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    <title><![CDATA[Children and Youth in History]]></title>
    <link>http://cyh.rrchnm.org/items/browse/5?tag=1900-1945&amp;output=rss2</link>
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    <pubDate>Wed, 11 Aug 2021 03:23:08 +0000</pubDate>
    <managingEditor>chnm@gmu.edu (Children and Youth in History)</managingEditor>
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      <title><![CDATA[Komori [Nursemaid] Songs (kazoe-uta) [Song Lyrics]]]></title>
      <link>https://cyh.rrchnm.org/items/show/341</link>
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                                    <div class="element-text">Komori [Nursemaid] Songs (kazoe-uta) [Song Lyrics]</div>
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                                    <div class="element-text"><p>During the modern Imperial period (1868-1945), daughters of poor Japanese families worked as <em>komori</em> taking care of their own siblings or working as indentured servants for other poor families. The state's efforts to foster Japanese citizenship and feminize the <em>komori</em> led to programs aimed at making them more maternal.</p> 

<p>The first song is one that was sung by a teacher who taught <em>komori</em> girls in the town of Matsumoto around the turn of the century. This song was part of the broader educational curriculum designed to replace the songs of the <em>komori</em> that were deemed  "coarse" and "vulgar" by teachers and other adults who represented the interests of the modern state.</p>

<p>The second counting song, typical of others by the <em>komori</em>, described exploitative working conditions and grave injustices. Based on peasant songs, those songs sung by the <em>komori</em> (of which there are many versions) enabled workers to express resistance to those who exploited them as well as those who sought to feminize them. Some songs mocked their mistresses and masters; other focused on the foods they were not allowed to eat as well as the inadequacies of their rations. The lyrics of others expressed hostility toward their charges: "What can we do with a naughty child?/Let's put him on the drum/and hit him with green bamboo sticks." The third song included here is representative of those that expressed the emotional pain of the <em>komori</em> and their need for their mothers. Not only did the <em>komori</em> sing about love but also lust, their bodies, sexual desire, and intercourse.</p> 

<p>These songs and others that describe their daily lives (working, playing, trysting, venting) are useful sources of information that shed light on the everyday experiences of the <em>komori</em> and the lyrical cultural practices that expressed their alienation and resistance. In what ways are the <em>komori</em>  similar to and different from babysitters in other cultures and at different times?</p> 

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                                    <div class="element-text">Mariko Asano Tamanoi, "Songs as Weapons: The Culture and History of Komori (Nursemaids) in Modern Japan." <em>The Journal of Asian Studies</em>, Vol. 50, No. 4, (Nov., 1991), pp. 793-817. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text"><p>One, childhood is the function of personhood; the role of komori is important.<br />
Two, play carefully; don’t choose dangerous play.<br />
Three, you can play, but don’t forget your charge on your back.<br />
Four, copy the good deeds; use the polite language.<br />
Five, always be cheerful; if you smile, your charge will smile.<br />
Six, don’t force your charge to wake up or to sleep. <br />
Seven, whatever you do, do for your charge; don’t do anything your charge may not like.<br />
Eight, a child will soon grow into an adult; treat your charge as if it were an adult.<br />
Nine, the role of komori is important; komori replaces the mother to protect the child.<br />
Ten, don’t give any poisonous food or a dangerous toy to your charge.</p>
<p>(Kozo 1985)</p>

<hr />



<p>One, we are all bullied.<br />
Two, we are all hated.<br />
Three, we are all forced to talk.<br />
Four, we are all scolded.<br />
Five, we are all forced to carry babies who cry a lot.<br />
Six, we are all fed with terrible food.<br />
Seven, we are all forced to wash diapers in the cold water of the river.<br />
Eight, we are all impregnated and shed our tears.<br />
Nine, we are all persuaded to leave, and finally,<br />
Ten, we all must leave.</p>


<hr />
<p>I want to go home<br />
I want to see my house.<br />
I want to see my mother’s face.<br /> 
Even if I cannot see her, I want to talk to somebody about my wretched life.</p>
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      <pubDate>Fri, 06 Nov 2009 17:52:52 +0000</pubDate>
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      <title><![CDATA[Thanksgiving [Newspaper Article]]]></title>
      <link>https://cyh.rrchnm.org/items/show/336</link>
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                                    <div class="element-text">Thanksgiving [Newspaper Article]</div>
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                                    <div class="element-text"><p>Thanksgiving was not uniformly celebrated until major efforts to nationalize it were undertaken late in the nineteenth century. Despite Lincoln's proclamation that made Thanksgiving a national holiday during the Civil War, few Americans celebrated the holiday like middle-class Protestants in New England and the Mid-Atlantic states did. Southerners refused to recognize the "Yankee holiday," Catholics opposed it on religious grounds, and the poor couldn't afford a turkey. African-Americans went to church on Thanksgiving and men in rural Pennsylvania and New York City masqueraded at parades and parties until the late 1800s.</p> 

<p>At the dawn of the 20th century, hordes of poor children dressed up in costumes, begged for money or treats, and pulled pranks (e.g., soaped windows or pilfered shop signs) on penny pinching urban denizens on Thanksgiving. 
Their so-called "ragamuffin parade" had its origins in the European
traditions of carnival that was transported and transplanted by immigrants
in the decades before Thanksgiving became a sedate family holiday.</p> 

<p>Progressive-era reformers, school superintendents, and the police disapproved of the children's cultural practice. Also chagrined by the "pernicious custom" that undermined family bonds and national identity, was the group of upstanding church and charitable men who urged New Yorkers in 1911 not to nurture blackmailing and begging. The cultural authority of these urban leaders led pubic school teachers and
settlement house workers to require students to write festive poems, perform
plays, and draw pictures of turkeys, pumpkins, and Pilgrims.</p>   

<p>The goal of the school presentations and projects on American history and culture was to instill a national identity and civil religion in children. In turn, patriotic children were expected to instruct their immigrant parents in dominant American customs and values.</p>   
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                                    <div class="element-text">"Don't Give to Mummers," <em>New York Times</em>, November 29, 1911. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text"><h3>DON’T GIVE TO MUMMERS</h3>
<h3>Charity Workers Advise Us Not to Yield to Thanksgiving Beggars</h3>
<p><em>To the Public:</em></p>
<p>Thanksgiving Day is an American institution–one of the few which we have originated and which has become really National. Its primary associations are religious and serious. The strengthening of family ties and the building up of character are among its natural purposes. Good cheer and hospitality rather than a reckless carnival spirit have always been its distinguishing characteristics.</p>
<p>Here in New York City, however, we are in danger of falling into a custom which is inconsistent with the whole spirit of Thanksgiving and a strange perversion of its highest purposes. This is the habit of giving pennies and larger coin to children who put on fantastic clothing and in this disguise impudently ask every passerby for money. Surely it needs no argument to show that to teach young children to become beggars is no right use of our National Day of prayer and thanksgiving.</p>
<p>There are many excellent citizens who thoughtlessly respond to these appeals because they think they are giving innocent pleasure to their neighbors’ children as perhaps their neighbors are similarly giving to their own. There are no doubt many innocent children who can take part in such pranks with no great harm, because on other days in the year they are under proper discipline, and quickly forget the impressions made on them by what they consider a new kind of game. But reflection will convince any good citizen that for a large proportion of those to whom they give money it is a dangerous game. Often such impressions do not pass away from the mind of the child–especially if they are renewed and deepened on each succeeding Thanksgiving Day.</p>
<p>In the interest of our children and in the interest of a national observance of this holiday, we appeal to parents to restrain their children from this foolish and mischievous use of the day, and to citizens to refrain from encouraging this pernicious custom.</p>
<p>ROBERT W. DE FOREST,<br />
President Charity Organization Society.</p>
<p>R. FULTON CUTTING,<br />
President New York Association for Improving the Condition of the Poor.</p>
<p>LEOPOLD PLAUGHT,<br />
President United Hebrew Charities</p>
<p>WILLIAM CHURCH OSBORN,<br />
President Children’s Aid Society.</p>
<p>DAVID H. GREER,<br />
Bishop of the Diocese of New York</p>
<p>D.J. McMAHON,<br />
Supervisor of Catholic Charities</p>
<p>FRANK MASON NORTH<br />
Chairman Commission on Church and Social Service</p>
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      <pubDate>Tue, 03 Nov 2009 02:12:07 +0000</pubDate>
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    <item>
      <title><![CDATA[My Weekly Reader [Children's Newspaper]]]></title>
      <link>https://cyh.rrchnm.org/items/show/330</link>
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                                    <div class="element-text">My Weekly Reader [Children&#039;s Newspaper]</div>
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                                    <div class="element-text"><p>First launched in 1928, <em>My Weekly Reader</em> sought to make the national news accessible to elementary school children. By the early 1970s grade-specific versions were available for students from preschool to the sixth grade.</p>

<p><em>My Weekly Reader</em> was the brainchild of Eleanor Murdoch Johnson, the director of elementary schools in York County, PA. Seeking to balance children's preference for myth and fantasy with greater knowledge of world events, Johnson pitched the idea of a weekly newspaper for elementary students to American Education Publications, publisher of <em>Current Events</em>, a newspaper for 6th graders established in 1902. Circulation reached 100,000 the first year and by the end of the 1930s, first through sixth graders had their own edition. </p>

<p>Once a week teachers distributed copies of <em>My Weekly Reader</em> to millions of students in two-thirds of the nation's schools. Students read the 4-8 page educational paper in class or for homework. The articles provided teachers with a springboard for discussion about current events. The oversized weekly printed on newspaper stock included grade-appropriate stories, photographs, illustrations, puzzles, cartoons—even advertisements for books. Some children who loved reading about the space race, examining animal pictures, and laughing at the comics also looked forward to the next issue. While many students found <em>My Weekly Reader</em> to be more like fun than work, others remained uninspired by the flat prose and corny humor.</p>

<p>Despite its claim to present the news with accuracy and fairness, from its inception through the Cold War, the current-events newspaper provided more biased than balanced coverage of international events. News articles avoided issues of conflict (e.g., Civil Rights movement) and instead promoted an anti-Communist, pro-Patriotic Cold War perspective.  For much of the twentieth century, <em>My Weekly Reader</em> imaged its readership to be both Caucasian and Christian.</p> 

	<p>What ideas and kinds of information did <em>My Weekly Reader</em> establish as important for school children to be American citizens? Did <em>My Weekly Reader</em> imagine that male students differed from girls such as the one pictured here? Analyses of the facts, values, customs, and biases in the articles, images, and cartoons in <em>My Weekly Reader</em> is sure to provide researchers with information and insight into the formation of the cultural identity and media literacy of American school children. </p> 

</div>
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                                    <div class="element-text">Cover, &quot;My Weekly Reader: Picture Reader,&quot; November 7-11, 1955. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text">Miriam Forman-Brunell</div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/267/fullsize"><img src="/files/display/267/square_thumbnail" class="thumb" alt="My Weekly Reader [Children&amp;#039;s Newspaper]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Fri, 23 Oct 2009 23:12:56 +0000</pubDate>
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      <title><![CDATA[Margaret Mead, Coming of Age in Samoa [Photograph and Scholarly Text]]]></title>
      <link>https://cyh.rrchnm.org/items/show/329</link>
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                                    <div class="element-text">Margaret Mead, <em>Coming of Age in Samoa</em> [Photograph and Scholarly Text]</div>
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                                    <div class="element-text"><p>In 1928, Martha Mead published <em>Coming of Age in Samoa</em>, an anthropological work based on field work she had conducted on female adolescents in Samoa. In Mead's book that became a best seller and unleashed a storm of controversy, she argued that it was cultural factors rather than biological forces that caused adolescents to experience emotional and psychological stress.</p> 



	<p>Mead's work had taken shape against a backdrop of broader anxieties about American youth generally and female adolescents specifically who were openly challenging social and sexual mores. Many contemporaries believed that the "storm and stress" of adolescence was biologically determined following a three-volume study of largely male adolescents by American psychologist G. Stanley Hall in 1904. Under the direction of her mentor, the anthropologist, Franz Boaz, Margaret Mead sought to study whether adolescence was a "period of mental and emotional distress for the growing girl as inevitably as teething is a period for the small baby? Can we think of adolescence as a time in the life history of every girl which carries with it symptoms of conflict and stress as surely as it implies a change in the girls' body."</p> 

	<p>In 1925, Mead observed, interviewed, and interacted with 68 girls between the ages of 9 and 20 living in three villages on the island of Ta‘ū in American Samoa. After 9 months of study, Mead concluded that unlike stressed American girls, the well-balanced and carefree nature of sexually-active Samoan girls was due to the cultural stability of their society free of conflicting values, expectations, and shameful taboos. 
Largely relieved of the baby-tending responsibilities that had burdened them as little girls, Samoan adolescents reveled in their freedom and deferred marriage during this "best period" in their lives.</p> 

<p>This is a photograph of Margaret Mead (center) and two Samoan adolescents. Mead donned a Samoan wedding dress woven by Makelita, the last Queen of Manu'a. (Mead's Samoan name was also Makelita). This photograph was one of three included in a letter to Ruth Benedict (dated February 10, 1926) in which she commented about her appearance, "I look very prim and proper and unpolynesian."</p></div>
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                                    <div class="element-text">Image: "Margaret Mead standing between two Samoan girls," ca. 1926, Library of Congress, <a class="external" href=" http://www.loc.gov/rr/mss/ ">Manuscript Division</a> (50a) (accessed October 23, 2009). Text: Margaret Mead, <em>Coming of Age in Samoa: A Psychological Study of Primitive Youth for Western Civilisation</em> (New York: Morrow Quill, 1961), 195–96. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text">Miriam Forman-Brunell</div>
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                                    <div class="element-text">image/jpeg, text</div>
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                                    <div class="element-text">en</div>
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                                    <div class="element-text"><p>For many chapters we have followed the lives of Samoan girls, watched them change from babies to baby-tenders, learn to make the oven and weave fine mats, forsake the life of the gang to become more active members of the household, defer marriage through as many years of casual love-making as possible, finally marry and settle down to rearing children who will repeat the same cycle. As far as our material permitted, an experiment has been conducted to discover what the process of development was like in a society very different from our own. Because the length of human life and the complexity of our society did not permit us to make our experiment here, to choose a group of baby girls and bring them to maturity under conditions created for the experiment, it was necessary to go instead to another country where history had set the stage for us. There we found girl children passing through the same process of physical development through which our girls go, cutting their first teeth and losing them, cutting their second teeth, growing tall and ungainly, reaching puberty with their first menstruation, gradually reaching physical maturity, and becoming ready to produce the next generation. It was possible to say: Here are the proper conditions for an experiment; the developing girl is a constant factor in America and in Samoa; the civilisation of America and the civilisation of Samoa are different. In the course of development, the process of growth by which the girl baby becomes a grown woman, are the sudden and conspicuous bodily changes which take place at puberty accompanied by a development which is spasmodic, emotionally charged, and accompanied by an awakened religious sense, a flowering of idealism, a great desire for assertion of self against authority—or not? Is adolescence a period of mental and emotional distress for the growing girl as inevitably as teething is a period of misery for the small baby? Can we think of adolescence as a time in the life history of every girl child which carried with it symptoms of conflict and stress as surely as it implies a change in the girl’s body?</p>

<p>Following the Samoan girls through every aspect of their lives we have tried to answer this question, and we found throughout that we had to answer it in the negative. The adolescent girl in Samoa differed from her sister who had not reached puberty in one chief respect, that in the older girl certain bodily changes were present which were absent in the younger girl. There were no other great differences to set off the group passing through adolescence from the group which would become adolescent in two years or the group which had become adolescent two years before.</p>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/270/fullsize"><img src="/files/display/270/square_thumbnail" class="thumb" alt="Margaret Mead, &lt;em&gt;Coming of Age in Samoa&lt;/em&gt; [Photograph and Scholarly Text]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Fri, 23 Oct 2009 22:32:36 +0000</pubDate>
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      <title><![CDATA[Japanese American Incarceration at Tule Lake, California, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/322</link>
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                                    <div class="element-text">Japanese American Incarceration at Tule Lake, California, Interview [Oral History]</div>
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                                    <div class="element-text"><p>Kenge Kobayashi is a Nisei (second generation) Japanese American born in 1926 in Imperial Valley, California. With his family, he was incarcerated at Tulare Assembly Center, California, and then at the Gila River, Arizona, and Tule Lake, California, incarceration camps. A traumatic episode in the years of incarceration was the imposition of a loyalty questionnaire in early 1943. The government attempted to separate those they considered disloyal so that Japanese Americans designated as loyal could serve in the military or be released to communities away from the West Coast. The poorly worded and badly administered loyalty registration caused anger and turmoil in the camps and divided families. Questions 27 and 28 in particular put the detainees in untenable positions: the first asked if respondents were willing to serve in the armed forces, and the second asked respondents to swear unqualified allegiance to the United States and to forswear any loyalty to Japan. Issei parents feared their sons would be drafted; the American-born Nisei resented the assumption that they were loyal to Japan. Those who answered "no" to questions 27 and 28 or qualified their answers in any way--such as, "I will serve in the military when my rights are restored"--were labeled disloyal and sent to Tule Lake. Designated as a segregation center, Tule Lake experienced the worst violence and repression of all the camps, as War Relocation Authority (WRA) authorities imposed harsh security measures and jailed protestors in a stockade. In the interview excerpt, Kobayashi tells how he was a relatively carefree teenager before the loyalty registration changed life at Tule Lake.</p></div>
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                                    <div class="element-text">Kenge Kobayashi, interview, July 4, 1998, Klamath Falls, Oregon. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segments 7, 10, 11, denshovh-kkenge-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
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                                    <div class="element-text">1998-07-04</div>
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                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 321</div>
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        <h3>Transcription</h3>
                                    <div class="element-text"><p>KK: But we were having fun and it was kind of enjoyable until the questionnaires came out.</p>
<p>AI: And that was in 1943?</p>
<p>KK: Yeah.</p>
<p>AI: And can you tell me what happened then?</p>
<p>KK: Well, of course, my folks and my older brothers -- I was a little young so I didn't have to answer those questions, but they all answered no because they were bitter. My father felt insulted being asked those questions 'cause he had no intention of going back to Japan or anything or he had no allegiance to Japan and here they asking them questions after they take all the property away and everything so he was bitter. And the other thing was he didn't know if -- where to go home to 'cause there was nothing left so the alternative was maybe Japan. We should go back to Japan 'cause there is nothing here. So that's why he answered no. I don't think it was any loyalty to Japan or anything.</p>
<p>AI: So he made that decision, but then how about your older brothers?</p>
<p>KK: Well, they felt, whatever they do, we should do it, too. We should stick together.</p>
<p>AI: So their decision was mainly based on, sounds like, wanting to stay together as a family.</p>
<p>KK: Yeah, uh-huh.</p>
<p>AI: Did you have any family discussion about that that you recall?</p>
<p>KK: Yeah, but I wasn't in on that discussion. I think my older brothers and sister was, but I stayed out of it.</p>
<p>AI: And did you have any sense, had you heard any rumors, or did you have any idea of what might happen because of their decisions?</p>
<p>KK: No. Well, I didn't know what was gonna happen. I didn't know why they asked the questions from the first place, but it kind of tore a lot of us apart because it separated families, it separated friends. I made good friends there and all of a sudden we had to part when the decision was made that we had to go to Tule Lake. There was a lot of divisions and things like that.</p>
<p>KK: But you want me to tell about Okamoto?</p>
<p>AI: Yeah. Who was Mr. Okamoto?</p>
<p>KK: He was, their family was from Heart Mountain, I think, and we knew them, my family knew them. And he was working, he was a truck driver working outside the fence, and when you go out through the gates, you have to show your pass to the guard. But he has been going in and out, in and out every day so this guard knew him so he just waves him on. But, this one day it was a new guard there who just came back from the Pacific war, and he told him to halt. So he halted and he told him to get out of the truck so he got out, and he said, "Show me your pass" or something, give me. . . so he -- this driver was kind of cocky, I guess, he just threw the pass on the ground. And this guy told him to pick it up and they started to argue and all of a sudden he shot him, the guard shot this guy. And this is what I heard 'cause I wasn't there to see it. I didn't see it, from their family story, but they said that they called the medics and everything, but this guard kept everybody away with the gun and so he bleed to death right on the ground. So we had a camp-wide funeral and one of those fire breaks they had, and there were thousands of people there at the funeral. And it was after that, even during the funeral, somebody was talking about how this guy murdered this guy. Anyway, it started, I think that was the catalyst to the riot that happened because people start talking and everything. And I'm not saying that was the only reason, but there's other reasons too, but everybody start talking, pretty soon everybody got all hepped up and started walking towards the administration building.</p>
<p>AI: And what happened next?</p>
<p>KK: Well, one of the thing that they found out was the WRA was stealing some food like meat and selling on the black market, which we were supposed to get. So I, as a kid, I said, "Well, we're going to go in there and steal the meat back." So we went in the cold storage, and we lug out all these meat and took it back to our mess hall, and we had steaks for a whole week. [Laughs] But in the meantime they were throwing tear gas at us and everything and pretty soon there was martial law. And then the army came in with their tanks and started shooting the guns and everything.</p>
<p>AI: Were you there during the shooting?</p>
<p>KK: Yeah. But they didn't shoot at anything, they were shooting at people's, up high, so they didn't shoot anybody, but they were scaring the hell out of everybody. And they were coming between our barracks, the tanks, and shake. Our whole barrack was shaking.</p>
<p>AI: What did you do?</p>
<p>KK: We were hiding under the bed scared. [Laughs] Anyway, we didn't know what was gonna happen. We thought they going to start killing everybody. Who knows.</p>
<p>AI: So people were really afraid for their lives?</p>
<p>KK: Yeah. So everybody stayed in and they wouldn't come out, but then the military start -- the other thing was the military start delivering the food to the mess hall. And we were watching 'em and they just drive up and threw the -- all the food down from the truck and a lot of the things broke, eggs broke and everything. They didn't care. They just drop everything and they just went. That's how they were delivering the food. And I thought at that time, "Well, what is this anyway."</p>
<p>AI: So during martial law lots of the normal operations were stopped and operations that were normally carried out by the internees, internees were not allowed to do that so the Army had taken over some of these, such as delivering and so forth.</p>
<p>KK: Yeah, and they closed the school and all that stuff and we were under curfew. But it was kind of a bad time for us.</p>
<p>AI: And do you recall what else happened during that time of martial law?</p>
<p>KK: Well, I heard -- this is from hearing -- that they arrested a lot of people through the FBI, and they arrested a lot of people and they put them in the stockade.</p>
<p>AI: Did you know anyone who was put in there?</p>
<p>KK: No, uh-uh. No, but then that kind of subsided.</p></div>
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        <h3>Website Image</h3>
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        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Source</h3>
                                    <div class="element-text">Kenge Kobayashi, interview, July 4, 1998, Klamath Falls, Oregon. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segments 7, 10, 11, denshovh-kkenge-01 (accessed October 14, 2009).</div>
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                                    <div class="element-text">Alice Ito</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>KK: But we were having fun and it was kind of enjoyable until the questionnaires came out.</p>
<p>AI: And that was in 1943?</p>
<p>KK: Yeah.</p>
<p>AI: And can you tell me what happened then?</p>
<p>KK: Well, of course, my folks and my older brothers -- I was a little young so I didn't have to answer those questions, but they all answered no because they were bitter. My father felt insulted being asked those questions 'cause he had no intention of going back to Japan or anything or he had no allegiance to Japan and here they asking them questions after they take all the property away and everything so he was bitter. And the other thing was he didn't know if -- where to go home to 'cause there was nothing left so the alternative was maybe Japan. We should go back to Japan 'cause there is nothing here. So that's why he answered no. I don't think it was any loyalty to Japan or anything.</p>
<p>AI: So he made that decision, but then how about your older brothers?</p>
<p>KK: Well, they felt, whatever they do, we should do it, too. We should stick together.</p>
<p>AI: So their decision was mainly based on, sounds like, wanting to stay together as a family.</p>
<p>KK: Yeah, uh-huh.</p>
<p>AI: Did you have any family discussion about that that you recall?</p>
<p>KK: Yeah, but I wasn't in on that discussion. I think my older brothers and sister was, but I stayed out of it.</p>
<p>AI: And did you have any sense, had you heard any rumors, or did you have any idea of what might happen because of their decisions?</p>
<p>KK: No. Well, I didn't know what was gonna happen. I didn't know why they asked the questions from the first place, but it kind of tore a lot of us apart because it separated families, it separated friends. I made good friends there and all of a sudden we had to part when the decision was made that we had to go to Tule Lake. There was a lot of divisions and things like that.</p>
<p>KK: But you want me to tell about Okamoto?</p>
<p>AI: Yeah. Who was Mr. Okamoto?</p>
<p>KK: He was, their family was from Heart Mountain, I think, and we knew them, my family knew them. And he was working, he was a truck driver working outside the fence, and when you go out through the gates, you have to show your pass to the guard. But he has been going in and out, in and out every day so this guard knew him so he just waves him on. But, this one day it was a new guard there who just came back from the Pacific war, and he told him to halt. So he halted and he told him to get out of the truck so he got out, and he said, "Show me your pass" or something, give me. . . so he -- this driver was kind of cocky, I guess, he just threw the pass on the ground. And this guy told him to pick it up and they started to argue and all of a sudden he shot him, the guard shot this guy. And this is what I heard 'cause I wasn't there to see it. I didn't see it, from their family story, but they said that they called the medics and everything, but this guard kept everybody away with the gun and so he bleed to death right on the ground. So we had a camp-wide funeral and one of those fire breaks they had, and there were thousands of people there at the funeral. And it was after that, even during the funeral, somebody was talking about how this guy murdered this guy. Anyway, it started, I think that was the catalyst to the riot that happened because people start talking and everything. And I'm not saying that was the only reason, but there's other reasons too, but everybody start talking, pretty soon everybody got all hepped up and started walking towards the administration building.</p>
<p>AI: And what happened next?</p>
<p>KK: Well, one of the thing that they found out was the WRA was stealing some food like meat and selling on the black market, which we were supposed to get. So I, as a kid, I said, "Well, we're going to go in there and steal the meat back." So we went in the cold storage, and we lug out all these meat and took it back to our mess hall, and we had steaks for a whole week. [Laughs] But in the meantime they were throwing tear gas at us and everything and pretty soon there was martial law. And then the army came in with their tanks and started shooting the guns and everything.</p>
<p>AI: Were you there during the shooting?</p>
<p>KK: Yeah. But they didn't shoot at anything, they were shooting at people's, up high, so they didn't shoot anybody, but they were scaring the hell out of everybody. And they were coming between our barracks, the tanks, and shake. Our whole barrack was shaking.</p>
<p>AI: What did you do?</p>
<p>KK: We were hiding under the bed scared. [Laughs] Anyway, we didn't know what was gonna happen. We thought they going to start killing everybody. Who knows.</p>
<p>AI: So people were really afraid for their lives?</p>
<p>KK: Yeah. So everybody stayed in and they wouldn't come out, but then the military start -- the other thing was the military start delivering the food to the mess hall. And we were watching 'em and they just drive up and threw the -- all the food down from the truck and a lot of the things broke, eggs broke and everything. They didn't care. They just drop everything and they just went. That's how they were delivering the food. And I thought at that time, "Well, what is this anyway."</p>
<p>AI: So during martial law lots of the normal operations were stopped and operations that were normally carried out by the internees, internees were not allowed to do that so the Army had taken over some of these, such as delivering and so forth.</p>
<p>KK: Yeah, and they closed the school and all that stuff and we were under curfew. But it was kind of a bad time for us.</p>
<p>AI: And do you recall what else happened during that time of martial law?</p>
<p>KK: Well, I heard -- this is from hearing -- that they arrested a lot of people through the FBI, and they arrested a lot of people and they put them in the stockade.</p>
<p>AI: Did you know anyone who was put in there?</p>
<p>KK: No, uh-uh. No, but then that kind of subsided.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">July 4, 1998</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">6:57</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Klamath Falls, Oregon</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">Kenge Kobayashi</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 321</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/322_denshovh-kkenge-1-07_bc4377d2d0.mp4" type="video/mp4" />
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      <pubDate>Wed, 14 Oct 2009 17:26:17 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/328/fullsize" type="video/quicktime" length="19672554"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Heart Mountain, Wyoming, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/321</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Heart Mountain, Wyoming, Interview [Oral History]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>Mits Koshiyama is a Nisei (second generation) Japanese American born in 1924 in Mountain View, California. He grew up in the Santa Clara Valley, working on his family's leased strawberry farm. In June 1942, he was removed to Santa Anita Assembly Center, California (a converted race track), and then taken to Heart Mountain incarceration camp, Wyoming. Mits graduated from high school in camp and at the age of 19, refused induction into the military on the grounds that the incarceration violated his Constitutional rights as an American citizen. He served two years at McNeil Island federal penitentiary, Washington. Over 300 resisters of conscience were convicted of draft evasion. In 1947 President Harry Truman pardoned them all, but the Japanese American community shunned them as "troublemakers." In this interview excerpt Mits recollects a fellow high school student's stance on civil liberties. He mentions the <i>coram nobis</i> cases, the rehearing of three wartime Supreme Court cases brought by Japanese Americans who challenged the legality of their incarceration.</p></div>
                    </div><!-- end element -->
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        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Mits Koshiyama, interview, July 14, 2001, Seattle, Washington. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segment 10, denshovh-kmits-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                                    <div class="element-text">2001-07-14</div>
                    </div><!-- end element -->
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        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 322</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
                    </div><!-- end element -->
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                                    <div class="element-text">en</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                                    <div class="element-text"><p>AI: Well, so now you're in Heart Mountain. It's fall of 1942, and you still haven't finished your high school. What happened then after, when you got to Heart Mountain then? Was there a school all ready for you to join in the, start going to class again?</p>
<p>MK: Yeah, at the, the early school was in the barracks. Later on, they built the high school there, and gymnasium and everything. While we were there, we went to the barracks. We had, some were teachers, some were teachers' aides, some were Caucasians from the outside, and they taught all the kids, I guess the best of their ability under the condition. A funny thing, when I went to school there, nobody talked about the Constitution and the Bill of Rights and the deprivation of our constitutional rights. We were taught school like a normal school, like on the outside. Probably wrote compositions "Why I'm proud to be an American," too. [Laughs] Isn't it ridiculous, but that's the way it was. I do remember a student writing, "Why We Are Prisoners in a Concentration Camp." I remember that. I, I thought, "Gee, that kid there is really bright and has a lot of courage to write a composition like that. But everybody else is, "Why I'm proud to be American," and you know, waving the flag and everything. Kind of ridiculous, but that, that's the way people thought in those days. This one kid wrote about the Constitution and the deprivation of our rights. And I said, "Wow." That put a kind of a seed in my mind, too. We're taking this evacuation and incarceration too lightly. It actually is a deprivation, like this student says, of our constitutional rights. Probably didn't hit a lot of people, but, because I had, because I went to detention and learned about the Constitution and all that. It really hit me, because I, I knew this kid was right. Why were we there? We didn't do anything wrong. We were denied due process of the law, which is supposed to be God-given right to all Americans, and I just couldn't understand it, why more people didn't fight it. Like the <i>coram nobis</i> cases. There was only three, three out of 120,000 that refused to be evacuated. You would think if everybody believed in the Constitution and all that, there'd be a bigger percentage.</p>
<p>AI: It's July 14, 2001, we're continuing our interview with Mits Koshiyama. And Mits, I wanted to ask you to back up a bit. In the interview, you had just mentioned about, learning about the Constitution when you were in detention.</p>
<p>MK: Uh-huh.</p>
<p>AI: And you were referring to a time before the concentration camp when you were in high school back in, at Fremont High School. So would you tell a little bit about what happened, how come you were in detention, and what, what you learned while you were there.</p>
<p>MK: Actually, it was in grade school when it happened. I think that was about the seventh grade. I would be called by the other kids, one day, "Jap." I resented it, so I kind of fought with them. First thing I knew I was called into the principal's office, and I was sent to detention class. I don't know if the teacher trying to help me or make, punish me. I, detention is for punishment. So I believe that she made me study all about the Constitution because that's the subject I, kids didn't want to study. So I didn't want to be punished anymore, so I studied the Constitution pretty hard. Then the teacher told me, she checked my papers and everything and, "What'd you learn? Don't you know that all Americans are supposed to fight for their constitutional rights?" And it'd kind of go through one ear and the other. But I read everything about the Constitution and how it should, it's supposed to protect all citizens. She told me, "It protects all citizens," she told me. "Don't you understand?" she told me -- [laughs] -- "It protects all citizens. It's for your own protection that the Constitution was written." I, it finally sunk into my head. It took a little while, but I didn't just go to detention one day. I had so many fights that it looked like I was there, oh, most of the time. Most every recess I had to spend in detention. But it, it did turn out to be real helpful to me later on. I did realize that, like she said, the Constitution is the main law of the land. It doesn't mean -- you know presidents come and go, teachers come and go, governments come and go -- but she says, "The Constitution be always there no matter what." She says, "You'd better learn all about the Constitution because sooner or later it's gonna help you." It sure did.</p>
<p>I, my soul was clean because I, I really believed in the Constitution, and I believed that they should protect me at, when I needed it the most. And that, the belief in that Constitution kind of pulled me through all this difficulties that I had during the war years. I, I knew that sooner or later -- I'm not a prophet or anything -- but I know by, let's say common sense, that sooner or later after the war that people were going to realize that standing up for constitutional rights is the most important thing. And it's proven to be true. Like I was telling somebody today, the resisters' story -- was that you? [Laughs] Resisters' story is like the Boston Tea Party -- "taxation without representation." Drafting us without rights is like taxation without representation. And that's why I call it the, draft resistance, the "Japanese Boston Tea Party." I guess a lot of people laugh about that, but there's lot of similarities.</p></div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
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            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
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                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
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            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
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            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-publisher" class="element">
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                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Mits Koshiyama, interview, July 14, 2001, Seattle, Washington. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segment 10, denshovh-kmits-01 (accessed October 14, 2009).</div>
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            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Alice Ito</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>AI: Well, so now you're in Heart Mountain. It's fall of 1942, and you still haven't finished your high school. What happened then after, when you got to Heart Mountain then? Was there a school all ready for you to join in the, start going to class again?</p>
<p>MK: Yeah, at the, the early school was in the barracks. Later on, they built the high school there, and gymnasium and everything. While we were there, we went to the barracks. We had, some were teachers, some were teachers' aides, some were Caucasians from the outside, and they taught all the kids, I guess the best of their ability under the condition. A funny thing, when I went to school there, nobody talked about the Constitution and the Bill of Rights and the deprivation of our constitutional rights. We were taught school like a normal school, like on the outside. Probably wrote compositions "Why I'm proud to be an American," too. [Laughs] Isn't it ridiculous, but that's the way it was. I do remember a student writing, "Why We Are Prisoners in a Concentration Camp." I remember that. I, I thought, "Gee, that kid there is really bright and has a lot of courage to write a composition like that. But everybody else is, "Why I'm proud to be American," and you know, waving the flag and everything. Kind of ridiculous, but that, that's the way people thought in those days. This one kid wrote about the Constitution and the deprivation of our rights. And I said, "Wow." That put a kind of a seed in my mind, too. We're taking this evacuation and incarceration too lightly. It actually is a deprivation, like this student says, of our constitutional rights. Probably didn't hit a lot of people, but, because I had, because I went to detention and learned about the Constitution and all that. It really hit me, because I, I knew this kid was right. Why were we there? We didn't do anything wrong. We were denied due process of the law, which is supposed to be God-given right to all Americans, and I just couldn't understand it, why more people didn't fight it. Like the <i>coram nobis</i> cases. There was only three, three out of 120,000 that refused to be evacuated. You would think if everybody believed in the Constitution and all that, there'd be a bigger percentage.</p>
<p>AI: It's July 14, 2001, we're continuing our interview with Mits Koshiyama. And Mits, I wanted to ask you to back up a bit. In the interview, you had just mentioned about, learning about the Constitution when you were in detention.</p>
<p>MK: Uh-huh.</p>
<p>AI: And you were referring to a time before the concentration camp when you were in high school back in, at Fremont High School. So would you tell a little bit about what happened, how come you were in detention, and what, what you learned while you were there.</p>
<p>MK: Actually, it was in grade school when it happened. I think that was about the seventh grade. I would be called by the other kids, one day, "Jap." I resented it, so I kind of fought with them. First thing I knew I was called into the principal's office, and I was sent to detention class. I don't know if the teacher trying to help me or make, punish me. I, detention is for punishment. So I believe that she made me study all about the Constitution because that's the subject I, kids didn't want to study. So I didn't want to be punished anymore, so I studied the Constitution pretty hard. Then the teacher told me, she checked my papers and everything and, "What'd you learn? Don't you know that all Americans are supposed to fight for their constitutional rights?" And it'd kind of go through one ear and the other. But I read everything about the Constitution and how it should, it's supposed to protect all citizens. She told me, "It protects all citizens," she told me. "Don't you understand?" she told me -- [laughs] -- "It protects all citizens. It's for your own protection that the Constitution was written." I, it finally sunk into my head. It took a little while, but I didn't just go to detention one day. I had so many fights that it looked like I was there, oh, most of the time. Most every recess I had to spend in detention. But it, it did turn out to be real helpful to me later on. I did realize that, like she said, the Constitution is the main law of the land. It doesn't mean -- you know presidents come and go, teachers come and go, governments come and go -- but she says, "The Constitution be always there no matter what." She says, "You'd better learn all about the Constitution because sooner or later it's gonna help you." It sure did.</p>
<p>I, my soul was clean because I, I really believed in the Constitution, and I believed that they should protect me at, when I needed it the most. And that, the belief in that Constitution kind of pulled me through all this difficulties that I had during the war years. I, I knew that sooner or later -- I'm not a prophet or anything -- but I know by, let's say common sense, that sooner or later after the war that people were going to realize that standing up for constitutional rights is the most important thing. And it's proven to be true. Like I was telling somebody today, the resisters' story -- was that you? [Laughs] Resisters' story is like the Boston Tea Party -- "taxation without representation." Drafting us without rights is like taxation without representation. And that's why I call it the, draft resistance, the "Japanese Boston Tea Party." I guess a lot of people laugh about that, but there's lot of similarities.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">July 14, 2001</div>
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            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">7:49</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Seattle, Washington</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">Mits Koshiyama</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/321_denshovh-kmits-1-10_3f0e6482f2.mp4" type="video/mp4" />
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                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 17:20:39 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/335/fullsize" type="video/quicktime" length="21577187"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Manzanar, California, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/320</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Manzanar, California, Interview [Oral History]</div>
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            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>Aiko Herzig-Yoshinaga is a Nisei (second generation) Japanese American born in 1925 in Los Angeles. She was incarcerated at Manzanar, California, and later Jerome and Rohwer, Arkansas. In the 1980s, working as the primary archival researcher for the Commission on Wartime Relocation and Internment of Civilians, she discovered documents that led to the federal congressional commission's recommendation of a presidential apology and monetary redress for surviving Japanese American detainees. In this interview excerpt, she describes the difficulty of caring for a young baby in the crude living conditions of Manzanar. She also speaks of the inferior health care available to Japanese Americans in the incarceration camps.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Source</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga, interview, March 20, 1994, San Francisco, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Emiko Omori, Chizu Omori, segment 10, denshovh-haiko-02-0010 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                                    <div class="element-text">1994-03-20</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 321, 322</div>
                    </div><!-- end element -->
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                                    <div class="element-text">video/quicktime</div>
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                                    <div class="element-text">en</div>
                    </div><!-- end element -->
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Transcription</h3>
                                    <div class="element-text"><p>EO: So tell me about your pregnancy and giving birth, and about your daughter.</p>
<p>AH: All right. First my pregnancy. Since I was young, it was a pretty easy nine-months' gestation. It would have been easier if we had not had to have our meals, three meals outside of our own apartment. Our own apartment finally -- served as bedroom, living room, and of course, the main things we lacked were kitchen and bathroom facilities. So three meals a day we had to get in line for food and being pregnant and suffering what most pregnant women go through -- what is known as morning sickness and nauseous periods, waiting in line for our meals during that period was very, very difficult under the, the conditions that existed there: the dust storms, the heat, the cold.</p>
<p>Then when. . . I think the lack of real good milk at the time which was considered very important for pregnant women to have, that, I think, affected my fetus, the fetus, the embryo a great deal. When my child was born in the camp hospital, she was born with an allergy to the powdered milk that they permitted babies to have during that time. And it was not diagnosed that she had an allergy to this powdered milk and that she should have what was called at that time, Carnation milk in a can. I requested that for my child, but they said, "No, that, all those, that has to go to the army." To the men in the armed forces, and we would not be permitted to unless we could afford to send for it from outside. And, of course, we couldn't do that, we were earning minimum salaries which ran from twelve dollars a month, sixteen dollars a month and nineteen dollars a month at that time. Nineteen dollars for the professionals, sixteen dollars for semi-skilled -- for skilled, and twelve dollars for the unskilled laborers. We could not afford to buy canned milk. So my daughter suffered tremendously. She was hospitalized in the camp, went in and out, in and out, with stomach disorders because of her inability to, to get this milk, which was, of course, the lifeline for infants at the time. Most children double their weight, most infants double their weight, birth weight, at six months. My child had not doubled her weight in a year, she was so sick.</p>
<p>EO: How did this make you feel?</p>
<p>AH: Very angry. I was very angry and felt so responsible for my child. There's nothing, nothing at all that I could do about it. And I think the lack of this important nutrition at this time of her life has affected her whole entire life. She didn't have the basic ingredients to be a healthy person.</p>
<p>EO: What was the hospital like?</p>
<p>AH: Oh, the hospital, very sort of primitive. The doctors were mostly Japanese American doctors. The white, Caucasian doctors served as supervisors, overseers. The nurses and the doctors were primarily Japanese and they were skillful. We, I'm sure, although I didn't know anything about hospitals and supplies at the time, but I have read what Japanese doctors who served in the camps said, that they lacked medicine, they lacked the proper equipment to do the necessary work that they needed to do as doctors. I think the, we were probably very low down on the totem pole in terms of priority as far as the government was concerned at the time.</p></div>
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        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">Aiko Herzig-Yoshinaga, interview, March 20, 1994, San Francisco, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Emiko Omori, Chizu Omori, segment 10, denshovh-haiko-02-0010 (accessed October 14, 2009).</div>
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        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Emiko Omori and Chizu Omori</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>EO: So tell me about your pregnancy and giving birth, and about your daughter.</p>
<p>AH: All right. First my pregnancy. Since I was young, it was a pretty easy nine-months' gestation. It would have been easier if we had not had to have our meals, three meals outside of our own apartment. Our own apartment finally -- served as bedroom, living room, and of course, the main things we lacked were kitchen and bathroom facilities. So three meals a day we had to get in line for food and being pregnant and suffering what most pregnant women go through -- what is known as morning sickness and nauseous periods, waiting in line for our meals during that period was very, very difficult under the, the conditions that existed there: the dust storms, the heat, the cold.</p>
<p>Then when. . . I think the lack of real good milk at the time which was considered very important for pregnant women to have, that, I think, affected my fetus, the fetus, the embryo a great deal. When my child was born in the camp hospital, she was born with an allergy to the powdered milk that they permitted babies to have during that time. And it was not diagnosed that she had an allergy to this powdered milk and that she should have what was called at that time, Carnation milk in a can. I requested that for my child, but they said, "No, that, all those, that has to go to the army." To the men in the armed forces, and we would not be permitted to unless we could afford to send for it from outside. And, of course, we couldn't do that, we were earning minimum salaries which ran from twelve dollars a month, sixteen dollars a month and nineteen dollars a month at that time. Nineteen dollars for the professionals, sixteen dollars for semi-skilled -- for skilled, and twelve dollars for the unskilled laborers. We could not afford to buy canned milk. So my daughter suffered tremendously. She was hospitalized in the camp, went in and out, in and out, with stomach disorders because of her inability to, to get this milk, which was, of course, the lifeline for infants at the time. Most children double their weight, most infants double their weight, birth weight, at six months. My child had not doubled her weight in a year, she was so sick.</p>
<p>EO: How did this make you feel?</p>
<p>AH: Very angry. I was very angry and felt so responsible for my child. There's nothing, nothing at all that I could do about it. And I think the lack of this important nutrition at this time of her life has affected her whole entire life. She didn't have the basic ingredients to be a healthy person.</p>
<p>EO: What was the hospital like?</p>
<p>AH: Oh, the hospital, very sort of primitive. The doctors were mostly Japanese American doctors. The white, Caucasian doctors served as supervisors, overseers. The nurses and the doctors were primarily Japanese and they were skillful. We, I'm sure, although I didn't know anything about hospitals and supplies at the time, but I have read what Japanese doctors who served in the camps said, that they lacked medicine, they lacked the proper equipment to do the necessary work that they needed to do as doctors. I think the, we were probably very low down on the totem pole in terms of priority as far as the government was concerned at the time.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">March 20, 1994</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">4:47</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">San Francisco, California</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 321, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/320_denshovh-haiko-2-10_19f89c5320.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/320_denshovh-haiko-2-10_19f89c5320.ogv" type="video/ogg" />
                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 17:14:42 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/334/fullsize" type="video/quicktime" length="13689046"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Manzanar, California, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/319</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Manzanar, California, Interview [Oral History]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Aiko Herzig-Yoshinaga is a Nisei (2nd generation) Japanese American born in 1925 in Los Angeles. She was incarcerated at Manzanar, California, and later Jerome and Rohwer, Arkansas. In the 1980s, working as the primary archival researcher for the Commission on Wartime Relocation and Internment of Civilians, she discovered documents that led to the federal congressional commission's recommendation of a presidential apology and monetary redress for surviving Japanese American detainees. In this interview excerpt, she describes the confusion and stress of having to pack for immediate "evacuation" from the military zones declared on the West Coast in early 1942. People destroyed family treasures that tied them culturally to Japan, and with as little as a week's notice, they were forced to sell belongings for a fraction of their value.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga, interview, March 20, 1994, San Francisco, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Emiko Omori, Chizu Omori, segment 5, denshovh-haiko-02-0005 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1994-03-20</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 320, 321, 322</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                                    <div class="element-text"><p>EO: So tell me, now, about having to move. How long did you have, and what did you decide to take, and how did you dispose of things?</p>
<p>AH: Oh. I was all of seventeen years old, ready to graduate high school, madly in love with this young Nisei man, a young man, who lived on the other side of town, other side of Los Angeles. We were all frantic about where each one of us would be moving to. Los Angeles was a big area, it was divided into different sections. Certain areas would be, were told they would be going somewhere, no name, but a certain section of, inland. And therefore, since the army did not notify each family exactly where they would be going, what kind of weather they would be encountering, or exactly when they would be moving, efforts within the, each family started to roll, to get rid of, to sell or to store their household goods. And then trying to separate out what they thought they would need and what they thought they could either store or sell. It was a hectic, frantic time for all the Japanese families. In our family, my father, as a matter of fact, destroyed all of his Japanese language books because rumors spread that if the FBI came to your home and found Japanese language books, your father or uncle, or mother would be taken away and fear just gripped the community over things like that. My father destroyed almost all of his Japanese language books, including a book that he had written -- he had a number of copies of a autobiography my sister said he had written. Also, he had been carrying around the ashes of one of my sisters, a half-sister, and my mother told me many, many years later that he had buried those ashes in the backyard of our home in Los Angeles. She didn't know where, what part of the yard. I've often thought of going back to that house, but I didn't know how to approach the occupant of the house to ask if I could dig up his backyard to look for the ashes of my sister my father had buried fifty years ago. [Laughs] So I've never done it. But I've passed in front of the house a couple of times, and wondered what could I do.</p>
<p>EO: And he had her ashes because -- why, why was he carrying her ashes around?</p>
<p>AH: I'm not sure. You know, I think that he thought perhaps -- she was born in Japan -- and I have a feeling he had hoped one day to take her ashes back to Japan. Either that or he was waiting for, to get settled someplace, in say, southern California, where he could feel, this is where we're going to set our roots, place our roots, and perhaps get our family plot, and bury her there. But I have a feeling it was that he was planning to take her ashes back to Japan.</p>
<p>EO: Did they bury anything? They burned these books. Did you leave anything else? I mean, where, what did you do with your things?</p>
<p>AH: Oh, all right. Many families owned their homes, so they had a lot more problems in terms of their economic situation and property. We were so poor, we didn't own the home, we were renting, so that, that was not as big a problem for us. Our problem was what to take, what to destroy, what to sell. And the neighbors, the persons, the non-Japanese who were not moving, being asked to move, knew that the shorter time we had to leave, the more willing we would be to lower our prices. So there were "vultures" all around, hanging around for days, waiting for the day that we would move, and that we would literally have to give things away. My mother, of course, had some small items, beautiful little dishes from Japan, and I think some heirlooms that she decided to sell -- brooches, <i>obitome</i> -- things like that that I, I know that she had to get rid of, to sell, because she felt we must take what is absolutely necessary as long as we were permitted to take only what we could carry, at the time. And I have heard many stories of mothers who were so furious at the insulting prices that were offered by buyers, that they rather, rather than sell them at these prices, they would break the dishes or the big platters that they cherished so much. I believe those who left for the camps early on did not have the opportunity, or the knowledge at the time, or the permission by the government, that they could store some things. That kind of information came later on and those who moved into these army-run assembly centers later on, say, June, July, they were told that they could store some things. So many of those families were able to keep household goods, furnitures, where those of us who left very early could not do that. I myself -- yes?</p>
<p>EO: At whose expense?</p>
<p>AH: The furniture could be stored sometimes in Buddhist churches, or community centers. The government itself offered in certain areas to store the furniture, but with a caveat: you store them at your own expense, at your own risk. And, of course, as, when many folks went back to that area later on, they found their homes and property vandalized, broken, stolen.</p></div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga, interview, March 20, 1994, San Francisco, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Emiko Omori, Chizu Omori, segment 5, denshovh-haiko-02-0005 (accessed October 14, 2009).</div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Emiko Omori and Chizu Omori</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>EO: So tell me, now, about having to move. How long did you have, and what did you decide to take, and how did you dispose of things?</p>
<p>AH: Oh. I was all of seventeen years old, ready to graduate high school, madly in love with this young Nisei man, a young man, who lived on the other side of town, other side of Los Angeles. We were all frantic about where each one of us would be moving to. Los Angeles was a big area, it was divided into different sections. Certain areas would be, were told they would be going somewhere, no name, but a certain section of, inland. And therefore, since the army did not notify each family exactly where they would be going, what kind of weather they would be encountering, or exactly when they would be moving, efforts within the, each family started to roll, to get rid of, to sell or to store their household goods. And then trying to separate out what they thought they would need and what they thought they could either store or sell. It was a hectic, frantic time for all the Japanese families. In our family, my father, as a matter of fact, destroyed all of his Japanese language books because rumors spread that if the FBI came to your home and found Japanese language books, your father or uncle, or mother would be taken away and fear just gripped the community over things like that. My father destroyed almost all of his Japanese language books, including a book that he had written -- he had a number of copies of a autobiography my sister said he had written. Also, he had been carrying around the ashes of one of my sisters, a half-sister, and my mother told me many, many years later that he had buried those ashes in the backyard of our home in Los Angeles. She didn't know where, what part of the yard. I've often thought of going back to that house, but I didn't know how to approach the occupant of the house to ask if I could dig up his backyard to look for the ashes of my sister my father had buried fifty years ago. [Laughs] So I've never done it. But I've passed in front of the house a couple of times, and wondered what could I do.</p>
<p>EO: And he had her ashes because -- why, why was he carrying her ashes around?</p>
<p>AH: I'm not sure. You know, I think that he thought perhaps -- she was born in Japan -- and I have a feeling he had hoped one day to take her ashes back to Japan. Either that or he was waiting for, to get settled someplace, in say, southern California, where he could feel, this is where we're going to set our roots, place our roots, and perhaps get our family plot, and bury her there. But I have a feeling it was that he was planning to take her ashes back to Japan.</p>
<p>EO: Did they bury anything? They burned these books. Did you leave anything else? I mean, where, what did you do with your things?</p>
<p>AH: Oh, all right. Many families owned their homes, so they had a lot more problems in terms of their economic situation and property. We were so poor, we didn't own the home, we were renting, so that, that was not as big a problem for us. Our problem was what to take, what to destroy, what to sell. And the neighbors, the persons, the non-Japanese who were not moving, being asked to move, knew that the shorter time we had to leave, the more willing we would be to lower our prices. So there were "vultures" all around, hanging around for days, waiting for the day that we would move, and that we would literally have to give things away. My mother, of course, had some small items, beautiful little dishes from Japan, and I think some heirlooms that she decided to sell -- brooches, <i>obitome</i> -- things like that that I, I know that she had to get rid of, to sell, because she felt we must take what is absolutely necessary as long as we were permitted to take only what we could carry, at the time. And I have heard many stories of mothers who were so furious at the insulting prices that were offered by buyers, that they rather, rather than sell them at these prices, they would break the dishes or the big platters that they cherished so much. I believe those who left for the camps early on did not have the opportunity, or the knowledge at the time, or the permission by the government, that they could store some things. That kind of information came later on and those who moved into these army-run assembly centers later on, say, June, July, they were told that they could store some things. So many of those families were able to keep household goods, furnitures, where those of us who left very early could not do that. I myself -- yes?</p>
<p>EO: At whose expense?</p>
<p>AH: The furniture could be stored sometimes in Buddhist churches, or community centers. The government itself offered in certain areas to store the furniture, but with a caveat: you store them at your own expense, at your own risk. And, of course, as, when many folks went back to that area later on, they found their homes and property vandalized, broken, stolen.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">March 20, 1994</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">7:32</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">San Francisco, California</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 320, 321, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/319_denshovh-haiko-2-05_4f25ec7d68.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/319_denshovh-haiko-2-05_4f25ec7d68.ogv" type="video/ogg" />
                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 17:05:37 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/333/fullsize" type="video/quicktime" length="20359605"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Amache, Colorado, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/318</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Amache, Colorado, Interview [Oral History]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Norman I. Hirose is a Nisei (second generation) Japanese American born in 1926 in Oakland, California. He grew up in Oakland and Berkeley, California. After the bombing of Pearl Harbor, the Hirose family was removed to the Tanforan Assembly Center, California (a converted racetrack), and later to Topaz incarceration camp, Utah. Authorities in charge of the camps organized recreational activities to occupy the imprisoned population. In this interview excerpt, Hirose describes a Fourth of July celebration at Tanforan and the diversions practiced by the Issei ("first generation"). Along with other former detainees, Hirose received a presidential apology and partial reparations in the 1980s for being incarcerated without due process of law, solely on the basis of his Japanese ancestry.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Norman I. Hirose, interview, July 31, 2008, Emeryville, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Tom Ikeda, segment, 15, denshovh-hnorman-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-07-31</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
                    </div><!-- end element -->
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 316, 317, 319, 320, 321, 322</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Coverage</h3>
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    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                                    <div class="element-text"><p>TI: Any other memories of Tanforan, like any fun memories?</p>
<p>NH: Well, we had, we had a Fourth of July celebration, and I don't know why, but we did. [Laughs]</p>
<p>TI: I mean, did anyone, people must have commented on the irony of Independence Day?</p>
<p>NH: I guess so. I don't know why, come to think of it, I really don't know why, but I remember we had Fourth of July celebration. And then was it Friday evening, we would have talent shows, 'cause we didn't have any movies or anything like that, and so Goro, Goro, what's his name? I can't remember his last name, but he was a very talented -- well, I thought -- singer and emcee. And he was funny and we enjoyed whatever it is that he said. And he must have been about, oh, I don't know, couldn't have been more than twenty years old, I don't think.</p>
<p>TI: So you looked forward to the Friday night talent shows. What were some of the things other people did? You said singing. . .</p>
<p>NH: Oh, then they went around and, scrounged around and asked people, and so-and-so played the violin so she, the girl came and played the violin for us, and some people played the piano and they played selections on the piano. I don't know where they got the piano from, but they got it from somewhere. Mostly singing, and that was our show. But then it was fun.</p>
<p>TI: And going back to that Fourth of July celebration or party, what did they do on the Fourth of July? I'm curious.</p>
<p>NH: I don't remember. All I know it was the Fourth of July, but there were no fireworks, obviously there weren't any fireworks. But we all went in the grandstand, and I guess we were singing, mostly.</p>
<p>TI: And your parents, what kind of activities did the Isseis have?</p>
<p>NH: Oh, Isseis had. . . well, my father played go, so they, they played go, all around camp you would see the older men playing go all day long.</p>
<p>TI: And your mother? What would, what would the women do?</p>
<p>NH: I don't know what they did, but I know that she crocheted a lot and knitted a lot. She was left-handed. I still have her, she made a bedspread for each of us, huge double bed bedspread, all crocheted by hand. And where did her, her thread, our neighbor in Berkeley, she asked, came to see us, and she asked her if she could bring some crocheting thread, and she brought it, Mrs. Lindberg. And she's since passed, on, too.</p>
<p>TI: And so with that thread, your mom made these bedspreads for each of the kids. And you said you still have that?</p>
<p>NH: I still have mine, yeah.</p>
<p>TI: Oh, that's, what a treasure.</p>
<p>NH: Yeah, and I think I know where it is, but oh well.</p>
<p>TI: You should, you should take care of that. That'd be a really important artifact for people, something made in camp.</p>
<p>NH: Yeah, it was made in camp.</p></div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
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        <h3>Submission Consent</h3>
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        <h3>Process Edit</h3>
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            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
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        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Norman I. Hirose, interview, July 31, 2008, Emeryville, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Tom Ikeda, segment, 15, denshovh-hnorman-01 (accessed October 14, 2009).</div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Bibliographic Citation</h3>
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            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Tom Ikeda</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>TI: Any other memories of Tanforan, like any fun memories?</p>
<p>NH: Well, we had, we had a Fourth of July celebration, and I don't know why, but we did. [Laughs]</p>
<p>TI: I mean, did anyone, people must have commented on the irony of Independence Day?</p>
<p>NH: I guess so. I don't know why, come to think of it, I really don't know why, but I remember we had Fourth of July celebration. And then was it Friday evening, we would have talent shows, 'cause we didn't have any movies or anything like that, and so Goro, Goro, what's his name? I can't remember his last name, but he was a very talented -- well, I thought -- singer and emcee. And he was funny and we enjoyed whatever it is that he said. And he must have been about, oh, I don't know, couldn't have been more than twenty years old, I don't think.</p>
<p>TI: So you looked forward to the Friday night talent shows. What were some of the things other people did? You said singing. . .</p>
<p>NH: Oh, then they went around and, scrounged around and asked people, and so-and-so played the violin so she, the girl came and played the violin for us, and some people played the piano and they played selections on the piano. I don't know where they got the piano from, but they got it from somewhere. Mostly singing, and that was our show. But then it was fun.</p>
<p>TI: And going back to that Fourth of July celebration or party, what did they do on the Fourth of July? I'm curious.</p>
<p>NH: I don't remember. All I know it was the Fourth of July, but there were no fireworks, obviously there weren't any fireworks. But we all went in the grandstand, and I guess we were singing, mostly.</p>
<p>TI: And your parents, what kind of activities did the Isseis have?</p>
<p>NH: Oh, Isseis had. . . well, my father played go, so they, they played go, all around camp you would see the older men playing go all day long.</p>
<p>TI: And your mother? What would, what would the women do?</p>
<p>NH: I don't know what they did, but I know that she crocheted a lot and knitted a lot. She was left-handed. I still have her, she made a bedspread for each of us, huge double bed bedspread, all crocheted by hand. And where did her, her thread, our neighbor in Berkeley, she asked, came to see us, and she asked her if she could bring some crocheting thread, and she brought it, Mrs. Lindberg. And she's since passed, on, too.</p>
<p>TI: And so with that thread, your mom made these bedspreads for each of the kids. And you said you still have that?</p>
<p>NH: I still have mine, yeah.</p>
<p>TI: Oh, that's, what a treasure.</p>
<p>NH: Yeah, and I think I know where it is, but oh well.</p>
<p>TI: You should, you should take care of that. That'd be a really important artifact for people, something made in camp.</p>
<p>NH: Yeah, it was made in camp.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">July 31, 2008</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">3:41</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Emeryville, California</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">Norman I. Hirose</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/318_denshovh-hnorman-1-15_95840c5a30.mp4" type="video/mp4" />
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                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 16:29:30 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/332/fullsize" type="video/quicktime" length="10139368"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Amache, Colorado, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/317</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Amache, Colorado, Interview [Oral History]</div>
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            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>(Yoshimitsu) Bob Fuchigami is a Nisei (2nd generation) Japanese American, born in 1930 in Marysville, California. His family operated a farm prior to World War II. Following the bombing of Pearl Harbor, he and his family were removed to the Merced Assembly Center, California, and later to the Granada (Amache) incarceration camp, Colorado. He currently resides in Colorado. In this interview clip, he describes the makeshift school at the Amache, Colorado, incarceration camp. Along with other former detainees, Fuchigami received a presidential apology and partial reparations in the 1980s for being incarcerated without due process of law, solely on the basis of his Japanese ancestry.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
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            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Bob Fuchigami, interview, May 14, 2008, Denver, Colorado. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Richard Potashin, segment 20, denshovh-fbob-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                                    <div class="element-text">2008-05-14</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 316, 318, 319, 320, 321, 322</div>
                    </div><!-- end element -->
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        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
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        <h3>Language</h3>
                                    <div class="element-text">en</div>
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        <h3>Coverage</h3>
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    <h2>Additional Item Metadata</h2>
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        <h3>Transcription</h3>
                                    <div class="element-text"><p>RP: Bob, your family arrived at Amache, was it in August, did you say, of '42?</p>
<p>BF: We, we got there in September, early September.</p>
<p>RP: Was, were you able to enroll in school that first semester? Or. . .</p>
<p>BF: In Amache?</p>
<p>RP: Yes.</p>
<p>BF: Yeah. They, they. . . I don't remember school right away. But they, they did open up a school probably in late September or maybe even early October. The school was in the barracks.</p>
<p>RP: Right, can you share with us a little, a little bit of what you remember of junior high school, as it was in Amache.</p>
<p>BF: Yeah. I was, I was a twelve year. The, the barracks, they didn't have the partitions in there. They might have had a couple, couple of partitions. But we, we sat on wooden benches.</p>
<p>RP: Benches.</p>
<p>BF: No, no books to begin with. Later on we got, we got some discarded, outdated books. But there was a teacher with a chalkboard in front and they would put the information, some of the information on the chalkboard and we'd just copy it. So we, we had tablets and copied the information from the textbook. Then, lecture and that, that was the educational process for several months. The. . . we had, there was a high turnover of teachers because these, these were teachers -- we had some good teachers, but -- I'd have to say that by and large, the quality of, of teachers was, was not very good at first. There's a high turnover. Because they didn't know the conditions that they would be living under. Although they lived in Lamar and came by bus to Amache. But they weren't prepared to, to deal with the population. First of all, they must have looked at us like, how come. . . these are all Japanese Americans. They had never seen that kind of population. We hadn't, I hadn't seen such a population except for the language school. And so there was a high turnover. Some had, some of the teachers had come from Indian reservations some had come from. . . teachers who had just finished college. 'Course, I'm sure they expected that we would have books and desks and things like that. We didn't. I can give you an example of. . . music. They were gonna start a little orchestra or a band, I guess. I remember went to, went to the music room and the only thing they had left was an oboe. Never seen an oboe in my life. And didn't know how difficult it would be to play such a, such a thing. I remember going home with an oboe. Never did master that. And, it was, it was discarded stuff. I don't think. . . well, I guess they eventually had some kind of, of a band or an orchestra. I certainly wasn't a part of that. Although later on, they, they somehow someone got some instruments and formed a band, an orchestra.</p>
<p>RP: An orchestra for dances and. . .</p>
<p>BF: Yeah, for dances. There's a fellow out of Santa Anita named Brush Arai and he had the Brush Arai and his (Kanaka Boys Band) or something like that.</p>
<p>RP: So, the conditions under which education developed in Amache didn't sound very stimulating academically.</p>
<p>BF: Well, at that, at that. . . yeah.</p>
<p>RP: Did it change?</p>
<p>BF: It did change over time. I remember, well, another thing that happened was it was P.E. classes. And they didn't have the equipment so when it, when the weather's. . . you got snow and stuff outside, they have to hold P.E. classes inside one of the barracks and the equipment they had was a, was a mattress that they rolled up. And we spent the hour jumping around that and diving over the, over the mattress. I mean, what kind of P.E. class is that? And the, so the conditions were not ideal, by any means.</p></div>
                    </div><!-- end element -->
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        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Posting Consent</h3>
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        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Analyzing Sources</h3>
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        <h3>Creator</h3>
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            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Bob Fuchigami, interview, May 14, 2008, Denver, Colorado. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Richard Potashin, segment 20, denshovh-fbob-01 (accessed October 14, 2009).</div>
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        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Richard Potashin</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>RP: Bob, your family arrived at Amache, was it in August, did you say, of '42?</p>
<p>BF: We, we got there in September, early September.</p>
<p>RP: Was, were you able to enroll in school that first semester? Or. . .</p>
<p>BF: In Amache?</p>
<p>RP: Yes.</p>
<p>BF: Yeah. They, they. . . I don't remember school right away. But they, they did open up a school probably in late September or maybe even early October. The school was in the barracks.</p>
<p>RP: Right, can you share with us a little, a little bit of what you remember of junior high school, as it was in Amache.</p>
<p>BF: Yeah. I was, I was a twelve year. The, the barracks, they didn't have the partitions in there. They might have had a couple, couple of partitions. But we, we sat on wooden benches.</p>
<p>RP: Benches.</p>
<p>BF: No, no books to begin with. Later on we got, we got some discarded, outdated books. But there was a teacher with a chalkboard in front and they would put the information, some of the information on the chalkboard and we'd just copy it. So we, we had tablets and copied the information from the textbook. Then, lecture and that, that was the educational process for several months. The. . . we had, there was a high turnover of teachers because these, these were teachers -- we had some good teachers, but -- I'd have to say that by and large, the quality of, of teachers was, was not very good at first. There's a high turnover. Because they didn't know the conditions that they would be living under. Although they lived in Lamar and came by bus to Amache. But they weren't prepared to, to deal with the population. First of all, they must have looked at us like, how come. . . these are all Japanese Americans. They had never seen that kind of population. We hadn't, I hadn't seen such a population except for the language school. And so there was a high turnover. Some had, some of the teachers had come from Indian reservations some had come from. . . teachers who had just finished college. 'Course, I'm sure they expected that we would have books and desks and things like that. We didn't. I can give you an example of. . . music. They were gonna start a little orchestra or a band, I guess. I remember went to, went to the music room and the only thing they had left was an oboe. Never seen an oboe in my life. And didn't know how difficult it would be to play such a, such a thing. I remember going home with an oboe. Never did master that. And, it was, it was discarded stuff. I don't think. . . well, I guess they eventually had some kind of, of a band or an orchestra. I certainly wasn't a part of that. Although later on, they, they somehow someone got some instruments and formed a band, an orchestra.</p>
<p>RP: An orchestra for dances and. . .</p>
<p>BF: Yeah, for dances. There's a fellow out of Santa Anita named Brush Arai and he had the Brush Arai and his (Kanaka Boys Band) or something like that.</p>
<p>RP: So, the conditions under which education developed in Amache didn't sound very stimulating academically.</p>
<p>BF: Well, at that, at that. . . yeah.</p>
<p>RP: Did it change?</p>
<p>BF: It did change over time. I remember, well, another thing that happened was it was P.E. classes. And they didn't have the equipment so when it, when the weather's. . . you got snow and stuff outside, they have to hold P.E. classes inside one of the barracks and the equipment they had was a, was a mattress that they rolled up. And we spent the hour jumping around that and diving over the, over the mattress. I mean, what kind of P.E. class is that? And the, so the conditions were not ideal, by any means.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">May 14, 2008</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">6:49</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Denver, Colorado</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">(Yoshimitsu) Bob Fuchigami</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 318, 319, 320, 321, 322</div>
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      <pubDate>Wed, 14 Oct 2009 16:08:15 +0000</pubDate>
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