the grandchildren Nicolaus and his siblings to be quiet and content with the legacies. She declares that this is her last will and cancels and invalidates any previous testament or codicil. Enacted in the testator's house in the parish of San Felice, in the presence of the following witnesses: don Johannes, parish priest of San Felice, Blaxius Thomaxini of San Felce, Nasimbene Petri, shoemaker of San Felice, Bonjohannes Gregorii of San Felice, Azzolinus Petri of San Felice, Franciscus Jacobi, shoemaker of San Nicolo del Borgo di San Felice, Johannes Johannis de Spilamberti, and Andreuccio Oradei de Donzellis of San Felice. Written by the notary, Martinus Johannis de Pizoy. The notary and testator went to the Office of the Memoriali to register the testament on that day.

In the name of Christ, Amen. July 23, 1348. Ursollina, daughter of the late Thomas Ursii and widow of the late Figliocarius, known as Carino, parchment maker in the parish of San Biagio, healthy in mind and intellect, but sick in body, declares her will thus. She leaves five lire for the benefit of her soul to be distributed by her heirs as they deem most useful for her soul, of which five lire, five solidi [20 solidi equaled one lira] are to go to Don Gerardus, her parish priest, and the rest are to be distributed as she said above. She leaves 20 lire for her daughter, Ysabeta, daughter of the late Figliocarius known as Carino, demanding that she be quiet and content with this sum. For all of her goods and property, moveable and immovable, and all her rights and actions, both now and in the future, she institutes as universal heirs, her three sons, Thomas, Johannes, and Bernardus, sons of the late Figliocarius. She declares that this is her last will and cancels and invalidates any previous testament or codicil. Enacted in the testator's house in the parish of San Biagio, in the presence of the following witnesses: Don Gerardus, parish priest of San Biagio, Petrobellus, son of the late Brother Ugollini, draper of San Biagio [he is the brother of her daughter's husband, Mengorius], Johannes son of the late Petrus, parchment maker of San Biagio, Ser Bondus son of the late Guidone, shoemaker of San Biagio, Jacobus son of the late Picinus, parchment maker of San Biagio, Petrus son of the late Rummollus, parchment maker of San Biagio, Marcus son of the late Dominicus, baker of San Biagio, and Symone son of the late Gerardus, furrier of San Biagio. Written by the notary Johannes Laurentii Stephani. The notary and witness, Petrobellus, designated as proctor for the ill testator, went to the Office of the Memoriali, on that day to register the testament.

In the name of Christ, Amen. July 8, 1348. Figliocharius, known as Carinus, son of the late Brother Donisdei, parchment maker living in the parish of San Biagio of Bologna, healthy in mind and intellect, but sick in body, declares his will thus. He leaves five lire for the benefit of his soul to be distributed by his heirs as would seem to them best and most useful for his soul. Of these five lire, five solidi [20 solidi equaled one lira] should go to Don Gerardus, chaplain of the parish church of San Biagio, for masses for his soul. He leaves 20 solidi for his two nieces Mina and Cicillia. He returns to his wife her dowry of 130 lire [a modest dowry, typical of the artisan class] and gives her 20 lire as well as his bed and all the linen and woolen clothes that she had during her life and at the time of his death. He grants his wife usufruct [the right to use but not own] all of his goods as long as she lives in the home with their children, remains a widow, and does not ask for her dowry and the aforesaid legacies [i.e., the 20 lire, bed and clothing]. He leaves to his daughter, Isabeta, wife of Mengorius, son of the late Brother Ugollini of the parish of San Biagio, all that he had arranged as her dowry for her marriage to Mengorius. As a blessing [nomine benedictionis], he also leaves her 20 solidi. For all of his goods and property, moveable and immovable, and all his rights and actions, both now and in the future, he institutes as universal heirs, his three sons, Thomas, Johannes, and Bernardus. He declares that this is his last will and cancels and invalidates any previous testament or codicil. Enacted in the testator's house in the parish of San Biagio, in the presence of the following witnesses: Don Gerardus, parish priest of San Biagio, Johannes son of the late Albertinus, draper of San Biagio, Petrus son of the late Johannes, parchment maker of San Biagio, Paulus son of the late Ugollinus, parchment maker of San Biagio, Bertone son of the late Jacobus, armorer of San Biagio, Guidone son of the late Simone, parchment maker of San Biagio, Tomas son of the late Brother Albertus, parchment maker of San Biagio, Bonacosa son of the late Leyus, draper of San Biagio, and Benvenutus son of the late Gerardinus, baker of San Biagio. Written by the notary, Johannes Laurentii Stephanii. The notary and Johannes Albertini, designated as proctor for the sick testator, went to the Office of the Memoriali on that day to register the testament.