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    <title><![CDATA[Children and Youth in History]]></title>
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    <pubDate>Wed, 11 Aug 2021 03:22:58 +0000</pubDate>
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      <title><![CDATA["Mencius and his Mother: A Lesson Drawn from Weaving" [Literary Excerpt and Illustration]]]></title>
      <link>https://cyh.rrchnm.org/items/show/189</link>
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                                    <div class="element-text">&quot;Mencius and his Mother: A Lesson Drawn from Weaving&quot; [Literary Excerpt and Illustration]</div>
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                                    <div class="element-text"><p>This illustration depicts a scene from the <em>Traditions of Exemplary Women</em> (<em>Lien&uuml; zhuan</em>) of Liu Xiang (ca. 77-6 BCE), one of China's first didactic texts on feminine morality. The text to this story is provided below the illustration. The story recounts the upbringing of Mencius (ca. 371-289 BCE), one of the greatest Confucian philosophers of early China. Mencius, or Mengzi, as he is known in China), is the only other early Chinese philosopher, who in addition to Confucius (Kongzi in Chinese), is known in the west by his Latinized name. These names were devised by the first westerners to study Chinese thought intensively, namely, the Jesuit priests who traveled to China in the 16th century and who translated Chinese texts into Latin.</p>
<p>This story brings up two important aspects of child-rearing in early China. First is the idea that because children are gradually imbued with the values and behaviors of those around them, a parent cannot be too careful about what a child sees and hears on a daily basis. Second is the notion that because moral development is a slow and gradual process, it is essential to train the malleable nature of the child in the ways of virtue and diligence before bad habits and behaviors become ingrained in the personality. The story also indicates that in preparation for useful lives as adults, boys were to occupy themselves with book-learning while girls were to master weaving.</p></div>
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                                    <div class="element-text">Kinney, Anne Behnke, trans. <em>Traditions of Exemplary Women: An Annotated Translation of Liu Xiang’s Lienü zhuan</em>. Forthcoming.  Illustration from: Rectors and Visitors of the University of Virginia, "Mencius and his Mother: A Lesson Drawn from Weaving," Lienu zhuan, <a class="external" href=http://etext.lib.virginia.edu/chinese/lienu/browse/Lienu.html>http://etext.lib.virginia.edu/chinese/lienu/browse/Lienu.html</a> (accessed July 1, 2008). Annotated by Anne Kinney.</div>
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                                    <div class="element-text">2009-01-18</div>
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                                    <div class="element-text">Anne Kinney</div>
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                                    <div class="element-text">187</div>
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                                    <div class="element-text"><p>Mencius' mother lived near a cemetery when Mencius was small and he enjoyed going out to play as if he were working among the graves. Mencius enthusiastically made tombs and performed burials. His mother said, "This is no place to raise my son!" So they moved and dwelt next to the city market. But when her son began amusing himself by pretending to be a merchant, Mencius' mother once again said, "This is no place to raise my son." <a href="#note1" id="fn1" class="footnote">1</a> Once again they moved, settling this time, beside a school. Here, the boy played at arranging sacrificial vessels and the rituals of bowing, yielding, entering and withdrawing. Mencius's mother said, "Here indeed is a place to raise my son." And that is where they stayed. When Mencius grew up he studied the Six Arts. <a href="#note2" id="fn2" class="footnote">2</a> In the end he became a famous scholar. The gentleman says, "Mencius' mother understood enculturation by immersion." <a href="#note3" id="fn3" class="footnote">3</a>. . . .</p>
<p>When Mencius was young, after finishing his studies he returned home. At that moment, Mencius' mother was weaving. She asked him, saying, "How far did you get in your studies today?" Mencius replied, "About the same as usual."  Mencius' mother then took up her knife and cut the cloth she was weaving. Mencius became alarmed and asked her to explain her actions. She said, "Your neglecting your studies is like my cutting the cloth I wove. Now a gentleman studies in order to establish his reputation, he asks questions to broaden his knowledge. This is the means by which he obtains peace and happiness at home and avoids harm when he goes abroad. If now, you neglect your studies, you will be unable to avoid a life of menial service and will lack the means to distance yourself from trouble and strife. How is it different from weaving and spinning to make a living? If midway I give up and abandon my weaving, how would I be able to clothe my husband and child and go for long without grain to eat? If a woman who abandons her livelihood and a man who neglects cultivating his virtue do not become burglars or thieves, then they will end their days as slaves." Mencius was frightened by his mother's words. Day and night he studied tirelessly. He then studied with the great master Zisi until he became one of the leading scholars of his generation. <a href="#note4" id="fn4" class="footnote">4</a></p>
<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a>Merchants were the most despised social class in early China because they produced nothing but made a living by simply buying and selling what others had labored to produce.</p>
<p><a href="#fn2" id="note2" class="footnote">2</a>The Six Arts are variously defined as the six canonical texts of early China ((Odes, Rites, Poetry, Documents, Spring and Autumn Annals, and the Book of Changes) or the six polite arts studied by aristocratic men: ritual, music, archery, charioteering, writing and mathematics.</p>
<p><a href="#fn3" id="note3" class="footnote">3</a>The "gentleman," refers to the author of the text, Liu Xiang, who used this format to insert his more subjective appraisals of his biographical subjects.</p>
<p><a href="#fn4" id="note4" class="footnote">4</a>Zisi was a famous Confucian philosopher.</p>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/122/fullsize"><img src="/files/display/122/square_thumbnail" class="thumb" alt="&amp;quot;Mencius and his Mother: A Lesson Drawn from Weaving&amp;quot; [Literary Excerpt and Illustration]" width="250" height="250"/>
</a></div><div class="item-file image-jpeg"><a class="download-file" href="/files/download/123/fullsize"><img src="/files/display/123/square_thumbnail" class="thumb" alt="&amp;quot;Mencius and his Mother: A Lesson Drawn from Weaving&amp;quot; [Literary Excerpt and Illustration]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Sun, 18 Jan 2009 21:48:05 +0000</pubDate>
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    <item>
      <title><![CDATA[Ancient China]]></title>
      <link>https://cyh.rrchnm.org/items/show/187</link>
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                                    <div class="element-text">Ancient China</div>
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                                    <div class="element-text">The primary sources in this module lay out the  historical conditions that made children important topics of intellectual engagement during Han times and explore themes such as nature vs nurture, separation of the sexes and gender differentiation, the concept of the child as an embodiment of cosmic process and heavenly order, and issues surrounding the status of the child  in the family, the state and gerontocratic Chinese culture.</div>
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                                    <div class="element-text">Anne Kinney</div>
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                                    <div class="element-text">2009-01-15</div>
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                                    <div class="element-text">eng</div>
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        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">

<li>Hsiung, Ping-chen. <em>A Tender Voyage: Children and Childhood in Late Imperial China.</em> Stanford: Stanford University Press, 2005, 103-27.<br />

<span>This reading helps contextualize Primary Source No. 6 (early education). Since my module focuses on early China, Hsiung's book is an excellent introduction to the history of childhood in mid- and late imperial China</span></li>

<li>Kinney, Anne. <em>Representations of Childhood and Youth in Early China.</em> Stanford: Stanford University Press, 2004, 53-96.<br />

<span>This reading provides further discussion of the parents' right of life and death over their offspring and may be used to supplement primary Source No. 3. The entire book also provides copious materials to contextualize all of the primary sources in this module.</span></li>

<li>Waltner, Ann. “Infanticide and Dowry in Ming and Early Qing China.” In <em>Chinese Views of Childhood</em>, edited by Anne Kinney, 193-218. Honolulu: University of Hawaii Press, 1995.<br />

<span>While this book is useful for providing background for this module, Waltner's article that discusses the link between the practice of female infanticide and girls' prospects for marriage can help contextualize Primary Source no. 3 (infanticide) as well as Primary Source No. 4 (A Girl prodigy).</span></li>

<li>Waltner, Ann. “Representations of Children in Three Stories from <em>Biographies of Exemplary Women</em>.” In <em>Children in Chinese Art</em>, edited by Ann Barrott Wicks, 84-107. Honolulu, University of Hawaii Press, 2002.<br />

<span>This article, one of many useful resources in the book in which it appears, discusses several different depictions of the story relayed in Primary Source no. 1—the childhood of the philosopher Mencius (Mengzi)—and the cultural connotations of each individual representation. An additional illustration of this story appears in Hsiung's book (cited above), on p. 138.</span></li>
</ol></div>
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                                    <div class="element-text"><p>by Jessica Hodgson<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p>Using the images and texts in the documents provided, write a well organized essay of at least five paragraphs in response to the following prompt:</p>
<ul>
<li>Evaluate the purpose and role of education for children in Ancient China.</li>
</ul></div>
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        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgment is made to the following institutions for primary sources:</p>
<ul>
<li><a class="external" href="http://www.brill.nl/">E.J. Brill</a>,</li>
<li><a class="external" href="http://www.penguin.com/">Penguin Books</a>,</li>
<li>Shandong Cultural Relics and Archeology Institute,</li>
<li><a class="external" href="http://www.sup.org/">Stanford University Press</a>,</li>
<li>University Books,</li>
<li><a class="external" href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress">University of Hawaii Press</a>,</li>
<li><a class="external" href="http://www.virginia.edu/">University of Virginia</a>,</li>
<li><a class="external" href="http://www.sdmuseum.com/">Shandong Provincial Museum</a>,</li>
<li><a class="external" href="http://wenwu.com/">Wenwu chubanshe</a>, and</li>
<li><a class="external" href="http://www.zhbc.com.cn/">Zhonghua shuju</a>.</li>
</ul>
<h3>About the Author</h3>

<p>Anne Kinney is a Professor of Chinese at the University of Virginia. Among her recent publications are <em>Representations of Childhood and Youth in Early China</em> and <em>The Establishment of the Han Empire and Imperial China</em>. She is currently at work on an annotated translation of Lienüzhuan (Traditions of Exemplary Women) and a digital research collection for the study of women in early China.</p>

<h3>About the Lesson Plan Author</h3>

<p>Jessica Hodgson teaches Advanced Placement World History and World History and Geography at South County Secondary School in Fairfax County, VA.  She has traveled to China as part of a Fulbright-Hays seminar, is a National Writing Project alumnus and  has studied the life, music and history of J. S. Bach through a National Endowment for the Humanities summer institute.  When she is not teaching, she plays the cello with an amateur string quartet.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">University of Virginia</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>The unprecedented interest in the child who assumed unique importance in the Han period was set into motion by a convergence of historically-specific conditions: (1) the establishment in the Qin dynasty (221-207 BCE) and the further development in Han times (206 BCE-220 CE) of a merit-based civil service, which increased the educational and occupational opportunities of boys moving up the social ladder; (2) and the frequency with which children came to the throne unprepared to govern; (3) the attempt to further the Confucian project by advising women about various methods of child-rearing and instruction for young children; (4) the effort to educate girls about their proper roles in society because of  an increasing anxiety over the influence of women in political events; (5) the growing influence of Han Confucianism, which stressed early education and argued for the establishment of a large-scale public school system; (6) the new centrality of correlative and occult thought which linked the child to cosmic processes and by extension to all of the major disciplines of intellectual inquiry; (7) the formation of a <strong>textual canon</strong>, which defined cultural mastery and established a clear standard by which to measure achievement; (8) the emergence of <strong>biographical writing</strong> which took into account significant events of childhood. What follows is an elaboration on the factors and forces that led to the emergence of the child as a topic of significant cultural attention.</p>
	<p>What contributed to the rising recognition of children's important in Han society was the consolidation of a unified empire that depended in part on a meritocratic system of advancement for its civil and military officials. The large-scale and complex activities and agenda of the centralized state required the ruler to take stock of, utilize, and develop the potential of his human resources to the fullest. Thus, in Qin times, we see the new imperial government registering, taxing, and demanding labor and military service from each household in the empire according to the age and gender of its family members. We also see the enactment of laws punishing infanticide, infant abandonment, and filicide in this period in order to husband state resources. But when the energetic and visionary First Emperor of Qin died in 209 BCE his son proved unequal to the task of imperial rule, and the Qin fell four years later.<p>
		<p>When the first Han emperor, Liu Bang, emerged victorious in the wars that followed Qin's collapse, the Han faced the same tasks of training and installing a bureaucracy, but with the additional responsibility of inquiring into the reasons behind Qin's downfall and rectifying its errors. To that end, an increasing number of intellectuals urged Han rulers to take care in the education of heirs to throne, to ensure that when these boys replaced them they would govern wisely and maintain the health and continuity of the dynasty. They advised women about various methods of child-rearing and instruction for young children, and the sooner the better, because they saw early childhood training as crucial to the development of an accomplished adult. They also called for the establishment of a public school system to prepare boys for the civil service. The recent and precipitous demise of Qin and the fragility of the Han empire in the opening years of the dynasty provided a vivid reminder of what was at stake and gradually worked to train both imperial and intellectual attention on childhood as a means of stabilizing and fortifying imperial rule.</p>
		<p>In contrast to the diverse and plentiful materials on boys in Han sources, we see little intellectual engagement with issues specifically concerned with girls. In Han times, women played a fairly small role in both the civil service and the military. Consequently the education of girls did not attract nearly the same level of attention as that devoted to the intellectual development of boys. A poignant example is the story of how, when the Empress Deng was a small child, her mother scolded her for attending more closely to classical learning than to needlework and asked her if she thought she was preparing for a post at the Imperial Academy as Erudite.  Nevertheless, from the about 74 BCE onward, increased anxiety over the influence of women in political events and the threat they posed to dynastic stability resulted in efforts to educate girls about their proper roles in society, using as models for emulation the lives of exemplary women from antiquity. While it is impossible to say how many girls and young women outside of court or literati circles received this sort of training, we do know that the goal of female education differed from that for boys. Girls were not instructed to further their own ambitions but for the sake of the moral, intellectual and professional development of their fathers, brothers, husbands, and sons. Still, toward the end of the Former Han, as ambitious men of the gentry were increasingly appraised for their Confucian morals, their womenfolk also came under closer scrutiny. At the same time, drawing on both imperial Qin and Han Confucian models, the government made sporadic efforts to reach out to all of its subjects in an attempt to bind them more closely to the ruling house. This endeavor included not just women and girls of the court and the gentry, but a broader base of female subjects, who were recognized by way of special grants and awards for values such as chastity and obedience.</p>
		<p>Confucian education, with its reverence for institutions that privileged elders, ancestors, and worthies of antiquity, promoted the study of classical texts and moral exemplars of ages past so as to gradually shape the child according to canonical molds. Thinkers associated with Daoist thought, on the other hand, traced the infant's life back to a cosmogonic process, linking it to the workings and laws of nature rather than to the power of ancestors and human artifice.</p>	
		<p>The theme of the precocious child, linked as it was to the struggles of worthy and often obscure figures in the establishment of a divinely sanctioned order, is another reflection of the sensibilities of the Qin and Han empires. They replaced, in varying degrees, aristocratic entitlement with a system of ranks based on merit. The merit system sought not only adult males but also young boys, who were groomed at increasingly earlier ages for bureaucratic positions and who were recommended in response to occasional imperial edicts that sought youths with extraordinary gifts and great promise. Biographical writings of the Han reveal a similar new fascination with the intellectual capacities of young children.</p>
		<p>In conclusion, the dynamic convergence of a variety of historical conditions led children to became important topics of intellectual engagement and the significant subjects during Han times. And we can single out the creation of a unified empire as the most momentous and profound impetus for the unprecedented focus on children in early China.</p>
	<p>The key themes in this module are (1) nature vs nurture (e.g., wisdom and virtue as inborn vs life-long cultivation of learning and virtue); (2) separating the sexes and gender differentiation: the "inner" (private/domestic) realm of women vs the "outer" (public/official) realm of men; (3) the low status of the child in a gerontocratic culture vs the child as an embodiment of cosmic process and heavenly order; and (4) the child's low status in the family vs the child as valued property of the state.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Anne Kinney</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><h3>1. Compare the biographies of <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/189">Mencius</a> and
<a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/192">Empress Deng</a> 
(Primary Sources 1 & 4).</h3>

<p>The fascination with precocity in the Later Han dynasty seems linked to developments in the civil service system and the testing of candidates for various posts, a system not that alien to our own civil service exams or SAT and GRE testing. As the Later Han bureaucracy became more entrenched along with abuses of the system, precocity came to stand for basic administrative promise and also for the possibility of stemming the tide of corruption. One of the general standards of moral behavior against which a candidate was measured was the requirement of incorruptibility. The virtue of incorruptibility in an official implied that he would remain pure in the company of less scrupulous individuals and in spite of temptations to abuse the power granted to him. Although the connection between incorruptibility and precocity is not immediately obvious, a statement of Confucius makes it clear in what sense early moral discretion may have vouched for an individual's integrity.</p>
<p>Confucius said that the highest form of wisdom is seen in those who are born wise. Furthermore, according to the <em>Analects</em>, only those possessed of extreme goodness cannot be changed.  To claim that a child was born wise, and therefore good, was subtly to suggest that he was at the same time incorruptible, because a child born with a superior natural endowment could not be changed and thus tainted by even the most impure environment. Thus, the manifestation of moral traits in an infant or small child may have served as evidence of his inborn goodness, and by extension, as an indication of his imperviousness to corruption--a highly attractive prospect for those seeking honest officials for employment.</p>
<p>Finally, far from illustrating a belief in the importance of birth over merit, the motif of the child born wise is associated with the struggles of worthy and often obscure or socially challenged figures in the establishment of a divinely sanctioned or at least superior order. The biography of Empress Deng, in this way suggests that although she is a mere women and lacking in aristocratic credentials, the merit of her family has gained Heaven's favor, but only because she is seen as a fitting person to lead the world into a new and higher order. When such a hero or heroine rises from obscure or humble beginnings to a key historical role, he empirically 'proves' that the world is ultimately governed by virtue after all, despite all evidence to the contrary.</p>
<p>On the other hand, Han Confucian thinkers charted a child's intellectual and moral progress along a gentle upward curve that began its ascent at conception. By the time of early adulthood, the moral and intellectual abilities were considered complete, but only in the sense that the child was now a fully functioning adult. From this state of readiness, the mature cultivation of virtue could begin and was supposed to continue throughout the course of a lifetime. Like schematizations of the child's moral progress, Confucian attempts to chart the child's biological development also stress the incomplete nature of the infant and the body's gradual evolution into fully human form. This tendency stands in sharp contrast to the propensity to focus on well-developed capacities in young children.</p>  
<p>In summary, then, early Han Confucian descriptions of a child's intellectual, moral and biological development are generally based on the notion that a virtuous adult is the culmination, and perhaps, the triumph, of a long, gradual process which begins at conception. While ignoring childhood as a valuable stage of human development per se, the emphasis placed upon the undeveloped nature of the infant and the child also represents a bold challenge to the notion that privilege is a matter of birth alone.</p>  
<p>While the emphasis on merit accumulated over the course of a lifetime rather than privilege based on birth that may have originally served to warn young power-holders about the dangers of complacency, it also paved the way for poor but determined boys to rise to positions of national importance. It is historically documented, for example, that a boy named Ni Kuan (fl. 120 BCE), for example, who hired himself out as a manual laborer to pay for his education, and who "carried a copy of the classics with him as he hoed," eventually rose to the status of imperial counselor. Thus, according to Former Han Confucian thought, a boy's future social worth depended not upon pedigree alone but on the gradual accumulation of virtue and learning as well. And though family wealth must have frequently determined a boy's access to education, the path to privilege, at least in theory, was open to all boys who could match Ni Kuan's perseverance.</p>

<h3>2. Compare gender roles as described in Source 4 (<a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/192">Empress Deng bio</a>) and Source 6 (<a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/194">Early Education</a>).</h3>

<p>These two readings illustrate how we should question:</p> 
<ul>
<li>the extent to which people in real life adhered to the dictates of prescriptive texts, and</li>
<li>how writers in early China justified women whose behavior was not in keeping with traditional gender roles.</li>
</ul>
<p>One of the key elements in the biography of Empress Deng seems to be the merit and virtue of her male kin and the empresses' seeming and seemly lack of ambition. She turns down her first opportunity to enter the court in order to mourn the death of her father, demonstrating her prioritizing filial piety over thirst for power.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Ancient China</h3>
<p>by Jessica Hodgson</p>
<p><strong>Time Estimated:</strong> three  50-minute classes</p>
<p><strong>Prior Knowledge</strong><br />
Students will need to have an understanding of Confucian values in order to complete this lesson.</p>
<h3>Objectives</h3>
<ol>
<li>Analyze the role that education and Confucian values play in childhood in Ancient China.</li>
<li>Compare the educational opportunities available to girls and boys in Ancient China.</li>  
<li>Analyze how these differences demonstrate Confucian values.</li>
</ol>

<h3>Day One</h3>
<p><em>Warm Up: The American Education System</em><br />
Students will think about and answer <a class="external" href="http://chnm.gmu.edu/cyh/images/187_Warm_Up_Exercise.pdf">some questions</a> about their education. They will then share those answers out with the class.</p>

<p><em>Brainstorm</em><br />
Students will brainstorm a list of Confucian ideals as a class.</p>  

<p><em>Document Analysis</em><br />
Divide the students into pairs and assign each pair one of the documents to read. They should complete the <a class="external" href="http://chnm.gmu.edu/cyh/images/Document_Analysis.pdf">document analysis sheet</a>. Using what they have learned from their document, they should identify specific quotes from the documents that demonstrate how education reflects Confucian values. They will then share what they have learned from the document with the rest of the class. Other students will record the responses on additional document analysis sheets.</p>

<h3>Day Two</h3>
<p><em>Poster Activity</em><br />
Using the documents, students will work in groups of 3 to create posters. Divide the groups and randomly assign the students a topic for their poster (either a poster that is an advertisement for a girls' school in Ancient China or a poster that is an advertisement for a boys' school in Ancient China)</p>

<p>The posters should meet the following criteria:</p>
<ul>
<li>The title/name of the school</li>
<li>A slogan that would make someone want to go to the school</li>
<li>At least two neat and colorful illustrations that show what kinds of lessons someone would be taught in the school</li>
</ul>

<p>Students will share their posters with the class</p>

<p><em>Homework</em><br />
For homework, students will prepare for a Socratic Seminar.</p>

<h3>Day Three: Socratic Seminar</h3>
<p>Students will participate in a Socratic Seminar in which they will discuss the following questions:</p>
<ul>
<li>What seems to be the purpose of the American education system? How do you know? (Give examples)</li>
<li>What seems to be the purpose of the Ancient Chinese education system? How do you know? (Give examples)</li>
<li>Why are educational systems necessary?</li>
<li>How do governments use educational systems to further their goals for the country?</li>
</ul>

<p><em>Directions for a Socratic Seminar</em></p>
<ul>
<li>Understand the question(s) for the seminar.</li>
<li>Read the source(s).</li>
<li>Take notes from the sources to help you answer the question(s).</li>
<li>Comment about one of the following (5 pts.)<br />
<ol>
<li>information in the sources</li>
<li>validity of evidence used by the author(s)</li>
<li>the strength of the argument (thesis)</li>
<li>to respond to a question asked by someone else</li>
<li>to respond to a comment made by someone else</li>
</ol></li>
<li>Ask a question about one of the following (5 pts.)<br />
<ol>
<li>information in the sources, e.g., vocabulary</li> 
<li>validity of evidence used by the author(s)</li>
<li>the strength of the argument (thesis)</li>
<li>to respond to a question asked by someone else</li>
<li>to respond to a comment made by someone else</li>
</ol></li>
</ul></ol>

<p>Maximum of 10 points per student.</p>
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-primary-sources" class="element">
        <h3>Primary Sources</h3>
                                    <div class="element-text">189, 190, 191, 192, 193, 194, 195, 196, 197, 198</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 16 Jan 2009 00:42:56 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Italian accounts of the Black Death [Personal Accounts]]]></title>
      <link>https://cyh.rrchnm.org/items/show/178</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Italian accounts of the Black Death [Personal Accounts]</div>
                    </div><!-- end element -->
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        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Several chroniclers wrote about the Black Death in their own town or region. They described the symptoms of the disease, which they generally called "the mortality," how it arrived with portents of warning from the East, and how many people it killed. Some accounts are long and embellished with the descriptions of townspeople's actions, but most are brief, providing little more than the dates for the plague's entry and mortality rates, which they usually inflated. The description of families and children, if present, is often quite short. The chroniclers wrote in either Latin or Italian. Note the terms they use in the original language as well as the modern English translation.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">[1] Chronicle of Marco Battagli of Rimini, from the "Marcha di Marco Battagli da Rimini." In <em>Rerum Italicarum Scriptores</em> [RIS]. Vol. 16, part 3. Edited by A. F. Massèra, 54. Città di Castello, 1912, 54. [2] Chronicle of Guglielmo Cortusi of Padua, from the "Chronica de Novitatibus Padue et Lombardie Guilielmi de Cortusis." In <em>RIS</em>. Vol. 12, part 5. Edited by B. Pagnin, 120–21. [3] Città di Castello, 1941, 120–121. Tuscan Chronicle Account, from the "Storie Pistoresi." In <em>RIS</em>. Vol. 11, part 5. Edited by S. A. Barbi, 235. Città di Castello, 1906, 235. [4] Chronicle of Agnolo di Tura del Grasso, in "Cronica senese di Agnolo di Tura del Grasso." In <em>RIS</em>. Vol. 15, part 6. Edited by ed. A. Lisini and F. Iacometti, 555. Bologna, 1935, 555. Annotated by Shona Kelly Wray.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-12-08</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Shona Kelly Wray</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">167</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">text</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
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        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><p>1. Chronicle of Marco Battagli of Rimini<br />The chronicler of Rimini, from the northeastern coastal region, wrote that "father fled his son once he became sick, brother avoided brother, wife her husband, and thus the healthy fled from the ill."<br /><br />

[Original in Latin]<br />
<em> pater postea infirmum filium evitabat, frater fratrem, uxor virum, et sic de singulis sani infirmos penitus evitabant.</em></p> 


<p>2. Chronicle of Guglielmo Cortusi of Padua<br />
Guglielmo Cortusi wrote in his city chronicle of Padua that during the plague "wife fled the embrace of a dear husband, the father that of a son, and the brother that of a brother."</p>

<p>[Original in Latin]<br /><em>uxor fugiebat amplexum cari viri, pater filii, frater fratris.</em></p>


<p>3. Tuscan Chronicle Account<br />
The <em>Storie Pistoresi</em> announce that in Tuscany and especially in Pisa, "father abandoned son, children abandoned their mother and father, and one brother abandoned the other."</p>

<p>[Original in Italian]<br /><em> lo padre abbandonava li figliuoli, e' figliuoli lo padre e la madre, e l'uno fratello l'altro.</em></p> 


<p>4. Chronicle of Agnolo di Tura del Grasso<br />
The Sienese chronicler, Agnolo di Tura del Grasso, left a poignant account of the plague. "It is not possible," he says "to describe this horrible thing with human speech." After noting truncated burial practices, without priest, appropriate liturgy or bells, he discusses the subject of child abandonment with the familiar words "father abandoned child, wife her husband, and one brother the other." He, himself, did not abandon his children for he tells us that he buried his five children with his own hands.</p>

<p>[Original in Italian]<br /><em>El padre abbandonava el figluolo, la moglie el marito, e l'uno fratello l'altro.</em></p></div>
                    </div><!-- end element -->
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      <pubDate>Sun, 07 Dec 2008 02:24:20 +0000</pubDate>
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      <title><![CDATA[Decameron [Literary Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/177</link>
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                                    <div class="element-text"><em>Decameron</em> [Literary Excerpt]</div>
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                                    <div class="element-text"><p>Giovanni Boccaccio provided the most famous description of what happened during the Black Death in Italy. His report on the behavior of the Florentines after plague entered their city during the spring of 1348 serves as introduction and frame for his collection of 100 tales entitled the <em>Decameron</em>. The epidemic provides the pretext for a group of young men and women to leave Florence and retire to a pleasant villa in the countryside where they entertain themselves by telling stories over 10 days. Though the <em>novella</em> range from the bawdy to the pious, the story telling is light hearted in keeping with the purpose of restorative diversion.</p>

<p>Boccaccio's introduction, however, has a very different tone. Here the author relates in precise detail the gruesome symptoms of the disease and the horrific circumstances that took place in Florence as the epidemic swept through the town disrupting all forms of normal human relations. Government, medical care, and neighborliness broke down. Some people secluded themselves and restricted their diet, others recklessly gave themselves over to pleasure, and still others tried to behave temperately. But most distressing of all, according to Boccaccio, was the collapse of families and the abandonment of children. The English translation is followed by the original in Italian.</p></div>
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                                    <div class="element-text">Giovanni Boccaccio</div>
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                                    <div class="element-text">Boccaccio, Giovanni. <em>The Decameron</em>. Translated by G. H. McWilliam. 2nd ed. London: Penguin Books, 1995, 8–9. Annotated by Shona Kelly Wray.</div>
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                                    <div class="element-text">Penguin Books</div>
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                                    <div class="element-text">Shona Kelly Wray</div>
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                                    <div class="element-text"><p>It was not merely a question of one citizen avoiding another, and of people almost invariably neglecting their neighbours and rarely or never visiting their relatives, addressing them only from a distance; this scourge had implanted so great a terror in the hearts of men and women that brothers abandoned brothers, uncles their nephews, sisters their brothers, and in many cases wives deserted their husbands. But even worse, and almost incredible was the fact that fathers and mothers refused to nurse and assist their own children, as though they did not belong to them.</p>

<p>[Original in Italian]<br /> 
<em>E lasciamo stare che l'uno cittadino l'altro schifasse e quasi niuno vicino avesse dell'altro cura e i parenti insieme rade volte o non mai si visitassero e di lontano: era con sí fatto spavento questa tribulazione entrata ne' petti degli uomini e delle donne, che l'un fratello l'altro abbandonava e il zio il nepote e la sorella il fratello e spesse volte la donna il suo marito; e, che maggior cosa è e quasi non credibile, li padri e lemadri i figliuoli, quasi loro non fossero, di visitare e di servire schifavano.</em></p></div>
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      <pubDate>Sun, 07 Dec 2008 02:11:42 +0000</pubDate>
    </item>
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      <title><![CDATA[Little Women, “The Valley of the Shadow” [Literary Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/172</link>
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                                    <div class="element-text"><em>Little Women</em>, “The Valley of the Shadow” [Literary Excerpt]</div>
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                                    <div class="element-text"><p><em>Little Women</em> is one of the most beloved works of American literature. Widely translated and read throughout the world, Alcott's story has inspired films, television programs, cartoons, dolls, and theatrical productions, as well as extensive critical commentary from scholars in literature, history, women's studies, and other fields. Although a work of fiction, the story is largely autobiographical, and it provides a window into American girlhood in the latter part of the 19th century, offering a more realistic, fallible, and decidedly more contemporary image of girls and girlhood than previous works.</p>
 
<p>Book II, Chapter XVII, "The Valley of the Shadow," takes its title from Psalm 23:4, and describes the scene of Beth's death. Sentimental in tone, the scene both recalls the widespread reality of children's high mortality rate in the 19th century, and also fits into a broader set of images—in artwork, on grave stones, and in needle work—that sentimentally commemorated a life extinguished prematurely early.</p></div>
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                                    <div class="element-text">Louisa May Alcott</div>
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                                    <div class="element-text">Alcott, Louisa May. <em>Little Women; Or Meg, Jo, Beth and Amy.</em> Edited by Anne K. Phillips and Gregory Eiselein. A Norton Critical Edition. New York and London: W.W. Norton & Company, 2004. Online edition: <a class="external" href=http://etext.virginia.edu/etcbin/toccer-new2?id=AlcLitt.xml&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=40&division=div2>http://etext.virginia.edu/etcbin/toccer-new2?id=AlcLitt.xml&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=40&division=div2</a> (accessed October 23, 2008).</div>
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                                    <div class="element-text">2008-10-23</div>
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                                    <div class="element-text">Julia Mickenberg</div>
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                                    <div class="element-text"><p>When the first bitterness was over, the family accepted the inevitable, and tried to bear it cheerfully, helping one another by the increased affection which comes to bind households tenderly together in times of trouble. They put away their grief, and each did his or her part toward making that last year a happy one.</p>
   <p>The pleasantest room in the house was set apart for Beth, and in it was gathered everything that she most loved, flowers, pictures, her piano, the little worktable, and the beloved pussies. Father's best books found their way there, Mother's easy chair, Jo's desk, Amy's finest sketches, and every day Meg brought her babies on a loving pilgrimage, to make sunshine for Aunty Beth. John quietly set apart a little sum, that he might enjoy the pleasure of keeping the invalid supplied with the fruit she loved and longed for. Old Hannah never wearied of concocting dainty dishes to tempt a capricious appetite, dropping tears as she worked, and from across the sea came little gifts and cheerful letters, seeming to bring breaths of warmth and fragrance from lands that know no winter.</p>
   <p>Here, cherished like a household saint in its shrine, sat Beth, tranquil and busy as ever, for nothing could change the sweet, unselfish nature, and even while preparing to leave life, she tried to make it happier for those who should remain behind. The feeble fingers were never idle, and one of her pleasures was to make little things for the school children daily passing to and fro, to drop a pair of mittens from her window for a pair of purple hands, a needlebook for some small mother of many dolls, penwipers for young penmen toiling through forests of pothooks, scrapbooks for picture-loving eyes, and all manner of pleasant devices, till the reluctant climbers of the ladder of learning found their way strewn with flowers, as it were, and came to regard the gentle giver as a sort of fairy godmother, who sat above there, and showered down gifts miraculously suited to their tastes and needs. If Beth had wanted any reward, she found it in the bright little faces always turned up to her window, with nods and smiles, and the droll little letters which came to her, full of blots and gratitude.</p>
   <p>The first few months were very happy ones, and Beth often used to look round, and say "How beautiful this is!" as they all sat together in her sunny room, the babies kicking and crowing on the floor, mother and sisters working near, and father reading, in his pleasant voice, from the wise old books which seemed rich in good and comfortable words, as applicable now as when written centuries ago, a little chapel, where a paternal priest taught his flock the hard lessons all must learn, trying to show them that hope can comfort love, and faith make resignation possible. Simple sermons, that went straight to the souls of those who listened, for the father's heart was in the minister's religion, and the frequent falter in the voice gave a double eloquence to the words he spoke or read.</p>
   <p>It was well for all that this peaceful time was given them as preparation for the sad hours to come, for by-and-by, Beth said the needle was 'so heavy', and put it down forever. Talking wearied her, faces troubled her, pain claimed her for its own, and her tranquil spirit was sorrowfully perturbed by the ills that vexed her feeble flesh. Ah me! Such heavy days, such long, long nights, such aching hearts and imploring prayers, when those who loved her best were forced to see the thin hands stretched out to them beseechingly, to hear the bitter cry, "Help me, help me!" and to feel that there was no help. A sad eclipse of the serene soul, a sharp struggle of the young life with death, but both were mercifully brief, and then the natural rebellion over, the old peace returned more beautiful than ever. With the wreck of her frail body, Beth's soul grew strong, and though she said little, those about her felt that she was ready, saw that the first pilgrim called was likewise the fittest, and waited with her on the shore, trying to see the Shining Ones coming to receive her when she crossed the river.</p>
   <p>Jo never left her for an hour since Beth had said "I feel stronger when you are here." She slept on a couch in the room, waking often to renew the fire, to feed, lift, or wait upon the patient creature who seldom asked for anything, and 'tried not to be a trouble'. All day she haunted the room, jealous of any other nurse, and prouder of being chosen then than of any honor her life ever brought her. Precious and helpful hours to Jo, for now her heart received the teaching that it needed. Lessons in patience were so sweetly taught her that she could not fail to learn them, charity for all, the lovely spirit that can forgive and truly forget unkindness, the loyalty to duty that makes the hardest easy, and the sincere faith that fears nothing, but trusts undoubtingly.</p>
   <p>Often when she woke Jo found Beth reading in her well-worn little book, heard her singing softly, to beguile the sleepless night, or saw her lean her face upon her hands, while slow tears dropped through the transparent fingers, and Jo would lie watching her with thoughts too deep for tears, feeling that Beth, in her simple, unselfish way, was trying to wean herself from the dear old life, and fit herself for the life to come, by sacred words of comfort, quiet prayers, and the music she loved so well.</p>
   <p>Seeing this did more for Jo than the wisest sermons, the saintliest hymns, the most fervent prayers that any voice could utter. For with eyes made clear by many tears, and a heart softened by the tenderest sorrow, she recognized the beauty of her sister's life -- uneventful, unambitious, yet full of the genuine virtues which 'smell sweet, and blossom in the dust', the self-forgetfulness that makes the humblest on earth remembered soonest in heaven, the true success which is possible to all.</p>
   <p>One night when Beth looked among the books upon her table, to find something to make her forget the mortal weariness that was almost as hard to bear as pain, as she turned the leaves of her old favorite, Pilgrims's Progress, she found a little paper, scribbled over in Jo's hand. The name caught her eye and the blurred look of the lines made her sure that tears had fallen on it.</p>
   <p>"Poor Jo! She's fast asleep, so I won't wake her to ask leave. She shows me all her things, and I don't think she'll mind if I look at this", thought Beth, with a glance at her sister, who lay on the rug, with the tongs beside her, ready to wake up the minute the log fell apart.</p>

<h3>MY BETH</h3>


<p>Sitting patient in the shadow<br />
Till the blessed light shall come,<br /> 
A serene and saintly presence<br /> 
Sanctifies our troubled home.<br /> 
Earthly joys and hopes and sorrows<br /> 
Break like ripples on the strand<br /> 
Of the deep and solemn river<br /> 
Where her willing feet now stand.</p> 
<br />

<p>O my sister, passing from me,<br /> 
Out of human care and strife,<br /> 
Leave me, as a gift, those virtues<br /> 
Which have beautified your life.<br /> 
Dear, bequeath me that great patience<br /> 
Which has power to sustain<br /> 
A cheerful, uncomplaining spirit<br /> 
In its prison-house of pain.</p> 
<br />

<p>Give me, for I need it sorely,<br />
Of that courage, wise and sweet,<br /> 
Which has made the path of duty<br /> 
Green beneath your willing feet.<br /> 
Give me that unselfish nature,<br /> 
That with charity divine<br /> 
Can pardon wrong for love's dear sake --<br />
Meek heart, forgive me mine!</p> 
<br />

<p>Thus our parting daily loseth<br /> 
Something of its bitter pain,<br /> 
And while learning this hard lesson,<br /> 
My great loss becomes my gain.<br /> 
For the touch of grief will render<br /> 
My wild nature more serene,<br /> 
Give to life new aspirations,<br /> 
A new trust in the unseen.</p> 
<br />

<p>Henceforth, safe across the river,<br /> 
I shall see forever more<br /> 
A beloved, household spirit<br /> 
Waiting for me on the shore.<br /> 
Hope and faith, born of my sorrow,<br /> 
Guardian angels shall become,<br /> 
And the sister gone before me<br /> 
By their hands shall lead me home.</p> 
   <p>Blurred and blotted, faulty and feeble as the lines were, they brought a look of inexpressible comfort to Beth's face, for her one regret had been that she had done so little, and this seemed to assure her that her life had not been useless, that her death would not bring the despair she feared. As she sat with the paper folded between her hands, the charred log fell asunder. Jo started up, revived the blaze, and crept to the bedside, hoping Beth slept.</p>
   <p>"Not asleep, but so happy, dear. See, I found this and read it. I knew you wouldn't care. Have I been all that to you, Jo?" she asked, with wistful, humble earnestness.</p>
   <p>"Oh, Beth, so much, so much!" And Jo's head went down upon the pillow beside her sister's.</p>
   <p>"Then I don't feel as if I'd wasted my life. I'm not so good as you make me, but I have tried to do right. And now, when it's too late to begin even to do better, it's such a comfort to know that someone loves me so much, and feels as if I'd helped them."</p>
   <p>"More than any one in the world, Beth. I used to think I couldn't let you go, but I'm learning to feel that I don't lose you, that you'll be more to me than ever, and death can't part us, though it seems to."</p>
   <p>"I know it cannot, and I don't fear it any longer, for I'm sure I shall be your Beth still, to love and help you more than ever. You must take my place, Jo, and be everything to Father and Mother when I'm gone. They will turn to you, don't fail them, and if it's hard to work alone, remember that I don't forget you, and that you'll be happier in doing that than writing splendid books or seeing all the world, for love is the only thing that we can carry with us when we go, and it makes the go easy."</p>
   <p>"I'll try, Beth." And then and there Jo renounced her old ambition, pledged herself to a new and better one, acknowledging the poverty of other desires, and feeling the blessed solace of a belief in the immortality of love.</p>
   <p>So the spring days came and went , the sky grew clearer, the earth greener, the flowers were up fairly early, and the birds came back in time to say goodbye to Beth, who, like a tired but trustful child, clung to the hands that had led her all her life, as Father and Mother guided her tenderly through the Valley of the Shadow, and gave her up to God.</p>
   <p>Seldom except in books do the dying utter memorable words, see visions, or depart with beatified countenances, and those who have sped many parting souls know that to most the end comes as naturally and simply as sleep. As Beth had hoped, the 'tide went out easily', and in the dark hour before dawn, on the bosom where she had drawn her first breath, she quietly drew her last, with no farewell but one loving look, one little sigh.</p>
   <p>With tears and prayers and tender hands, Mother and sisters made her ready for the long sleep that pain would never mar again, seeing with grateful eyes the beautiful serenity that soon replaced the pathetic patience that had wrung their hearts so long, and feeling with reverent joy that to their darling death was a benignant angel, not a phantom full of dread.</p>
   <p>When morning came, for the first time in many months the fire was out, Jo's place was empty, and the room was very still. But a bird sang blithely on a budding bough, close by, the snowdrops blossomed freshly at the window, and the spring sunshine streamed in like a benediction over the placid face upon the pillow, a face so full of painless peace that those who loved it best smiled through their tears, and thanked God that Beth was well at last.</p></div>
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      <pubDate>Thu, 23 Oct 2008 21:55:40 +0000</pubDate>
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      <title><![CDATA[Little Women, "Amy's Valley of Humiliation" [Literary Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/171</link>
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                                    <div class="element-text"><p><em>Little Women</em> is one of the most beloved works of American literature. Widely translated and read throughout the world, Alcott's story has inspired films, television programs, cartoons, dolls, and theatrical productions, as well as extensive critical commentary from scholars in literature, history, women's studies, and other fields. Although a work of fiction, the story is largely autobiographical, and it provides a window into American girlhood in the latter part of the 19th century, offering a more realistic, fallible, and decidedly more contemporary image of girls and girlhood than previous works.</p>
 
<p>Book I, Chapter VII, "Amy's Valley of Humiliation," takes its title from John Bunyan's <em>Pilgrim's Progress</em> (1678/1684), which provides a structuring framework for much of the book. Each sister has her "burden," and each struggles to overcome that burden in order to make it to the "palace beautiful." In this memorable chapter, Amy, the youngest March sister, is caught eating pickled limes (the latest fad) in class and is publicly humiliated for breaking school rules.</div>
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                                    <div class="element-text">Louisa May Alcott</div>
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                                    <div class="element-text">Alcott, Louisa May. <em>Little Women; Or Meg, Jo, Beth and Amy</em>. Edited by Anne K. Phillips and Gregory Eiselein. A Norton Critical Edition. New York and London: W.W. Norton & Company, 2004. Online edition: <a class="external" href=http://etext.virginia.edu/etcbin/toccer-new2?id=AlcLitt.xml&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=7&division=div2> http://etext.virginia.edu/etcbin/toccer-new2?id=AlcLitt.xml&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=7&division=div2</a> (accessed October 23, 2008).</div>
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                                    <div class="element-text">2008-10-23</div>
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                                    <div class="element-text">Julia Mickenberg</div>
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                                    <div class="element-text"><p>"That boy is a perfect cyclops, isn't he?" said Amy one day, as Laurie clattered by on horseback, with a flourish of his whip as he passed.</p>
<p>"How dare you say so, when he's got both his eyes? And very handsome ones they are, too," cried Jo, who resented any slighting remarks about her friend.</p>
<p>"I didn't say anything about his eyes, and I don't see why you need fire up when I admire his riding."</p>
<p>"Oh, my goodness! That little goose means a centaur, and she called him a Cyclops," exclaimed Jo, with a burst of laughter.</p>
<p>"You needn't be so rude, it's only a 'lapse of lingy', as Mr. Davis says," retorted Amy, finishing Jo with her Latin. "I just wish I had a little of the money Laurie spends on that horse," she added, as if to herself, yet hoping her sisters would hear.</p>
<p>"Why?" asked Meg kindly, for Jo had gone off in another laugh at Amy's second blunder.</p>
<p>"I need it so much. I'm dreadfully in debt, and it won't be my turn to have the rag money for a month."</p>
<p>"In debt, Amy? What do you mean?" And Meg looked sober.</p>
<p>"Why, I owe at least a dozen pickled limes, and I can't pay them, you know, till I have money, for Marmee forbade my having anything charged at the shop."</p>
<p>"Tell me all about it. Are limes the fashion now? It used to be pricking bits of rubber to make balls." And Meg tried to keep her countenance, Amy looked so grave and important.</p>
<p>"Why, you see, the girls are always buying them, and unless you want to be thought mean, you must do it too. It's nothing but limes now, for everyone is sucking them in their desks in schooltime, and trading them off for pencils, bead rings, paper dolls, or something else, at recess. If one girl likes another, she gives her a lime. If she's mad with her, she eats one before her face, and doesn't offer even a suck. They treat by turns, and I've had ever so many but haven't returned them, and I ought for they are debts of honor, you know."</p>
<p>"How much will pay them off and restore your credit?" asked Meg, taking out her purse."</p>
<p>"A quarter would more than do it, and leave a few cents over for a treat for you. Don't you like limes?"</p>
<p>"Not much. You may have my share. Here's the money. Make it last as long as you can, for it isn't very plenty, you know."</p>
<p>"Oh, thank you! It must be so nice to have pocket money! I'll have a grand feast, for I haven't tasted a lime this week. I felt delicate about taking any, as I couldn't return them, and I'm actually suffering for one."</p>
<p>Next day Amy was rather late at school, but could not resist the temptation of displaying, with pardonable pride, a moist brown-paper parcel, before she consigned it to the inmost recesses of her desk. During the next few minutes the rumor that Amy March had got twenty-four delicious limes (she ate one on the way) and was going to treat circulated through her 'set', and the attentions of her friends became quite overwhelming. Katy Brown invited her to her next party on the spot. Mary Kingsley insisted on lending her her watch till recess, and Jenny Snow, a satirical young lady, who had basely twitted Amy upon her limeless state, promptly buried the hatchet and offered to furnish answers to certain appalling sums. But Amy had not forgotten Miss Snow's cutting remarks about 'some persons whose noses were not too flat to smell other people's limes, and stuck-up people who were not too proud to ask for them', and she instantly crushed 'that Snow girl's' hopes by the withering telegram, "You needn't be so polite all of a sudden, for you won't get any."</p>
<p>A distinguished personage happened to visit the school that morning, and Amy's beautifully drawn maps received praise, which honor to her foe rankled in the soul of Miss Snow, and caused Miss March to assume the airs of a studious young peacock. But, alas, alas! Pride goes before a fall, and the revengeful Snow turned the tables with disastrous success. No sooner had the guest paid the usual stale compliments and bowed himself out, than Jenny, under pretense of asking an important question, informed Mr. Davis, the teacher, that Amy March had pickled limes in her desk.</p>
<p>Now Mr. Davis had declared limes a contraband article, and solemnly vowed to publicly ferrule the first person who was found breaking the law. This much-enduring man had succeeded in banishing chewing gum after a long and stormy war, had made a bonfire of the confiscated novels and newspapers, had suppressed a private post office, had forbidden distortions of the face, nicknames, and caricatures, and done all that one man could do to keep half a hundred rebellious girls in order. Boys are trying enough to human patience, goodness knows, but girls are infinitely more so, especially to nervous gentlemen with tyrannical tempers and no more talent for teaching than Dr. Blimber. Mr. Davis knew any quantity of Greek, Latin, algebra, and ologies of all sorts so he was called a fine teacher, and manners, morals, feelings, and examples were not considered of any particular importance. It was a most unfortunate moment for denouncing Amy, and Jenny knew it. Mr. Davis had evidently taken his coffee too strong that morning, there was an east wind, which always affected his neuralgia, and his pupils had not done him the credit which he felt he deserved. Therefore, to use the expressive, if not elegant, language of a schoolgirl, "He was as nervous as a witch and as cross as a bear". The word 'limes' was like fire to powder, his yellow face flushed, and he rapped on his desk with an energy which made Jenny skip to her seat with unusual rapidity.</p>
<p>"Young ladies, attention, if you please!"</p>
<p>At the stern order the buzz ceased, and fifty pairs of blue, black, gray, and brown eyes were obediently fixed upon his awful countenance.</p>
<p>"Miss March, come to the desk."</p>
<p>Amy rose to comply with outward composure, but a secret fear oppressed her, for the limes weighed upon her conscience.</p>
<p>"Bring with you the limes you have in your desk," was the unexpected command which arrested her before she got out of her seat.</p>
<p>"Don't take all." whispered her neighbor, a young lady of great presence of mind.</p>
<p>Amy hastily shook out half a dozen and laid the rest down before Mr. Davis, feeling that any man possessing a human heart would relent when that delicious perfume met his nose. Unfortunately, Mr. Davis particularly detested the odor of the fashionable pickle, and disgust added to his wrath.</p>
<p>"Is that all?"</p>
<p>"Not quite," stammered Amy.</p>
<p>"Bring the rest immediately."</p>
<p>With a despairing glance at her set, she obeyed.</p>
<p>"You are sure there are no more?"</p>
<p>"I never lie, sir."</p>
<p>"So I see. Now take these disgusting things two by two, and throw them out of the window."</p>
<p>There was a simultaneous sigh, which created quite a little gust, as the last hope fled, and the treat was ravished from their longing lips. Scarlet with shame and anger, Amy went to and fro six dreadful times, and as each doomed couple, looking oh, so plump and juicy, fell from her reluctant hands, a shout from the street completed the anguish of the girls, for it told them that their feast was being exulted over by the little Irish children, who were their sworn foes. This -- this was too much. All flashed indignant or appealing glances at the inexorable Davis, and one passionate lime lover burst into tears.</p>
<p>As Amy returned from her last trip, Mr. Davis gave a portentous "Hem!" and said, in his most impressive manner . . .</p>
<p>"Young ladies, you remember what I said to you a week ago. I am sorry this has happened, but I never allow my rules to be infringed, and I never break my word. Miss March, hold out your hand."</p>
<p>Amy started, and put both hands behind her, turning on him an imploring look which pleaded for her better than the words she could not utter. She was rather a favorite with 'old Davis', as, of course, he was called, and it's my private belief that he would have broken his word if the indignation of one irrepressible young lady had not found vent in a hiss. That hiss, faint as it was, irritated the irascible gentleman, and sealed the culprit's fate.</p>
<p>"Your hand, Miss March!" was the only answer her mute appeal received, and too proud to cry or beseech, Amy set her teeth, threw back her head defiantly, and bore without flinching several tingling blows on her little palm. They were neither many nor heavy, but that made no difference to her. For the first time in her life she had been struck, and the disgrace, in her eyes, was as deep as if he had knocked her down.</p>
<p>"You will now stand on the platform till recess," said Mr. Davis, resolved to do the thing thoroughly, since he had begun.</p>
<p>That was dreadful. It would have been bad enough to go to her seat, and see the pitying faces of her friends, or the satisfied ones of her few enemies, but to face the whole school, with that shame fresh upon her, seemed impossible, and for a second she felt as if she could only drop down where she stood, and break her heart with crying. A bitter sense of wrong and the thought of Jenny Snow helped her to bear it, and, taking the ignominious place, she fixed her eyes on the stove funnel above what now seemed a sea of faces, and stood there, so motionless and white that the girls found it hard to study with that pathetic figure before them.</p>
<p>During the fifteen minutes that followed, the proud and sensitive little girl suffered a shame and pain which she never forgot. To others it might seem a ludicrous or trivial affair, but to her it was a hard experience, for during the twelve years of her life she had been governed by love alone, and a blow of that sort had never touched her before. The smart of her hand and the ache of her heart were forgotten in the sting of the thought, "I shall have to tell at home, and they will be so disappointed in me!"</p>
<p>The fifteen minutes seemed an hour, but they came to an end at last, and the word 'Recess!' had never seemed so welcome to her before.</p>
<p>"You can go, Miss March," said Mr. Davis, looking, as he felt, uncomfortable.</p>
<p>He did not soon forget the reproachful glance Amy gave him, as she went, without a word to anyone, straight into the anteroom, snatched her things, and left the place "forever," as she passionately declared to herself. She was in a sad state when she got home, and when the older girls arrived, some time later, an indignation meeting was held at once. Mrs. March did not say much but looked disturbed, and comforted her afflicted little daughter in her tenderest manner. Meg bathed the insulted hand with glycerine and tears, Beth felt that even her beloved kittens would fail as a balm for griefs like this, Jo wrathfully proposed that Mr. Davis be arrested without delay, and Hannah shook her fist at the 'villain' and pounded potatoes for dinner as if she had him under her pestle.</p>
<p>No notice was taken of Amy's flight, except by her mates, but the sharp-eyed demoiselles discovered that Mr. Davis was quite benignant in the afternoon, also unusually nervous. Just before school closed, Jo appeared, wearing a grim expression as she stalked up to the desk, and delivered a letter from her mother, then collected Amy's property, and departed, carefully scraping the mud from her boots on the door mat, as if she shook that dust of the place off her feet.</p>
<p>"Yes, you can have a vacation from school, but I want you to study a little every day with Beth," said Mrs. March that evening. "I don't approve of corporal punishment, especially for girls. I dislike Mr. Davis's manner of teaching and don't think the girls you associate with are doing you any good, so I shall ask your father's advice before I send you anywhere else."</p>
<p>"That's good! I wish all the girls would leave, and spoil his old school. It's perfectly maddening to think of those lovely limes," sighed Amy, with the air of a martyr.</p>
<p>"I am not sorry you lost them, for you broke the rules, and deserved some punishment for disobedience," was the severe reply, which rather disappointed the young lady, who expected nothing but sympathy.</p>
<p>"Do you mean you are glad I was disgraced before the whole school?" cried Amy.</p>
<p>"I should not have chosen that way of mending a fault," replied her mother, "but I'm not sure that it won't do you more good than a milder method. You are getting to be rather conceited, my dear, and it is quite time you set about correcting it. You have a good many little gifts and virtues, but there is no need of parading them, for conceit spoils the finest genius. There is not much danger that real talent or goodness will be overlooked long, even if it is, the consciousness of possessing and using it well should satisfy one, and the great charm of all power is modesty."</p>
<p>"So it is!" cried Laurie, who was playing chess in a corner with Jo. "I knew a girl once, who had a really remarkable talent for music, and she didn't know it, never guessed what sweet little things she composed when she was alone, and wouldn't have believed it if anyone had told her."</p>
<p>"I wish I'd known that nice girl. Maybe she would have helped me, I'm so stupid," said Beth, who stood beside him, listening eagerly.</p>
<p>"You do know her, and she helps you better than anyone else could," answered Laurie, looking at her with such mischievous meaning in his merry black eyes that Beth suddenly turned very red, and hid her face in the sofa cushion, quite overcome by such an unexpected discovery.</p>
<p> Jo let Laurie win the game to pay for that praise of her Beth, who could not be prevailed upon to play for them after her compliment. So Laurie did his best, and sang delightfully, being in a particularly lively humor, for to the Marches he seldom showed the moody side of his character. When he was gone, Amy, who had been pensive all evening, said suddenly, as if busy over some new idea, "Is Laurie an accomplished boy?"</p>
<p>"Yes, he has had an excellent education, and has much talent. He will make a fine man, if not spoiled by petting," replied her mother.</p>
<p>"And he isn't conceited, is he?" asked Amy.</p>
<p>"Not in the least. That is why he is so charming and we all like him so much."</p>
<p>"I see. It's nice to have accomplishments and be elegant, but not to show off or get perked up," said Amy thoughtfully.</p>
<p>"These things are always seen and felt in a person's manner and conversations, if modestly used, but it is not necessary to display them," said Mrs. March.</p>
<p>"Any more than it's proper to wear all your bonnets and gowns and ribbons at once, that folks may know you've got them," added Jo, and the lecture ended in a laugh.</p></div>
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      <pubDate>Thu, 23 Oct 2008 21:32:38 +0000</pubDate>
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      <title><![CDATA[Children during the Black Death]]></title>
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                                    <div class="element-text">Children during the Black Death</div>
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            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>This teaching module offers an array of evidence to investigate the experience of children during the Black Death and question the traditional view that the epidemic caused wide-spread social chaos resulting in the abandonment of family members, even of children by their parents.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Shona Kelly Wray</div>
                    </div><!-- end element -->
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        <h3>Date</h3>
                                    <div class="element-text">2008-10-14</div>
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                                    <div class="element-text">eng</div>
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    <h2>Teaching Module Item Type Metadata</h2>
        <div id="teaching-module-item-type-metadata-bibliography" class="element">
        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">
<li>Arrizabalaga, Jon. "Facing the Black Death: Perceptions and Reactions of University Medical Practitioners." In <em>Practical Medicine from Salerno to the Black Death</em>, 237-88. Cambridge: Cambridge University Press, 1994.<br /> 
<span>This article examines the responses to the Black Death by doctors in the Western Mediterranean. Arrizabalaga studies the plague tractates written by university-trained physicians to determine how they viewed the disease and what could be done about it. He presents their learned discussion on the causes, symptoms, prevention, and cure of the disease, and demonstrates that they did not hesitate to confront the new epidemic with their intellectual tools, such as their university training, clinical experience, and the ancient and medieval Greek, Roman, and Arab authors at their disposal.</span></li> 
<li>Benedictow, Ole J. <em>The Black Death 1346-1353: The Complete History</em>. Woodbridge, Suffolk: Boydell & Brewer, 2004.<br />
<span>Benedictow re-examines medieval chronicle evidence and modern historians' demographic studies of the epidemic across Europe to argue for a new and higher mortality rate of 55% during the Black Death. His work is useful for its detailed discussion of the spread of the disease and its map. Benedictow maintains the traditional view that the Black Death was caused by bubonic plague.</span></li> 
<li>Cohn, Samuel Kline, Jr. <em>The Black Death Transformed: Disease and Culture in Early Renaissance Europe</em>. New York: Oxford University Press, 2002.<br /> 
<span>Cohn has done the most in recent scholarship to overturn the long-held view that the Black Death was caused by bubonic plague. Comparing the medieval to modern evidence of plague in India, Cohn argues that because of its high mortality, exceptionally fast spread and transmission, and the apparent immunity gained by survivors, the disease of the Black Death must have been some other disease. Cohn also argues that doctors were helpless and hopeless during the Black Death, but gained a new "Renaissance" confidence in their abilities to prevent and treat the disease after its second return.</span></li> 
<li>Wray, Shona Kelly. "Boccaccio and the Doctors: Medicine and Compassion in the Face of Plague." <em>Journal of Medieval History</em> 30 (2004), 301-22.<br />
<span>This article proposes that Boccaccio's descriptions in the Introduction to the <em>Decameron</em> which detail the activities of Florentines during the plague of 1348 are repetitions of medical advice present in plague tractates written in Italy during the epidemic. Boccaccio's Introduction can be read as a condemnation of doctors' advice to flee the ill, since to follow their advice for the preservation of one's own health would lead to the destruction of society. The article counters recent views of the doctors' response to argue that their tractates demonstrate professionalism and practicality in the face of the devastating epidemic. Using wills of medical practitioners in Bologna, it provides evidence that they remained at their posts during the epidemic.</span></li>
<li>Ziegler, Philip. <em>The Black Death</em>. New York: Harper, 1969; reprint 1971.<br /> 
<span>This is an older work that has remained a useful textbook for the classroom. Ziegler tells the history of the epidemic across Europe largely through chronicles and legislation produced during the Black Death. It presents detailed local descriptions, especially well done for England, and examines the responses and effects of the plague on the demography, economy, art, and psychology of the medieval European people.</span></li>

</ol></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Susan Douglass<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p>Using the images and texts in the documents provided, write a well-organized essay of at least five paragraphs in response to the following question.</p>
<p>Describe and analyze the effect of the Black Death in 14th century Italy for its effect on families and children who became ill or who were survivors of parents and siblings who died, based on analysis of evidence in the documents.</p>

<ul>
<li>Did the social order break down completely during the panic produced by the epidemic?</li> 

<li>Were there social institutions that stabilized Italian society, and were efforts effective in preserving the social order and protecting its members?</li>

<li>What additional evidence would help in deciding these questions (additional documents, types of records, etc.)?</li>
</ul> 
<p>Your essay should:</p>
<ul>
<li>have a clear thesis,</li>
<li>use at least six of the documents to support your thesis,</li>
<li>show analysis by grouping the documents into at least two groups,</li>
<li>analyze the point of view of the documents, and</li>
<li>recognize the limitation of the documents before you by suggesting an additional type of document or source to make your discussion more complete or valid.</li>
</ul>


</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgment is made to the following institutions for primary sources:</p>
<ul>
<li><a class="external" href="http://www.archiviodistatobologna.it/">Archivio di Stato di Bologna</a>,</li>
<li><a class="external" href="http://www.manchesteruniversitypress.co.uk/">Manchester University Press</a>, and</li>
<li><a class="external" href="http://us.penguingroup.com/">Penguin Books</a>.</li>
</ul>
<h3>About the Author</h3>

<p>Shona Kelly Wray is an Associate Professor of History at the University of Missouri-Kansas City. Her book, <em>Communities and Crisis: Bologna during the Black Death</em>, is forthcoming. Wray is also a Fellow of the American Academy in Rome.</p>

<h3>About the Lesson Plan Author</h3>

<p>Susan Douglass is a doctoral student in history at George Mason University, and also serves as education outreach consultant for the Al-Waleed Center for Muslim-Christian Understanding at Georgetown University. Publications include <em>World Eras: Rise and Spread of Islam, 622-1500</em> (Thompson/Gale, 2002), the study <em>Teaching About Religion in National and State Social Studies Standards</em> (Freedom Forum First Amendment Center and Council on Islamic Education, 2000), and teaching resources, both online and in print, including and the curriculum project <em>World History for Us All, The Indian Ocean in World History</em>, and websites for documentary films such as <em>Cities of Light: the Rise and Fall of Islamic Spain and Muhammad:Legacy of a Prophet</em>.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">University of Missouri-Kansas City</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>The Black Death was the first and most lethal outbreak of a disease that entered Italy during the end of 1347 and the beginning of 1348 and then spread across Europe in the following few years. It is generally accepted (despite recent arguments to the contrary) that this most famous medieval epidemic was caused by bubonic plague. This disease, which was identified in the late 19th century, is endemic among some rodent populations around the globe today, but does not pose a major health risk due to the efficacy of modern antibiotics.</p>

<p>The situation, of course, was very different in the Middle Ages. The Black Death was brought on, it is believed, by an epizootic, or animal epidemic, among marmots in central Asia that caused the flea (<em>Xenopsylla cheopsis</em>) which passes the bacillus (<em>Yersinia pestis</em>) to leave its preferred host and search for new sources of food, that is, human blood. Rats brought infected fleas, the plague vector, into Europe on ships leaving the Black Sea and shores of the eastern Mediterranean. The plague entered European sea ports and traveled inland along trade routes. The effect was devastating. Historians estimate death tolls of between a third and a half of the European population. For medieval Italy it appears that some urban areas, such as Venice, Florence, and Siena, suffered staggeringly high mortality rates of over 50 percent.</p>

<p>How did people react to this awful catastrophe? The governmental records of Italian cities present a mixed picture of the actions of civic leaders in the face of plague. In some areas, cities rapidly passed laws that attempted to prevent the entrance and spread of disease. They renewed sanitation laws designed to reduce the presence of miasma, or bad air, which medieval people believed caused disease. Thus, laws curtailed the activities of butchers, tanners, or others who worked with animal carcasses that could rot and produce miasma. The mobility of people and goods, such as woolen cloths that may trap the miasma, was restricted. Other laws regulated the location of burials and disposal of corpses. In other cities, however, it appears that government was reduced to an ineffective shadow as officials died in huge numbers and efforts to replace them could not keep up.</p>

<p>Church records have revealed the actions of ecclesiastical organizations. Bishops all over Europe consecrated new ground for burials and arranged intercessory processions. Priests were called to celebrate masses, give sermons, and lead their parishioners in processions of prayer to beg for merciful relief from the wrath of God, which was generally believed to have brought on the epidemic. Clerics urged all individuals to confess, be penitent, and carry out acts of pious charity in order to pacify God. Thus, evidence can be found that the various communities in medieval Europe made strong attempts to counteract and deal with the crisis.</p> 

<p>The popular view today of the Black Death, however, is one of social breakdown. This is because many chroniclers and literary authors of the time described the actions of townspeople in terms of panic, fear, and flight. Faced with a hideous—bubonic plague produces large, dark, and smelly swellings on its victims—and frightening new disease people fled to protect themselves. Chroniclers reported that doctors, clergy, and civil servants such as notaries refused to come to the aid of the ill. The chroniclers' accounts provide the most vivid picture of the social experience of this massive mortality and have become the standard description presented in World and Western Civilization textbooks.</p>

<p>These accounts are at their most evocative and poignant when they discuss a principal theme of the topos of social chaos, namely, the abandonment of family members, especially children. The family was the heart of medieval European society. For medieval authors, the abandonment of children by their parents meant the specter of a society that had come unraveled at its core. It is important, therefore, to try to determine what really happened to children during the Black Death. We must remember that many medieval chroniclers were religious men who wrote with a moralizing message. It is possible that many wrote their accounts of events that happened in the world around them not with the modern notion of objectively reporting the facts, but instead to advise their readers to change their ways and lead more pious lives.</p> 

<p>This module presents a few typical examples of what medieval Italian chroniclers had to say about the experience of children and their families during the Black Death. We do not know what parents or children themselves said about their own experience because there remain few letters and no diaries from this time. Despite the paucity of descriptive sources, parents who were dying of plague often wrote wills in which they provided for the future of their families as well as their own souls. Students can compare the information —individually and in the aggregate—included in the chroniclers' literature with that contained in parents' wills.</p> 

<p>The archives of the town of Bologna contain the largest known number of testaments written during the Black Death. The mortality rate in Bologna may not have been as high as in Florence and Venice, but it suffered at least a 40% drop in population. The presence and contents of testaments during the epidemic can give us some indication as to whether parents were considering the fate of their children when they lay dying during the Black Death.</p>

<p>These are formulaic documents that reveal little about the psychology of the testators themselves; they never even mention the fact that a massive epidemic was raging! Artistic sources are generally better at portraying powerful emotions, but there are no such sources that remain from the years of the Black Death. Instead, portrayals of themes related to death and morbidity became prevalent within a century of the Black Death as Europeans had become accustomed to the repeated outbreaks of plague.</p>

<p>In fact, the Black Death was the first of a long series of plague epidemics that the people of early modern Europe suffered until the mid 1700s. It was by far the worst episode and therefore worth investigating how the most vulnerable part of the population--children--were treated during a time of social upheaval.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Shona Kelly Wray</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><p>This teaching module offers an array of evidence to investigate the experience of children during the Black Death and question the traditional view that the epidemic caused wide-spread social chaos resulting in the abandonment of family members, even of children by their parents.</p>

<p>The traditional view of the Black Death comes from the literary evidence on the breakdown of the family, represented here by Giovanni Boccaccio and contemporary Italian chroniclers. Encourage students to pay close attention to the terms used, noting their similarity, and to evaluate whether or not such accounts should be considered eyewitness reports.</p>

<p>The module then asks students to consider a legal source, testaments, written in Bologna during the height of the Black Death, in which testators name their children as heirs. Ask students to consider reasons why these wills were made and by whom. What were the legal requirements limiting the production of the source, the advantages and disadvantages of such sources? What can these four wills tell them about a general population?</p>

<p>One graph shows the number of extant testaments that were made in Bologna during the Black Death. The graph makes clear the impact of plague, but at the same time each will represents a gathering of at least nine people—the testator, notary, priest and at least six other witnesses—usually inside the testator's house. According to Roman law in effect in medieval Italy, women could not be witnesses, so we can only assume that they were present at the dictation of their family members' wills. We do know that many women, as mothers of children, made wills and they were supported in this by their families.</p>
<h3>Discussion Questions</h3>
<br />
<h3>1. Compare the language used by Giovanni Boccaccio and by the chroniclers in their accounts of the experience of the Black Death.</h3>
<ul>
<li>Even without understanding the Latin or Italian, try to look at what words and patterns of words are similar among these authors who lived all over the Italian peninsula during the same period. What do you notice about these accounts?<br />
<br />
<em>Possible answer</em>: 
<br />
These authors borrow heavily from each other, or, more probably, the chroniclers mimicked the words of one of the most famous literary authors of the time, Giovanni Boccaccio. The Italian chroniclers' job was to record the events that happened in their own town for posterity, but clearly they were also literary writers and as such would have some moral purpose or personal agenda to their writing that went beyond objective reporting.</li> 


<li>What kinds of problems might modern students of the Black Death come up against when using these accounts?</li>
<li>What else would you like to learn from these accounts?</li> 
<li>Are you satisfied with using the information in these accounts in order to learn about the experience of children and their families in the past?</li>  
</ul>
<h3>2. Compare the language of the four testaments.</h3>
<ul>
<li>What words and information come from the testator himself or herself and what words are supplied by the notary who wrote up the testament?</li>
<li>What kinds of problems does the legal language of testaments pose for the researcher?<br />
<br />
<em>Possible answer</em>: 
<br />They tell little or nothing about peoples' emotions, concerns, and thoughts. In addition, the testator may have been influenced by the notary in deciding his or her bequests.</li> 
</ul>

<h3>3. What information can you as researcher of the experience of the Black Death be satisfied with from the testaments?</h3>
<ul>
<li>What information is problematic or vague?<br />
<br />
<em>Possible answer</em>:
<br />
The specifics of the dictation of the will as a social event demonstrates that at least nine people, including testator, notary, and seven witnesses, were present. However, there is a fair amount of information that is not provided, such as the ages of the children. The testament mentions that they have occupations and at least some have families.</li>
</ul>
<h3>4. Envision the dictation of each will as it took place:</h3>
<ul>
<li>How many people were there? Where were they?</li>
<li>What were they doing?</li>
<li>What happened during and after the testator declared his or her last wishes?</li> 
<li>What does this tell us about the behavior of these four people and their families during the Black Death?</li></ul>
<h3>5. With the graph in section B, these four wills are shown in the wider context of the city. Considering that each will represents individuals who have not fled or abandoned their families.</h3>
<ul>
<li>What groups of people likely stayed in town, at home, with their families?</li>
<li>What would you like to know about the wills in order to be sure that they reflect widespread behavior?</li>

<li>How many people were in the town?</li> 
<li>How many would normally write a will?</li> 
<li>How many were parents when they wrote their will?</li>
</ul>
<h3>6. Compare the chroniclers' emphasis on parents abandoning their children with the information in the testaments and the image of the family in the "Dance of Death" woodcut.</h3>
<ul>
<li>In the "Dance of Death" image, is the child being abandoned by his family?</li>
<li>Is there evidence of abandonment in the four testaments and the graph of all extant testaments?</li> <li>What would you say was the experience of children and families in Bologna during the Black Death?</li>
</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Children and Childhood During the Black Death</h3>
<p>by Susan Douglass</p>
<p><strong>Time Estimated:</strong> two to three 45-minute classes</p>


<h3>Objectives</h3>
<ol>
<li>Evaluate the reliability of various types of primary sources in regard to the effects of the Black Death on children and their families.</li>

<li>Analyze and compare different types of available evidence on the physical and social affects of the Black Death.</li>

<li>Develop possible explanations for the differences between contemporary (or near contemporary) narrative accounts of the Black Death and other types of evidence.</li>

<li>Develop research questions that could lead beyond the current sources to suggest strategies for resolving the historical disputes raised by conflicting evidence.</li>

<li>Gather the evidence presented in the documents and create a summary of the experience of the Black Death in visual or narrative form.</li>  
</ol>


<h3>Materials</h3>
<ul>
<li>Paper, regular notebook or white paper for individual or paired work, butcher paper or poster board for group work.</li>

<li>Computer with Internet connection for viewing primary sources and accessing "Wordle."</li>

<li>Web links and settings to enable <a class="external" href="http://www.wordle.net/ ">Wordle</a> and/or <a class="external" href=" http://tagcrowd.com/">TagCrowd</a>; and a word processor for pasting the primary sources.</li>

<li>Documents from <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/167 ">Teaching Module</a> prepared as handouts.</li>
</ul>


<h3>Day One</h3>
<p><em>Hook</em><br />
After introducing the topic of the Back Death, ask students to describe in a few keywords what they know about this occurrence in world history. Note the responses on the board.</p>

<p>Then ask students how historians learned about the plague from available evidence.</p> 

<p>Make a list of possible sources of evidence the students identify. One type of evidence that might be surprising to students is a map that  documents how widespread bubonic plague is today. (See <a class="external" href="http://www.cdc.gov/ncidod/dvbid/plague/world98.htm">1998 plague reporting map</a> from the Center for Disease Control and Prevention.)</p> 

<p>Explain that the class will examine several different types of historical evidence about the plague.</p>


<p><em>Activity</em><br />
Divide the students into three groups, according to the three types of primary source textual accounts (the <em>Decameron</em> and the Personal Accounts from Italy; the Health Ordinance; and the Testaments).</p> 

<p><em>Close Reading Activity</em><br />
First, have each group (or individual students) read the sources. Then, use the free applets (<a class="external" href="http://www.wordle.net/">Wordle</a> or <a class="external" href="http://tagcrowd.com/">TagCrowd</a>) to make Word Clouds from the following texts, simply by choosing "Create," pasting the formatted or unformatted text into a window and pushing "Go:"</p>

<ul>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/167?section=primarysources&source=177"><em>Decameron</em></a> excerpt and the Italian Accounts of the Black Death; pasting separately from the English, but combining the original Latin and Italian texts</li> 

<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/167?section=primarysources&source=179">The Health Ordinance of Pistoia</a></li>

<li>Combined text of the four testaments, and the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/167?section=primarysources&source=184">graph of wills from Bologna</a>.</li>
</ul>


<p>The purpose of this exercise is to help students to see the pattern of language use in the sources. The word cloud will help students identify keywords in the original languages when they appear with equal emphasis in English (e.g., <em>padre</em>, <em>abbandonava</em>). The aim is to see what ideas and tone writers conveyed to their audience, as well as to gain a sense of the memory of the event in the writers’ minds. Students should not substitute the word cloud for a close reading of the text, but use it as an aid. Working on the three groups of sources, use the following questions as a guide for close reading:</p> 

<ul>
<li>What do the word clouds for the English and original Latin and Italian communicate about the effect of the plague on the society of the time? Identify keywords in both languages. Identify descriptive nouns and adjectives. Identify terms for people? Are they general or personal terms? What does this say about the plague as an event across society? [Ans. <em>people are described entirely in terms of their relation to one another, not in terms of class, vocation, or name.</em>] Then read the annotation to the source. How do Boccaccio and the chroniclers portray the effect of the plague on social relations? Imagine the scene they describe, multiplied across whole cities. Does Boccaccio indicate different reactions among different social classes? How does the <em>Decameron</em> excerpt contrast with the frame of the stories, that is, a group taking refuge outside the city? Noting that these are not eyewitness accounts, what role might memory play in the substance and tone of the accounts, and what role does literary or moral purpose play?</li>

<li>What does the word cloud indicate about official views of the plague's causes at the time? What words and their frequency in the ordinance indicate beliefs about the spread of the disease? What words are missing which might reflect medical knowledge today? [Ans: <em>germs, fleas, blood</em>] Then read the annotation to the source. Despite their lack of knowledge of germ theory and insect vectors, how did the measures targeted in the ordinance reflect practical observations about the spread of the disease? Is the frequency of attention to clothing, fabrics, and the absence of cleanliness entirely misplaced? Do you think that such an ordinance helped in any way? Was it enforceable?</li>

<li>What does the word cloud indicate about the tone of the texts and the events they record? Make a list of the most frequent nouns, verbs, and other words describing people (names, vocations, relationships). Does the text include descriptive adjectives? To what do they refer?  Read the annotations to the sources. Imagine the scene and the setting in which these wills were drawn up [students may wish to create a tableau of the scene using drawn figures or themselves acting out the parts.] Was it a scene of panic? What persons were present, and what were their relationships to the patient? Who was absent from the scene, and why? What concerns did each person present have and how did they bring their concerns to bear in making the testament? [Ans: <em>patients taking care of family wealth, care of children who survived, priests getting donations for the church, debtors being paid, family members receiving shares</em>] How would the ravaging plague have altered the normal process of drawing up a will? Using the graph of wills made during the plague months, and taking into account the officials who had to be present at will-making, discuss the difficulties the Church and the city faced during the epidemic. How likely is it that many people died without wills, or without registered wills? What is unusual about leaving the family wealth to a small child, whether son or daughter?</li>
</ul>

<p>NOTE: If at all possible, students should be encouraged to create word clouds individually or as a group, since the applet allows use of creative effects such as fonts, colors, and different word orientations that will inspire them to "see" the text in tone and substance. If desired, however, word clouds of these sources have been created and posted at:</p>

<ul>
<li><a class="external" href="http://www.wordle.net/gallery/wrdl/789519/Black_Death_Chronicles-14th_century">http://www.wordle.net/gallery/wrdl/789519/Black_Death_Chronicles-14th_century</a> [original language]; <a class="external" href="http://www.wordle.net/gallery/wrdl/800349/Black_Death_Chronicle_translation-Italy_14th_century ">http://www.wordle.net/gallery/wrdl/800349/Black_Death_Chronicle_translation-Italy_14th_century</a>  [translation of chronicles & Decameron excerpt];</li>
<li><a class="external" href="http://www.wordle.net/gallery/wrdl/800313/Black_Death_testaments-14th_century_Italy">http://www.wordle.net/gallery/wrdl/800313/Black_Death_testaments-14th_century_Italy</a>  [testament texts];</li>

<li><a class="external" href="http://www.wordle.net/gallery/wrdl/800471/Health_Ordinances_of_Pistoia%2C_Italy_14th_century">http://www.wordle.net/gallery/wrdl/800471/Health_Ordinances_of_Pistoia%2C_Italy_14th_century</a> [Health Ordinances of Pistoia].</li>
</ul>
 
<p>Following the individual or group work with the three different types of primary sources, ask students to give their impression of the effect of the Black Death on the social order, based on their set of documentary sources. Student responses should fairly clearly differentiate among the sources as to the effects, but also indicate common elements. The starkest contrast will be the scenes of impersonal, general breakdown of the social order in Boccaccio and the chronicles, compared with the orderly scenes of making wills in the homes of the sick, with an array of people present, personalized references, their attempt to keep families and relationships intact. How can historians today account for the difference? What role might memory, and what role might literary style play? The ordinance portrays an official response based on incomplete knowledge, but shows that practical observation had some value in defining preventative measures. What questions does the contrast in the sources raise? [EXAMPLES: Were priests willing to enter homes of the sick? How did they avoid the disease, or did they? How could there have been enough officials to witness and record wills during and after the epidemic? Could that account for the decline in numbers of wills after July?]</p> 
<p>Project the "Dance of the Dead" images or print them onto a 1-page handout. Read the annotations. Noting that these images are not directly related to the actual event of the Black Death, but existed as an art form before and after it, reflect on the following themes related to these popular images from the period. What messages do the images portray? What words can you recognize in the text accompanying the mural? Assuming generally high infant mortality even without epidemics, do you think people were emotionally attached to their children, knowing they might be carried away suddenly? How might mortality have differed among social classes? What indications of social class do the images portray? As public expressions of memory, what do they reflect in terms of attitudes toward death, and what moral lessons do they seem to project?</p>
<p>Assign the Document Based Question below as an in-class essay or homework assignment. Follow your usual procedure for drafts, critique, revision, and finalizing.</p>
<p><em>Extension Activity</em><br />
Use the  <em>World History For Us All</em> teaching unit <a class="external" href="http://worldhistoryforusall.sdsu.edu/units/five/closeup/05_closeup551.pdf">"Coping with Catastrophe: The Black Death of the Fourteenth Century, 1330 - 1355 CE"</a> to assess the causes and effects of the plague in other parts of Europe and elsewhere in the world, and to see what historical source issues are raised by the materials in the lessons.</p>

<h3>Differentiation</h3>
<p><em>Advanced Students</em><br /> 
Advanced students may be asked to search for additional documents and images on the Black Death, including fuller versions of the ones excerpted in the lesson. A few students might research the course of the disease to contribute knowledge about how long it took from exposure to the disease to death, and how frequent known outbreaks of plague were in the following centuries.</p> 

<p><em>Less Advanced Students</em><br />
Remedial students could be asked to focus merely on the documents in English, or on a limited selection of documents from each group. The document-based question can be modified to allow more time, to use fewer documents for their essay. They may also be asked to provide a culminating assessment in a form other than an essay, such as a visual, literary or narrative account that can be graded on how well it reflects use of evidence and comparison among the documents.</p>
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-primary-sources" class="element">
        <h3>Primary Sources</h3>
                                    <div class="element-text">177, 178, 179, 180, 181, 182, 183, 184, 185, 186</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Wed, 15 Oct 2008 01:21:03 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Health in England (16th–18th c.)]]></title>
      <link>https://cyh.rrchnm.org/items/show/166</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Health in England (16th–18th c.)</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Health and sickness, as it pertains to children and youth in Early Modern England, is examined through an array of primary sources that illuminate both the perils of childhood in that age and the measures taken for the care of the ill and the emotional investment of families in caring for them.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Lynda Payne</div>
                    </div><!-- end element -->
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        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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        <h3>Date</h3>
                                    <div class="element-text">2008-10-14</div>
                    </div><!-- end element -->
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        <h3>Contributor</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">eng</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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    <h2>Teaching Module Item Type Metadata</h2>
        <div id="teaching-module-item-type-metadata-bibliography" class="element">
        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">
<li>Abbot, Mary. <em>Life Cycles in England, 1560-1720: Cradle to Grave</em>. London: Routledge, 1996.<br />
<span>Includes chapters on children and youth and primary written and visual sources with suggestions for their use.</span></li>

<li>Beier, Lucinda. <em>Sufferers and Healers: The Experience of Illness in Seventeenth-century England</em>. London: Routledge, 1988.<br />
<span>Focuses on the patients and those who treated them, from housewives to bonesetters to surgeons. Includes an analysis of the casebook of Joseph Binn, a London surgeon and some of his younger patients.</span></li>

<li>Ben-Amos, Ilana Krausman. <em>Adolescence and Youth in Early Modern England</em>. New Haven: Yale University Press, 1994.<br />
<span>Discusses the shorter life span of pre-modern people and why youth was so important as a result. Themes include the physical and emotional effects of being an apprentice or a servant. Not an easy read.</span></li>

<li>Houlbrooke, Ralph A. <em>The English Family, 1450-1700</em>. New York: Longman, 1984.<br />
<span>A classic work on the importance of understanding family structure in this period as the context to disease and death. Includes a chapter on children.</span></li>

<li>Pollock, Linda. <em>Forgotten Children: Parent-Child Relations from 1500-1900</em> Cambridge University Press, 1983.<br />
<span>A controversial work that argues against the idea that there was little concept of a childhood in the past and that life for the young was a brutal experience. Discusses the treatment of sick children and youth.</span></li>
</ol></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Sharon Cohen<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p><strong>Directions</strong><br />
The following question is based on the documents included in this module. This question is designed to test your ability to work with and understand historical documents.</p>

<p>Drawing on specific examples from the sources in the module, write a well- organized essay of at least five paragraphs in which you answer the following question:</p>
<ul>
<li> To what extent did parents in early modern England try not to become too attached to their children, as infant and child mortality was so high? </li>
</ul>

<p>Write an essay that:</p>
<ul>
<li>has a relevant, clear thesis that answers the question,</li>
<li>uses at least six of the documents,</li>
<li>analyzes the documents by grouping them in as many appropriate ways as possible. Does not simply summarize the documents individually, and</li>
<li>takes into account both the sources of the documents and the creators' points of view.</li>
</ul>
<p>You may refer to relevant historical information not mentioned in the documents.</p>
<p>Be sure to analyze point of view in at least three documents or images.</p>
<p>What additional sources, types of documents, or information would you need to have a more complete view of this topic?</p> 
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgment is made to the following institutions for primary sources:</p>

<ul>
<li><a class="external" href="http://www.fordham.edu/halsall/mod/modsbook.html">Fordham University</a>,</li>
<li><a class="external" href="http://www.irwin-pub.com/">Irwin Publishing</a>,</li>
<li><a class="external" href="http://www.neonatology.org/index.html">Neonatology on the Web</a>,</li>
<li><a class="external" href="http://www.nypl.org/">The New York Public Library, Astor, Lenox and Tilden Foundations</a>, and</li>
<li><a class="external" href="http://images.wellcome.ac.uk/indexplus/image/L0030701.html">Wellcome Library</a>.</li>
</ul>

<h3>About the Author</h3>

<p>Lynda Payne, Ph.D., RN, Sirridge Missouri Endowed Professor in Medical Humanities and Bioethics and Associate Professor of History, University of Missouri-Kansas City. She is the author of <em>With Words and Knives: Learning Medical Dispassion in Early Modern England</em>, and is currently researching and writing a monograph on the 18th-century surgeon Percivall Pott.</p>

<h3>About the Lesson Plan Author</h3>
<p>Sharon Cohen teaches AP World History and IB Theory of Knowledge at Springbrook High School in Maryland. She regularly presents papers on world history pedagogy at the annual conferences of the World History Association, the American Historical Association, the National Council for Teaching History, and the National Council for the Social Studies, served on the College Board's AP World History Development Committee, contributed articles to the online journal <em>World History Connected</em>, and published curriculum units in world history for the College Board and the online model world history project <em>World History For Us All</em>.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">University of Missouri-Kansas City</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>Children and youth in early modern England (1500-1800) were subject to many diseases and physical hardships. From the great epidemic diseases of bubonic plague and smallpox, to more common illnesses such as measles and influenza that still afflict children today, sickness put children and youth at great risk. With no knowledge of bacteria or antibiotics, and surgery performed without anesthesia or even hand washing, there were few remedies for childhood illnesses beyond a nourishing diet and keeping the patient warm. Even surviving an illness could have permanent consequences, for example, scarlet fever left many children blind and deaf, and measles could cause severe scarring and facial bone loss.</p> 
<p>One measurement of health in early modern England is revealed in the statistics of the number of deaths kept by church parishes. From these records historians have gleaned that infant mortality (death during the first year of life) was approximately 140 out of 1000 live births. The average mother had 7-8 live births over 15 years. Unidentifiable fevers, and the following list of diseases, killed perhaps 30% of England's children before the age of 15 – the bloody flux (dysentery), scarlatina (scarlet fever), whooping cough, influenza, smallpox, and pneumonia.</p> 
<p>Death from disease was higher in urban than in rural areas. Early modern cities were widely, and often rightly, regarded as deadly environments. They contained large concentrations of population who were often poorly fed and housed. "Crowd diseases" such as typhus, smallpox, and tuberculosis prospered, and bubonic plague epidemics periodically swept through dense urban populations. In 1563, 1603, 1625 and 1665, about one fifth of the population of London died in plague outbreaks. In 1665, one of the deadliest years, 80,000 people died in the capital city. Of this number, historians estimate that at least 45,000 of the victims were under the age of 15.</p>
<p>Besides diseases, accidents were common sources of sickness, disability and death for children and youth. From surveys of coroners's inquests, drowning in wells and bathtubs, was the most reported accidental death in children under the age of 5. Accidents were also reported connected to the work in which children were engaged beginning around age 8. Children cracked their skulls while fetching water, were trampled by horses while ploughing, or dropped and injured while under the care of siblings. Boys, unless they were from the noblest of families, were expected to serve an apprenticeship. They were often placed in dangerous crafts such as tanning, blacksmithing, or serving on ships, where chemical poisonings, fires, and war injuries were frequent occurrences. There are also accounts in diaries of the period of youthful pranks leading to injury, for example, hiding gunpowder in candles so they blew up when lit.</p> 
<p>Throughout this period the primary place where sick children and youth were cared for was in the home, and the principal healers were women – mothers, daughters, wives, and servants. Powder burn remedies —applying a mixture of poultry fat and dung—were commonly included in home receit (remedy/recipe) books kept by the mistress of the household. Women developed considerable professional knowledge after the rise of the printing press in 1500 and the publication of books that had been only in the hands of physicians. Both herbal and chemical medicines were described as suitable for the young in family receit books, such as dried dill in honey for a cough, and iron filings in beer for paleness of the skin.</p> 
<p>Children were rarely treated by the small and expensive elite of university-trained physicians to whom adult patients turned for a prognosis and not for a cure. Their remedies were also considered too drastic for children as they largely consisted of rectal purging (laxatives), bloodletting (cutting a vein open with a lancet), and forced vomiting (emetics). These treatments were based on an ancient Greek medical theory that the body was composed of four substances, or humors, created from the digestion of food. The four humors were choler or yellow bile, phlegm or mucus, black bile, and blood, and all had properties of being hot/cold and dry/wet. If the humors were balanced – neither too strong nor too weak – you were healthy. The hot and wet humor of blood and the hot and dry humor of yellow bile were believed to be naturally stronger in the young. Occasionally if these humors were not weakened and released from the body in the form of sweat, tears, urine, feces, or even sneezing, physicians would give children emetics to make them vomit or let blood through "cupping." Heated glass, bone, or brass cups would be placed upon skin that had been scratched or scarified with a knife. Blood would then flow gently from these wounds due to the creation of a vacuum by the heated cup.</p> 
<p>Worried parents consulted surgeons, trained through apprenticeship, for broken limbs, ruptures, and the bladder stone. The latter was caused by the early modern diet, which was rich in gravel. Boys were often operated on for the stone by surgeons in this period with a mortality rate of 30%. The operation was called a lithotomy and took about three to five minutes to perform.  No anesthesia was used, instead surgeons relied on the child fainting from pain and being out during the extraction of the stone. Most often, parents turned first to family, friends, and neighbors, for medical advice, even the local blacksmith for a fee would set bones in humans as well as animals.</p. <p>As the specialty of pediatrics (from the Greek for child and healing) had yet to emerge, children were treated as small adults in hospitals and kept in the same wards as adult men and women. Some charitable institutions were opened in the early modern period, for example, the Children's Hospital in Norwich in 1621, but they tended to be more for children who were abandoned by their parents or orphaned, than for sick youngsters. The largest institution for orphans was the Foundling Hospital in London, opened in 1741. There were also medical discoveries that helped children and youth in this period, most notably, inoculation and vaccination for smallpox.</p> 
		<p>Starting in the 1960s several scholars have argued that early modern parents tried not to invest too much emotion (or money) in a child until it reached an age where survival was likely. High birth rates, accompanied by high death rates for children under the age of ten years old, meant that family life was fragile and uncertain. Yet the parent-child relationship seems to have been as strong in the early modern period as in any other age, and former ideas of emotional indifference before the eighteenth century are now widely questioned by scholars. Most of the population had a hard struggle for existence but children were cared for as much as conditions would allow. The harrowing grief of mothers and fathers who lost children to disease or accident is indeed all too apparent in diaries and letters of the period.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Lynda Payne</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><p>I have found that the best way to teach about sickness and health from centuries ago is to not to focus on the biology and statistics of diseases but to focus on the suffering and the impact of illness on a person's life. I have had students write about their own experience of illness until the age of 18, and then had them compare and contrast that with the common illnesses a child and youth would have experienced in early modern England. Students have also researched how medical conditions of children and youth would be diagnosed and treated by a variety of healers. They took into consideration wealth and poverty, class status, gender, and whether they were living in a city or in the countryside. Finally, I have had success with using visuals to illustrate not just medical care and treatment but environmental conditions. If you have students imagine life without modern conveniences such as electricity, gas, sewers, clean water, cars, and so forth (the list is long), their understanding and interpretation of images of early modern children and youth grows as they take into account the context of health, hygiene, and illness.</p>

<h3>Discussion Questions</h3>
<ul>
<li>What were the common illnesses of children and youth in early modern England? What remedies were suggested and by whom? Can you describe some of the changes in medical treatment during this period? (Classification and description of diseases, inoculation and vaccination).</li>

<li>Some historians have argued that children and youth had a miserable existence and that parents in early modern England tried not to become too attached to their children, as infant and child mortality was so high. Can you use the sources to argue for and against this thesis? (Teeth pulling, Gin Lane, Infanticide Trial versus The Graham Children and the Evelyn Diary).</li>
</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Health in England (16th&ndash;18th c.)</h3>
<p>by Sharon Cohen</p>
<p><strong>Time Estimated:</strong> three 45-minute classes</p>

<h3>Objectives</h3>
<ol>
<li> Students will be able to identify possible connections between the lack of modern conveniences and health, hygiene, and illness among children in early modern England.</li>

<li>Students will be able to debate the extent to which parents demonstrated attachment to children in a period of high mortality for infants and young children. </li>
</ol>

<h3>Materials</h3>
<ul>
<li>Printouts of primary sources sufficient for each student to have a full set of the texts and images in the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/166?section=introduction"><em>Health in England</em></a> Teaching Module. <a id="fn1" class="footnote" href="#note1">1</a></li>
<li>Highlighters</li>
<li>Index cards </li>
</ul>

<h3>Day One</h3>
<p><em>Hook</em><br />
Ask students to imagine life without modern conveniences such as electricity, sewers, and clean water by listing ten possible effects on health, hygiene, and illness. Then, with a partner, have them predict which of those effects were common among children in early modern England. Make a class list of these predictions to post for comparison later.</p>

<p><em>Activity</em><br />
Students will read the primary sources looking for any connections between the lack of modern conveniences and health, hygiene, and illness among children. One strategy to help with close reading is to help the students generate lists of typical words they might find in the text, and then encouraging them to underline or highlight the words associated with a lack of conveniences (such as lack of clean water for drinking or washing) and circle or highlight the words associated with symptoms of illness (complexion, fever, fits, pain, sweat, swollen, shivers, blisters) and treatments (ointment, medicine, bloodletting, fasting, bed rest). Have the students turn in their annotated sources. Check to make sure they found most of the key words. If not, show them to the students the next day.</p>

<h3>Day Two: Debate Prep</h3>

<p>Return the annotated sources and ask students to share with a partner the words that appeared the most often.</p>

<p>With partners, have students try to translate those words into lists:</p>
<ul>
<li>identifying the common illnesses of children and youth in early modern England and</li>
<li>identifying the remedies suggested and by whom.</li></ul>
<p>They should write these analyses of the sources in the margins.</p>

<p>Students prepare for a debate on whether parents in early modern England tried not to become too attached to their children, as infant and child mortality was so high. </p>

<h3>Day Three: The Debate</h3>
<p><em>Debate Directions</em><br />
Divide the class into two groups (pro and con).</p>
<p>Assign each student a specific speaking role in the debate.</p> 
<ul>
<li>Each group has a different student make the opening statement and the closing statement.</li>
<li>Each group has six main pieces of evidence delivered by six different students.</li>
<li>Each group also assigns six students to critique the evidence delivered on the basis of the authority or reliability and perspective of the source.</li>
<li>That's 28 student roles. Adjust as necessary for the size of the class. If the class is larger, assign students to critique the arguments and evidence used overall in the debate and then report on their assessment at the end.</li>
</ul>
<h3>Differentiation</h3>
<p>Some strategies for supporting and challenging students are already included in the lesson. For struggling readers, the sources might need to be translated into modern English, and perhaps even analyzed together as a class. The preparation for the debate for students still learning how to construct and support arguments might take an extra day, so the teacher can speak individually with each student to guide the framing of the arguments and selection of evidence to support the main points. To challenge students further, it might be possible for them to find additional evidence not included in this module, even perhaps going beyond the borders of England to compare the attitudes and practices toward children's health in other places.</p>

<hr />
<div id="notes">
<p><a id="note1" class="footnote" href="#fn1">1</a> Texts include:</p>
<ul>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=155>Boke of Chyldren</a></li>

<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=156">"On Scarlet Fever"</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=162">Infanticide Trial Transcript from the Old Bailey of Elizabeth Taylor of Clerkenwell</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=158">Gin Lane text and illustration</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=160">Diary of John Evelyn</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=163">The Graham Children</a></li>
</ul>
</div>
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-primary-sources" class="element">
        <h3>Primary Sources</h3>
                                    <div class="element-text">155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Wed, 15 Oct 2008 00:12:45 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[An Inquiry into the Causes and Effects of the Variolae Vaccinae [Literary Excerpt and Illustration]]]></title>
      <link>https://cyh.rrchnm.org/items/show/165</link>
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                                    <div class="element-text"><em>An Inquiry into the Causes and Effects of the Variolae Vaccinae</em> [Literary Excerpt and Illustration]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>Edward Jenner (1749-1823) was a physician in rural Gloucestershire. Like Lady Mary Wortley Montagu he learnt of a widely known folk remedy to protect against smallpox. Smallpox cases were increasing in the 18th century and had a mortality rate of 40%. At least 30% of those who survived were left horribly scarred. Smallpox was a disease of children and youth in particular. However, dairymaids and farmers believed that those who had contracted cowpox, a mild infection often found on the udders of cows, would not get smallpox. Jenner's interviews with local farmers led him to carry out a series of experiments using cowpox matter, or lymph (fluid), taken from the vesicles of cowpox on the hands of the dairymaid Sarah Nelmes. In May 1796 he inserted the lymph in the arm of a young boy called James Phipps who promptly came down with cowpox. In July Jenner inoculated Phipps with smallpox matter but he remained healthy and did not get the disease. Jenner carried out several of these experiments on villagers and the children of his servants before he published his findings. He called this new method of using cowpox to protect against smallpox, vaccination from <em>vacca</em>, the Latin word for cow. In fact historians now have evidence that local farmers had carried out this procedure before but Jenner was the first medical man to publish his findings on cowpox as a preventive remedy against smallpox in <em>An Inquiry into the Cause and Effects of the Variolae Vaccinae, a Disease Discovered in Some of the Western Counties of England, Particularly Gloucestershire, and Known by the Name of the Cow-pox</em>. Vaccination was not accepted quickly by all but it gradually became more popular as it was less risky than inoculation. The watercolor drawing shows the profound difference in the severity of infection caused by inoculation with smallpox as recommended by Lady Montagu versus vaccination with cowpox as recommended by Edward Jenner. Vaccination became compulsory in Britain in 1853.</p></div>
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                                    <div class="element-text">Dr. Edward Jenner</div>
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                                    <div class="element-text">Dr. Edward Jenner, "<em>An Inquiry into the Causes and Effects of the Variolae Vaccinae</em>," <em>The Wellcome Library</em>, <a class="external" href=http://images.wellcome.ac.uk/indexplus/result.html?_IXFIRST_=1&_IXSS_=_IXFIRST_%3d1%26_IXINITSR_%3dy%26_IXACTION_%3dquery%26IXFROM%3d%26IXTO%3d%26_IXrescount%3d28%26_IXMAXHITS_%3d15%26%2524%2bwith%2bwi_sfgu%2bis%2bY%3d%252e%26%252asform%3dwellcome%252dimages%26%2524%253dsort%3dsort%2bsortexpr%2bimage_sort%26_IXSESSION_%3dcrHmB4NhlbN%26c%3d%2522historical%2bimages%2522%2bOR%2b%2522contemporary%2bimages%2522%2bOR%2b%2522corporate%2bimages%2522%2bOR%2b%2522contemporary%2bclinical%2bimages%2522%26i_num%3d%26_IXshc%3dy%26i_pre%3d%26%2524%253ds%3dkirtland%26_IXFPFX_%3dtemplates%252ft%26%2524%253dsi%3dtext%26t%3d%26w%3d&_IXACTION_=query&_IXMAXHITS_=1&_IXSR_=2ZycWp7FBCy&_IXSPFX_=templates%2ft&_IXFPFX_=templates%2ft>http://images.wellcome.ac.uk</a>; Edward Jenner, <em>The Three Original Publications on Vaccination Against Smallpox</em>, The Harvard Classics, 1909-14, <a class="external" href="http://www.bartleby.com/38/4/1.html">http://www.bartleby.com/38/4/1.html</a> (accessed October 13, 2008). Annotated by Lynda Payne.</div>
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                                    <div class="element-text">2008-10-14</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Lynda Payne</div>
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                                    <div class="element-text">166</div>
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                                    <div class="element-text">image/jpeg, text</div>
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                                    <div class="element-text">en</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text"><p>CASE XVI.—Sarah Nelmes, a dairymaid at a farmer's near this place, was infected with the cow-pox from her master's cows in May, 1796. She received the infection on a part of her hand which had been previously in a slight degree injured by a scratch from a thorn. A large pustulous sore and the usual symptoms accompanying the disease were produced in consequence. The pustule was so expressive of the true character of the cow-pox, as it commonly appears upon the hand, that I have given a representation of it in the annexed plate. [In original.] The two small pustules on the wrists arose also from the application of the virus to some minute abrasions of the cuticle, but the livid tint, if they ever had any, was not conspicuous at the time I saw the patient. The pustule on the forefinger shews the disease in an earlier stage. It did not actually appear on the hand of this young woman, but was taken from that of another, and is annexed for the purpose of representing the malady after it has newly appeared.</p>
  <p><em>41</em></p>
  <p>CASE XVII.—The more accurately to observe the progress of the infection I selected a healthy boy, about eight years old, for the purpose of inoculation for the cow-pox. The matter was taken from a sore on the hand of a dairymaid,  10 who was infected by her master's cows, and it was inserted, on the 14th of May, 1796, into the arm of the boy by means of two superficial incisions, barely penetrating the cutis, each about half an inch long.</p>
 <p><em> 42</em></p>
  <p>On the seventh day he complained of uneasiness in the axilla, and on the ninth he became a little chilly, lost his appetite, and had a slight headache. During the whole of this day he was perceptibly indisposed, and spent the night with some degree of restlessness, but on the day following he was perfectly well.</p>
 <p><em> 43</em></p>
  <p>The appearance of the incisions in their progress to a state of maturation were much the same as when produced in a similar manner by variolous matter. The only difference which I perceived was in the state of the limpid fluid arising from the action of the virus, which assumed rather a darker hue, and in that of the efflorescence spreading round the incisions, which had more of an erysipelatous look than we commonly perceive when variolous matter has been made use of in the same manner; but the whole died away (leaving on the inoculated parts scabs and subsequent eschars) without giving me or my patient the least trouble.</p>
 <p><em> 44</em></p>
  <p>In order to ascertain whether the boy, after feeling so slight an affection of the system from the cow-pox virus, was secure from the contagion of the smallpox, he was inoculated the 1st of July following with variolous matter, immediately taken from a pustule. Several slight punctures and incisions were made on both his arms, and the matter was carefully inserted, but no disease followed. The same appearances were observable on the arms as we commonly see when a patient has had variolous matter applied, after having either the cow-pox or smallpox. Several months afterwards he was again inoculated with variolous matter, but no sensible effect was produced on the constitution.CASE XVIII.—John Baker, a child of five years old, was inoculated March 16, 1798, with matter taken from a pustule on the hand of Thomas Virgoe, one of the servants who had been infected from the mare's heels. He became ill on the sixth day with symptoms similar to those excited by cow-pox matter. On the eighth day he was free from indisposition.</p>
  <p><em>48</em></p>
  <p>There was some variation in the appearance of the pustule on the arm. Although it somewhat resembled a smallpox pustule, yet its similitude was not so conspicuous as when excited by matter from the nipple of the cow, or when the matter has passed from thence through the medium of the human subject.</p>
 <p><em> 49</em></p>
  <p>This experiment was made to ascertain the progress and subsequent effects of the disease when thus propagated. We have seen that the virus from the horse, when it proves infectious to the human subject, is not to be relied upon as rendering the system secure from variolous infection, but that the matter produced by it upon the nipple of the cow is perfectly so. Whether its passing from the horse through the human constitution, as in the present instance, will produce a similar effect, remains to be decided. This would now have been effected, but the boy was rendered unfit for inoculation from having felt the effects of a contagious fever in a workhouse soon after this experiment was made.</p>
  <p><em>50</em></p>
  <p>CASE XIX.—William Summers, a child of five years and a half old, was inoculated the same day with Baker, with matter taken from the nipples of one of the infected cows, at the farm alluded to. He became indisposed on the sixth day, vomited once, and felt the usual slight symptoms till the eighth day, when he appeared perfectly well. The progress of the pustule, formed by the infection of the virus, was similar to that noticed in Case XVII, with this exception, its being free from the livid tint observed in that instance.</p>
 <p><em> 51</em></p>
  <p>CASE XX.—From William Summers the disease was transferred to William Pead, a boy of eight years old, who was inoculated March 28th. On the sixth day he complained of pain in the axilla, and on the seventh was affected with the common symptoms of a patient sickening with the smallpox from inoculation, which did not terminate till the third day after the seizure. So perfect was the similarity to the variolous fever that I was induced to examine the skin, conceiving there might have been some eruptions, but none appeared. The efflorescent blush around the part punctured in the boy's arm was so truly characteristic of that which appears on variolous inoculation that I have given a representation of it. [In original.] The drawing was made when the pustule was beginning to die away and the areola retiring from the centre.</p></div>
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            <div id="document-item-type-metadata-related-primary-sources" class="element">
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                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/85/fullsize"><img src="/files/display/85/square_thumbnail" class="thumb" alt="&lt;em&gt;An Inquiry into the Causes and Effects of the Variolae Vaccinae&lt;/em&gt; [Literary Excerpt and Illustration]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Tue, 14 Oct 2008 21:55:31 +0000</pubDate>
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    </item>
    <item>
      <title><![CDATA[Rubeola Vulgaris (measles) [Still Image]]]></title>
      <link>https://cyh.rrchnm.org/items/show/161</link>
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    <h2>Dublin Core</h2>
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                                    <div class="element-text">Rubeola Vulgaris (measles) [Still Image]</div>
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                                    <div class="element-text"><p>Robert Willan (1757-1812) was a physician who practiced in London. Like Sydenham he was fascinated by the relation of weather to epidemics and kept strict records on when they occurred over several years. He was particularly interested in the diseases of children and carefully observed rashes and pustules as they developed in stages on the skin. The first volume of his book, <em>On Cutaneous Diseases</em>, was published between 1798-1808 and widely admired by the medical world. Historians generally agree that it was this book that launched the modern specialty of dermatology. The volume is notable for its' beautiful and graphic colored plates. Willan closely supervised the creation of these. In 1812 as he was preparing a second volume for publication, Willan sadly died from tuberculosis. Plate 20 shows a young child's face and arm covered in the rash characteristic of measles. It was often a severe and disfiguring disease in early modern England and could result in death as the infection spread to the tissue and bone, resulting in gangrene.</p></div>
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        <h3>Source</h3>
                                    <div class="element-text">Willan, Robert. <em>On Cutaneous Diseases</em>. N.p., 1808. Wellcome Collection, "Pate 20: On Cutaneous Diseases," <em>The Wellcome Library</em>, <a class="external" href=http://library.wellcome.ac.uk/doc_WTD015575.html>http://library.wellcome.ac.uk/doc_WTD015575.html</a> (accessed October 13, 2008).</div>
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                                    <div class="element-text">2008-10-13</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Lynda Payne</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">166</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">image/jpeg</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="still-image-item-type-metadata-image-description" class="element">
        <h3>Image Description</h3>
                                    <div class="element-text">A color illustration by a London physician named Robert Willan, published between 1798 and 1808. This image, Plate 20, shows a young child&#039;s face and arm covered in the rash characteristic of measles.</div>
                    </div><!-- end element -->
            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/90/fullsize"><img src="/files/display/90/square_thumbnail" class="thumb" alt="Rubeola Vulgaris (measles) [Still Image]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Mon, 13 Oct 2008 20:42:35 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/90/fullsize" type="image/jpeg" length="63594"/>
    </item>
  </channel>
</rss>
