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    <title><![CDATA[Children and Youth in History]]></title>
    <link>http://cyh.rrchnm.org/items/browse/3?tag=Education&amp;output=rss2</link>
    <description><![CDATA[]]></description>
    <pubDate>Wed, 11 Aug 2021 03:22:51 +0000</pubDate>
    <managingEditor>chnm@gmu.edu (Children and Youth in History)</managingEditor>
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      <title><![CDATA[Doorstep School-on-Wheels, Mumbai [Photographs]]]></title>
      <link>https://cyh.rrchnm.org/items/show/372</link>
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                                    <div class="element-text">Doorstep School-on-Wheels, Mumbai [Photographs]</div>
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                                    <div class="element-text"><p>The photograph shows the School-on-Wheels, a project of the Doorstep School in Mumbai, or Bombay, India, which has been functioning since 1998. The School-on-Wheels is a converted bus fitted with cabinets filled with stationery supplies, books, toys, and chalkboards, decorated with curtains and children’s art, and staffed by a teacher and roving supervisor. The project serves the unmet need of children who live in the slums of Mumbai, child laborers and street children who otherwise do not have access to education. By coming to where the children live, work, or beg, such as Fashion Street and the World Trade Center, bus depots and railroad platforms, the bus brings regular educational experiences to marginalized children in hopes they will continue and enroll in a regular school. School-on-Wheels strives to impart basic literacy skills to groups of children who have no settled residence or live where there are no schools, or their parents cannot get them to school regularly. The mobility of the bus, and its ability to attract children wherever they are found, is an advantage. Lessons are not the only option for children who climb into the bus. They can play with toys, read or be read to from audiotapes, and practice basic skills in a supportive but non-formal environment with other children. In the cities of Mumbai and Pune, about 50-70 children attend at any one time. Social skills and problem solving unique to this population are among the services provided, and the bus is also the scene of basic hygiene and street safely skills sessions. On occasion, the bus takes children on field trips to museums, the zoo, to a bank, a hospital and a police station, hoping to dispel fears among children who may have had negative experiences with law enforcement, and also in order to teach students about their rights. Similar projects to reach children with insufficient access to schooling include neighborhood mobile classrooms targeting girls in the slum neighborhoods who may not be permitted to walk any distance to school. These are held on rooftops, at girls’ homes, and in temple courtyards, for example. According to the organization, it serves 8,000 children in about 100 projects related to schooling for underserved populations, with international NGO and private donor support.</p></div>
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                                    <div class="element-text"><em>Doorstep School</em>, <a class="external" href="http://www.doorstepschool.org">http://www.doorstepschool.org</a>  (accessed March 5, 2009). Annotated by Susan Douglass.</div>
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                                    <div class="element-text"><p>"I go to Door Step School. Like me many students from 3rd to 10th standards sit in the Library and do school work. If we have difficulties then we ask Tai and she explains. In case we have no school work then we are given books to read. There are guides, vocational guide series and other books for us to read. Our timing is from 2 to 4. We learn English and Computers also. First we sing our National Anthem and prayer. We celebrated Nag Panchami and got sweets that day. Our Tai's name is Savitri. She teaches us well. We have tables and chairs and picture charts like A to Z animals, birds and vegetables on the walls. We are taken to laboratory for experiments and to Balbhavan. We take part in elocution, writing competitions. We have parties where we sing songs. I like to go to Door Step School class because it is fun."<br /> &ndash;  Ashvini Pawar &ndash; 5th Standard</p>
<p>"We are both 11 years old. We started coming from June 2004. In the beginning we couldn't understand anything. Then Tai gave us books on grammar and essay writing because they are important. In the school test we got good marks. Then our mothers said we should go regularly to Door Step School because that really benefits us. We like to come here."<br /> &ndash; Sarika Shinde &amp; Supriya Dhangar -- 6th Standard</p></div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/361/fullsize"><img src="/files/display/361/square_thumbnail" class="thumb" alt="Doorstep School-on-Wheels, Mumbai [Photographs]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Tue, 24 Nov 2009 18:01:45 +0000</pubDate>
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    <item>
      <title><![CDATA[Girls Making Snowman [Painting] ]]></title>
      <link>https://cyh.rrchnm.org/items/show/362</link>
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    <h2>Dublin Core</h2>
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                                    <div class="element-text">Girls Making Snowman [Painting] </div>
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                                    <div class="element-text"><p>Motivated by wartime hysteria and racial sentiments following the Japanese attack on Pearl Harbor on December 7, 1941, President Franklin D. Roosevelt issued Executive Order 9066 that ordered the removal of Japanese Americans on the West Coast to internment camps in the interior. Children were over half of the 110,000-120,000 Japanese Americans forced to leave friends, pets, possessions—even siblings (those with severe disabilities were excluded from camps).</p> 

<p>The social realism of Sugimoto's paintings chronicle and critique the physical dislocation, social disruption, and material deprivation experienced by children and their families. In the militarized camps located in desolate areas, children inhabited cramped and cold barracks with scarce furnishings. Children attended make shift schools that lacked basic necessities and received scant portions and stale bread three times a day at a mess hall. Unappetizing food and inadequate nourishment compromised the health and happiness of children.</p> 

<p>Japanese-born artist, Henry Sugimoto (1900-1990), his wife, and their 6-year-old daughter were among more than 8,000 inhabitants at the Jerome camp in Arkansas where he painted this picture around 1943. This seemingly simple painting connects the bleak reality of everyday life with the play of interned children like his daughter.</p>

<p>Children engaged in the expressive "language" of play provide researchers with a challenging form of documentary evidence. What purposes might their play have served? As an <em>expression</em> of feelings about their internment? An <em>escape</em> from an unjust reality? A <em>fantasy</em> about a better place? Was their play a <em>wish</em>? Compare this snowman with the traditional Japanese <em>yuki</em> (snow) <em>daruma</em> (the monk who founded Zen Buddhism and who also serves as a wishing doll). What evidence is there of racial and cultural conflict? Does that explain the contrast between the snowman's luminescence and the girls' dark complexions? In what ways might the iconic American "snowman" have served as an ironic reference to the customs and values of the society that incarcerated its youngest citizens because of their race?</p>  

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                                    <div class="element-text">Henry Sugimoto, &quot;Girls Making Snowman&quot; (Girls Making a Snowman in Jerome Camp), 1943. Gift of Madeline Sugimoto and Naomi Tagawa, Japanese American National Museum (92.97.96). Annotated by Miriam Forman-Brunell. </div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/347/fullsize"><img src="/files/display/347/square_thumbnail" class="thumb" alt="Girls Making Snowman [Painting] " width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Thu, 19 Nov 2009 03:55:57 +0000</pubDate>
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    <item>
      <title><![CDATA[Thanksgiving [Newspaper Article]]]></title>
      <link>https://cyh.rrchnm.org/items/show/336</link>
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                                    <div class="element-text">Thanksgiving [Newspaper Article]</div>
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                                    <div class="element-text"><p>Thanksgiving was not uniformly celebrated until major efforts to nationalize it were undertaken late in the nineteenth century. Despite Lincoln's proclamation that made Thanksgiving a national holiday during the Civil War, few Americans celebrated the holiday like middle-class Protestants in New England and the Mid-Atlantic states did. Southerners refused to recognize the "Yankee holiday," Catholics opposed it on religious grounds, and the poor couldn't afford a turkey. African-Americans went to church on Thanksgiving and men in rural Pennsylvania and New York City masqueraded at parades and parties until the late 1800s.</p> 

<p>At the dawn of the 20th century, hordes of poor children dressed up in costumes, begged for money or treats, and pulled pranks (e.g., soaped windows or pilfered shop signs) on penny pinching urban denizens on Thanksgiving. 
Their so-called "ragamuffin parade" had its origins in the European
traditions of carnival that was transported and transplanted by immigrants
in the decades before Thanksgiving became a sedate family holiday.</p> 

<p>Progressive-era reformers, school superintendents, and the police disapproved of the children's cultural practice. Also chagrined by the "pernicious custom" that undermined family bonds and national identity, was the group of upstanding church and charitable men who urged New Yorkers in 1911 not to nurture blackmailing and begging. The cultural authority of these urban leaders led pubic school teachers and
settlement house workers to require students to write festive poems, perform
plays, and draw pictures of turkeys, pumpkins, and Pilgrims.</p>   

<p>The goal of the school presentations and projects on American history and culture was to instill a national identity and civil religion in children. In turn, patriotic children were expected to instruct their immigrant parents in dominant American customs and values.</p>   
</div>
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                                    <div class="element-text">"Don't Give to Mummers," <em>New York Times</em>, November 29, 1911. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text"><h3>DON’T GIVE TO MUMMERS</h3>
<h3>Charity Workers Advise Us Not to Yield to Thanksgiving Beggars</h3>
<p><em>To the Public:</em></p>
<p>Thanksgiving Day is an American institution–one of the few which we have originated and which has become really National. Its primary associations are religious and serious. The strengthening of family ties and the building up of character are among its natural purposes. Good cheer and hospitality rather than a reckless carnival spirit have always been its distinguishing characteristics.</p>
<p>Here in New York City, however, we are in danger of falling into a custom which is inconsistent with the whole spirit of Thanksgiving and a strange perversion of its highest purposes. This is the habit of giving pennies and larger coin to children who put on fantastic clothing and in this disguise impudently ask every passerby for money. Surely it needs no argument to show that to teach young children to become beggars is no right use of our National Day of prayer and thanksgiving.</p>
<p>There are many excellent citizens who thoughtlessly respond to these appeals because they think they are giving innocent pleasure to their neighbors’ children as perhaps their neighbors are similarly giving to their own. There are no doubt many innocent children who can take part in such pranks with no great harm, because on other days in the year they are under proper discipline, and quickly forget the impressions made on them by what they consider a new kind of game. But reflection will convince any good citizen that for a large proportion of those to whom they give money it is a dangerous game. Often such impressions do not pass away from the mind of the child–especially if they are renewed and deepened on each succeeding Thanksgiving Day.</p>
<p>In the interest of our children and in the interest of a national observance of this holiday, we appeal to parents to restrain their children from this foolish and mischievous use of the day, and to citizens to refrain from encouraging this pernicious custom.</p>
<p>ROBERT W. DE FOREST,<br />
President Charity Organization Society.</p>
<p>R. FULTON CUTTING,<br />
President New York Association for Improving the Condition of the Poor.</p>
<p>LEOPOLD PLAUGHT,<br />
President United Hebrew Charities</p>
<p>WILLIAM CHURCH OSBORN,<br />
President Children’s Aid Society.</p>
<p>DAVID H. GREER,<br />
Bishop of the Diocese of New York</p>
<p>D.J. McMAHON,<br />
Supervisor of Catholic Charities</p>
<p>FRANK MASON NORTH<br />
Chairman Commission on Church and Social Service</p>
</div>
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                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/325/fullsize"><img src="/files/display/325/square_thumbnail" class="thumb" alt="Thanksgiving [Newspaper Article]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Tue, 03 Nov 2009 02:12:07 +0000</pubDate>
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    <item>
      <title><![CDATA[The Student Stage of Life: Brahmacharya [Text]]]></title>
      <link>https://cyh.rrchnm.org/items/show/325</link>
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                                    <div class="element-text">The Student Stage of Life: Brahmacharya [Text]</div>
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                                    <div class="element-text"><p>According to Vedic philosophy, the life span of each person is divided into four stages, or ashrams. The word ashram means "shelter," referring to the protective nature of these phases against the turmoil of life. These stages are Brahmacharya, Grahasta, Vanaprastha and Sanyasa, each of which has a specific purpose and guidelines defined in the Vedas, and are intended to order the lives of male members of the highest three castes.</p> 
<p>The ashram called Brahmacharya is the stage of the celibate student. Entry into this phase involved initiation, which was prescribed for Brahmins (priestly caste) between age 5 and 16, for the Kshatriyas (warrior caste) between age 6 and 22, and for the Vaisyas (merchant caste) between age 8 and 24. Failing to undergo initiation during these age spans would mean loss of caste, or social status.</p>
 <p>The Brahmacharya stage was a rigorous time of learning, when the high-caste boy was expected to acquire both religious knowledge and a craft or trade. A boy would wear the sacred cord around his chest to signify that he had entered Brahmacharya, and he would live in the teacher's house, serving him and treating him with utmost respect. In return, the boy's development was the responsibility of the guru. The student was to remain celibate so as not to be distracted from study. Among the goals of learning during this stage, memorization of Vedic texts was a priority, but archery, astrology, music, martial arts, and music were included. This selection is from a text that may date to the 5th century B.C.E. that prescribes proper behavior during each life stage.</p>
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                                    <div class="element-text"><em>Apastamba Dharma Sutra</em>, I:1, 2, 3, and 6, passim, in Sacred Books of the East, II, 7–8, 10–11. Cited in Embree, Ainslie Thomas, and Dr. Sam di Bonaventura collection, <em>The Hindu Tradition</em>, New York: Modern Library, 1966, 84–86. Annotated by Susan Douglass.</div>
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                                    <div class="element-text">Susan Douglass</div>
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                                    <div class="element-text">en</div>
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                                    <div class="element-text"><p>He who has been initiated shall dwell as a religious student in the house of his teacher. . .<br />
Twelve years [should be] the shortest time [for his residence with his teacher].<br />
A student who studies the sacred science shall not dwell with anybody else than his teacher.<br />
Now [follow] the rules for the studentship.<br />
He shall obey his teacher, except when ordered to commit crimes which cause loss of caste.<br />
He shall do what is serviceable to his teacher, he shall not contradict him.<br />
He shall always occupy a couch or seat lower than that of his teacher.<br />
He shall not eat food offered at a sacrifice to the gods or the Manes,<br />
Nor pungent condiments, salt, honey, or meat.<br />
He shall not sleep in the day-time.<br />
He shall not use perfumes.<br />
He shall preserve chastity.<br />
He shall not embellish himself by using ointments and the like.<br />
He shall not wash his body with hot water for pleasure.<br />
But, if it is soiled with unclean things, he shall clean it with earth or water, in a place where he is not seen by a Guru.<br />
Let him not sport in the water whilst bathing; let him swim motionless like a stick. . .<br />
Let him not look at dancing.<br />
Let him not go to assemblies for gambling &c., nor to crowds assembled at festivals.<br />
Let him not be addicted to gossiping.<br />
Let him be discrete.<br />
Let him not do anything for his own pleasure in places which his teacher frequents.<br />
Let him talk with women so much only as his purpose requires.<br />
Let him be forgiving.<br />
Let him restrain his organs from seeking illicit objects.<br />
Let him be untired in fulfilling his duties;<br />
Modest;<br />
Possessed of self-command;<br />
Energetic;<br />
Free from anger;<br />
And free from envy.<br />
Bringing all he obtains to his teacher, he shall go begging with a vessel in the morning and the evening,<br />
 and he may beg from everybody except low-caste people unfit for association with Aryas.</p>
</div>
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                                    <div class="element-text">93, 125, 187</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Sat, 17 Oct 2009 01:34:09 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Heart Mountain, Wyoming, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/321</link>
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                                    <div class="element-text">Japanese American Incarceration at Heart Mountain, Wyoming, Interview [Oral History]</div>
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                                    <div class="element-text"><p>Mits Koshiyama is a Nisei (second generation) Japanese American born in 1924 in Mountain View, California. He grew up in the Santa Clara Valley, working on his family's leased strawberry farm. In June 1942, he was removed to Santa Anita Assembly Center, California (a converted race track), and then taken to Heart Mountain incarceration camp, Wyoming. Mits graduated from high school in camp and at the age of 19, refused induction into the military on the grounds that the incarceration violated his Constitutional rights as an American citizen. He served two years at McNeil Island federal penitentiary, Washington. Over 300 resisters of conscience were convicted of draft evasion. In 1947 President Harry Truman pardoned them all, but the Japanese American community shunned them as "troublemakers." In this interview excerpt Mits recollects a fellow high school student's stance on civil liberties. He mentions the <i>coram nobis</i> cases, the rehearing of three wartime Supreme Court cases brought by Japanese Americans who challenged the legality of their incarceration.</p></div>
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                                    <div class="element-text">Mits Koshiyama, interview, July 14, 2001, Seattle, Washington. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segment 10, denshovh-kmits-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">2001-07-14</div>
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                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 322</div>
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                                    <div class="element-text">video/quicktime</div>
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                                    <div class="element-text">en</div>
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        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Transcription</h3>
                                    <div class="element-text"><p>AI: Well, so now you're in Heart Mountain. It's fall of 1942, and you still haven't finished your high school. What happened then after, when you got to Heart Mountain then? Was there a school all ready for you to join in the, start going to class again?</p>
<p>MK: Yeah, at the, the early school was in the barracks. Later on, they built the high school there, and gymnasium and everything. While we were there, we went to the barracks. We had, some were teachers, some were teachers' aides, some were Caucasians from the outside, and they taught all the kids, I guess the best of their ability under the condition. A funny thing, when I went to school there, nobody talked about the Constitution and the Bill of Rights and the deprivation of our constitutional rights. We were taught school like a normal school, like on the outside. Probably wrote compositions "Why I'm proud to be an American," too. [Laughs] Isn't it ridiculous, but that's the way it was. I do remember a student writing, "Why We Are Prisoners in a Concentration Camp." I remember that. I, I thought, "Gee, that kid there is really bright and has a lot of courage to write a composition like that. But everybody else is, "Why I'm proud to be American," and you know, waving the flag and everything. Kind of ridiculous, but that, that's the way people thought in those days. This one kid wrote about the Constitution and the deprivation of our rights. And I said, "Wow." That put a kind of a seed in my mind, too. We're taking this evacuation and incarceration too lightly. It actually is a deprivation, like this student says, of our constitutional rights. Probably didn't hit a lot of people, but, because I had, because I went to detention and learned about the Constitution and all that. It really hit me, because I, I knew this kid was right. Why were we there? We didn't do anything wrong. We were denied due process of the law, which is supposed to be God-given right to all Americans, and I just couldn't understand it, why more people didn't fight it. Like the <i>coram nobis</i> cases. There was only three, three out of 120,000 that refused to be evacuated. You would think if everybody believed in the Constitution and all that, there'd be a bigger percentage.</p>
<p>AI: It's July 14, 2001, we're continuing our interview with Mits Koshiyama. And Mits, I wanted to ask you to back up a bit. In the interview, you had just mentioned about, learning about the Constitution when you were in detention.</p>
<p>MK: Uh-huh.</p>
<p>AI: And you were referring to a time before the concentration camp when you were in high school back in, at Fremont High School. So would you tell a little bit about what happened, how come you were in detention, and what, what you learned while you were there.</p>
<p>MK: Actually, it was in grade school when it happened. I think that was about the seventh grade. I would be called by the other kids, one day, "Jap." I resented it, so I kind of fought with them. First thing I knew I was called into the principal's office, and I was sent to detention class. I don't know if the teacher trying to help me or make, punish me. I, detention is for punishment. So I believe that she made me study all about the Constitution because that's the subject I, kids didn't want to study. So I didn't want to be punished anymore, so I studied the Constitution pretty hard. Then the teacher told me, she checked my papers and everything and, "What'd you learn? Don't you know that all Americans are supposed to fight for their constitutional rights?" And it'd kind of go through one ear and the other. But I read everything about the Constitution and how it should, it's supposed to protect all citizens. She told me, "It protects all citizens," she told me. "Don't you understand?" she told me -- [laughs] -- "It protects all citizens. It's for your own protection that the Constitution was written." I, it finally sunk into my head. It took a little while, but I didn't just go to detention one day. I had so many fights that it looked like I was there, oh, most of the time. Most every recess I had to spend in detention. But it, it did turn out to be real helpful to me later on. I did realize that, like she said, the Constitution is the main law of the land. It doesn't mean -- you know presidents come and go, teachers come and go, governments come and go -- but she says, "The Constitution be always there no matter what." She says, "You'd better learn all about the Constitution because sooner or later it's gonna help you." It sure did.</p>
<p>I, my soul was clean because I, I really believed in the Constitution, and I believed that they should protect me at, when I needed it the most. And that, the belief in that Constitution kind of pulled me through all this difficulties that I had during the war years. I, I knew that sooner or later -- I'm not a prophet or anything -- but I know by, let's say common sense, that sooner or later after the war that people were going to realize that standing up for constitutional rights is the most important thing. And it's proven to be true. Like I was telling somebody today, the resisters' story -- was that you? [Laughs] Resisters' story is like the Boston Tea Party -- "taxation without representation." Drafting us without rights is like taxation without representation. And that's why I call it the, draft resistance, the "Japanese Boston Tea Party." I guess a lot of people laugh about that, but there's lot of similarities.</p></div>
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                                    <div class="element-text">Mits Koshiyama, interview, July 14, 2001, Seattle, Washington. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segment 10, denshovh-kmits-01 (accessed October 14, 2009).</div>
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                                    <div class="element-text">Alice Ito</div>
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            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
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                                    <div class="element-text"><p>AI: Well, so now you're in Heart Mountain. It's fall of 1942, and you still haven't finished your high school. What happened then after, when you got to Heart Mountain then? Was there a school all ready for you to join in the, start going to class again?</p>
<p>MK: Yeah, at the, the early school was in the barracks. Later on, they built the high school there, and gymnasium and everything. While we were there, we went to the barracks. We had, some were teachers, some were teachers' aides, some were Caucasians from the outside, and they taught all the kids, I guess the best of their ability under the condition. A funny thing, when I went to school there, nobody talked about the Constitution and the Bill of Rights and the deprivation of our constitutional rights. We were taught school like a normal school, like on the outside. Probably wrote compositions "Why I'm proud to be an American," too. [Laughs] Isn't it ridiculous, but that's the way it was. I do remember a student writing, "Why We Are Prisoners in a Concentration Camp." I remember that. I, I thought, "Gee, that kid there is really bright and has a lot of courage to write a composition like that. But everybody else is, "Why I'm proud to be American," and you know, waving the flag and everything. Kind of ridiculous, but that, that's the way people thought in those days. This one kid wrote about the Constitution and the deprivation of our rights. And I said, "Wow." That put a kind of a seed in my mind, too. We're taking this evacuation and incarceration too lightly. It actually is a deprivation, like this student says, of our constitutional rights. Probably didn't hit a lot of people, but, because I had, because I went to detention and learned about the Constitution and all that. It really hit me, because I, I knew this kid was right. Why were we there? We didn't do anything wrong. We were denied due process of the law, which is supposed to be God-given right to all Americans, and I just couldn't understand it, why more people didn't fight it. Like the <i>coram nobis</i> cases. There was only three, three out of 120,000 that refused to be evacuated. You would think if everybody believed in the Constitution and all that, there'd be a bigger percentage.</p>
<p>AI: It's July 14, 2001, we're continuing our interview with Mits Koshiyama. And Mits, I wanted to ask you to back up a bit. In the interview, you had just mentioned about, learning about the Constitution when you were in detention.</p>
<p>MK: Uh-huh.</p>
<p>AI: And you were referring to a time before the concentration camp when you were in high school back in, at Fremont High School. So would you tell a little bit about what happened, how come you were in detention, and what, what you learned while you were there.</p>
<p>MK: Actually, it was in grade school when it happened. I think that was about the seventh grade. I would be called by the other kids, one day, "Jap." I resented it, so I kind of fought with them. First thing I knew I was called into the principal's office, and I was sent to detention class. I don't know if the teacher trying to help me or make, punish me. I, detention is for punishment. So I believe that she made me study all about the Constitution because that's the subject I, kids didn't want to study. So I didn't want to be punished anymore, so I studied the Constitution pretty hard. Then the teacher told me, she checked my papers and everything and, "What'd you learn? Don't you know that all Americans are supposed to fight for their constitutional rights?" And it'd kind of go through one ear and the other. But I read everything about the Constitution and how it should, it's supposed to protect all citizens. She told me, "It protects all citizens," she told me. "Don't you understand?" she told me -- [laughs] -- "It protects all citizens. It's for your own protection that the Constitution was written." I, it finally sunk into my head. It took a little while, but I didn't just go to detention one day. I had so many fights that it looked like I was there, oh, most of the time. Most every recess I had to spend in detention. But it, it did turn out to be real helpful to me later on. I did realize that, like she said, the Constitution is the main law of the land. It doesn't mean -- you know presidents come and go, teachers come and go, governments come and go -- but she says, "The Constitution be always there no matter what." She says, "You'd better learn all about the Constitution because sooner or later it's gonna help you." It sure did.</p>
<p>I, my soul was clean because I, I really believed in the Constitution, and I believed that they should protect me at, when I needed it the most. And that, the belief in that Constitution kind of pulled me through all this difficulties that I had during the war years. I, I knew that sooner or later -- I'm not a prophet or anything -- but I know by, let's say common sense, that sooner or later after the war that people were going to realize that standing up for constitutional rights is the most important thing. And it's proven to be true. Like I was telling somebody today, the resisters' story -- was that you? [Laughs] Resisters' story is like the Boston Tea Party -- "taxation without representation." Drafting us without rights is like taxation without representation. And that's why I call it the, draft resistance, the "Japanese Boston Tea Party." I guess a lot of people laugh about that, but there's lot of similarities.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">July 14, 2001</div>
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        <h3>Time Summary</h3>
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        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="oral-history-item-type-metadata-duration" class="element">
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                                    <div class="element-text">7:49</div>
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            <div id="oral-history-item-type-metadata-location" class="element">
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                                    <div class="element-text">Seattle, Washington</div>
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        <h3>Interviewee</h3>
                                    <div class="element-text">Mits Koshiyama</div>
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            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
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                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 17:20:39 +0000</pubDate>
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    <item>
      <title><![CDATA[Japanese American Incarceration at Amache, Colorado, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/317</link>
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                                    <div class="element-text">Japanese American Incarceration at Amache, Colorado, Interview [Oral History]</div>
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                                    <div class="element-text"><p>(Yoshimitsu) Bob Fuchigami is a Nisei (2nd generation) Japanese American, born in 1930 in Marysville, California. His family operated a farm prior to World War II. Following the bombing of Pearl Harbor, he and his family were removed to the Merced Assembly Center, California, and later to the Granada (Amache) incarceration camp, Colorado. He currently resides in Colorado. In this interview clip, he describes the makeshift school at the Amache, Colorado, incarceration camp. Along with other former detainees, Fuchigami received a presidential apology and partial reparations in the 1980s for being incarcerated without due process of law, solely on the basis of his Japanese ancestry.</p></div>
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                                    <div class="element-text">Bob Fuchigami, interview, May 14, 2008, Denver, Colorado. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Richard Potashin, segment 20, denshovh-fbob-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
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                                    <div class="element-text">2008-05-14</div>
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                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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                                    <div class="element-text">314, 315, 316, 318, 319, 320, 321, 322</div>
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                                    <div class="element-text">video/quicktime</div>
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                                    <div class="element-text">en</div>
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                                    <div class="element-text"><p>RP: Bob, your family arrived at Amache, was it in August, did you say, of '42?</p>
<p>BF: We, we got there in September, early September.</p>
<p>RP: Was, were you able to enroll in school that first semester? Or. . .</p>
<p>BF: In Amache?</p>
<p>RP: Yes.</p>
<p>BF: Yeah. They, they. . . I don't remember school right away. But they, they did open up a school probably in late September or maybe even early October. The school was in the barracks.</p>
<p>RP: Right, can you share with us a little, a little bit of what you remember of junior high school, as it was in Amache.</p>
<p>BF: Yeah. I was, I was a twelve year. The, the barracks, they didn't have the partitions in there. They might have had a couple, couple of partitions. But we, we sat on wooden benches.</p>
<p>RP: Benches.</p>
<p>BF: No, no books to begin with. Later on we got, we got some discarded, outdated books. But there was a teacher with a chalkboard in front and they would put the information, some of the information on the chalkboard and we'd just copy it. So we, we had tablets and copied the information from the textbook. Then, lecture and that, that was the educational process for several months. The. . . we had, there was a high turnover of teachers because these, these were teachers -- we had some good teachers, but -- I'd have to say that by and large, the quality of, of teachers was, was not very good at first. There's a high turnover. Because they didn't know the conditions that they would be living under. Although they lived in Lamar and came by bus to Amache. But they weren't prepared to, to deal with the population. First of all, they must have looked at us like, how come. . . these are all Japanese Americans. They had never seen that kind of population. We hadn't, I hadn't seen such a population except for the language school. And so there was a high turnover. Some had, some of the teachers had come from Indian reservations some had come from. . . teachers who had just finished college. 'Course, I'm sure they expected that we would have books and desks and things like that. We didn't. I can give you an example of. . . music. They were gonna start a little orchestra or a band, I guess. I remember went to, went to the music room and the only thing they had left was an oboe. Never seen an oboe in my life. And didn't know how difficult it would be to play such a, such a thing. I remember going home with an oboe. Never did master that. And, it was, it was discarded stuff. I don't think. . . well, I guess they eventually had some kind of, of a band or an orchestra. I certainly wasn't a part of that. Although later on, they, they somehow someone got some instruments and formed a band, an orchestra.</p>
<p>RP: An orchestra for dances and. . .</p>
<p>BF: Yeah, for dances. There's a fellow out of Santa Anita named Brush Arai and he had the Brush Arai and his (Kanaka Boys Band) or something like that.</p>
<p>RP: So, the conditions under which education developed in Amache didn't sound very stimulating academically.</p>
<p>BF: Well, at that, at that. . . yeah.</p>
<p>RP: Did it change?</p>
<p>BF: It did change over time. I remember, well, another thing that happened was it was P.E. classes. And they didn't have the equipment so when it, when the weather's. . . you got snow and stuff outside, they have to hold P.E. classes inside one of the barracks and the equipment they had was a, was a mattress that they rolled up. And we spent the hour jumping around that and diving over the, over the mattress. I mean, what kind of P.E. class is that? And the, so the conditions were not ideal, by any means.</p></div>
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                                    <div class="element-text">Bob Fuchigami, interview, May 14, 2008, Denver, Colorado. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Richard Potashin, segment 20, denshovh-fbob-01 (accessed October 14, 2009).</div>
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
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            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Richard Potashin</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>RP: Bob, your family arrived at Amache, was it in August, did you say, of '42?</p>
<p>BF: We, we got there in September, early September.</p>
<p>RP: Was, were you able to enroll in school that first semester? Or. . .</p>
<p>BF: In Amache?</p>
<p>RP: Yes.</p>
<p>BF: Yeah. They, they. . . I don't remember school right away. But they, they did open up a school probably in late September or maybe even early October. The school was in the barracks.</p>
<p>RP: Right, can you share with us a little, a little bit of what you remember of junior high school, as it was in Amache.</p>
<p>BF: Yeah. I was, I was a twelve year. The, the barracks, they didn't have the partitions in there. They might have had a couple, couple of partitions. But we, we sat on wooden benches.</p>
<p>RP: Benches.</p>
<p>BF: No, no books to begin with. Later on we got, we got some discarded, outdated books. But there was a teacher with a chalkboard in front and they would put the information, some of the information on the chalkboard and we'd just copy it. So we, we had tablets and copied the information from the textbook. Then, lecture and that, that was the educational process for several months. The. . . we had, there was a high turnover of teachers because these, these were teachers -- we had some good teachers, but -- I'd have to say that by and large, the quality of, of teachers was, was not very good at first. There's a high turnover. Because they didn't know the conditions that they would be living under. Although they lived in Lamar and came by bus to Amache. But they weren't prepared to, to deal with the population. First of all, they must have looked at us like, how come. . . these are all Japanese Americans. They had never seen that kind of population. We hadn't, I hadn't seen such a population except for the language school. And so there was a high turnover. Some had, some of the teachers had come from Indian reservations some had come from. . . teachers who had just finished college. 'Course, I'm sure they expected that we would have books and desks and things like that. We didn't. I can give you an example of. . . music. They were gonna start a little orchestra or a band, I guess. I remember went to, went to the music room and the only thing they had left was an oboe. Never seen an oboe in my life. And didn't know how difficult it would be to play such a, such a thing. I remember going home with an oboe. Never did master that. And, it was, it was discarded stuff. I don't think. . . well, I guess they eventually had some kind of, of a band or an orchestra. I certainly wasn't a part of that. Although later on, they, they somehow someone got some instruments and formed a band, an orchestra.</p>
<p>RP: An orchestra for dances and. . .</p>
<p>BF: Yeah, for dances. There's a fellow out of Santa Anita named Brush Arai and he had the Brush Arai and his (Kanaka Boys Band) or something like that.</p>
<p>RP: So, the conditions under which education developed in Amache didn't sound very stimulating academically.</p>
<p>BF: Well, at that, at that. . . yeah.</p>
<p>RP: Did it change?</p>
<p>BF: It did change over time. I remember, well, another thing that happened was it was P.E. classes. And they didn't have the equipment so when it, when the weather's. . . you got snow and stuff outside, they have to hold P.E. classes inside one of the barracks and the equipment they had was a, was a mattress that they rolled up. And we spent the hour jumping around that and diving over the, over the mattress. I mean, what kind of P.E. class is that? And the, so the conditions were not ideal, by any means.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">May 14, 2008</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">6:49</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Denver, Colorado</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">(Yoshimitsu) Bob Fuchigami</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 318, 319, 320, 321, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/317_denshovh-fbob-1-20_2a48fda3e3.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/317_denshovh-fbob-1-20_2a48fda3e3.ogv" type="video/ogg" />
                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 16:08:15 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/331/fullsize" type="video/quicktime" length="19105180"/>
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    <item>
      <title><![CDATA[Schoolchildren at Minidoka incarceration camp, 1940s]]></title>
      <link>https://cyh.rrchnm.org/items/show/314</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Schoolchildren at Minidoka incarceration camp, 1940s</div>
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        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>Minidoka incarceration camp, near Twin Falls in southern Idaho, was one of 10 incarceration camps run by the War Relocation Authority (WRA) that held citizens and non-citizens of Japanese descent during World War II. The 33,000 acres of arid desert were dominated by sagebrush, and residents contended with a harsh climate and poor living conditions. The camp was open from August 10, 1942, to October 28, 1945. The peak population was 9,397, from Washington, Oregon, and Alaska. Schools in the WRA camps were staffed by Caucasian employees and Japanese American detainees, who were paid much less than their white co-workers. Students were taught principles of U.S. democracy as part of the curriculum, and they recited the pledge of allegiance like children living in freedom. In 1988, President Ronald Reagan signed the Civil Liberties Act of 1988 that provided for a presidential apology and partial monetary redress for the unjust incarceration.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Source</h3>
                                    <div class="element-text">&quot;Schoolchildren, Minidoka incarceration camp, Idaho, 1940s.&quot; Photograph. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Courtesy of the Wing Luke Asian Museum, the Hatate Collection (Number 1992-41-4 AX), denshopd-i39-00038 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">315, 316, 317, 318, 319, 320, 321, 322</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">image/jpeg</div>
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        <h3>Language</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Source</h3>
                                    <div class="element-text">&quot;Schoolchildren, Minidoka incarceration camp, Idaho, 1940s.&quot; Photograph. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Courtesy of the Wing Luke Asian Museum, the Hatate Collection (Number 1992-41-4 AX), denshopd-i39-00038 (accessed October 14, 2009).</div>
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        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                                    <div class="element-text">3464 x 2112 pixels</div>
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            <div id="still-image-item-type-metadata-image-description" class="element">
        <h3>Image Description</h3>
                                    <div class="element-text">Black and white photograph of Japanese American children and two adults walking as a large group (appearance similar to a parade) through an incarceration center during World War II. Many children are carrying American flags. Appearance of camp is dry, dusty, and official.</div>
                    </div><!-- end element -->
            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 321, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-tiff"><a class="download-file" href="/files/download/254/fullsize"><img src="/files/display/254/square_thumbnail" class="thumb" alt="Schoolchildren at Minidoka incarceration camp, 1940s" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Mon, 12 Oct 2009 20:09:22 +0000</pubDate>
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    <item>
      <title><![CDATA[The Phoenix Indian School, 1896 [Newspaper Article]]]></title>
      <link>https://cyh.rrchnm.org/items/show/295</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">The Phoenix Indian School, 1896 [Newspaper Article]</div>
                    </div><!-- end element -->
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        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>"Phoenix Indian School; Largest in the Southwest and Second Largest in the Country: Need of Military Garrisons in Arizona Grow Less as this School increases Its Influence Among the Nation's Wards -- Over One Hundred and Fifty Boys and Girls," read the headline of the <em>New York Times</em> article written by a journalist after a visit to the school on July 5, 1896. The Phoenix Indian School was one of some 150 institutions for Indian wards of the U.S. Government founded as the Indian wars concluded. The schools' mission was to "civilize" and assimilate the Indians to American society through a process of education that sought to obliterate their native cultures. The model of organization and discipline was military. Student life was highly regimented, with little free time, uniforms and marching drills. Boys and girls were subject to whipping and jailing, the latter a punishment for runaways. Students at the schools performed school maintenance, cleaning, cooking, laundering, caring for farm animals and crops, and selling their handmade crafts. Students were also put out to work locally as domestics and farm laborers for further acculturation and to provide work experience. School officials did not envision preparing Native-American students for higher education. The article expresses the attitudes and expectations of the journalist. It also reflects the ways in which the reporter's views were both validated and revised. The article that appeared in a major newspaper reinforced stereotypes about native American children, affirmed the success of the school's "civilizing mission," and  testified to the correctness of the assumption that environment could re-shape the children's identity and override their upbringing.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text"><em>New York Times</em>, "Phoenix Indian School; Largest in the Southwest and Second Largest in the Country," July 5, 1896,  <a class="external" href="http://query.nytimes.com/gst/abstract.html?res=9E07EFD71730E033A25756C0A9619C94679ED7CF">http://query.nytimes.com/gst/abstract.html?res=9E07EFD71730E033A25756C0A9619C94679ED7CF</a> (accessed July 1, 2009).</div>
                    </div><!-- end element -->
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Susan Douglass</div>
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Language</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Analyzing Sources</h3>
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        <h3>Source</h3>
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        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text"><p>Phoenix, Arizona, July 4 – The largest Indian school in the Southwest and the second largest in the Union is that in the Salt River Valley, near this place. It is unique in several respects. It is patronized by the Apaches, the Pimas, and the Maricopahs, who have until the past two years been the most lawless, intractable, and savage tribes Uncle Sam has had to deal with.</p>
<p>The fifty-seven Pima and Apache girls in the school under the supervision of the matron, learn to cook, wash, sew, and perform all other household duties, in addition to their study of the English language. The superintendent of the school finds the Indian girls less tractable to book learning than the boys, but they have a zeal for neatness in sewing and knitting that is astonishing. Very few of the girls have any taste for arithmetic and the forms of language, but they love to execute brightly colored maps and to draw. They are always much more reserved and diffident than their red-skinned brothers. The boys are handsome fellows, from fourteen to twenty-one years of age, and during certain hours of the day they are compelled to attend to the duties of the farm. They do not do this reluctantly, as one might suppose, but with good will and an apparent anxiety to learn. They are dressed in uniform, their hair kept closely trimmed, and they show their appreciation of the change from almost absolute nudity by keeping their shoes polished and their clothes nicely brushed. In the classroom they excel in arithmetic and spelling, and any exercise that brings the blackboards into use wins their attention. Strange as it may appear, they have not the least liking for exercising in the gymnasium, but in out-of-door sports, such as running races, leaping, and vaulting, they are very proficient.</p>
<p>A recent visit to the Indian school was a revelation in some respects. The writer has known the Pima Indians on their reservation as a fierce, sullen, obstinate, and cruel lot of savages, with a record second to not even the Apaches for horrible butcheries of white settlers and unspeakable barbarities upon their enemies in warfare. It was therefore a surprise to see over 150 of the boys and girls of these desert savages come marching into the chapel with military precision, dressed in handsome, neat-fitting garments, wearing linen shirts, and with their hair brushed with as much nicety as that of a city dude.</p> 
<p>The surprise did not end there. When the opening hymn was announced one of Apache girls that five months before was running wild on the desert south of the Gila readily turned to the number, and, handing the writer the book, asked in good English if he would not take part with them.</p>
<p>Some of them sing splendidly, and Prof. Rich, the Superintendent of the school, says that they are natural musicians. Several of the younger ones have learned to play the organ, and with the French harp they will make an average city gamin ashamed of himself. Hugh Patten, one of the monitors, plays the piano very well, having picked the accomplishment up without any instruction, only being aided by his natural aptitude for music. This Indian is a peculiarity in Indian life. Some years ago he learned the English language, and acted as an interpreter from that time till the opening of the school, which he entered, where he has since remained. He discarded his Indian name and assumed an English one, and in the three years he has acquired a good English education. He is of medium size, rather dark, but with the prepossessing appearance of a student. He has done much to induce his people to adopt civilization, and is , of course, a warm friend of the school.</p>
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      <pubDate>Wed, 09 Sep 2009 01:06:30 +0000</pubDate>
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      <title><![CDATA[Carlisle Indian School Students [Photograph]]]></title>
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                                    <div class="element-text"><p>The photograph shows buildings and students of the Carlisle Indian Industrial School around 1900. Attended by over 12,000 Native American children from more than 140 tribes between 1879 and 1918, the school was the model for nearly 150 Indian schools. Its founder was U.S. Army officer Richard Henry Pratt, who commanded a unit of African American "Buffalo Soldiers" and Indian scouts in Oklahoma and witnessed the Bureau of Indian Affair’s irresponsible policies on reservations. In 1875, the Army placed Platt in charge of 72 Indian warriors imprisoned in Florida. Platt imposed military discipline on the prisoners, but also arranged to teach them to read.</p> 
<p>Based on this experience, he developed a scheme to assimilate Indians by removing them from tribal influences and transforming them through education. In 1879, Pratt secured permission to use a deserted military base in Carlisle, Pennsylvania, as the site of his school.  Platt expressed his educational philosophy, highlighted in the accompanying quotation, in a paper read at an 1892 convention. Today, one of the few remaining landmarks of the Carlisle Indian School is the cemetery for students who died at the school and whose remains could not be returned to their families.</p>
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                                    <div class="element-text">&quot;Carlisle Indian Industrial School History,&quot; &lt;a class=&quot;external&quot; href=&quot;http://home.epix.net/~landis/histry.html&quot;&gt;http://home.epix.net/~landis/histry.html&lt;/a&gt;. Text: &quot;&#039;Kill the Indian, and Save the Man:&#039; Capt. Richard H. Pratt on the Education of Native Americans,&quot; &lt;a class=&quot;external&quot; href=&quot;http://historymatters.gmu.edu/d/4929/&quot;&gt;http://historymatters.gmu.edu/d/4929/&lt;/a&gt;. (accessed August 1, 2009).</div>
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                                    <div class="element-text">Susan Douglass</div>
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                                    <div class="element-text"><p>"A great general has said that the only good Indian is a dead one, and that high sanction of his destruction has been an enormous factor in promoting Indian massacres. In a sense, I agree with the sentiment, but only in this: that all the Indian there is in the race should be dead. Kill the Indian in him, and save the man…It is a great mistake to think that the Indian is born an inevitable savage. He is born a blank, like all the rest of us. Left in the surroundings of savagery, he grows to possess a savage language, superstition, and life. . . As we have taken into our national family seven millions of Negroes, and as we receive foreigners at the rate of more than five hundred thousand a year, and assimilate them, it would seem that the time may have arrived when we can very properly make at least the attempt to assimilate our two hundred and fifty thousand Indians…The school at Carlisle is an attempt on the part of the government to do this. Carlisle has always planted treason to the tribe and loyalty to the nation at large. It has preached against colonizing Indians, and in favor of individualizing them..."</p></div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/226/fullsize"><img src="/files/display/226/square_thumbnail" class="thumb" alt="Carlisle Indian School Students [Photograph]" width="250" height="250"/>
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      <pubDate>Mon, 07 Sep 2009 21:51:08 +0000</pubDate>
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      <title><![CDATA[Carlisle Indian Industrial School Group Photos [Photographs]]]></title>
      <link>https://cyh.rrchnm.org/items/show/290</link>
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                                    <div class="element-text">Carlisle Indian Industrial School Group Photos [Photographs]</div>
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                                    <div class="element-text"><p>The two group portraits, taken at the Carlisle Indian Industrial School, show Chiricahua Apache boys and girls at the time of their arrival in November 1886, and four months after arriving, in March 1887. John N. Choate was commissioned by the school to make portraits of the students as a public relations effort showing the success of the school in assimilating the Indians. Attended by over 12,000 Native American children from more than 140 tribes between 1879 and 1918, Carlisle was the model for nearly 150 Indian schools. Upon arrival, school officials cut the children's hair and exchanged their clothing for uniforms. Students were given Christian names, and were punished for speaking their native languages. Note the changes in dress, hair, and skin color, possibly due to the climate and to the emphasis on indoor activities. This group belonged to the Chiricahua Apache tribe, whose leader, the famous Geronimo, had surrendered with his followers in September 1886, marking the end of the Apache wars. The band, including 103 children, was taken prisoner and sent to Florida; many of the children were then taken to Carlisle School.</p> 
<p>The students' names on the arrival photograph were recorded as (back row, left to right): Hugh Chee, Frederick Eskelsejah (Fred' k Eskelsijah), Clement Seanilzay, Samson Noran, Ernest Hogee. Middle row: Margaret Y. Nadasthilah. (front row): Humphrey Escharzay, Beatrice Kiahtel, Janette Pahgostatum, Bishop Eatennah, Basil Ekarden. A <a class="external" href="http://www.nmai.si.edu/searchcollections/item.aspx?irn=318886&catids=4&sdate=1875&edate=1900&src=1-5&page=4"> numbered version of the photograph</a> exists. The photographer arranged the students in the same order in the later portrait. Scholars note that the 
"after" portraits followed established conventions of middle-class portraiture of the period, emphasizing the civilizing mission of the school. School founder Richard Platt described this goal in an 1892 speech "all the Indian there is in the race should be dead. Kill the Indian in him, and save the man."</p>
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                                    <div class="element-text">November 1886 photograph, National Museum of the American Indian, Washington D.C, &lt;a class=&quot;external&quot; href=&quot;http://www.nmai.si.edu/searchcollections/item.aspx?irn=318925&amp;catids=4&amp;sdate=1875&amp;edate=1900&amp;src=1-5&amp;page=4&quot;&gt;http://www.nmai.si.edu/searchcollections/item.aspx?irn=318925&amp;catids=4&amp;sdate=1875&amp;edate=1900&amp;src=1-5&amp;page=4&lt;/a&gt;; March 1887 photograph, National Museum of the American Indian, Washington D.C., &lt;a class=&quot;external&quot; href=&quot;http://www.nmai.si.edu/searchcollections/item.aspx?irn=318898&amp;catids=4&amp;sdate=1875&amp;edate=1900&amp;src=1-5&amp;page=4&quot;&gt;http://www.nmai.si.edu/searchcollections/item.aspx?irn=318898&amp;catids=4&amp;sdate=1875&amp;edate=1900&amp;src=1-5&amp;page=4&lt;/a&gt; (accessed July 28, 2009).</div>
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                                    <div class="element-text">Susan Douglass</div>
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                                    <div class="element-text"><p>The two group portraits, taken at the Carlisle Indian Industrial School, show Chiricahua Apache boys and girls at the time of their arrival in November 1886, and four months after arriving, in March 1887. John N. Choate was commissioned by the school to make portraits of the students as a public relations effort showing the success of the school in assimilating the Indians. Attended by over 12,000 Native American children from more than 140 tribes between 1879 and 1918, Carlisle was the model for nearly 150 Indian schools. Upon arrival, school officials cut the children's hair and exchanged their clothing for uniforms. Students were given Christian names, and were punished for speaking their native languages. Note the changes in dress, hair, and skin color, possibly due to the climate and to the emphasis on indoor activities. This group belonged to the Chiricahua Apache tribe, whose leader, the famous Geronimo, had surrendered with his followers in September 1886, marking the end of the Apache wars. The band, including 103 children, was taken prisoner and sent to Florida; many of the children were then taken to Carlisle School.</p> 
<p>The students' names on the arrival photograph were recorded as (back row, left to right): Hugh Chee, Frederick Eskelsejah (Fred' k Eskelsijah), Clement Seanilzay, Samson Noran, Ernest Hogee. Middle row: Margaret Y. Nadasthilah. (front row): Humphrey Escharzay, Beatrice Kiahtel, Janette Pahgostatum, Bishop Eatennah, Basil Ekarden. A <a class="external" href="http://www.nmai.si.edu/searchcollections/item.aspx?irn=318886&catids=4&sdate=1875&edate=1900&src=1-5&page=4"> numbered version of the photograph</a> exists. The photographer arranged the students in the same order in the later portrait. Scholars note that the 
"after" portraits followed established conventions of middle-class portraiture of the period, emphasizing the civilizing mission of the school. School founder Richard Platt described this goal in an 1892 speech "all the Indian there is in the race should be dead. Kill the Indian in him, and save the man."</p>
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            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/225/fullsize"><img src="/files/display/225/square_thumbnail" class="thumb" alt="Carlisle Indian Industrial School Group Photos [Photographs]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Mon, 07 Sep 2009 21:24:10 +0000</pubDate>
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