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    <title><![CDATA[Children and Youth in History]]></title>
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    <pubDate>Wed, 11 Aug 2021 03:25:58 +0000</pubDate>
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      <title><![CDATA[Age of Consent Laws]]></title>
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                                    <div class="element-text"><p>This module traces the shifting ways that age of consent laws have been defined, debated and deployed worldwide and from the Middle Ages to the present, and explores how such laws figure in debates over the nature of childhood, adolescence, and adulthood, in campaigns against prostitution and child marriage, and teenage pregnancy, as well as struggles to achieve gender and sexual equality.</p></div>
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                                    <div class="element-text">Stephen Robertson</div>
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                                    <div class="element-text">eng</div>
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        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">
<li>Cocca, Carolyn. <em>Jailbait: The Politics of Statutory Rape Laws in the United States</em>. Albany: State University of New York Press, 2004.<br /> <span>A study of changes in American age of consent laws since the 1970s, which uses case studies to explore the roles of feminists, religious conservatives and legislators in shaping new laws.</span></li>
<li>Gorham, Deborah. "The Maiden Tribute of Modern Babylon Re-examined: Child Prostitution and the Idea of Childhood in Late-Victorian England." Victorian Studies 21 (Spring 1978): 353-79.<br /> <span>An older article, but still the most thoughtful analysis of the 'Maiden Tribute' scandal in terms of ideas about childhood. Gorham's emphasis on the regulatory motives of reformers should be supplemented with Robertson's exploration of how an increased age of consent also offered protection to girls.</span></li>
<li>Odem, Mary. <em>Delinquent Daughters: Protecting and Policing Female Adolescent Sexuality in the United States, 1885-1920.</em> Chapel Hill: University of North Carolina Press, 1995.<br /> <span>The first major study of campaigns to raise the age of consent in the United States, this book also examines early prosecutions in California. Odem places the age of consent alongside the treatment of girls in juvenile courts, as opposed to the prosecutions for sexual violence that provide the context in Robertson, and emphasizes how working-class families, not just middle-class authorities, used the law to regulate girls' behavior.</span></li>
<li>Robertson, Stephen. <em>Crimes against Children: Sexual Violence and Legal Culture in New York City, 1880-1960.</em> Chapel Hill: University of North Carolina Press, 2005.<br /> <span>A detailed history of the prosecution of sexual violence, and how practices and outcomes were changed by shifts in understandings of childhood. Chapters 2, 4, 5, 6 and 9 are focused on cases involving the age of consent, and explore the rise and fall of enforcement of that law.</span></li>
<li>Waites, Matthew. <em>The Age of Consent: Young People, Sexuality and Citizenship.</em> New York: Palgrave Macmillan, 2005.<br /> <span>A wide-ranging, sometimes dense, discussion of the theoretical issues raised by the age of consent and of its legislative history in the United Kingdom; best on the second half of the 20th century and on the age of consent for homosexual acts.</span></li>
</ol></div>
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            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Sharon Cohen<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p>The following question is based on the documents included in this module. This question is designed to test your ability to work with and understand historical documents.</p>

<p>Drawing on specific examples from the sources in the module, write a well- organized essay of at least five paragraphs in which you respond to the following prompt:</p>
<ul>
<li>Analyze the causes of the changes and continuities in age of consent laws in Western Europe between 1850 and the present.</li>
</ul>
<p>What additional sources, types of documents, or information would you need to have a more complete view of this topic?</p>

<p>Write an essay that:</p>
<ul>
<li>has a relevant, clear thesis that answers the question, </li>
<li>uses at least six of the documents,</li>
<li>analyzes the documents by grouping them in as many appropriate ways as possible. Does not simply summarize the documents individually, and</li>
<li>takes into account both the sources of the documents and the creators' points of view. You may refer to relevant historical information not mentioned in the documents.</li>
</ul>
</div>
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            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgment is made to the following institutions for primary sources:</p>

<ul>
<li><a class="external" href="http://www.avert.org/">AVERTing HIV and Aids</a>,</li>
<li><a class="external" href="http://cmiskp.echr.coe.int/tkp197/view.asp?action=html&documentId=683822&portal=hbkm&source=externalbydocnumber&table=F69A27FD8FB86142BF01C1166DEA398649">European Court of Human Rights</a>,</li>
<li><a class="external" href="http://www.springer.com/social+sciences/criminology/journal/10610">European Journal on Criminal Policy and Research</a>,</li>
<li><a class="external" href="http://www.hup.harvard.edu/">Harvard University Press</a>,</li>
<li><a class="external" href="http://www.oldbaileyonline.org/">The Old Bailey Proceedings Online Project</a>,</li>
<li><a class="external" href="http://www.prenticehall.com/">Prentice-Hall</a>,</li>
<li><a class="external" href="http://prometheusbooks.com/">Prometheus Books</a>,</li>
<li><a class="external" href="http://www.uncpress.unc.edu/">University of North Carolina Press</a>,</li>
<li><a class="external" href="http://vampisoul.com/">Vampi Soul</a>, and</li>
<li><a class="external" href="http://www.vahealth.org/civp/sexualviolence/statutoryrape.asp">Virginia Department of Health: Sexual Violence Prevention</a>.</li>
</ul>

<h3>About the Author</h3>

<p>Stephen Robertson is a Senior Lecturer in the Department of History at the University of Sydney in Australia. He did his undergraduate studies in History and English at the University of Otago in Dunedin, New Zealand, and his Ph.D. at Rutgers University, New Brunswick. Prior to coming to Sydney in 2000, he was a post-doctoral fellow at the American Bar Foundation in Chicago (1997-98), and the JNG Finley Postdoctoral Fellow in the Department of History at George Mason University (1998-99). He also taught for a semester at Massey University in New Zealand. His first book, <em>Crimes against Children: Sexual Violence and Legal Culture in New York City, 1880-1960</em>, explored the prosecution of sex crimes during the period in which new ideas about childhood transformed American laws regarding sexual violence. His current research explores everyday life in Harlem in the 1920s. He teaches courses on childhood and youth in modern America, the history of New York City, and digital history. In 2006, he was awarded a Carrick Australian Award for University Teaching Citation for Outstanding Contributions to Student Learning.</p>

<h3>About the Lesson Plan Author</h3>
<p>Sharon Cohen teaches AP World History and IB Theory of Knowledge at Springbrook High School in Maryland. She regularly presents papers on world history pedagogy at the annual conferences of the World History Association, the American Historical Association, the National Council for Teaching History, and the National Council for the Social Studies, served on the College Board's AP World History Development Committee, contributed articles to the online journal <em>World History Connected</em>, and published curriculum units in world history for the College Board and the online model world history project <em>World History For Us All</em>.</p>
</div>
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                                    <div class="element-text">University of Sydney, Australia</div>
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            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>In western law, the age of consent is the age at which an individual is treated as capable of consenting to sexual activity. Consequently, any one who has sex with an underage individual, regardless of the circumstances, is guilty of a crime. Narrowly concerned with sexual violence, and with girls, originally, since the 19th century the age of consent has occupied a central place in debates over the nature of childhood, adolescence, and adulthood, and been drawn into campaigns against prostitution and child marriage, struggles to achieve gender and sexual equality, and the response to teenage pregnancy. This module traces the shifting ways that the law has been defined, debated and deployed worldwide and from the Middle Ages to the present.</p>
<p>An age of consent statute first appeared in secular law in 1275 in England as part of the rape law. The statute, Westminster 1, made it a misdemeanor to "ravish" a "maiden within age," whether with or without her consent. The phrase "within age" was interpreted by jurist Sir Edward Coke as meaning the age of marriage, which at the time was 12 years of age.</p>
<p>A 1576 law making it a felony to "unlawfully and carnally know and abuse any woman child under the age of 10 years" was generally interpreted as creating more severe punishments when girls were under 10 years old while retaining the lesser punishment for acts with 10- and 11-year-old girls. Jurist Sir Matthew Hale argued that the age of consent applied to 10- and 11-year-old girls, but most of England's North American colonies adopted the younger age. A small group of Italian and German states that introduced an age of consent in the 16th century also employed 12 years.</p>
<p>An underage girl did not have to physically struggle and resist to the limit of her capacity in order to convince a court of her lack of consent to a sexual act, as older females did; in other words, the age of consent made it easier to prosecute a man who sexually assaulted an underage girl. However, since the age of consent applied in all circumstances, not just in physical assaults, the law also made it impossible for an underage female to consent to sexual activity. There was one exception: a man's acts with his wife, to which rape law, and hence the age of consent, did not apply.</p>
<p>In trials, juries were often unwilling to simply enforce the law. Rather than focusing strictly on age, they made judgments about whether the appearance and behavior of a girl fit their notions of a child and a victim. It was not only that relying solely on age seemed arbitrary to them; at least until the end of the 19th century, age had limited salience in other aspects of daily life. Laws and regulations based on age were uncommon until the 19th century, and consequently so was possession of proof of age or even knowledge of a precise date of birth.</p>
<p>Near the end of the 18th century, other European nations began to enact age of consent laws. The broad context for that change was the emergence of an Enlightenment concept of childhood focused on development and growth. This notion cast children as more distinct in nature from adults than previously imagined, and as particularly vulnerable to harm in the years around puberty. The French Napoleonic code provided the legal context in 1791 when it established an age of consent of 11 years. The age of consent, which applied to boys as well as girls, was increased to 13 years in 1863.</p>
<p>Like France, many other countries, increased the age of consent to 13 in the 19th century. Nations, such as Portugal, Spain, Denmark and the Swiss cantons, that adopted or mirrored the Napoleonic code likewise initially set the age of consent at 10-12 years and then raised it to between 13 and 16 years in the second half of the 19th century. In 1875, England raised the age to 13 years; an act of sexual intercourse with a girl younger than 13 was a felony. In the U.S., each state determined its own criminal law and age of consent ranged from 10 to 12 years of age. U.S. laws did not change in the wake of England's shift. Nor did Anglo-American law apply to boys.</p>
<p>Behind the inconsistency of these different laws was the lack of an obvious age to incorporate into law. Although scientists and physicians had established that menstruation and puberty occurred on average around age 14 in Europe at this time, different individuals experienced it at different ages -- a fluid situation at odds with the arbitrary line drawn by whatever age was incorporated into law.</p>
<p>At the end of 19th century, moral reformers drew the age of consent into campaigns against prostitution. Revelations of child prostitution were central to those campaigns, a situation that resulted, reformers argued, from men taking advantage of the innocence of girls just over the age of consent. W. T. Stead's series of articles entitled, "The Maiden Tribute of Modern Babylon," published in the Pall Mall Gazette in 1885, was the most sensational and influential of these expos&eacute;s.</p>
<p>The outcry it provoked pushed British legislators to raise the age of consent to 16 years, and stirred reformers in the U.S, such as the Women's Christian Temperance Union, the British Empire, and Europe to push for similar legislation. By 1920, Anglo-American legislators had responded by increasing the age of consent to 16 years, and even as high as 18 years.</p>
<p>While those ages were well beyond the normal age of menstruation, proponents justified them on scientific grounds that psychological maturity came later than physiological maturity. They also argued that the age of consent should be aligned with other benchmarks of development, such as the age at which girls could enter into contracts and hold property rights, typically 21 years. Opponents remained focused on physiological maturity, however, and argued that girls in their teens were sufficiently developed not to need legal protection. Moreover, they argued, by late adolescence girls possessed sufficient understanding about how to use the law to blackmail unwary men.</p>
<p>Historians have argued that increasing the age of consent also gave the law a more pronounced regulatory dimension. In practice, these laws were often used to control the behavior of the working-class girls. Yet reformers at the time saw no distinction between protection and regulation: in making it a crime for girls to decide to have sexual intercourse outside marriage, the law protected them from themselves and from the immature understanding that led them to behaviors reformers considered immoral.</p>
<p>In addition to class, the intersection of race and age also gave the law a regulatory character. In India, for example, the prevalence of the custom of child marriage among Hindus led the British colonial authorities to apply the age of consent to married as well as unmarried girls, thereby creating a crime of marital rape that did not exist in British law. The 1860 Indian Penal Code set the age at 10 years; in 1891 the age of consent but not the age of marriage was raised to 12 years. As a result, the age of consent regulated the consummation of marriage, ensuring that it was delayed until an age when Indian girls were considered likely to have begun menstruating.</p>
<p>A furious debate preceded the enactment of the 1891 law, focused in large part on whether the law violated the commitment the British government had made in 1857 not to interfere in native cultures. That Indian law set the age lower than British law reflected ideas that non-white races "matured earlier," in part because of the environments in which they originated. In the U.S., those who opposed resetting the age of consent to 16 made similar arguments about African-Americans, Mexicans, and Italian immigrants. Australian legislators even claimed that white girls living in sub-tropical climates "ripened" into women earlier than those in Europe.</p>
<p>The behavior of underage girls gave support to both proponents and opponents of the increased age of consent. Increasingly living in cities and working in factories, offices and stores, working-class girls with a new freedom from the supervision of family members and neighbors cultivated a flamboyant, sexually expressive style that extended to consensual sexual activity, usually with men only a few years their elders. Their new freedom brought girls danger as well as pleasure: subordination at work and dependence on men for access to leisure, limited their agency and ability to consent, and sometimes exposed them to sexual violence. Girls involved in age of consent prosecutions came in roughly equal numbers from each of those groups.</p>
<p>In the 1930s, support for setting the age of consent at 16 years or older began to weaken. Characterized by growing economic, social, and cultural independence, girls in their teens assumed a place in western societies quite distinct from that of younger children. New concepts of adolescence and specifically of girlhood normalized sexual activity during the teenage years, at least within peer groups, as "sex play" necessary to achieve adult heterosexuality. Emboldened and influenced by such ideas, girls more often talked of being "in love" with the men charged with having sex with them, and expressed sexual desire. Prosecutors and juries increasingly refused to treat such cases as rape.</p>
<p>Legislators, however, did not reduce the legal age of consent. The resulting tension was reflected in slang, most notably the American term "jailbait," dating from the 1930s, that registered cultural recognition of teenage girls as sexually attractive, even sexually active, but legally unavailable. American legislators did amend laws to take account of the offender's age during the 1940s and 1950s as teen culture expanded and female adolescents exercised their sexual autonomy. During and after World War II, if both the male and female were underage (or between two and six years above the age of consent), the punishment was reduced.</p>
<p>By the 1970s, feminist rape law reform campaigns had helped to expand age of consent laws. Aiming to challenge stereotypes of female passivity and growing concern about male victimization, they made it clearer that the laws concerned all youth&mdash;male and female&mdash;and that the laws protected them from exploitation rather than ensuring their virginity. European nations in general did not follow suit. Only Britain, in 2003, revised its legislation, making an act committed by an individual under 18 with one under 16 a separate, lesser offense.</p>
<p>A more broadly adopted element of feminist rape law reform was the application of gender-neutral language: instead of referring to "females" the law referred to any "person." Unchanged, however, was the nature of the act addressed. Age of consent laws applied only to heterosexual intercourse. The new language criminalized acts between underage boys and women, but not those between boys and men. Promoted as a means of formalizing equality between men and women, gender-neutral language won support as a means of protecting boys. The treatment of such cases, however, was not gender neutral and drew upon gender stereotypes. In practice, boys were imagined as sexual agents, not victims, and as sexual agents, the prevailing assumption was that they would not be harmed by sexual acts with adult women.</p>
<p>In the U.S., the Supreme Court ruled that it was constitutional to apply the age of consent only to girls. The ruling found a new, "modern" basis for the law: the consequences of pregnancy for females. Although out of line with a broad shift toward formal legal equality between males and females, the decision fit the circumstances of the small number of cases still being prosecuted. And despite this ruling, gender-neutral laws were still enacted around the country.</p>
<p>This debate foreshadowed a new link between the law and teenage pregnancy in the 1990s. Conservatives seeking to control adolescent sexuality joined with welfare reform activists. They promoted claims that the enforcement of the age of consent could prevent teenage motherhood (and rising welfare costs) that resulted from girls' exploitation by adult men. Few cases actually fit that pattern, but campaigns to publicize and enforce the law on that basis were implemented in at least 10 states.</p>
<p>At the end of the 20th century, outside the U.S., age of consent laws were expanded to include same-sex acts, due in part to growing tolerance of homosexuality and desire to reach those at risk of AIDS. In the first half of the 20th century, all the European nations, other than Italy and Turkey, that had followed the Napoleonic code in treating heterosexual and homosexual acts alike had recriminalized homosexual acts, either establishing a total ban or an age of consent higher than that for heterosexual acts. In the last quarter of the century, arguments that boys developed later and needed to be older to appreciate the social consequences of homosexual acts began to fade.</p>
<p>European nations began establishing a uniform age of consent for heterosexual and homosexual acts in the 1970s. Under pressure from the European Commission on Human Rights, the former Soviet states and the United Kingdom were the last to revise their legislation at the beginning of the 21st century. In 2003, New South Wales became the final Australian state to adopt a uniform law. In that same year, a U.S. Supreme Court decision decriminalized consensual sodomy, opening the way for the invalidation of unequal laws, a process started in 2005. As of 2007, Canada, Cyprus, and the British territories of Gibraltar and Guernsey were the only western nations without a uniform age of consent for heterosexual and homosexual acts.</p>
<p>More than 800 years after the first recorded age of consent laws, the one constant is the lack of consistency. Laws around the world define the socially appropriate age of consent anywhere from 13 to 18. Some differentiate between heterosexual and homosexual acts while others do not. Some apply to young men as well as young women and others remained focused on the lives and actions of girls. And beyond the legislation lies the world of practice, an even more complex story.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Stephen Robertson</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><p>The primary sources in this module have been chosen to highlight the shifting ways that age of consent laws have been defined, debated and deployed in Western nations over time. To make sense of these documents, it is important to recognize the historically contingent nature of childhood and girlhood: the answer to who is a child or girl differs depending upon the historical period. Bodies are perceived differently and are different to the extent that the average age of puberty has fallen; psychological development and understanding are not always important in definitions of childhood.</p>
<p>It is also important to recognize two tensions within age of consent laws. First, the arbitrary nature of the legal category of age was at odds with fluidity of growth: while the law treated all underage girls as equally mature (or immature), in practice judges and juries confronted the fact that they were not. Second, the age of consent had a dual nature, both protective, in the sense that it removed the need for a girl to show resistance to charge rape, and regulatory, in that it precluded an underage girl from consenting. Broader questions about the law also underpin the issue of the age of consent. Can the law change people's ideas? Can the law stop individuals from having sex? What role do unenforced laws play in shaping cultural attitudes and social behavior?</p>
<p>These sources track the shifting meanings of the age of consent. The Arrowsmith trial demonstrates its role in rape law and the gap between the statute and legal practice. The "Maiden Tribute" articles connect rape and prostitution, making clear how the age of consent became part of anti-prostitution campaigns. The WCTU petition also refers to sexual assault, but incorporates circumstances in which girls consent to their own ruin, highlighting the new regulatory arguments for the law that came to dominate campaigns to increase the age.</p>
<p>Yajnik's speech links the age of consent and marriage and shows the different forms regulatory arguments could take in colonial contexts. Texas legislators' grounds for opposing an increased age highlight the divergent understandings of childhood that existed even when the age of consent was being raised. Morris Ploscowe's later commentary on the law in many ways echoes those arguments, but does so within a new framework, the modern concept of adolescence, that provides them with expert backing. The notion of jailbait invoked by Andre Williams' song speaks to a recognition in popular culture of the same tensions between the sexualization of adolescents and existence of the law that Ploscowe identifies.</p>
<p>Against the backdrop of these tensions, the U.S. Supreme Court decision again shifts the grounds for the age of consent, this time to the consequences of sex for girls;specifically pregnancy. The Virginia billboard builds on that argument, linking the age of consent to public health and positioning the law as a means of changing behavior. The table of ages used in western laws highlights the historical and contemporary variations in age of consent laws, and the comparatively higher ages employed in the Anglo-American laws relative to Europe. Finally, the decision in the Sutherland case highlights a further shift in the meaning of the age of consent, to encompass in not only boys, but also same-sex acts.</p>
<h3>Discussion Questions</h3>
<ul>
<li>What justifications for the age of consent do different sources offer? What arguments against the age of consent, or for a lower age of consent, do different sources offer? What do those arguments suggest about why the age of consent has increased since the 19th century? What do those arguments suggest about why there is so much variation in the age used in the laws of different nations? What is the relationship between age of consent laws and changing notions of girlhood and adolescence?</li>
</ul>
<ul>
<li>What issues have been connected to age of consent laws in these documents? What was the basis of those connections?</li>
<li>Does the age of consent primarily protect or regulate children, especially girls', sexuality? Is the answer different at different historical moments or in different cultures?</li>
</ul>
<ul>
</ul>
<ul>
<li>Why did the age of consent not apply to boys in Anglo-American cultures until the 1970s? Why did it not apply to same-sex acts in those cultures until the 1960s, and not at an equal age until 2000? Is the age of consent still gendered? Does it still apply primarily to girls?</li>
</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Childhood Seen Through Age of Consent Laws</h3>
<p>by Sharon Cohen</p>
<p><strong>Time Estimated:</strong> two 45-minute classes</p>
<h3>Objectives</h3>
<ol>
<li>Describe and analyze changes and continuities in Western childhood during the 19th and 20th centuries.</li>
<li>Define "age of consent" and analyze age of consent laws to see continuity and change over time in dealing with age, gender, and context.</li>
<li>Analyze point and view and purpose of historical documents, including audience, author, place, and time period.</li>
<li>Compare laws to other sources (including articles, commentaries, and speeches) to analyze changing definitions of childhood over time and place.</li>
<li>Analyze the influence of Enlightenment and other ideologies on age of consent laws.</li>
<li>Discuss how historians study and find evidence of the developing concept of childhood.</li>
</ol>

<h3>Materials</h3>
<ul>
<li>Sufficient copies of sources:<br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=37">The Trial of Stephen Arrowsmith</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=38">"The Violation of Virgins"</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=39">Petition to Raise the Age of Consent</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=40">"Review of the Age-of-Consent Legislation in Texas"</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=45">Adolescent Sexual Experimentation Should Not Be a Crime</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=46"><em>Jailbait</em></a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=47">U.S. Supreme Court Decision Justifying Gender-Based Age of Consent Laws</a><br /> </li>
<li>Copies of the <a class="external" href="http://www.representingchildhood.pitt.edu/medieval_child.htm">"Childhood in Medieval England"</a> article</li>
<li>Copies of the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=207">"Age of Menarche in Norway"</a> chart</li>
<li>Copies of the <a class="external" href="http://chnm.gmu.edu/cyh/archive/files/apparts_b60cd02284.pdf">APPARTS worksheet</a> 
 </li>
<li>Poster paper, magic markers</li>
</ul>

<h3>Day One</h3>

<p><em>Hook (10 minutes)</em><br />
To get the students thinking about what childhood means, have them write a short description of their daily lives when they were eight. Then, have them share their descriptions with each other in groups of two or three.</p>

<p><em>In-class Reading (25 minutes)</em><br />
Explain to the students that they will be comparing their childhood to children's lives in medieval England. Have the students read the "Childhood in Medieval England" article, either individually or in pairs. Then, ask the students the following questions:</p>        
<ul>
<li>How was children's work life similar and different from today's?</li>
<li>How was children's leisure time similar to and different from today's?</li>
<li>In general, how were people's understanding of the boundary between childhood and adulthood similar to and different from our understanding of that boundary today?</li>
</ul>

<p><em>Lecture (10 minutes)</em><br />
Give students a brief lecture to provide them with a basic understanding of age of consent laws: what they are, why they were made, and how they can indirectly define childhood by setting a boundary between childhood and adulthood. The purpose of the lecture is to prepare the students to read the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=introduction">introductory article</a> at home before the next class; the first paragraph of the article is a good source for this lecture.</p>

<p><em>Homework</em><br /> 
Assign students background reading from the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230">introductory article</a>. You may also wish to have them respond in two to three paragraphs to the following prompt: "What should the age of consent be in America, today? Defend your answer, citing at least three issues discussed in the reading."</p>

<h3>Day Two</h3>

<p><em>Share (5 minutes)</em><br />
Have students share the specific age they selected, as well as their findings on historical age of consent laws from the reading.</p>

<p><em>Small-Group Work (30 minutes)</em><br />
This activity helps students further understand the various issues around age of consent laws, as well as give them a chance to practice their document analysis skills. Break up the class into groups of two to three students. Assign half of the student groups all three documents from group A (below) and the remaining student groups all three documents from group B.</p>
        
<ul>
<li><strong>Group A</strong><br /> Source 2: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=38">"The Violation of Virgins" Newspaper Article</a><br /> Source 7: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=47">U.S. Supreme Court Decision Justifying Gender-Based Age of Consent Laws Legal Document</a><br /> Source 9: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=23">"Isn't she a little young?" Billboard</a></li>
<li><strong>Group B</strong><br /> Source 3: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=39">Petition to Raise the Age of Consent</a><br /> Source 5: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=40"> Increased Age of Consent Speech</a><br /> Source 6: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=45">Adolescent Sexual Experimentation Should Not Be a Crime Commentary</a></li>
</ul>

<p>Have the students analyze their sources to find the point of view and purpose in each source. The students then should identify how the sources show a continuity or change in the age of consent law for that country, region, or colony.  Each group should fill out an APPARTS worksheet for each document as part of this analysis.  Then, have each group jigsaw share their findings with a group that analyzed the other set of documents to share their findings with each other.</p>

<p><em>Lecture/discussion (10 minutes)</em><br />
 To help students understand how the Enlightenment influenced these changes, have the students read this short excerpt from <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/216">Rousseau's <em>Emile</em></a>, or read it to them aloud (along with the background information). In a short discussion, have them explain how these Enlightenment ideas might relate to changes in age of consent laws.</p>

<h3>Day Three (Optional Activities)</h3>

<p><em>Data Analysis (25 minutes):</em><br />
This activity will help students see the major changes and continuities in age of consent laws. Divide the students into groups of two. Pass out copies of two secondary sources to each group: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=24">Source 10, the Age of Consent Laws Table</a>, and the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=207">Age of Menarche in Norway chart</a>. Explain to the class that menarche is a female's first menstrual cycle, and is often considered the beginning of puberty. Before beginning the analysis, ask the students the following two questions, either in a short discussion or in pairs:</p> 
<ul>
<li>Are these primary or secondary sources? How do you know?</li>
<li>Who was the author of each? What do you think his or her purpose was in creating this source?</li>
</ul>

<p>Next, ask the students to analyze the two sources by answer the following questions. Tell them to link their answers to specific evidence from the documents and readings they have encountered over the past two days.</p> 
<ul>
<li>Describe the trends you see in the legal age of consent. What are their changes over time? Are there continuities?</li>
<li>Describe the trends. Do you see in the age at which puberty begins? Are their changes over time? Continuities?</li>
<li>What political, economic, and social forces might have led to the changes and/or continuities in the age of consent?</li>
<li>Why might the changes and continuities in the age of consent vary from one region to another?</li>
<li>What might have caused the age of puberty to change over time? (Note to teacher: many scholars believe that this is only due to improvements in nutrition during childhood, possibly during the prenatal period, too.)</li>
<li>What might be the political, economic, and social effects of changes you see in <em>both</em> sets of data?</li>
</ul>

<p><em>Writing Assignment</em><br />
Finally, have the students write a thesis statement (1-2 sentences) to address the prompt:</p>
<ul>
<li>Analyze the changes and continuities in age of consent laws in Western Europe between 1850 and the present. Be sure to include <em>causes</em> of changes and/or continuities in your thesis.</li>
</ul>

<p><em>Socratic Circle (20 minutes)</em><br /> 
This activity helps students understand the political and social implications of age of consent laws. Using a Socratic Circle, have students discuss how a state-defined concept of childhood could affect minority groups and/or colonized peoples. Ask the students to re-read <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=40">Source 5 (Increased Age of Consent Speech)</a>, then discuss the following questions:</p> 
<ul>
<li>Why were British officials anxious about changing the age of consent laws? What could the potential consequences of these changes have been?</li>
<li>How might an 11-year old Hindu girl have reacted to the change in the law? How might her mother have reacted? Why?</li>
<li>How might Muslims and/or Christians living in India have responded to the changes in laws? What implications might their reactions (vs. Hindu reactions) have for the British colonial government?</li>
<li>How might changes in these laws affect the relationship between a state and minority groups living in that state (not a colony)? Use specific examples, such as Indian immigrants in England, Jews in Germany, or Africans in the United States.</li>
</ul>

<h3>Differentiation</h3>
<p><em>Advanced Students</em><br />
Have students evaluate the use of age of consent laws <em>by historians</em> (i.e. historiography) as a tool to trace the development of the concept of childhood and other stages of the lifespan (e.g., teenage years). Students should write a paper or create a presentation that responds to the following questions:</p>
<ul>
<li>Should historians use age of consent laws to trace the changes and continuities in the concept of childhood and/or teenage years? Why or why not?</li>
<li>What are the strengths and weaknesses of this approach?</li>
<li>What other types of information should they also examine?</li>
<li>What viewpoints are omitted by focusing on the legal age of consent? How could historians better understand those viewpoints? What types of documents would help in this effort?</li>
</ul>
<p><em>Less Advanced Students</em><br />
Help students understand what they are reading by creating a vocabulary list, and/or using shorter excerpts of the articles and documents rather than entire excerpts. Create scaffolding worksheets to help students record the changes and continuities they find in the documents; e.g., providing a grid for students to record the political, economic, social, cultural changes in each document.</p></div>
                    </div><!-- end element -->
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        <h3>Primary Sources</h3>
                                    <div class="element-text">37, 38, 39, 40, 41, 45, 46, 47, 48, 23, 24, 207</div>
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      <pubDate>Sun, 12 Apr 2009 18:20:29 +0000</pubDate>
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      <title><![CDATA[Madonna and Child, 1295–1300 [Painting]]]></title>
      <link>https://cyh.rrchnm.org/items/show/218</link>
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                                    <div class="element-text"><p>This panel painting represents an innovation in the history of western European painting and a moment in religious iconography: depiction of the Virgin Mary and the infant Jesus in Byzantine icons was traditionally symbolic. In the past, the figures were not humanized, but represented the qualities of divine beings and episodes in sacred history. This painting from the late 13th century by Italian painter Duccio di Buoninsega, in contrast, expresses the emotions of love and tenderness between mother and child. The infant Jesus returns the Madonna's placid but intense gaze. The painter depicted Jesus in a life-like, natural pose with his toes touching his mother's hand, one foot slightly raised as he reaches up to play with the folds of his mother's veil, almost touching her cheek. The artist retained many of the features of iconographic painting, including the use of gold background, the basic composition of the two figures, but added a humanizing element. Although the figure of the Christ child in this panel is more playful than in previous artistic depictions, his physique is still more that of a middle-aged man than a baby. This typical representation of children also donning adult clothing is what led to the widespread assumption that childhood as a separate stage of life did not exist. However, recent research that draws upon a wide range of primary sources—iconography, archaeology, letters, romances, pedagogical texts, miracle accounts, and law codes—reveals that children were regarded as vulnerable and in need of special protection. Examinations of the everyday lives of children demonstrate, for example, that orphans were protected from abuse by medieval laws and that sick children received different medical treatments than adults.</p></div>
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                                    <div class="element-text">Madonna and Child, ca. 1295–1300, Duccio di Buoninsegna (Italian, active by 1278, died 1318) Tempera and gold on wood, with original engaged frame; 11 x 8 1/8 in. (28.0 x 20.8 cm) The Metropolitan Museum of Art, New York &lt;a class=&quot;external&quot; href=&quot;http://www.metmuseum.org/toah/ho/07/eust/ho_2004.442.htm&quot;&gt; http://www.metmuseum.org/toah/ho/07/eust/ho_2004.442.htm&lt;/a&gt; (accessed March 23, 2009).</div>
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                                    <div class="element-text">2009-03-23</div>
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                                    <div class="element-text">Susan Douglass</div>
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                                    <div class="element-text">Panel painting (color)  depicting the Virgin Mary and the infant Jesus. This painting from the late 13th century by Italian painter Duccio di Buoninsega, expresses the emotions of love and tenderness between mother and child. The infant Jesus returns the Madonna&#039;s placid but intense gaze. The painter depicted Jesus in a life-like, natural pose with his toes touching his mother&#039;s hand, one foot slightly raised as he reaches up to play with the folds of his mother&#039;s veil, almost touching her cheek. The artist retained many of the features of iconographic painting, including the use of gold background, the basic composition of the two figures, but added a humanizing element. Although the figure of the Christ child in this panel is more playful than in previous artistic depictions, his physique is still more that of a middle-aged man than a baby.</div>
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      <pubDate>Mon, 23 Mar 2009 14:49:04 +0000</pubDate>
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      <title><![CDATA[Emile [Literary Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/216</link>
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    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text"><em>Emile</em> [Literary Excerpt]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>French philosopher Jean-Jacques Rousseau wrote the philosophical treatise <em>Emile</em>, or <em>On Education</em> in 1762.  In it, he imagines a situation in which a young tutor devotes 20 years to raising a single child.  In the process, Rousseau lays out many of his fundamental beliefs about the nature of humans and their relationship to society.</p> </div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Rousseau, Jean-Jacques. <em>Emile</em>. New York: E. P. Dutton, 1969. Quoted in Barbara Kaye Greenleaf. <em>Children through the ages: a history of childhood</em> (New York: McGraw-Hill, 1978), 64, 67, 755.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2009-03-12</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Sharon Cohen</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">eng</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><p>Nature wants children to be children before they are men.  If we deliberately pervert this order, we shall get premature fruits which are neither ripe nor well-flavored, and which soon decay. . . Childhood has ways of seeing, thinking, and feeling peculiar to itself; nothing can be more foolish than to substitute our ways for them.</p>

<hr />

<p>A child's worth increases with his years. To his personal value must be added the cost of the care bestowed upon him; to the loss of his life is joined in him the sentiment of death. It is therefore above all of the future that we must think in watching over his conservation; it is against the ills of childhood that he must be armed even before he gets there. For if the value of life increases until the child reaches an age when he can be useful, is it not crazy to spare some suffering in infancy only to multiply his pain when he reaches the age of reason?</p>

<hr />

<p>The child's first sentiment is to love himself, and the second, which derives from the first, is to love those around him. For in his present state of weakness he is aware of people only through the help and attention he receives from them. At first his affection for his nurse and his governess is mere habit. He seeks them because he needs them and because it feels good to have them; it is more like consciousness than benevolence. He needs a long time to understand that not only are they are useful to him but that they want to be useful to him. It is then that he begins to love them.
 
 

Nature exercises children continually, it hardens their temperament by all kinds of difficulties, it teaches them early the meaning of pain and sorrow. Teething gives them fevers, sharp colics bring on convulsions, long coughing suffocates them, worms torment them, plethora corrupts their blood, various leavens ferment it and cause dangerous eruptions. Almost all of the first age is sickness and danger: one half of the children who are born die before their eighth year. The tests passed, the infant has gained strength, and as soon as he can make use of his life its principle becomes more secure.</p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-gif"><a class="download-file" href="/files/download/138/fullsize"><img src="/files/display/138/square_thumbnail" class="thumb" alt="&lt;em&gt;Emile&lt;/em&gt; [Literary Excerpt]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Fri, 13 Mar 2009 01:23:05 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/138/fullsize" type="image/gif" length="1098122"/>
    </item>
    <item>
      <title><![CDATA[Buffalo on Wheels [Toy]]]></title>
      <link>https://cyh.rrchnm.org/items/show/211</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Buffalo on Wheels [Toy]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>This object made from terracotta was most likely a child's pull toy. Approximately 11 centimeters high and 16.5 centimeters long (4.3 x 6.5 inches), it features functional wheels and a hole at the mouth for a string. The buffalo shows traces of stripes in red paint, and has markings that represent its curly forelock. The object is dated to the Archaic Age (ca. 750-500 BCE) in Magna Graecia ("Greater Greece"), the region in the southern part of the Italian Peninsula colonized by the Greeks during the 8th century. Toys were presented to Greek children on the occasion of festivals and anniversaries, and had a ritual function. Dedicated to Dionysis, they were believed to calm a child and remove evil spirits, especially toys that made noise such as rattles and whistles.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Buffalo on wheels, Musée du Louvre, Paris from the Campana Collection, 1961 Accession number Cp 4699, Department of Greek, Etruscan and Roman Antiquities, retrieved at &lt;a class=&quot;external&quot; href=&quot;http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&amp;idNotice=7347&quot;&gt; http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&amp;idNotice=7347&lt;/a&gt; (accessed March 9, 2009).  Color photograph by Marie-Lan Nguyen at  &lt;a class=&quot;external&quot; href=&quot;http://commons.wikimedia.org/wiki/File:Toy_buffalo_Louvre_Cp4699.jpg&quot;&gt; http://commons.wikimedia.org/wiki/File:Toy_buffalo_Louvre_Cp4699.jpg&lt;/a&gt; (accessed March 9, 2009).</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2009-03-05</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Susan Douglass</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">image/jpeg</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                                    <div class="element-text">11 centimeters high and 16.5 centimeters long (4.3 x 6.5 inches)</div>
                    </div><!-- end element -->
            <div id="still-image-item-type-metadata-image-description" class="element">
        <h3>Image Description</h3>
                                    <div class="element-text">This object made from terracotta was most likely a child&#039;s pull toy. It features functional wheels and a hole at the mouth for a string. The buffalo shows traces of stripes in red paint, and has markings that represent its curly forelock.</div>
                    </div><!-- end element -->
            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/134/fullsize"><img src="/files/display/134/square_thumbnail" class="thumb" alt="Buffalo on Wheels [Toy]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Thu, 05 Mar 2009 20:43:12 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/134/fullsize" type="image/jpeg" length="99265"/>
    </item>
    <item>
      <title><![CDATA[Ivory doll [Toy]]]></title>
      <link>https://cyh.rrchnm.org/items/show/209</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Ivory doll [Toy]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>This finely carved ivory doll with moveable arms and legs was found in the grave of a girl approximately five years of age in Tarragona, Spain, a port city south of Barcelona. It dates to the 3rd or 4th century CE. The girl's skeleton was adorned with a gold thread around the neck and along its length, probably a border on her burial dress. The doll is well proportioned, with detailed carving of the face and an elaborate hairstyle. The doll's limbs are jointed at the shoulders, elbows, hips, and knees, and could have assumed many positions for active play. Found in 1927, this child's grave was one of only 12 among more than 2,000 graves in the necropolis that contained funerary artifacts. Justinian law of the period restricted the placing of offerings in graves to prevent the desecration of graves by robbers. The unusual presence of the doll may indicate that the child was especially dear to her family, or very attached to the doll in life.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Ivory doll [MNAT(P)12906], from the Early Christian Necropolis (Necròpolis Paleocristiana), Museu Nacional Arquelogic de Tarragona (Spain), &lt;a class=&quot;external&quot; href=&quot;http://www.mnat.es/new/gener98/cat/index.html&quot;&gt;http://www.mnat.es/new/gener98/cat/index.html&lt;/a&gt; (accessed March 5, 2009).</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2009-03-05</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Susan Douglass</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">image/jpeg</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="still-image-item-type-metadata-image-description" class="element">
        <h3>Image Description</h3>
                                    <div class="element-text">Finely carved ivory doll with moveable arms and legs. The doll is well proportioned, with detailed carving of the face and an elaborate hairstyle. The doll&#039;s limbs are jointed at the shoulders, elbows, hips, and knees, and could have assumed many positions for active play.</div>
                    </div><!-- end element -->
            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/131/fullsize"><img src="/files/display/131/square_thumbnail" class="thumb" alt="Ivory doll [Toy]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Thu, 05 Mar 2009 18:33:37 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/131/fullsize" type="image/jpeg" length="85856"/>
    </item>
    <item>
      <title><![CDATA[Age of Menarche in Norway [Chart]]]></title>
      <link>https://cyh.rrchnm.org/items/show/207</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Age of Menarche in Norway [Chart]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>This graph shows us the average year of menarche, a female's first menstrual cycle (often considered the beginning of puberty), from 1860 to 1980 reported by adult female patients at maternity clinics in Norway. It also includes data from Oslo school girls that follow the same trend downward in age. The downward curve flattens around 1960 between the ages of 13 and 14. A graph like this helps to counter a single interpretation of causes for the rise in age of consent laws.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Tanner, J.M. <em>Foetus Into Man: Physical Growth from Conception to Maturity</em>. Cambridge: Harvard University Press, 1978, reprinted 1990. Available online at <a class="external" href="http://www.mum.org/menarage.htm">http://www.mum.org/menarage.htm</a>  (accessed October 13, 2008). Annotated by Stephen Robertson.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2009-02-18</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Stephen Robertson</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">eng</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="still-image-item-type-metadata-image-description" class="element">
        <h3>Image Description</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/139/fullsize"><img src="/files/display/139/square_thumbnail" class="thumb" alt="Age of Menarche in Norway [Chart]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Thu, 19 Feb 2009 16:40:55 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/139/fullsize" type="image/jpeg" length="27893"/>
    </item>
    <item>
      <title><![CDATA[The Metropolitan Museum of Art]]></title>
      <link>https://cyh.rrchnm.org/items/show/205</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">The Metropolitan Museum of Art</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Susan Douglass</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2009-02-13</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">eng</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Website Review Item Type Metadata</h2>
        <div id="website-review-item-type-metadata-website-url" class="element">
        <h3>Website URL</h3>
                                    <div class="element-text">http://www.metmuseum.org</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-website-creator" class="element">
        <h3>Website Creator</h3>
                                    <div class="element-text">The Metropolitan Museum of Art</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-date-of-review" class="element">
        <h3>Date of Review</h3>
                                    <div class="element-text">February 10, 2009</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-website-review-text" class="element">
        <h3>Website Review Text</h3>
                                    <div class="element-text"><p>The vast collection of the Metropolitan Museum is effectively arranged and integrated on the <a class="external" href="http://www.metmuseum.org/">www.metmuseum.org</a> website. Navigation of the site is straightforward, enabling efficient browsing or research. Although no specific essays or exhibits on children and youth are found on the site, several hundred artworks relevant to the topic can be located by searching the <a class="external" href="http://www.metmuseum.org/Works_of_Art/collection_database/">Collection Database</a> or the <a class="external" href="http://www.metmuseum.org/toah/"><em>Timeline of Art History</em> (TOAH)</a>—more than sites dedicated to the subject.</p>
<p>The <a class="external" href="http://www.metmuseum.org/Works_of_Art/collection_database/">Collection Database</a> of 129,022 objects can be searched as a whole, by subject, by curatorial department, or by exhibit.  The collection database search is comprehensive, and returned 3629 entries under <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=Children&fp=1&dd1=0&dd2=0&vw=1">"children."</a> Childe Hassam is a distracter in this keyword search, but the search <a class="external" href="http://www.metmuseum.org/search/iquery.asp?command=text&datascope=all&attr1=Children+NOT+Childe&x=8&y=9&c=t%3A11%2F%2F%3Assl%2F%2Fsitemap+taxonomy%2F%2F%3AWorks+of+Art%3A">"Children NOT Childe"</a> reduced the return to 319 items. <a class="external" href="http://www.metmuseum.org/search/iquery.asp?command=text&attr1=Boy&attr2=undefined&v0=Children+NOT+Childe&gs=sitemap+taxonomy%2F%2F0%2F%2F1&vid=%24__visitId__%24&g=sitemap+taxonomy&i=sitemap+id&qid=%24__queryId__%24&s1=iphrase+relevance%2F%2F0&s0=sortOrder%2F%2F0&tq=1&q=10&as=1&r=sitemap+taxonomy%2F%2F2%2F%2F3&qtid=%24__queryId__%24&t=0&ia=1&qt=1234377978&render=1&w=0&datascope=&dataStore=0&text=&c=t%3A11%2F%2F%3Assl%2F%2Fsitemap+taxonomy%2F%2F%3AWorks+of+Art%3A">"Boy"</a> returned many distracters, but <a class="external" href="http://www.metmuseum.org/search/iquery.asp?command=text&attr1=girl&attr2=undefined&v0=Girl&gs=sitemap+taxonomy%2F%2F0%2F%2F1&vid=vUYM445EfYM96&g=sitemap+taxonomy&i=sitemap+id&qid=qWBSp8UfEkWan&s1=iphrase+relevance%2F%2F0&s0=sortOrder%2F%2F0&tq=1&q=10&as=1&r=sitemap+taxonomy%2F%2F2%2F%2F3&qtid=qWBSp8UfEkWan&t=0&ia=1&qt=1234378223&render=1&w=0&datascope=&dataStore=0&text=&c=t%3A11%2F%2F%3Assl%2F%2Fsitemap+taxonomy%2F%2F%3AWorks+of+Art%3A">"girl"</a> returned 954 items, and <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=boy&fp=1&dd1=0&dd2=0&vw=1">"infant"</a> returned 252 items. <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=toys&fp=1&dd1=0&dd2=0&vw=1">"Toys"</a> returned only 21 items, indicating a limitation of the museum's collection in that area. <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=youth&fp=1&dd1=0&dd2=0&vw=1">"Youth"</a> returned 186 works and <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=young&fp=1&dd1=0&dd2=0&vw=1">"young"</a> 1741 items. The biggest drawback of the collection search was that many of the works are associated with placeholder images, although the metadata may help locate images elsewhere. As digitization of the collection proceeds, this may improve.</p>
<p>The <a class="external" href="http://www.metmuseum.org/toah/">TOAH</a> is an unmatched resource for educators. The 6,000 included artworks are organized by three integrated elements: <a class="external" href="http://www.metmuseum.org/toah/hm/06/hm06.htm">maps</a>, <a class="external" href="http://www.metmuseum.org/toah/intro/atr/06sm.htm">timelines</a>, and <a class="external" href="http://www.metmuseum.org/toah/hi/te_index.asp">thematic essays</a>. World and regional maps correlate artwork to eleven world eras and locate it in ten world regions. Timelines place the artworks in historical context, and include key events, political, stylistic and technological periodization. Eight hundred thematic essays provide historical context for groups of artwork and discuss characteristics, techniques, and significance. The essays reveal connections among civilizations and regions, and provide material for comparative study.</p> 
<p>Educators searching for information on children in art can locate artworks featuring children and youth by a search of the TOAH, which seems more rewarding than the database search because all of the works are associated with images, and they are easily placed in context by TOAH's features. The searches are conveniently shown by category, so the user can bring up all relevant artworks, essays, timelines or other occurrences with one click.</p>
<p>A TOAH search of <a class="external" href="http://www.metmuseum.org/search/iquery.asp?command=text&attr1=children&c=t:2//:ssl//sitemap%20taxonomy//:Works%20of%20Art:Timeline+of+Art+History:">"children"</a> found the term in 23 timelines, 153 thematic essays, and 396 works of art. <a class="external" href="http://www.metmuseum.org/toah/hi/hi_fich.htm">"Figure, Child"</a> in the Subject Index returned 21 essays and 80 works of art, each shown as a thumbnail image with titles. On the subject of childbirth, <a class="external" href="http://www.metmuseum.org/toah/hi/hi_brtchld.htm">15 artworks</a> can be viewed. Terms such as "girl" (97 works), "boy" (9) and "young" or "youth" (4) returned artworks from across the globe and the eras.</p>
<p>An activity using the 97 artworks under "girl" might compare the relative age connoted by the term in various cultures and periods. Some depict small children, while others are clearly young women. A selection of western European drawings and paintings could focus on the changing definition of girlhood over time or explore symbols and objects associated with girlhood. Some of the artworks show girls in active social roles, playing sports  and games, fulfilling ritual roles, or being mourned in funerary works. Some of the works are expressions of girls' work in various societies, such as needlework, preparation of trousseaus, or manual labor at home. In short, the collection can be used to gather ideas about girlhood over time and across cultures. Similar explorations about youth and boys could be made. Educators will find many ways to place childhood in historical context using this website.</p></div>
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                                    <div class="element-text">Susan Douglass</div>
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                                    <div class="element-text">George Mason University</div>
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                                    <div class="element-text">Educators will find many ways to place childhood in historical context using this website.</div>
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      <pubDate>Fri, 13 Feb 2009 19:47:11 +0000</pubDate>
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      <title><![CDATA["The Red Shoes" [Folktale]]]></title>
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                                    <div class="element-text">&quot;The Red Shoes&quot; [Folktale]</div>
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                                    <div class="element-text"><p>Folktales have been used for generations to teach moral tales to children. They have shifted over time depending upon the generation and location of the tale but remain part of the childhood experience for many young people. "The Red Shoes" published by Hans Christian Andersen in 1845 is a quintessential European folktale. It tells a moral tale based upon the idea of temptation and eventual redemption. The story is based upon the protagonist's desire for a pair of shoes and the consequences of her temptation.  Andersen's use of Christian morality in his tale offers insight into European culture during the 19th century.  Christianity was a powerful cultural influence and that is evident in the story. The church is a focal point throughout the moral tale and the themes of redemption and temptation directly connect to the Christian values that are taught to children.</p>

<p>The illustration is a woodcut from the 1849 German and Danish editions of a collection of Hans Christian Andersen stories. The illustrator is Thomas Vilhelm Pedersen (1820-1859), a Danish naval lieutenant whose illustrations were favored by Andersen himself, and have been closely associated with the tales since. Pedersen captures the story's mood with the sparse, dramatic background of the  churchyard with gravestones, scraggly vegetation, and undulating horizon. The two figures present a stark contrast:  the large, unyielding figure of the male angel with its arm outstretched to decree Karen's fate, and the helpless motion of Karen's figure, her windswept hair and dress, her feet in mid-air, and the frightened expression of her face and arms as if trying to flee.</p></div>
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                                    <div class="element-text">Hans Christian Anderson</div>
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                                    <div class="element-text">Andersen, Hans Christian. "The Red Shoes." In <em>Hans Christian Anderson: Fairy Tales and Stories</em>. Translated by Diana Crone Frank and Jeffery Frank. Durham: Duke University Press, 2005, pp. 207–14.</div>
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                                    <div class="element-text">2009-02-12</div>
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                                    <div class="element-text">David Bill</div>
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                                    <div class="element-text"><h3><em>The Red Shoes</em></h3>
<img class="content-thumb wide" src="http://chnm.gmu.edu/cyh/images/red_shoes.jpg" />


<p>Once there was a little Girl – so delicate and pretty. Because she was poor, she had to go barefoot in the summer, and in the winter she had to wear big wooden shoes that rubbed against her instep until her little feet became quite red. It was awful.</p>

<p>Old Mother shoemaker lived in the middle of the village and used strips of old red cloth to sew a small pair of shoes as best as she could. They were crudely made, but she meant well, and she wanted the little girl to have them. The little girl's name was Karen.</p>

<p>On the very day that her mother was buried, Karen wore these red shoes for the first time. Of course, they were not the right thing to wear for mourning, but she did not have any other shoes. So she put them on her bare feet and followed the lowly straw coffin.</p>

<p>At that very moment a large old carriage passed by, with a large old woman inside. She looked at Karen and felt sorry for her. She said to the vicar, "Listen, let me have the little girl and I'll be good to her."</p>

<p>Karen thought that all this happened because of the red shoes, but the old lady said that they were hideous. The shoes were burned and Karen given neat, clean clothes. Now she had to learn to read and sew, and people said that she was pretty. But the mirror said, "You're much more than pretty – you're beautiful!"</p>

<p>One day the queen traveled through the country with her little daughter who was a princess. People swarmed outside the castle – Karen was there too – and the princess, dressed in fine white clothing, stood in a window and let people admire her. The princess did not have a train or a gold crown, but she did have lovely red shoes, made of fine leather. They certainly looked a lot nicer than the ones that Mother Shoemaker had made for Karen. There was really nothing in the world like red shoes.</p>

<p>Eventually, Karen was old enough to be confirmed. She got new clothes and was supposed to get new shoes. The rich shoemaker who lived in town measured her little foot; his shop was in his house where large glass cases were filled with pretty shoes and shiny boots. It looked very nice, but the old woman could not see very well, so she got no pleasure from it. Among the shoes was a red pair, just like the ones the princess had worn. They were exquisite! And sure enough, the shoemaker said that he had sewn them for a nobleman's daughter, but they hadn't fit.</p>

<p>"It must be patent leather," the old lady said. "They are so shiny!"</p>

<p>"Yes, they are shiny," Karen said. They fit her, and they bought them, but the old lady didn't realize that they were red. She would never have allowed Karen to be confirmed in red shoes. Still, that is what happened.</p>

<p>Everyone looked at Karen's feet when she walked through the church to the choir door. Karen thought that even the ole pictures on the tombs – those portraits of vicars and vicars' wives, with stiff collars and long black robes – stared at her red shoes. She could think only about those shoes – even when the vicar put his hand on her head and talked about the holy baptism, about the covenant with God, and how she was about to become a grown-up Christian. The organ played solemnly, the children's choir sounded beautiful, and the old cantor sang, but Karen could think of nothing but her red shoes.</p>

<p>By afternoon everyone had told the old lady that Karen's shoes were red. The old lady said that red shoes were altogether inappropriate and that Karen had done a horrible thing. From that time on, whenever she went to church, Karen was told to wear black shoes, no matter how worn they were.</p>

<p>The following Sunday Karen was supposed to go to communion. She looked at the black shoes, and then she looked at the red shoes. She looked at the red ones again and put them on.</p>

<p>It was a beautiful sunny day. Karen and the old lady walked through the field along the path, which was a little dusty.</p>

<p>An older soldier leaned on a crutch by the church door; he had a peculiar long beard that was more red than white because it <em>was</em> red. He bowed all the way to the ground and asked the old lady if he could wipe off her shoes. Karen too stretched her little foot forward. "Look at those beautiful dancing shoes," the soldier said. "May they stay on tight when you dance!" Then he slapped the soles of the shoes.</p>
	
<p>The old lady gave the soldier a tip and walked inside the church with Karen.</p>

<p>Everyone in the church looked at Karen's red shoes, and all the portraits looked at them. When Karen knelt at the altar and put the gold chalice to her lips, she thought only about the red shoes. It was almost as if they were floating in the chalice – she forgot to sing the hymn, and she forgot to read the Lord's Prayer.</p>

<p>Everyone left the church, and the old woman got into her carriage. As Karen lifted her foot to follow her, the soldier standing nearby said. "Look at those beautiful dancing shoes," and Karen could not help herself: She had to dance a few steps. When she started, her legs kept dancing; it was as if the shoes had taken over. She danced around the corner of the church – she couldn't help it; the coachman had to run after her and grab hold of her, and he lifted her into the carriage. But her feet kept dancing and gave the kind old lady some terrible kicks. Finally, they managed to get the shoes off and Karen's legs calmed down.</p>

<p>When they got home, the shoes were put away in a closet, but Karen could not stop looking at them.</p>

<p>The old lady got sick, and they said that she wouldn't live long. Somebody had to take care of her and nurse her, and no one was closer than Karen. But there was a ball in town, and Karen was invited. She looked at the old lady, who was not going to live long anyway, and then at the red shoes. She saw no harm in that. She put on the red shoes, and that was all right, but then she went to the ball and started to dance.</p>

<p>When she wanted to dance to the right, the shoes danced to the left. When she wanted to move one way on the floor, the shoes went the other way, down the stairs, through the street, and out the city gate, and she danced – she had to dance – right into the dark forest.</p>

<p>Something bright shone above the trees, and she thought that it was the moon, because it was a face. But it was the old soldier with the red beard. He nodded and said, "Look at those beautiful dancing shoes!"</p>

<p>She was terrified and wanted to kick off the red shoes, but they would not come off. She ripped off her stockings, but the shoes were stuck to her feet. So she danced – she had to dance – over the fields and meadows, in the rain and shine, by night and by day. But it was worst at night.</p>

<p>She danced into the open churchyard, but the dead didn't dance – they had something much better to do than dancing. She wanted to sit on the grave of a humble person, where the bitter tansy weeds grew, but she found neither rest nor respite, and she danced toward the open door of the church. There she saw an angel in long white robes, with wings that reached from his shoulders all the way to the ground. His expression was serious and stern, and he held a shiny broadsword in his hand.</p>

<p>"You have to dance!" he said. "You have to dance in your red shoes until you're pale and cold – until your skin shrivels like a skeleton's. You have to dance from door to door, and wherever there are proud, vain children, you must knock on the door so that they hear you and fear you. You have to dance – dance!"</p>

<p>"Have mercy!" Karen shouted. But she did not hear the angel's answer because her shoes carried her through the gate, into the field, across roads and trails – she had to keep dancing and dancing.</p>
<br/>

<p>One morning she danced past a door that she recognized. She heard hymns inside, and they carried out a coffin covered with flowers. She knew then that the old lady had died , and she felt abandoned by everyone and cursed by God's angel.</p>

<p>So she danced – she had to dance – in the dark night. Her shoes carried her off, past whitethorns and over stubbled fields, which scratched her until she bled. She danced across the heath to a lonely house. She knew that the executioner lived there, and she tapped on the window with her finger and said:<br/>
"Come out! Come out! I can't come in because I'm dancing!"</p>

<p>The executioner said, "You don't know who I am do you? I cut off the heads of evil people, and I can feel my axe quivering."</p>

<p>"Don't cut off my head!" Karen cried. "Because then I won't be able to repent my sin. But chop off my feet with the red shoes."</p>

<p>She confessed all her sins, and the executioner cut off her feet with the red shoes. But the shoes, with her small feet in them, still danced over the fields and into the deep forest.</p>

<p>The executioner made wooden legs and crutches for her and taught her a hymn, the one that sinners always sing. Then she kissed the hand that had swung the axe and went away over the heath.</p>

<p>"I've suffered enough for those red shoes," Karen said. "Now I want to go to church so everybody can see me." She walked boldly to the church door, but when she got there, the red shoes danced in front of her. She was frightened and turned back.</p>

<p>All the next week she was miserable and kept crying heavy tears. But when Sunday came, she said "All right – I've suffered and struggled enough. I think I'm just as good as lots of those people who are sitting so smugly in church." She walked ahead confidently, but she didn't get any farther than the gate – that was when she saw the red shoes dancing in front of her, and she was terrified. She turned back, and in her heart she repented for her sins.</p>

<p>She went to the vicarage and asked whether they would taker her as a servant. She promised to work hard and do whatever she could – it didn't matter what they paid her if only she had a roof over her head and lived among good people. The vicar's wife felt sorry for her and took her in. Karen was hardworking and pensive. She sat quietly and listened each evening when the vicar read aloud from the Bible. All their children were fond of her, but they talked about dressing up in frills and finery – and they talked about looking as beautiful as a queen – she shook her head.</p>

<p>They all went to the church on the following Sunday, and they asked Karen whether she wanted to come along. With tears in her eyes she looked sadly at her crutches. While they went to hear God's word, she went alone to her little room, which was big enough for only a bed and a chair. She sat down with her hymnal and was reading it devoutly when the wind carried the sounds of the organ from the church. Tearfully, she lifted her head and said, "Oh, God, help me!"</p>

<p>At that moment the sun shone brightly, and right in front of her, in white robes, stood God's angel, the one she had seen at night in the doorway to the church. But rather than his sharp sword, he carried a beautiful green branch covered with roses. He touched the ceiling with the branch and the ceiling rose high in the air – a brilliant golden star appeared where he had touched it. Then he touched the walls and they widened. Karen looked at the organ as it was playing, and she saw the old pictures of vicars and vicar's wives; the congregation sat in the ornate pews and sang from their hymnals. The church itself had come to the poor girl in the little cramped room, or perhaps she had gone to the church. She sat in a pew with the other people from the vicarage, and when they had finished the hymn and looked up, they nodded and said, "It was good that you came, Karen."</p>

<p>"By the grace of God," she replied.</p>

<p>Then the organ swelled, and the children's choir sounded sweet and beautiful. The bright warm sunshine streamed through the window into the pew where Karen sat. Her heart was so filled with sunshine – with peace and happiness – that it burst. Her soul flew up to God on the rays of the sun, and no one there asked about the red shoes.</p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 13 Feb 2009 05:10:10 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Children, Culture, and Folktales (18th c.)]]></title>
      <link>https://cyh.rrchnm.org/items/show/202</link>
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    <h2>Dublin Core</h2>
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                                    <div class="element-text">Children, Culture, and Folktales (18th c.)</div>
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                                    <div class="element-text">This exploration of the cultural contexts and socializing influences of folktales provides a method for comparing and contrasting European and Asian folktales collected in the period between 1750 to 1850, and sheds light on the dynamic relationship between culture, childhood, and children.</div>
                    </div><!-- end element -->
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        <h3>Creator</h3>
                                    <div class="element-text">David Bill</div>
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                                    <div class="element-text">2009-02-12</div>
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                                    <div class="element-text">eng</div>
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                                    <div class="element-text"><h3>Why I Taught the Source</h3>

<p>It is likely that the last time many American high school students were exposed to folktales was in their childhood when at bedtime they heard stories such as "The Ugly Duckling" and "The Princess and the Pea." In my AP World History class, I reintroduce students to folktales along with a method for comparing and contrasting the European and Asian cultures that produced them. Focusing on folktales from 1750 to 1850 provides an opportunity to shed light on the dynamic relationship between culture, childhood, and children.</p>

<p>For this particular lesson we examined two classic tales that while similar in many respects, highlight regional cultural differences especially in regard to childhood ideals. In Hans Christian Andersen's "The Red Shoes" (1845) the protagonist gives into temptation but is able to redeem herself in the end. Though temptation is at the center of P'u Sung-ling's "The Taoist Priest of Lao-Shan" (1766), the end result is humiliation rather than redemption.</p>


<h3>How I Introduce the Source</h3>

<p>The two-day lesson began with an examination of the cultural contexts relevant to each historical source: Imperial China and industrializing Europe during the 18th and 19th centuries. We defined "culture" and discussed its components and meanings. Rather than seeing culture as a catchall term for societal institutions such as religion and government, I encouraged my students to consider the ways in which attitudes, prejudices, and folklore also influenced everyday life. Defining culture in this way helped students to think about folktales as a method for influencing children's ideas and behaviors.</p> 
<p>Building upon our prior discussions about methods of analyses in previous classes, I suggested that the students read these primary sources comparatively in order to analyze how the two tales were similar and how they differed.</p>


<h3>Reading the Source</h3>

<p>For homework, students read the two stories and took notes on the themes, ideas, and topics. I asked each student to answer two questions on their personal blog:</p>

<ol>
<li>How are these two folktales similar? How are they different?</li>

<li>How would each folktale influence a child's cultural worldview?</li>
</ol>
<p>Throughout the year students blog on Ning <a class="external" href="http://www.ning.com"/>Ning</a>, a social network that serves as a central location for student communication, reflection, and collaboration. Each student has their own blog where they routinely write entries, answer questions, and post relevant videos or world music that they find. The use of the Ning provides a central location and an interactive method of communication outside of class.</p> 

<p>In addition to posting their own blog entry, students were asked to write a substantive comment on at least one of their classmates' blog entries in an attempt to offer a new approach or raise an issue for discussion. I graded the students on the value that they added to the discussion in both their own blog entry and in their peer commentary. As students posted their entries and comments, I noted the dominant themes and salient ideas in preparation for our next class meeting.</p>

<p>The next day, students met in groups of three for five minutes to discuss what they had discovered the night before. After the small group discussion, the class as a whole discussed the sources and what folktales might tell us about cultural values.</p>

<h3>Reflections</h3>

<p>In their discussion, students noted the emphasis on a belief system in both folktales. They mentioned that while "The Red Shoes" was a violent tale, the protagonist was able to repent and redeem herself because she was a Christian. While "The Taoist Priest of Lao-Shan" was not as violent, the protagonist's temptation left him in a state of humiliation.</p> 

<p>Students determined that the two stories shared temptation as a common theme but noted the different results of that temptation. They concluded that both Mr. Wang from "The Taoist Priest of Lao-Shan" and Karen from "The Red Shoes" are both tempted by vanity. Whether it is for a pair of shoes or the secret of immortality, the theme is similar. While both characters are tempted, the students believed that their fates are vastly different. They recognized that redemption is found only in "The Red Shoes," where as Mr. Wang from "The Taoist Priest of Lao-Shan" is shamed for his temptation. The class decided that the regional differences in the folktales are based upon that fact. In the end, my students concluded that the emphasis on redemption in Christianity and the lack of redemption in Taoism helped define European and Chinese cultures during the 18th and 19th centuries and, in turn, influenced the development of the region’s children.</p> 

<p>Analyzing these two tales provided students with an opportunity to understand one way in which cultural values were transmitted, that is, via childhood. This lesson was also designed to improve students' critical thinking and writing skills by demonstrating that while some childhood lessons are similar across cultures, there are also many important cross-cultural differences.</p>

<p>In examining the two regional folktales, my students discussed how these stories may have been used to teach moral lessons. By critically reading and analyzing similarities and differences, students' ability to compare and contrast showed improvement. This lesson on children, morals, and culture works well because it connects students to the stories that they read in their youth while helping them develop a better understanding of how literature can enhance our understanding of the meaning of childhood in culture and history.</p></div>
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                                    <div class="element-text">David Bill</div>
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        <h3>Case Study Institution</h3>
                                    <div class="element-text">Worcester Academy</div>
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        <h3>Primary Source ID</h3>
                                    <div class="element-text">203, 204</div>
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      <pubDate>Fri, 13 Feb 2009 03:46:32 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Ostracon [Artifact]]]></title>
      <link>https://cyh.rrchnm.org/items/show/201</link>
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                                    <div class="element-text">Ostracon [Artifact]</div>
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                                    <div class="element-text"><p>In Greek and Roman times children and adults often wrote on ostraca (that is, pieces of broken pottery and limestone flakes). They were costless and convenient writing materials. On this flat limestone piece a student practiced letters of the alphabet. S/He did not do so at random but tried to reproduce a nonsensical verse that contained all the letters. Some dots are sprinkled in the text, apparently to divide the "words." In the 5th century CE, the grammarian Hesychius informs us that the ancients considered these nonsensical groups of letters real words, and thus he included them in his lexicon with pseudo meanings. This student forgot at least one letter. His/her style of writing seems to point to an apprentice scribe. Learning the alphabet to perfection and not just by rote was crucial in a world where the letters functioned as mnemonic devises and were also used as numbers.</p></div>
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        <h3>Source</h3>
                                    <div class="element-text">Acc. 64.2.179. Burton photo M10C 18. Rare Book and Manuscript Library, Columbia University, New York.</div>
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                                    <div class="element-text">2009-02-12</div>
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                                    <div class="element-text">Raffaella Cribiore</div>
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                                    <div class="element-text">eng</div>
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      <pubDate>Thu, 12 Feb 2009 20:21:27 +0000</pubDate>
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