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    <title><![CDATA[Children and Youth in History]]></title>
    <link>http://cyh.rrchnm.org/items/browse/6?tag=girls&amp;output=rss2</link>
    <description><![CDATA[]]></description>
    <pubDate>Wed, 11 Aug 2021 03:24:25 +0000</pubDate>
    <managingEditor>chnm@gmu.edu (Children and Youth in History)</managingEditor>
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      <title><![CDATA[Images Canada: Picturing Canadian Culture]]></title>
      <link>https://cyh.rrchnm.org/items/show/206</link>
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    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Images Canada: Picturing Canadian Culture</div>
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        <h3>Creator</h3>
                                    <div class="element-text">Nora E. Jaffary</div>
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                                    <div class="element-text">2009-02-18</div>
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                                    <div class="element-text">eng</div>
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        <h3>Website URL</h3>
                                    <div class="element-text">http://www.imagescanada.ca/index-e.html</div>
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                                    <div class="element-text">Library and Archives Canada</div>
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                                    <div class="element-text">February 2009</div>
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                                    <div class="element-text"><p>The <a class="external" href="http://www.imagescanada.ca/index-e.html">"Images Canada"</a> site showcases thousands of photographs (interspersed with occasional cartoons) found in the collections of 15 Canadian cultural establishments, including the Canada Science and Technology Museum, the University of Toronto Library, and the Glenbow Library and Archives, an institution focusing on the history of the Canadian West. The site includes thousands of images featuring children in Canadian history that instructors might potentially utilize for class discussions and course assignments. However, instructors and students should note that they will likely need to do additional research and reading in order to make effective use of the resources found on this site.</p>
  
<p>The images in the collection include both formal portraits and candid shots and focus particularly on the period from the 1880s to the 1950s. Children are featured in photographs dealing with an eclectic range of topics, but are prominent in the themes of native history, immigration, schools, church, and family life. Photos dealing with these topics might be fruitfully adapted to classroom use. Focusing on family portraits, for example, instructors might ask students to study what the changing conventions of portraiture across time reveal about changing dynamics of family life and children's position in it. Or they might compare portrait conventions among different immigrant communities or examine what the staging of boys' and girls' portraits reveals about attitudes toward gender.</p>

<p>The database is searchable by key word. A search of <a class="external" href="http://www.imagescanada.ca/r1-115-e.php?kwf=TRUE&kwq=children&interval=6&x=0&y=0">"children"</a> upturns over 6,000 hits, so researchers will likely want to narrow their searches down by doing boolean searches; <a class="external" href="http://www.imagescanada.ca/r1-115-e.php?kwf=TRUE&kwq=children+Inuit&interval=6&x=15&y=4">"children Inuit"</a> hits a more manageable 217 images and <a class="external" href="http://www.imagescanada.ca/r1-115-e.php?kwf=TRUE&kwq=children+school&interval=6&x=0&y=0">"children school"</a> 833. However, the search function is a little too rigid and teachers should therefore instruct their students to spend some time browsing though the site rather than dismissing unfruitful key word searches. For example, while "children illness" yields no results, <a class="external" href="http://www.imagescanada.ca/r1-115-e.php?kwf=TRUE&kwq=children+polio&interval=6&x=0&y=0">"children polio"</a> does turn up 6 images.</p>
  
<p>Furthermore, some of the interesting descriptors of images on the site are not indexed, and so would unfortunately not be retrieved in a search. For instance, a search of "childcare" turns up no hits. However, the photograph <a class="external" href="http://asalive.archivesalberta.org:8080/access/asa/photo/display/GPR-342042"> "First Crop, Teepee Ranch"</a> reveals one: "A.M.  Bezanson and his son on a horse-drawn mower, cutting the first crop on Teepee Ranch in 1909." The infant is perched on his father's lap while the latter performs this no doubt taxing physical task. This snapshot and others like it, including <a class="external" href="http://ww2.glenbow.org/search/archivesPhotosResults.aspx?XC=/search/archivesPhotosResults.aspx&TN=IMAGEBAN&AC=QBE_QUERY&RF=WebResults&DL=0&RL=0&NP=255&MF=WPEngMsg.ini&MR=10&QB0=AND&QF0=File%20number&QI0=NA-4855-2&DF=WebResultsDetails">"Mrs.  Roy Benson (Verna) and children with chicks, Benson homestead, Munson, Alberta"</a> document how early 20th-century Canadians adapted children—and the responsibility of their care—into their everyday working lives.</p>

<p>The site's <a class="external" href="http://www.imagescanada.ca/r1-300-e.html">"Educational Resources"</a> section has some promising lesson plan ideas, but most of them are aimed at younger students. Other elements of this site include <a class="external" href="http://www.imagescanada.ca/r1-205-e.html">"Image trails"</a> and <a class="external" href="http://www.imagescanada.ca/r1-249-e.html">"Photo Essays"</a> – groups of images organized around 29 themes dealing mainly with geography, modes of transportation, and select historical topics. Most of these will not be especially useful to those interested in children's history, although the <a class="external" href="http://www.glenbow.org/50s/index.htm">Calgary in the 1950s</a> photo essay does feature a number of images of children in its "family" link. Instructors might use this group of photos as well as information from the "family values" introductory essay by asking students to consider what idealizations of family life—and its possible disruptions—the images document.</p>

<p>However, in this collection, as in other portions of the website collections, teachers may be frustrated by the insufficient background information available about each image. For instance, <a class="external" href="http://www.glenbow.org/50s/family_eng13.htm">the last photo</a> in this section pictures an adolescent female wearing jeans and reading on a couch. The caption reads: "Blue jeans: acceptable at home but not school in 1955." But no further information about the image—or its caption—is provided. So instructors will have to prepare students (or require that they prepare themselves) with both relevant contextual information and an appreciation of how to approach the interpretation of such photographs as sources.  On the latter issue, instructors might find useful an essay available at:  <a class="external" href="http://www.collectionscanada.gc.ca/education/008-3080-e.html">http://www.collectionscanada.gc.ca/education/008-3080-e.html</a> (another website focusing on Canadian photographic history).</p></div>
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        <h3>Image File Name</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="website-review-item-type-metadata-website-reviewer" class="element">
        <h3>Website Reviewer</h3>
                                    <div class="element-text">Nora E. Jaffary</div>
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            <div id="website-review-item-type-metadata-website-reviewer-institution" class="element">
        <h3>Website Reviewer Institution</h3>
                                    <div class="element-text">Concordia University</div>
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            <div id="website-review-item-type-metadata-pullquote" class="element">
        <h3>Pullquote</h3>
                                    <div class="element-text">The site includes thousands of images featuring children in Canadian history that instructors might potentially utilize for class discussions and course assignments.</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/128/fullsize"><img src="/files/display/128/square_thumbnail" class="thumb" alt="Images Canada: Picturing Canadian Culture" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Thu, 19 Feb 2009 00:09:09 +0000</pubDate>
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      <title><![CDATA[The Metropolitan Museum of Art]]></title>
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    <h2>Dublin Core</h2>
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        <h3>Title</h3>
                                    <div class="element-text">The Metropolitan Museum of Art</div>
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        <h3>Creator</h3>
                                    <div class="element-text">Susan Douglass</div>
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        <h3>Source</h3>
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        <h3>Date</h3>
                                    <div class="element-text">2009-02-13</div>
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        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Language</h3>
                                    <div class="element-text">eng</div>
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        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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    <h2>Website Review Item Type Metadata</h2>
        <div id="website-review-item-type-metadata-website-url" class="element">
        <h3>Website URL</h3>
                                    <div class="element-text">http://www.metmuseum.org</div>
                    </div><!-- end element -->
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        <h3>Website Creator</h3>
                                    <div class="element-text">The Metropolitan Museum of Art</div>
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        <h3>Date of Review</h3>
                                    <div class="element-text">February 10, 2009</div>
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        <h3>Website Review Text</h3>
                                    <div class="element-text"><p>The vast collection of the Metropolitan Museum is effectively arranged and integrated on the <a class="external" href="http://www.metmuseum.org/">www.metmuseum.org</a> website. Navigation of the site is straightforward, enabling efficient browsing or research. Although no specific essays or exhibits on children and youth are found on the site, several hundred artworks relevant to the topic can be located by searching the <a class="external" href="http://www.metmuseum.org/Works_of_Art/collection_database/">Collection Database</a> or the <a class="external" href="http://www.metmuseum.org/toah/"><em>Timeline of Art History</em> (TOAH)</a>—more than sites dedicated to the subject.</p>
<p>The <a class="external" href="http://www.metmuseum.org/Works_of_Art/collection_database/">Collection Database</a> of 129,022 objects can be searched as a whole, by subject, by curatorial department, or by exhibit.  The collection database search is comprehensive, and returned 3629 entries under <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=Children&fp=1&dd1=0&dd2=0&vw=1">"children."</a> Childe Hassam is a distracter in this keyword search, but the search <a class="external" href="http://www.metmuseum.org/search/iquery.asp?command=text&datascope=all&attr1=Children+NOT+Childe&x=8&y=9&c=t%3A11%2F%2F%3Assl%2F%2Fsitemap+taxonomy%2F%2F%3AWorks+of+Art%3A">"Children NOT Childe"</a> reduced the return to 319 items. <a class="external" href="http://www.metmuseum.org/search/iquery.asp?command=text&attr1=Boy&attr2=undefined&v0=Children+NOT+Childe&gs=sitemap+taxonomy%2F%2F0%2F%2F1&vid=%24__visitId__%24&g=sitemap+taxonomy&i=sitemap+id&qid=%24__queryId__%24&s1=iphrase+relevance%2F%2F0&s0=sortOrder%2F%2F0&tq=1&q=10&as=1&r=sitemap+taxonomy%2F%2F2%2F%2F3&qtid=%24__queryId__%24&t=0&ia=1&qt=1234377978&render=1&w=0&datascope=&dataStore=0&text=&c=t%3A11%2F%2F%3Assl%2F%2Fsitemap+taxonomy%2F%2F%3AWorks+of+Art%3A">"Boy"</a> returned many distracters, but <a class="external" href="http://www.metmuseum.org/search/iquery.asp?command=text&attr1=girl&attr2=undefined&v0=Girl&gs=sitemap+taxonomy%2F%2F0%2F%2F1&vid=vUYM445EfYM96&g=sitemap+taxonomy&i=sitemap+id&qid=qWBSp8UfEkWan&s1=iphrase+relevance%2F%2F0&s0=sortOrder%2F%2F0&tq=1&q=10&as=1&r=sitemap+taxonomy%2F%2F2%2F%2F3&qtid=qWBSp8UfEkWan&t=0&ia=1&qt=1234378223&render=1&w=0&datascope=&dataStore=0&text=&c=t%3A11%2F%2F%3Assl%2F%2Fsitemap+taxonomy%2F%2F%3AWorks+of+Art%3A">"girl"</a> returned 954 items, and <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=boy&fp=1&dd1=0&dd2=0&vw=1">"infant"</a> returned 252 items. <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=toys&fp=1&dd1=0&dd2=0&vw=1">"Toys"</a> returned only 21 items, indicating a limitation of the museum's collection in that area. <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=youth&fp=1&dd1=0&dd2=0&vw=1">"Youth"</a> returned 186 works and <a class="external" href="http://www.metmuseum.org/works_of_art/collection_database/all/listview.aspx?page=1&sort=0&sortdir=asc&keyword=young&fp=1&dd1=0&dd2=0&vw=1">"young"</a> 1741 items. The biggest drawback of the collection search was that many of the works are associated with placeholder images, although the metadata may help locate images elsewhere. As digitization of the collection proceeds, this may improve.</p>
<p>The <a class="external" href="http://www.metmuseum.org/toah/">TOAH</a> is an unmatched resource for educators. The 6,000 included artworks are organized by three integrated elements: <a class="external" href="http://www.metmuseum.org/toah/hm/06/hm06.htm">maps</a>, <a class="external" href="http://www.metmuseum.org/toah/intro/atr/06sm.htm">timelines</a>, and <a class="external" href="http://www.metmuseum.org/toah/hi/te_index.asp">thematic essays</a>. World and regional maps correlate artwork to eleven world eras and locate it in ten world regions. Timelines place the artworks in historical context, and include key events, political, stylistic and technological periodization. Eight hundred thematic essays provide historical context for groups of artwork and discuss characteristics, techniques, and significance. The essays reveal connections among civilizations and regions, and provide material for comparative study.</p> 
<p>Educators searching for information on children in art can locate artworks featuring children and youth by a search of the TOAH, which seems more rewarding than the database search because all of the works are associated with images, and they are easily placed in context by TOAH's features. The searches are conveniently shown by category, so the user can bring up all relevant artworks, essays, timelines or other occurrences with one click.</p>
<p>A TOAH search of <a class="external" href="http://www.metmuseum.org/search/iquery.asp?command=text&attr1=children&c=t:2//:ssl//sitemap%20taxonomy//:Works%20of%20Art:Timeline+of+Art+History:">"children"</a> found the term in 23 timelines, 153 thematic essays, and 396 works of art. <a class="external" href="http://www.metmuseum.org/toah/hi/hi_fich.htm">"Figure, Child"</a> in the Subject Index returned 21 essays and 80 works of art, each shown as a thumbnail image with titles. On the subject of childbirth, <a class="external" href="http://www.metmuseum.org/toah/hi/hi_brtchld.htm">15 artworks</a> can be viewed. Terms such as "girl" (97 works), "boy" (9) and "young" or "youth" (4) returned artworks from across the globe and the eras.</p>
<p>An activity using the 97 artworks under "girl" might compare the relative age connoted by the term in various cultures and periods. Some depict small children, while others are clearly young women. A selection of western European drawings and paintings could focus on the changing definition of girlhood over time or explore symbols and objects associated with girlhood. Some of the artworks show girls in active social roles, playing sports  and games, fulfilling ritual roles, or being mourned in funerary works. Some of the works are expressions of girls' work in various societies, such as needlework, preparation of trousseaus, or manual labor at home. In short, the collection can be used to gather ideas about girlhood over time and across cultures. Similar explorations about youth and boys could be made. Educators will find many ways to place childhood in historical context using this website.</p></div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-image-file-name" class="element">
        <h3>Image File Name</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="website-review-item-type-metadata-website-reviewer" class="element">
        <h3>Website Reviewer</h3>
                                    <div class="element-text">Susan Douglass</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-website-reviewer-institution" class="element">
        <h3>Website Reviewer Institution</h3>
                                    <div class="element-text">George Mason University</div>
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            <div id="website-review-item-type-metadata-pullquote" class="element">
        <h3>Pullquote</h3>
                                    <div class="element-text">Educators will find many ways to place childhood in historical context using this website.</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/127/fullsize"><img src="/files/display/127/square_thumbnail" class="thumb" alt="The Metropolitan Museum of Art" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Fri, 13 Feb 2009 19:47:11 +0000</pubDate>
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    <item>
      <title><![CDATA[The Boy Prodigy: Xiang Tuo [Stone Carving]]]></title>
      <link>https://cyh.rrchnm.org/items/show/190</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">The Boy Prodigy: Xiang Tuo [Stone Carving]</div>
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            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>These two images from the Later Han dynasty (2nd century CE) depict the most famous child in early Chinese literature, Xiang Tuo (pronounced She-Ang Too-o). In both stone carvings, which decorated the outer walls of shrines or funerary monuments, the artists indicated Xiang Tuo's tender age by his relatively smaller size with toys in his hands. The great philosophers Confucius and Laozi stand beside him, each man focused on the words of the boy prodigy. Although his image frequently appears on funerary structures, early textual references tell us only that Xiang Tuo was a much younger contemporary of Confucius (c. 551-479 BCE), who at age 7 was able to instruct the Master.</p>
 
<p>The earliest reference to Xiang Tuo, or any child prodigy, occurs in the 3rd century BCE. From the 2nd century BCE onward, the image of the precocious child begins to figure with some prominence not only in legend but also in biographical portraits of historical figures. The increasing number of Later Han (25-220 CE) references to juvenile achievements also reflect new opportunities created specifically for boys.</p>

<p>According to one set of criteria, boys and girls in the Han reached the age of majority at age 16, at which time they were required to pay the taxes levied on adults; other criteria suggest that boys were not regarded as men until they reached age 21. Still, Han records show that as the dynasty progressed, boys ages 11 to 14 were recommended for government service with greater frequency. In such cases, the selection process demanded a review of a candidate's childhood in order to assess his suitability for recommendation. Boys who assumed official posts at age 13, for example, would have been forced to exhibit a potential for government service at a fairly early age.</p>

<p>Xiang Tuo, continued to serve as an exemplar of precocious wisdom and a model for elite and upwardly mobile boys throughout China's imperial period.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
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        <h3>Source</h3>
                                    <div class="element-text">The Boy Prodigy Xiang to the Philosophers Confucius and Laozi. Later Han dynasty, 2nd century C.E. Excavated in 1978 at Songshan, Jiaxiang, Shandong province. Ink rubbings from Shandong Provincial Museum and Shandong Cultural Relics and Archeology Institute, <em>Shandong Han huaxiangshi xuanji</em> (Ji’nan: Qi Lu shushe, 1982), plates 186, 188. Annotated by Anne Kinney.</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                                    <div class="element-text">2009-01-18</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Anne Kinney</div>
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                                    <div class="element-text">187</div>
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                                    <div class="element-text">image/jpeg</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">Images of stone carvings. Silhouetted human figures. In both stone carvings, which decorated the outer walls of shrines or funerary monuments, the artists indicated Xiang Tuo&#039;s tender age by his relatively smaller size with toys in his hands. The great philosophers Confucius and Laozi stand beside him, each man focused on the words of the boy prodigy.</div>
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            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/121/fullsize"><img src="/files/display/121/square_thumbnail" class="thumb" alt="The Boy Prodigy: Xiang Tuo [Stone Carving]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Sun, 18 Jan 2009 21:54:08 +0000</pubDate>
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    <item>
      <title><![CDATA["Mencius and his Mother: A Lesson Drawn from Weaving" [Literary Excerpt and Illustration]]]></title>
      <link>https://cyh.rrchnm.org/items/show/189</link>
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    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
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                                    <div class="element-text">&quot;Mencius and his Mother: A Lesson Drawn from Weaving&quot; [Literary Excerpt and Illustration]</div>
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                                    <div class="element-text"><p>This illustration depicts a scene from the <em>Traditions of Exemplary Women</em> (<em>Lien&uuml; zhuan</em>) of Liu Xiang (ca. 77-6 BCE), one of China's first didactic texts on feminine morality. The text to this story is provided below the illustration. The story recounts the upbringing of Mencius (ca. 371-289 BCE), one of the greatest Confucian philosophers of early China. Mencius, or Mengzi, as he is known in China), is the only other early Chinese philosopher, who in addition to Confucius (Kongzi in Chinese), is known in the west by his Latinized name. These names were devised by the first westerners to study Chinese thought intensively, namely, the Jesuit priests who traveled to China in the 16th century and who translated Chinese texts into Latin.</p>
<p>This story brings up two important aspects of child-rearing in early China. First is the idea that because children are gradually imbued with the values and behaviors of those around them, a parent cannot be too careful about what a child sees and hears on a daily basis. Second is the notion that because moral development is a slow and gradual process, it is essential to train the malleable nature of the child in the ways of virtue and diligence before bad habits and behaviors become ingrained in the personality. The story also indicates that in preparation for useful lives as adults, boys were to occupy themselves with book-learning while girls were to master weaving.</p></div>
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        <h3>Creator</h3>
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                                    <div class="element-text">Kinney, Anne Behnke, trans. <em>Traditions of Exemplary Women: An Annotated Translation of Liu Xiang’s Lienü zhuan</em>. Forthcoming.  Illustration from: Rectors and Visitors of the University of Virginia, "Mencius and his Mother: A Lesson Drawn from Weaving," Lienu zhuan, <a class="external" href=http://etext.lib.virginia.edu/chinese/lienu/browse/Lienu.html>http://etext.lib.virginia.edu/chinese/lienu/browse/Lienu.html</a> (accessed July 1, 2008). Annotated by Anne Kinney.</div>
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                                    <div class="element-text">2009-01-18</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Anne Kinney</div>
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                                    <div class="element-text">187</div>
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        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Document Item Type Metadata</h2>
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        <h3>Text</h3>
                                    <div class="element-text"><p>Mencius' mother lived near a cemetery when Mencius was small and he enjoyed going out to play as if he were working among the graves. Mencius enthusiastically made tombs and performed burials. His mother said, "This is no place to raise my son!" So they moved and dwelt next to the city market. But when her son began amusing himself by pretending to be a merchant, Mencius' mother once again said, "This is no place to raise my son." <a href="#note1" id="fn1" class="footnote">1</a> Once again they moved, settling this time, beside a school. Here, the boy played at arranging sacrificial vessels and the rituals of bowing, yielding, entering and withdrawing. Mencius's mother said, "Here indeed is a place to raise my son." And that is where they stayed. When Mencius grew up he studied the Six Arts. <a href="#note2" id="fn2" class="footnote">2</a> In the end he became a famous scholar. The gentleman says, "Mencius' mother understood enculturation by immersion." <a href="#note3" id="fn3" class="footnote">3</a>. . . .</p>
<p>When Mencius was young, after finishing his studies he returned home. At that moment, Mencius' mother was weaving. She asked him, saying, "How far did you get in your studies today?" Mencius replied, "About the same as usual."  Mencius' mother then took up her knife and cut the cloth she was weaving. Mencius became alarmed and asked her to explain her actions. She said, "Your neglecting your studies is like my cutting the cloth I wove. Now a gentleman studies in order to establish his reputation, he asks questions to broaden his knowledge. This is the means by which he obtains peace and happiness at home and avoids harm when he goes abroad. If now, you neglect your studies, you will be unable to avoid a life of menial service and will lack the means to distance yourself from trouble and strife. How is it different from weaving and spinning to make a living? If midway I give up and abandon my weaving, how would I be able to clothe my husband and child and go for long without grain to eat? If a woman who abandons her livelihood and a man who neglects cultivating his virtue do not become burglars or thieves, then they will end their days as slaves." Mencius was frightened by his mother's words. Day and night he studied tirelessly. He then studied with the great master Zisi until he became one of the leading scholars of his generation. <a href="#note4" id="fn4" class="footnote">4</a></p>
<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a>Merchants were the most despised social class in early China because they produced nothing but made a living by simply buying and selling what others had labored to produce.</p>
<p><a href="#fn2" id="note2" class="footnote">2</a>The Six Arts are variously defined as the six canonical texts of early China ((Odes, Rites, Poetry, Documents, Spring and Autumn Annals, and the Book of Changes) or the six polite arts studied by aristocratic men: ritual, music, archery, charioteering, writing and mathematics.</p>
<p><a href="#fn3" id="note3" class="footnote">3</a>The "gentleman," refers to the author of the text, Liu Xiang, who used this format to insert his more subjective appraisals of his biographical subjects.</p>
<p><a href="#fn4" id="note4" class="footnote">4</a>Zisi was a famous Confucian philosopher.</p>
</div></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/122/fullsize"><img src="/files/display/122/square_thumbnail" class="thumb" alt="&amp;quot;Mencius and his Mother: A Lesson Drawn from Weaving&amp;quot; [Literary Excerpt and Illustration]" width="250" height="250"/>
</a></div><div class="item-file image-jpeg"><a class="download-file" href="/files/download/123/fullsize"><img src="/files/display/123/square_thumbnail" class="thumb" alt="&amp;quot;Mencius and his Mother: A Lesson Drawn from Weaving&amp;quot; [Literary Excerpt and Illustration]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Sun, 18 Jan 2009 21:48:05 +0000</pubDate>
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    </item>
    <item>
      <title><![CDATA[Museum of the City of New York: Byron Collection]]></title>
      <link>https://cyh.rrchnm.org/items/show/188</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Museum of the City of New York: Byron Collection</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Ilana Nash</div>
                    </div><!-- end element -->
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        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                                    <div class="element-text">2009-01-18</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">eng</div>
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        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Process Annotate</h3>
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        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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    <h2>Website Review Item Type Metadata</h2>
        <div id="website-review-item-type-metadata-website-url" class="element">
        <h3>Website URL</h3>
                                    <div class="element-text">http://museumofnyc.doetech.net/voyager.cfm</div>
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                                    <div class="element-text">Museum of the City of New York</div>
                    </div><!-- end element -->
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        <h3>Date of Review</h3>
                                    <div class="element-text">January 2009</div>
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                                    <div class="element-text"><p><a class="external" href=http://museumofnyc.doetech.net/voyager.cfm>The Byron Collection</a> at the Museum of the City of New York is an archive of 22,000 photographs taken by The Byron Company—a prominent New York photography studio—between 1890 and 1942. The Byron photographers took as its subjects all manner of social life in and around New York; the collection includes private subjects (family portraits and home photographs), but the bulk of the collection documents public life and public institutions, many of which directly involved children. The photographs here portray the lives of children from all social classes – at play, at work, in hospitals, churches, schools, and many other contexts.</p>

<p>While the collection extends to 1942, the majority of images are from the turn of the last century, between the 1890s and the 1910s. The finely detailed visual quality of silver gelatin prints lends a hauntingly "real" quality to the images, which does justice to the frames crowded with numerous people and objects; in their enlarged state, especially if screened in a classroom, these photos not only attract attention, they almost demand it.</p> 

<p>By searching for "children," "boys," and "girls," one will find thousands of photographs pertinent to the study of youth history. Children's recreational activities are well represented here; one can see boys and girls playing in the water at Coney Island, Atlantic City, Rockaway Beach, and other seaside spots; ice skating in <img class="content-thumb" src=http://chnm.gmu.edu/cyh/images/byron.jpg />Central Park; and racing or playing ball in various New York public playgrounds. Indeed, a teacher could use these photographs to good effect in a lesson about the rise of the public playground as a social institution that has evolved over the decades.  In <a class="external" href=http://museumofnyc.doetech.net/Detlobjps.cfm?ObjectID=84752&rec_num=38&From=obj_key.cfm>this photograph</a> a child dangles from the sort of equipment that was later banished from playgrounds (like monkey bars) for being "too dangerous."</p>

<p><img class="content-thumb" src=http://chnm.gmu.edu/cyh/images/byron2.jpg />Children's homes are depicted in a wide variety of photographs from both the wealthy and poor positions in the social spectrum. A lesson on the daily lives of children from different economic classes could juxtapose <img class="content-thumb" src=http://chnm.gmu.edu/cyh/images/byron3.jpg /><a class="external" href=http://museumofnyc.doetech.net/Detlobjps.cfm?ObjectID=24493&rec_num=57&From=obj_key.cfm#42>"Social functions; children's party,"</a> in which a number of well-dressed children sit at the splendidly appointed dining table of a wealthy home, with <a class="external" href=http://museumofnyc.doetech.net/Detlobjps.cfm?ObjectID=54221&rec_num=19&From=obj_key.cfm>"Slum interior, 1896."</a> The collection boasts numerous images of wealthy children posed in and around their homes; a smaller number show children from the lower classes playing on street corners throughout New York City, from the Lower East Side up to Harlem.</p>  

<p>One of this collection's strengths is its documentation of institutions created during the Progressive Era to serve children. An abundance of photographs portray scenes at the Children's Aid Society, the Emanuel Lehman Foundation for crippled children, the New York Foundling Hospital, the New York Association for the Blind, and various other schools, hospitals, and orphanages. Viewers can see interior images demonstrating the daily activities of the children in these institutions. Even the titles of these organizations are sometimes worthy tools in the study of history: <a class="external" href=http://museumofnyc.doetech.net/Detlobjps.cfm?ObjectID=36489&rec_num=180&From=obj_key.cfm>"The School For Feeble-Minded Children"</a> is a noteworthy relic of a time before Americans became concerned with sensitive language.</p> 

<p>Another strength of the <a class="external" href=http://museumofnyc.doetech.net/voyager.cfm>Byron Collection</a> is its images of children at a variety of schools – exercising, studying, performing in theatrical events, and going on field trips. These photos include religious as well as secular schools. Besides the many neatly-posed photos of Sunday School classes from both Catholic and Protestant churches, there are some more candid photos that attest to the role of churches in teaching life skills; one photo, for example, shows children practicing sewing at St. Thomas' Chapel. Students of youth history will find much in these photographs to prompt considerations about the history of American education.</p>

<p>Unfortunately, the site's navigation system leaves a lot to be desired. Viewers have the option of searching the collection for <a class="external" href=http://museumofnyc.doetech.net/wiz10.cfm>"keywords,"</a> or of browsing a pre-selected <a class="external" href=http://museumofnyc.doetech.net/pictsrch.cfm>sampling of subjects</a> categorized by the museum (each subject, in that browsing function, includes a scant 20-30 pictures). More results will surface in the search function, but there is no index or site-map to show, at a glance, all the categories of available images. This lack of an index is one factor that makes the <a class="external" href=http://museumofnyc.doetech.net/voyager.cfm>Byron Collection</a> far less user-friendly than the Library of Congress's photograph collections.</p>

<p>Nor does the <a class="external" href=http://museumofnyc.doetech.net/voyager.cfm>Byron Collection's</a> search function reliably include words from the titles of the photographs. One can search <em>only</em> by keywords, not titles. This will pose problems for a teacher who locates an image he likes and then tries to access it later, in a classroom. Such images must be bookmarked when you find them – or else you will need to conduct the general search all over again, and wade through hundreds of hits. For example, photos from the aforementioned <a class="external" href=http://museumofnyc.doetech.net/Detlobjps.cfm?ObjectID=36489&rec_num=180&From=obj_key.cfm>"The School For Feeble-Minded Children"</a> can only be found in a general search for "school." Typing "feeble-minded" into the search box – or even just "feeble" – will yield nothing, because "school" is a subject keyword, but "feeble" isn't. A feeble-minded site design, indeed.</p>

<p>Despite these navigational headaches, the <a class="external" href=http://museumofnyc.doetech.net/voyager.cfm>Byron Collection</a> – with its wealth of photos of children of all social classes in a wide variety of circumstances and activities – is a valuable resource for studying the history of childhood in one of the most dynamic times and places of modern U.S. history. With enough preparation (and bookmarking), teachers can adapt this extensive resource to any lesson on American childhood in the late 19th and early 20th centuries.</p></div>
                    </div><!-- end element -->
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        <h3>Image File Name</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="website-review-item-type-metadata-website-reviewer" class="element">
        <h3>Website Reviewer</h3>
                                    <div class="element-text">Ilana Nash</div>
                    </div><!-- end element -->
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        <h3>Website Reviewer Institution</h3>
                                    <div class="element-text">Western Michigan University</div>
                    </div><!-- end element -->
            <div id="website-review-item-type-metadata-pullquote" class="element">
        <h3>Pullquote</h3>
                                    <div class="element-text">The Byron Collection at the Museum of the City of New York is an archive of 22,000 photographs taken by The Byron Company—a prominent New York photography studio—between 1890 and 1942.</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/120/fullsize"><img src="/files/display/120/square_thumbnail" class="thumb" alt="Museum of the City of New York: Byron Collection" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Sun, 18 Jan 2009 18:25:14 +0000</pubDate>
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    </item>
    <item>
      <title><![CDATA[Ancient China]]></title>
      <link>https://cyh.rrchnm.org/items/show/187</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Ancient China</div>
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        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Description</h3>
                                    <div class="element-text">The primary sources in this module lay out the  historical conditions that made children important topics of intellectual engagement during Han times and explore themes such as nature vs nurture, separation of the sexes and gender differentiation, the concept of the child as an embodiment of cosmic process and heavenly order, and issues surrounding the status of the child  in the family, the state and gerontocratic Chinese culture.</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Anne Kinney</div>
                    </div><!-- end element -->
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        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                                    <div class="element-text">2009-01-15</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Language</h3>
                                    <div class="element-text">eng</div>
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        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
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            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
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            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
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            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
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        </div><!-- end element-set --><div class="element-set">
    <h2>Teaching Module Item Type Metadata</h2>
        <div id="teaching-module-item-type-metadata-bibliography" class="element">
        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">

<li>Hsiung, Ping-chen. <em>A Tender Voyage: Children and Childhood in Late Imperial China.</em> Stanford: Stanford University Press, 2005, 103-27.<br />

<span>This reading helps contextualize Primary Source No. 6 (early education). Since my module focuses on early China, Hsiung's book is an excellent introduction to the history of childhood in mid- and late imperial China</span></li>

<li>Kinney, Anne. <em>Representations of Childhood and Youth in Early China.</em> Stanford: Stanford University Press, 2004, 53-96.<br />

<span>This reading provides further discussion of the parents' right of life and death over their offspring and may be used to supplement primary Source No. 3. The entire book also provides copious materials to contextualize all of the primary sources in this module.</span></li>

<li>Waltner, Ann. “Infanticide and Dowry in Ming and Early Qing China.” In <em>Chinese Views of Childhood</em>, edited by Anne Kinney, 193-218. Honolulu: University of Hawaii Press, 1995.<br />

<span>While this book is useful for providing background for this module, Waltner's article that discusses the link between the practice of female infanticide and girls' prospects for marriage can help contextualize Primary Source no. 3 (infanticide) as well as Primary Source No. 4 (A Girl prodigy).</span></li>

<li>Waltner, Ann. “Representations of Children in Three Stories from <em>Biographies of Exemplary Women</em>.” In <em>Children in Chinese Art</em>, edited by Ann Barrott Wicks, 84-107. Honolulu, University of Hawaii Press, 2002.<br />

<span>This article, one of many useful resources in the book in which it appears, discusses several different depictions of the story relayed in Primary Source no. 1—the childhood of the philosopher Mencius (Mengzi)—and the cultural connotations of each individual representation. An additional illustration of this story appears in Hsiung's book (cited above), on p. 138.</span></li>
</ol></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Jessica Hodgson<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p>Using the images and texts in the documents provided, write a well organized essay of at least five paragraphs in response to the following prompt:</p>
<ul>
<li>Evaluate the purpose and role of education for children in Ancient China.</li>
</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgment is made to the following institutions for primary sources:</p>
<ul>
<li><a class="external" href="http://www.brill.nl/">E.J. Brill</a>,</li>
<li><a class="external" href="http://www.penguin.com/">Penguin Books</a>,</li>
<li>Shandong Cultural Relics and Archeology Institute,</li>
<li><a class="external" href="http://www.sup.org/">Stanford University Press</a>,</li>
<li>University Books,</li>
<li><a class="external" href="http://www.uhpress.hawaii.edu/cart/shopcore/?db_name=uhpress">University of Hawaii Press</a>,</li>
<li><a class="external" href="http://www.virginia.edu/">University of Virginia</a>,</li>
<li><a class="external" href="http://www.sdmuseum.com/">Shandong Provincial Museum</a>,</li>
<li><a class="external" href="http://wenwu.com/">Wenwu chubanshe</a>, and</li>
<li><a class="external" href="http://www.zhbc.com.cn/">Zhonghua shuju</a>.</li>
</ul>
<h3>About the Author</h3>

<p>Anne Kinney is a Professor of Chinese at the University of Virginia. Among her recent publications are <em>Representations of Childhood and Youth in Early China</em> and <em>The Establishment of the Han Empire and Imperial China</em>. She is currently at work on an annotated translation of Lienüzhuan (Traditions of Exemplary Women) and a digital research collection for the study of women in early China.</p>

<h3>About the Lesson Plan Author</h3>

<p>Jessica Hodgson teaches Advanced Placement World History and World History and Geography at South County Secondary School in Fairfax County, VA.  She has traveled to China as part of a Fulbright-Hays seminar, is a National Writing Project alumnus and  has studied the life, music and history of J. S. Bach through a National Endowment for the Humanities summer institute.  When she is not teaching, she plays the cello with an amateur string quartet.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">University of Virginia</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>The unprecedented interest in the child who assumed unique importance in the Han period was set into motion by a convergence of historically-specific conditions: (1) the establishment in the Qin dynasty (221-207 BCE) and the further development in Han times (206 BCE-220 CE) of a merit-based civil service, which increased the educational and occupational opportunities of boys moving up the social ladder; (2) and the frequency with which children came to the throne unprepared to govern; (3) the attempt to further the Confucian project by advising women about various methods of child-rearing and instruction for young children; (4) the effort to educate girls about their proper roles in society because of  an increasing anxiety over the influence of women in political events; (5) the growing influence of Han Confucianism, which stressed early education and argued for the establishment of a large-scale public school system; (6) the new centrality of correlative and occult thought which linked the child to cosmic processes and by extension to all of the major disciplines of intellectual inquiry; (7) the formation of a <strong>textual canon</strong>, which defined cultural mastery and established a clear standard by which to measure achievement; (8) the emergence of <strong>biographical writing</strong> which took into account significant events of childhood. What follows is an elaboration on the factors and forces that led to the emergence of the child as a topic of significant cultural attention.</p>
	<p>What contributed to the rising recognition of children's important in Han society was the consolidation of a unified empire that depended in part on a meritocratic system of advancement for its civil and military officials. The large-scale and complex activities and agenda of the centralized state required the ruler to take stock of, utilize, and develop the potential of his human resources to the fullest. Thus, in Qin times, we see the new imperial government registering, taxing, and demanding labor and military service from each household in the empire according to the age and gender of its family members. We also see the enactment of laws punishing infanticide, infant abandonment, and filicide in this period in order to husband state resources. But when the energetic and visionary First Emperor of Qin died in 209 BCE his son proved unequal to the task of imperial rule, and the Qin fell four years later.<p>
		<p>When the first Han emperor, Liu Bang, emerged victorious in the wars that followed Qin's collapse, the Han faced the same tasks of training and installing a bureaucracy, but with the additional responsibility of inquiring into the reasons behind Qin's downfall and rectifying its errors. To that end, an increasing number of intellectuals urged Han rulers to take care in the education of heirs to throne, to ensure that when these boys replaced them they would govern wisely and maintain the health and continuity of the dynasty. They advised women about various methods of child-rearing and instruction for young children, and the sooner the better, because they saw early childhood training as crucial to the development of an accomplished adult. They also called for the establishment of a public school system to prepare boys for the civil service. The recent and precipitous demise of Qin and the fragility of the Han empire in the opening years of the dynasty provided a vivid reminder of what was at stake and gradually worked to train both imperial and intellectual attention on childhood as a means of stabilizing and fortifying imperial rule.</p>
		<p>In contrast to the diverse and plentiful materials on boys in Han sources, we see little intellectual engagement with issues specifically concerned with girls. In Han times, women played a fairly small role in both the civil service and the military. Consequently the education of girls did not attract nearly the same level of attention as that devoted to the intellectual development of boys. A poignant example is the story of how, when the Empress Deng was a small child, her mother scolded her for attending more closely to classical learning than to needlework and asked her if she thought she was preparing for a post at the Imperial Academy as Erudite.  Nevertheless, from the about 74 BCE onward, increased anxiety over the influence of women in political events and the threat they posed to dynastic stability resulted in efforts to educate girls about their proper roles in society, using as models for emulation the lives of exemplary women from antiquity. While it is impossible to say how many girls and young women outside of court or literati circles received this sort of training, we do know that the goal of female education differed from that for boys. Girls were not instructed to further their own ambitions but for the sake of the moral, intellectual and professional development of their fathers, brothers, husbands, and sons. Still, toward the end of the Former Han, as ambitious men of the gentry were increasingly appraised for their Confucian morals, their womenfolk also came under closer scrutiny. At the same time, drawing on both imperial Qin and Han Confucian models, the government made sporadic efforts to reach out to all of its subjects in an attempt to bind them more closely to the ruling house. This endeavor included not just women and girls of the court and the gentry, but a broader base of female subjects, who were recognized by way of special grants and awards for values such as chastity and obedience.</p>
		<p>Confucian education, with its reverence for institutions that privileged elders, ancestors, and worthies of antiquity, promoted the study of classical texts and moral exemplars of ages past so as to gradually shape the child according to canonical molds. Thinkers associated with Daoist thought, on the other hand, traced the infant's life back to a cosmogonic process, linking it to the workings and laws of nature rather than to the power of ancestors and human artifice.</p>	
		<p>The theme of the precocious child, linked as it was to the struggles of worthy and often obscure figures in the establishment of a divinely sanctioned order, is another reflection of the sensibilities of the Qin and Han empires. They replaced, in varying degrees, aristocratic entitlement with a system of ranks based on merit. The merit system sought not only adult males but also young boys, who were groomed at increasingly earlier ages for bureaucratic positions and who were recommended in response to occasional imperial edicts that sought youths with extraordinary gifts and great promise. Biographical writings of the Han reveal a similar new fascination with the intellectual capacities of young children.</p>
		<p>In conclusion, the dynamic convergence of a variety of historical conditions led children to became important topics of intellectual engagement and the significant subjects during Han times. And we can single out the creation of a unified empire as the most momentous and profound impetus for the unprecedented focus on children in early China.</p>
	<p>The key themes in this module are (1) nature vs nurture (e.g., wisdom and virtue as inborn vs life-long cultivation of learning and virtue); (2) separating the sexes and gender differentiation: the "inner" (private/domestic) realm of women vs the "outer" (public/official) realm of men; (3) the low status of the child in a gerontocratic culture vs the child as an embodiment of cosmic process and heavenly order; and (4) the child's low status in the family vs the child as valued property of the state.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Anne Kinney</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><h3>1. Compare the biographies of <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/189">Mencius</a> and
<a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/192">Empress Deng</a> 
(Primary Sources 1 & 4).</h3>

<p>The fascination with precocity in the Later Han dynasty seems linked to developments in the civil service system and the testing of candidates for various posts, a system not that alien to our own civil service exams or SAT and GRE testing. As the Later Han bureaucracy became more entrenched along with abuses of the system, precocity came to stand for basic administrative promise and also for the possibility of stemming the tide of corruption. One of the general standards of moral behavior against which a candidate was measured was the requirement of incorruptibility. The virtue of incorruptibility in an official implied that he would remain pure in the company of less scrupulous individuals and in spite of temptations to abuse the power granted to him. Although the connection between incorruptibility and precocity is not immediately obvious, a statement of Confucius makes it clear in what sense early moral discretion may have vouched for an individual's integrity.</p>
<p>Confucius said that the highest form of wisdom is seen in those who are born wise. Furthermore, according to the <em>Analects</em>, only those possessed of extreme goodness cannot be changed.  To claim that a child was born wise, and therefore good, was subtly to suggest that he was at the same time incorruptible, because a child born with a superior natural endowment could not be changed and thus tainted by even the most impure environment. Thus, the manifestation of moral traits in an infant or small child may have served as evidence of his inborn goodness, and by extension, as an indication of his imperviousness to corruption--a highly attractive prospect for those seeking honest officials for employment.</p>
<p>Finally, far from illustrating a belief in the importance of birth over merit, the motif of the child born wise is associated with the struggles of worthy and often obscure or socially challenged figures in the establishment of a divinely sanctioned or at least superior order. The biography of Empress Deng, in this way suggests that although she is a mere women and lacking in aristocratic credentials, the merit of her family has gained Heaven's favor, but only because she is seen as a fitting person to lead the world into a new and higher order. When such a hero or heroine rises from obscure or humble beginnings to a key historical role, he empirically 'proves' that the world is ultimately governed by virtue after all, despite all evidence to the contrary.</p>
<p>On the other hand, Han Confucian thinkers charted a child's intellectual and moral progress along a gentle upward curve that began its ascent at conception. By the time of early adulthood, the moral and intellectual abilities were considered complete, but only in the sense that the child was now a fully functioning adult. From this state of readiness, the mature cultivation of virtue could begin and was supposed to continue throughout the course of a lifetime. Like schematizations of the child's moral progress, Confucian attempts to chart the child's biological development also stress the incomplete nature of the infant and the body's gradual evolution into fully human form. This tendency stands in sharp contrast to the propensity to focus on well-developed capacities in young children.</p>  
<p>In summary, then, early Han Confucian descriptions of a child's intellectual, moral and biological development are generally based on the notion that a virtuous adult is the culmination, and perhaps, the triumph, of a long, gradual process which begins at conception. While ignoring childhood as a valuable stage of human development per se, the emphasis placed upon the undeveloped nature of the infant and the child also represents a bold challenge to the notion that privilege is a matter of birth alone.</p>  
<p>While the emphasis on merit accumulated over the course of a lifetime rather than privilege based on birth that may have originally served to warn young power-holders about the dangers of complacency, it also paved the way for poor but determined boys to rise to positions of national importance. It is historically documented, for example, that a boy named Ni Kuan (fl. 120 BCE), for example, who hired himself out as a manual laborer to pay for his education, and who "carried a copy of the classics with him as he hoed," eventually rose to the status of imperial counselor. Thus, according to Former Han Confucian thought, a boy's future social worth depended not upon pedigree alone but on the gradual accumulation of virtue and learning as well. And though family wealth must have frequently determined a boy's access to education, the path to privilege, at least in theory, was open to all boys who could match Ni Kuan's perseverance.</p>

<h3>2. Compare gender roles as described in Source 4 (<a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/192">Empress Deng bio</a>) and Source 6 (<a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/194">Early Education</a>).</h3>

<p>These two readings illustrate how we should question:</p> 
<ul>
<li>the extent to which people in real life adhered to the dictates of prescriptive texts, and</li>
<li>how writers in early China justified women whose behavior was not in keeping with traditional gender roles.</li>
</ul>
<p>One of the key elements in the biography of Empress Deng seems to be the merit and virtue of her male kin and the empresses' seeming and seemly lack of ambition. She turns down her first opportunity to enter the court in order to mourn the death of her father, demonstrating her prioritizing filial piety over thirst for power.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Ancient China</h3>
<p>by Jessica Hodgson</p>
<p><strong>Time Estimated:</strong> three  50-minute classes</p>
<p><strong>Prior Knowledge</strong><br />
Students will need to have an understanding of Confucian values in order to complete this lesson.</p>
<h3>Objectives</h3>
<ol>
<li>Analyze the role that education and Confucian values play in childhood in Ancient China.</li>
<li>Compare the educational opportunities available to girls and boys in Ancient China.</li>  
<li>Analyze how these differences demonstrate Confucian values.</li>
</ol>

<h3>Day One</h3>
<p><em>Warm Up: The American Education System</em><br />
Students will think about and answer <a class="external" href="http://chnm.gmu.edu/cyh/images/187_Warm_Up_Exercise.pdf">some questions</a> about their education. They will then share those answers out with the class.</p>

<p><em>Brainstorm</em><br />
Students will brainstorm a list of Confucian ideals as a class.</p>  

<p><em>Document Analysis</em><br />
Divide the students into pairs and assign each pair one of the documents to read. They should complete the <a class="external" href="http://chnm.gmu.edu/cyh/images/Document_Analysis.pdf">document analysis sheet</a>. Using what they have learned from their document, they should identify specific quotes from the documents that demonstrate how education reflects Confucian values. They will then share what they have learned from the document with the rest of the class. Other students will record the responses on additional document analysis sheets.</p>

<h3>Day Two</h3>
<p><em>Poster Activity</em><br />
Using the documents, students will work in groups of 3 to create posters. Divide the groups and randomly assign the students a topic for their poster (either a poster that is an advertisement for a girls' school in Ancient China or a poster that is an advertisement for a boys' school in Ancient China)</p>

<p>The posters should meet the following criteria:</p>
<ul>
<li>The title/name of the school</li>
<li>A slogan that would make someone want to go to the school</li>
<li>At least two neat and colorful illustrations that show what kinds of lessons someone would be taught in the school</li>
</ul>

<p>Students will share their posters with the class</p>

<p><em>Homework</em><br />
For homework, students will prepare for a Socratic Seminar.</p>

<h3>Day Three: Socratic Seminar</h3>
<p>Students will participate in a Socratic Seminar in which they will discuss the following questions:</p>
<ul>
<li>What seems to be the purpose of the American education system? How do you know? (Give examples)</li>
<li>What seems to be the purpose of the Ancient Chinese education system? How do you know? (Give examples)</li>
<li>Why are educational systems necessary?</li>
<li>How do governments use educational systems to further their goals for the country?</li>
</ul>

<p><em>Directions for a Socratic Seminar</em></p>
<ul>
<li>Understand the question(s) for the seminar.</li>
<li>Read the source(s).</li>
<li>Take notes from the sources to help you answer the question(s).</li>
<li>Comment about one of the following (5 pts.)<br />
<ol>
<li>information in the sources</li>
<li>validity of evidence used by the author(s)</li>
<li>the strength of the argument (thesis)</li>
<li>to respond to a question asked by someone else</li>
<li>to respond to a comment made by someone else</li>
</ol></li>
<li>Ask a question about one of the following (5 pts.)<br />
<ol>
<li>information in the sources, e.g., vocabulary</li> 
<li>validity of evidence used by the author(s)</li>
<li>the strength of the argument (thesis)</li>
<li>to respond to a question asked by someone else</li>
<li>to respond to a comment made by someone else</li>
</ol></li>
</ul></ol>

<p>Maximum of 10 points per student.</p>
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-primary-sources" class="element">
        <h3>Primary Sources</h3>
                                    <div class="element-text">189, 190, 191, 192, 193, 194, 195, 196, 197, 198</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Fri, 16 Jan 2009 00:42:56 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Children and Daguerreotypes (Handout) [Still Image]]]></title>
      <link>https://cyh.rrchnm.org/items/show/175</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Children and Daguerreotypes (Handout) [Still Image]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Daguerreotypes were the first commercially viable photographic process. Developed by French chemist Louis Daguerre in 1839, the technique quickly made its way to the US in the 1840s, the beginning of what some historians characterize as the "golden age" of childhood. Although the daguerreotype method was tedious&mdash;dependent on complicated chemical preparation, long exposure times, and an involved development procedure&mdash;the daguerreotype proved immediately popular because of its ability to capture detail and provide a "true" likeness.</p>
<p>One of daguerreotypists' most popular sitters proved to be children. This series of daguerreotypes represents a range of childhood images: a postmortem representation, a hand-colored portrait, a brother and sister study, and photograph of a boy with a donkey. These offer several insights into the 19th-century's conceptualizations of childhood. As such, the photographs invite students to think about the different depictions of boys and girls, children's work, children's relationship to pets, sibling affiliation, and the cultural importance of children, generally.</p>

<p>Download PDF of images <a class="external" href="http://chnm.gmu.edu/cyh/images/daguerreotype_handout.pdf">here.</a></p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Fig. 1–Unknown, <em>Postmortem of Young Girl</em>, ca. 1855, Nelson-Atkins Museum, Kansas City, MO; Fig. 2–Unknown, Unidentified child, three-quarters length portrait facing slightly left, ca. 1855, Library of Congress, Washington D.C.; Fig. 3–Unknown, Unidentified children (possibly Linus and Mary Alice "Pett" Barbour), ca. 1851–1860, Library of Congress, Washington D.C.; Fig. 4–Unknown, Boy with Donkey, ca. 1850, Nelson-Atkins Museum of Art, Kansas City, MO.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2008-11-18</div>
                    </div><!-- end element -->
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      <title><![CDATA[Little Women, "Amy's Valley of Humiliation" [Literary Excerpt]]]></title>
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                                    <div class="element-text"><em>Little Women</em>, "Amy's Valley of Humiliation" [Literary Excerpt]</div>
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                                    <div class="element-text"><p><em>Little Women</em> is one of the most beloved works of American literature. Widely translated and read throughout the world, Alcott's story has inspired films, television programs, cartoons, dolls, and theatrical productions, as well as extensive critical commentary from scholars in literature, history, women's studies, and other fields. Although a work of fiction, the story is largely autobiographical, and it provides a window into American girlhood in the latter part of the 19th century, offering a more realistic, fallible, and decidedly more contemporary image of girls and girlhood than previous works.</p>
 
<p>Book I, Chapter VII, "Amy's Valley of Humiliation," takes its title from John Bunyan's <em>Pilgrim's Progress</em> (1678/1684), which provides a structuring framework for much of the book. Each sister has her "burden," and each struggles to overcome that burden in order to make it to the "palace beautiful." In this memorable chapter, Amy, the youngest March sister, is caught eating pickled limes (the latest fad) in class and is publicly humiliated for breaking school rules.</div>
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                                    <div class="element-text">Louisa May Alcott</div>
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                                    <div class="element-text">Alcott, Louisa May. <em>Little Women; Or Meg, Jo, Beth and Amy</em>. Edited by Anne K. Phillips and Gregory Eiselein. A Norton Critical Edition. New York and London: W.W. Norton & Company, 2004. Online edition: <a class="external" href=http://etext.virginia.edu/etcbin/toccer-new2?id=AlcLitt.xml&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=7&division=div2> http://etext.virginia.edu/etcbin/toccer-new2?id=AlcLitt.xml&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=7&division=div2</a> (accessed October 23, 2008).</div>
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                                    <div class="element-text">2008-10-23</div>
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                                    <div class="element-text">Julia Mickenberg</div>
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                                    <div class="element-text"><p>"That boy is a perfect cyclops, isn't he?" said Amy one day, as Laurie clattered by on horseback, with a flourish of his whip as he passed.</p>
<p>"How dare you say so, when he's got both his eyes? And very handsome ones they are, too," cried Jo, who resented any slighting remarks about her friend.</p>
<p>"I didn't say anything about his eyes, and I don't see why you need fire up when I admire his riding."</p>
<p>"Oh, my goodness! That little goose means a centaur, and she called him a Cyclops," exclaimed Jo, with a burst of laughter.</p>
<p>"You needn't be so rude, it's only a 'lapse of lingy', as Mr. Davis says," retorted Amy, finishing Jo with her Latin. "I just wish I had a little of the money Laurie spends on that horse," she added, as if to herself, yet hoping her sisters would hear.</p>
<p>"Why?" asked Meg kindly, for Jo had gone off in another laugh at Amy's second blunder.</p>
<p>"I need it so much. I'm dreadfully in debt, and it won't be my turn to have the rag money for a month."</p>
<p>"In debt, Amy? What do you mean?" And Meg looked sober.</p>
<p>"Why, I owe at least a dozen pickled limes, and I can't pay them, you know, till I have money, for Marmee forbade my having anything charged at the shop."</p>
<p>"Tell me all about it. Are limes the fashion now? It used to be pricking bits of rubber to make balls." And Meg tried to keep her countenance, Amy looked so grave and important.</p>
<p>"Why, you see, the girls are always buying them, and unless you want to be thought mean, you must do it too. It's nothing but limes now, for everyone is sucking them in their desks in schooltime, and trading them off for pencils, bead rings, paper dolls, or something else, at recess. If one girl likes another, she gives her a lime. If she's mad with her, she eats one before her face, and doesn't offer even a suck. They treat by turns, and I've had ever so many but haven't returned them, and I ought for they are debts of honor, you know."</p>
<p>"How much will pay them off and restore your credit?" asked Meg, taking out her purse."</p>
<p>"A quarter would more than do it, and leave a few cents over for a treat for you. Don't you like limes?"</p>
<p>"Not much. You may have my share. Here's the money. Make it last as long as you can, for it isn't very plenty, you know."</p>
<p>"Oh, thank you! It must be so nice to have pocket money! I'll have a grand feast, for I haven't tasted a lime this week. I felt delicate about taking any, as I couldn't return them, and I'm actually suffering for one."</p>
<p>Next day Amy was rather late at school, but could not resist the temptation of displaying, with pardonable pride, a moist brown-paper parcel, before she consigned it to the inmost recesses of her desk. During the next few minutes the rumor that Amy March had got twenty-four delicious limes (she ate one on the way) and was going to treat circulated through her 'set', and the attentions of her friends became quite overwhelming. Katy Brown invited her to her next party on the spot. Mary Kingsley insisted on lending her her watch till recess, and Jenny Snow, a satirical young lady, who had basely twitted Amy upon her limeless state, promptly buried the hatchet and offered to furnish answers to certain appalling sums. But Amy had not forgotten Miss Snow's cutting remarks about 'some persons whose noses were not too flat to smell other people's limes, and stuck-up people who were not too proud to ask for them', and she instantly crushed 'that Snow girl's' hopes by the withering telegram, "You needn't be so polite all of a sudden, for you won't get any."</p>
<p>A distinguished personage happened to visit the school that morning, and Amy's beautifully drawn maps received praise, which honor to her foe rankled in the soul of Miss Snow, and caused Miss March to assume the airs of a studious young peacock. But, alas, alas! Pride goes before a fall, and the revengeful Snow turned the tables with disastrous success. No sooner had the guest paid the usual stale compliments and bowed himself out, than Jenny, under pretense of asking an important question, informed Mr. Davis, the teacher, that Amy March had pickled limes in her desk.</p>
<p>Now Mr. Davis had declared limes a contraband article, and solemnly vowed to publicly ferrule the first person who was found breaking the law. This much-enduring man had succeeded in banishing chewing gum after a long and stormy war, had made a bonfire of the confiscated novels and newspapers, had suppressed a private post office, had forbidden distortions of the face, nicknames, and caricatures, and done all that one man could do to keep half a hundred rebellious girls in order. Boys are trying enough to human patience, goodness knows, but girls are infinitely more so, especially to nervous gentlemen with tyrannical tempers and no more talent for teaching than Dr. Blimber. Mr. Davis knew any quantity of Greek, Latin, algebra, and ologies of all sorts so he was called a fine teacher, and manners, morals, feelings, and examples were not considered of any particular importance. It was a most unfortunate moment for denouncing Amy, and Jenny knew it. Mr. Davis had evidently taken his coffee too strong that morning, there was an east wind, which always affected his neuralgia, and his pupils had not done him the credit which he felt he deserved. Therefore, to use the expressive, if not elegant, language of a schoolgirl, "He was as nervous as a witch and as cross as a bear". The word 'limes' was like fire to powder, his yellow face flushed, and he rapped on his desk with an energy which made Jenny skip to her seat with unusual rapidity.</p>
<p>"Young ladies, attention, if you please!"</p>
<p>At the stern order the buzz ceased, and fifty pairs of blue, black, gray, and brown eyes were obediently fixed upon his awful countenance.</p>
<p>"Miss March, come to the desk."</p>
<p>Amy rose to comply with outward composure, but a secret fear oppressed her, for the limes weighed upon her conscience.</p>
<p>"Bring with you the limes you have in your desk," was the unexpected command which arrested her before she got out of her seat.</p>
<p>"Don't take all." whispered her neighbor, a young lady of great presence of mind.</p>
<p>Amy hastily shook out half a dozen and laid the rest down before Mr. Davis, feeling that any man possessing a human heart would relent when that delicious perfume met his nose. Unfortunately, Mr. Davis particularly detested the odor of the fashionable pickle, and disgust added to his wrath.</p>
<p>"Is that all?"</p>
<p>"Not quite," stammered Amy.</p>
<p>"Bring the rest immediately."</p>
<p>With a despairing glance at her set, she obeyed.</p>
<p>"You are sure there are no more?"</p>
<p>"I never lie, sir."</p>
<p>"So I see. Now take these disgusting things two by two, and throw them out of the window."</p>
<p>There was a simultaneous sigh, which created quite a little gust, as the last hope fled, and the treat was ravished from their longing lips. Scarlet with shame and anger, Amy went to and fro six dreadful times, and as each doomed couple, looking oh, so plump and juicy, fell from her reluctant hands, a shout from the street completed the anguish of the girls, for it told them that their feast was being exulted over by the little Irish children, who were their sworn foes. This -- this was too much. All flashed indignant or appealing glances at the inexorable Davis, and one passionate lime lover burst into tears.</p>
<p>As Amy returned from her last trip, Mr. Davis gave a portentous "Hem!" and said, in his most impressive manner . . .</p>
<p>"Young ladies, you remember what I said to you a week ago. I am sorry this has happened, but I never allow my rules to be infringed, and I never break my word. Miss March, hold out your hand."</p>
<p>Amy started, and put both hands behind her, turning on him an imploring look which pleaded for her better than the words she could not utter. She was rather a favorite with 'old Davis', as, of course, he was called, and it's my private belief that he would have broken his word if the indignation of one irrepressible young lady had not found vent in a hiss. That hiss, faint as it was, irritated the irascible gentleman, and sealed the culprit's fate.</p>
<p>"Your hand, Miss March!" was the only answer her mute appeal received, and too proud to cry or beseech, Amy set her teeth, threw back her head defiantly, and bore without flinching several tingling blows on her little palm. They were neither many nor heavy, but that made no difference to her. For the first time in her life she had been struck, and the disgrace, in her eyes, was as deep as if he had knocked her down.</p>
<p>"You will now stand on the platform till recess," said Mr. Davis, resolved to do the thing thoroughly, since he had begun.</p>
<p>That was dreadful. It would have been bad enough to go to her seat, and see the pitying faces of her friends, or the satisfied ones of her few enemies, but to face the whole school, with that shame fresh upon her, seemed impossible, and for a second she felt as if she could only drop down where she stood, and break her heart with crying. A bitter sense of wrong and the thought of Jenny Snow helped her to bear it, and, taking the ignominious place, she fixed her eyes on the stove funnel above what now seemed a sea of faces, and stood there, so motionless and white that the girls found it hard to study with that pathetic figure before them.</p>
<p>During the fifteen minutes that followed, the proud and sensitive little girl suffered a shame and pain which she never forgot. To others it might seem a ludicrous or trivial affair, but to her it was a hard experience, for during the twelve years of her life she had been governed by love alone, and a blow of that sort had never touched her before. The smart of her hand and the ache of her heart were forgotten in the sting of the thought, "I shall have to tell at home, and they will be so disappointed in me!"</p>
<p>The fifteen minutes seemed an hour, but they came to an end at last, and the word 'Recess!' had never seemed so welcome to her before.</p>
<p>"You can go, Miss March," said Mr. Davis, looking, as he felt, uncomfortable.</p>
<p>He did not soon forget the reproachful glance Amy gave him, as she went, without a word to anyone, straight into the anteroom, snatched her things, and left the place "forever," as she passionately declared to herself. She was in a sad state when she got home, and when the older girls arrived, some time later, an indignation meeting was held at once. Mrs. March did not say much but looked disturbed, and comforted her afflicted little daughter in her tenderest manner. Meg bathed the insulted hand with glycerine and tears, Beth felt that even her beloved kittens would fail as a balm for griefs like this, Jo wrathfully proposed that Mr. Davis be arrested without delay, and Hannah shook her fist at the 'villain' and pounded potatoes for dinner as if she had him under her pestle.</p>
<p>No notice was taken of Amy's flight, except by her mates, but the sharp-eyed demoiselles discovered that Mr. Davis was quite benignant in the afternoon, also unusually nervous. Just before school closed, Jo appeared, wearing a grim expression as she stalked up to the desk, and delivered a letter from her mother, then collected Amy's property, and departed, carefully scraping the mud from her boots on the door mat, as if she shook that dust of the place off her feet.</p>
<p>"Yes, you can have a vacation from school, but I want you to study a little every day with Beth," said Mrs. March that evening. "I don't approve of corporal punishment, especially for girls. I dislike Mr. Davis's manner of teaching and don't think the girls you associate with are doing you any good, so I shall ask your father's advice before I send you anywhere else."</p>
<p>"That's good! I wish all the girls would leave, and spoil his old school. It's perfectly maddening to think of those lovely limes," sighed Amy, with the air of a martyr.</p>
<p>"I am not sorry you lost them, for you broke the rules, and deserved some punishment for disobedience," was the severe reply, which rather disappointed the young lady, who expected nothing but sympathy.</p>
<p>"Do you mean you are glad I was disgraced before the whole school?" cried Amy.</p>
<p>"I should not have chosen that way of mending a fault," replied her mother, "but I'm not sure that it won't do you more good than a milder method. You are getting to be rather conceited, my dear, and it is quite time you set about correcting it. You have a good many little gifts and virtues, but there is no need of parading them, for conceit spoils the finest genius. There is not much danger that real talent or goodness will be overlooked long, even if it is, the consciousness of possessing and using it well should satisfy one, and the great charm of all power is modesty."</p>
<p>"So it is!" cried Laurie, who was playing chess in a corner with Jo. "I knew a girl once, who had a really remarkable talent for music, and she didn't know it, never guessed what sweet little things she composed when she was alone, and wouldn't have believed it if anyone had told her."</p>
<p>"I wish I'd known that nice girl. Maybe she would have helped me, I'm so stupid," said Beth, who stood beside him, listening eagerly.</p>
<p>"You do know her, and she helps you better than anyone else could," answered Laurie, looking at her with such mischievous meaning in his merry black eyes that Beth suddenly turned very red, and hid her face in the sofa cushion, quite overcome by such an unexpected discovery.</p>
<p> Jo let Laurie win the game to pay for that praise of her Beth, who could not be prevailed upon to play for them after her compliment. So Laurie did his best, and sang delightfully, being in a particularly lively humor, for to the Marches he seldom showed the moody side of his character. When he was gone, Amy, who had been pensive all evening, said suddenly, as if busy over some new idea, "Is Laurie an accomplished boy?"</p>
<p>"Yes, he has had an excellent education, and has much talent. He will make a fine man, if not spoiled by petting," replied her mother.</p>
<p>"And he isn't conceited, is he?" asked Amy.</p>
<p>"Not in the least. That is why he is so charming and we all like him so much."</p>
<p>"I see. It's nice to have accomplishments and be elegant, but not to show off or get perked up," said Amy thoughtfully.</p>
<p>"These things are always seen and felt in a person's manner and conversations, if modestly used, but it is not necessary to display them," said Mrs. March.</p>
<p>"Any more than it's proper to wear all your bonnets and gowns and ribbons at once, that folks may know you've got them," added Jo, and the lecture ended in a laugh.</p></div>
                    </div><!-- end element -->
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        <h3>Related Primary Sources</h3>
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      <pubDate>Thu, 23 Oct 2008 21:32:38 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Health in England (16th–18th c.)]]></title>
      <link>https://cyh.rrchnm.org/items/show/166</link>
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                                    <div class="element-text">Health in England (16th–18th c.)</div>
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                                    <div class="element-text"><p>Health and sickness, as it pertains to children and youth in Early Modern England, is examined through an array of primary sources that illuminate both the perils of childhood in that age and the measures taken for the care of the ill and the emotional investment of families in caring for them.</p></div>
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            <div id="dublin-core-creator" class="element">
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                                    <div class="element-text">Lynda Payne</div>
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                                    <div class="element-text">2008-10-14</div>
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                                    <div class="element-text">eng</div>
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    <h2>Teaching Module Item Type Metadata</h2>
        <div id="teaching-module-item-type-metadata-bibliography" class="element">
        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">
<li>Abbot, Mary. <em>Life Cycles in England, 1560-1720: Cradle to Grave</em>. London: Routledge, 1996.<br />
<span>Includes chapters on children and youth and primary written and visual sources with suggestions for their use.</span></li>

<li>Beier, Lucinda. <em>Sufferers and Healers: The Experience of Illness in Seventeenth-century England</em>. London: Routledge, 1988.<br />
<span>Focuses on the patients and those who treated them, from housewives to bonesetters to surgeons. Includes an analysis of the casebook of Joseph Binn, a London surgeon and some of his younger patients.</span></li>

<li>Ben-Amos, Ilana Krausman. <em>Adolescence and Youth in Early Modern England</em>. New Haven: Yale University Press, 1994.<br />
<span>Discusses the shorter life span of pre-modern people and why youth was so important as a result. Themes include the physical and emotional effects of being an apprentice or a servant. Not an easy read.</span></li>

<li>Houlbrooke, Ralph A. <em>The English Family, 1450-1700</em>. New York: Longman, 1984.<br />
<span>A classic work on the importance of understanding family structure in this period as the context to disease and death. Includes a chapter on children.</span></li>

<li>Pollock, Linda. <em>Forgotten Children: Parent-Child Relations from 1500-1900</em> Cambridge University Press, 1983.<br />
<span>A controversial work that argues against the idea that there was little concept of a childhood in the past and that life for the young was a brutal experience. Discusses the treatment of sick children and youth.</span></li>
</ol></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Sharon Cohen<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p><strong>Directions</strong><br />
The following question is based on the documents included in this module. This question is designed to test your ability to work with and understand historical documents.</p>

<p>Drawing on specific examples from the sources in the module, write a well- organized essay of at least five paragraphs in which you answer the following question:</p>
<ul>
<li> To what extent did parents in early modern England try not to become too attached to their children, as infant and child mortality was so high? </li>
</ul>

<p>Write an essay that:</p>
<ul>
<li>has a relevant, clear thesis that answers the question,</li>
<li>uses at least six of the documents,</li>
<li>analyzes the documents by grouping them in as many appropriate ways as possible. Does not simply summarize the documents individually, and</li>
<li>takes into account both the sources of the documents and the creators' points of view.</li>
</ul>
<p>You may refer to relevant historical information not mentioned in the documents.</p>
<p>Be sure to analyze point of view in at least three documents or images.</p>
<p>What additional sources, types of documents, or information would you need to have a more complete view of this topic?</p> 
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgment is made to the following institutions for primary sources:</p>

<ul>
<li><a class="external" href="http://www.fordham.edu/halsall/mod/modsbook.html">Fordham University</a>,</li>
<li><a class="external" href="http://www.irwin-pub.com/">Irwin Publishing</a>,</li>
<li><a class="external" href="http://www.neonatology.org/index.html">Neonatology on the Web</a>,</li>
<li><a class="external" href="http://www.nypl.org/">The New York Public Library, Astor, Lenox and Tilden Foundations</a>, and</li>
<li><a class="external" href="http://images.wellcome.ac.uk/indexplus/image/L0030701.html">Wellcome Library</a>.</li>
</ul>

<h3>About the Author</h3>

<p>Lynda Payne, Ph.D., RN, Sirridge Missouri Endowed Professor in Medical Humanities and Bioethics and Associate Professor of History, University of Missouri-Kansas City. She is the author of <em>With Words and Knives: Learning Medical Dispassion in Early Modern England</em>, and is currently researching and writing a monograph on the 18th-century surgeon Percivall Pott.</p>

<h3>About the Lesson Plan Author</h3>
<p>Sharon Cohen teaches AP World History and IB Theory of Knowledge at Springbrook High School in Maryland. She regularly presents papers on world history pedagogy at the annual conferences of the World History Association, the American Historical Association, the National Council for Teaching History, and the National Council for the Social Studies, served on the College Board's AP World History Development Committee, contributed articles to the online journal <em>World History Connected</em>, and published curriculum units in world history for the College Board and the online model world history project <em>World History For Us All</em>.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">University of Missouri-Kansas City</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>Children and youth in early modern England (1500-1800) were subject to many diseases and physical hardships. From the great epidemic diseases of bubonic plague and smallpox, to more common illnesses such as measles and influenza that still afflict children today, sickness put children and youth at great risk. With no knowledge of bacteria or antibiotics, and surgery performed without anesthesia or even hand washing, there were few remedies for childhood illnesses beyond a nourishing diet and keeping the patient warm. Even surviving an illness could have permanent consequences, for example, scarlet fever left many children blind and deaf, and measles could cause severe scarring and facial bone loss.</p> 
<p>One measurement of health in early modern England is revealed in the statistics of the number of deaths kept by church parishes. From these records historians have gleaned that infant mortality (death during the first year of life) was approximately 140 out of 1000 live births. The average mother had 7-8 live births over 15 years. Unidentifiable fevers, and the following list of diseases, killed perhaps 30% of England's children before the age of 15 – the bloody flux (dysentery), scarlatina (scarlet fever), whooping cough, influenza, smallpox, and pneumonia.</p> 
<p>Death from disease was higher in urban than in rural areas. Early modern cities were widely, and often rightly, regarded as deadly environments. They contained large concentrations of population who were often poorly fed and housed. "Crowd diseases" such as typhus, smallpox, and tuberculosis prospered, and bubonic plague epidemics periodically swept through dense urban populations. In 1563, 1603, 1625 and 1665, about one fifth of the population of London died in plague outbreaks. In 1665, one of the deadliest years, 80,000 people died in the capital city. Of this number, historians estimate that at least 45,000 of the victims were under the age of 15.</p>
<p>Besides diseases, accidents were common sources of sickness, disability and death for children and youth. From surveys of coroners's inquests, drowning in wells and bathtubs, was the most reported accidental death in children under the age of 5. Accidents were also reported connected to the work in which children were engaged beginning around age 8. Children cracked their skulls while fetching water, were trampled by horses while ploughing, or dropped and injured while under the care of siblings. Boys, unless they were from the noblest of families, were expected to serve an apprenticeship. They were often placed in dangerous crafts such as tanning, blacksmithing, or serving on ships, where chemical poisonings, fires, and war injuries were frequent occurrences. There are also accounts in diaries of the period of youthful pranks leading to injury, for example, hiding gunpowder in candles so they blew up when lit.</p> 
<p>Throughout this period the primary place where sick children and youth were cared for was in the home, and the principal healers were women – mothers, daughters, wives, and servants. Powder burn remedies —applying a mixture of poultry fat and dung—were commonly included in home receit (remedy/recipe) books kept by the mistress of the household. Women developed considerable professional knowledge after the rise of the printing press in 1500 and the publication of books that had been only in the hands of physicians. Both herbal and chemical medicines were described as suitable for the young in family receit books, such as dried dill in honey for a cough, and iron filings in beer for paleness of the skin.</p> 
<p>Children were rarely treated by the small and expensive elite of university-trained physicians to whom adult patients turned for a prognosis and not for a cure. Their remedies were also considered too drastic for children as they largely consisted of rectal purging (laxatives), bloodletting (cutting a vein open with a lancet), and forced vomiting (emetics). These treatments were based on an ancient Greek medical theory that the body was composed of four substances, or humors, created from the digestion of food. The four humors were choler or yellow bile, phlegm or mucus, black bile, and blood, and all had properties of being hot/cold and dry/wet. If the humors were balanced – neither too strong nor too weak – you were healthy. The hot and wet humor of blood and the hot and dry humor of yellow bile were believed to be naturally stronger in the young. Occasionally if these humors were not weakened and released from the body in the form of sweat, tears, urine, feces, or even sneezing, physicians would give children emetics to make them vomit or let blood through "cupping." Heated glass, bone, or brass cups would be placed upon skin that had been scratched or scarified with a knife. Blood would then flow gently from these wounds due to the creation of a vacuum by the heated cup.</p> 
<p>Worried parents consulted surgeons, trained through apprenticeship, for broken limbs, ruptures, and the bladder stone. The latter was caused by the early modern diet, which was rich in gravel. Boys were often operated on for the stone by surgeons in this period with a mortality rate of 30%. The operation was called a lithotomy and took about three to five minutes to perform.  No anesthesia was used, instead surgeons relied on the child fainting from pain and being out during the extraction of the stone. Most often, parents turned first to family, friends, and neighbors, for medical advice, even the local blacksmith for a fee would set bones in humans as well as animals.</p. <p>As the specialty of pediatrics (from the Greek for child and healing) had yet to emerge, children were treated as small adults in hospitals and kept in the same wards as adult men and women. Some charitable institutions were opened in the early modern period, for example, the Children's Hospital in Norwich in 1621, but they tended to be more for children who were abandoned by their parents or orphaned, than for sick youngsters. The largest institution for orphans was the Foundling Hospital in London, opened in 1741. There were also medical discoveries that helped children and youth in this period, most notably, inoculation and vaccination for smallpox.</p> 
		<p>Starting in the 1960s several scholars have argued that early modern parents tried not to invest too much emotion (or money) in a child until it reached an age where survival was likely. High birth rates, accompanied by high death rates for children under the age of ten years old, meant that family life was fragile and uncertain. Yet the parent-child relationship seems to have been as strong in the early modern period as in any other age, and former ideas of emotional indifference before the eighteenth century are now widely questioned by scholars. Most of the population had a hard struggle for existence but children were cared for as much as conditions would allow. The harrowing grief of mothers and fathers who lost children to disease or accident is indeed all too apparent in diaries and letters of the period.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Lynda Payne</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><p>I have found that the best way to teach about sickness and health from centuries ago is to not to focus on the biology and statistics of diseases but to focus on the suffering and the impact of illness on a person's life. I have had students write about their own experience of illness until the age of 18, and then had them compare and contrast that with the common illnesses a child and youth would have experienced in early modern England. Students have also researched how medical conditions of children and youth would be diagnosed and treated by a variety of healers. They took into consideration wealth and poverty, class status, gender, and whether they were living in a city or in the countryside. Finally, I have had success with using visuals to illustrate not just medical care and treatment but environmental conditions. If you have students imagine life without modern conveniences such as electricity, gas, sewers, clean water, cars, and so forth (the list is long), their understanding and interpretation of images of early modern children and youth grows as they take into account the context of health, hygiene, and illness.</p>

<h3>Discussion Questions</h3>
<ul>
<li>What were the common illnesses of children and youth in early modern England? What remedies were suggested and by whom? Can you describe some of the changes in medical treatment during this period? (Classification and description of diseases, inoculation and vaccination).</li>

<li>Some historians have argued that children and youth had a miserable existence and that parents in early modern England tried not to become too attached to their children, as infant and child mortality was so high. Can you use the sources to argue for and against this thesis? (Teeth pulling, Gin Lane, Infanticide Trial versus The Graham Children and the Evelyn Diary).</li>
</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Health in England (16th&ndash;18th c.)</h3>
<p>by Sharon Cohen</p>
<p><strong>Time Estimated:</strong> three 45-minute classes</p>

<h3>Objectives</h3>
<ol>
<li> Students will be able to identify possible connections between the lack of modern conveniences and health, hygiene, and illness among children in early modern England.</li>

<li>Students will be able to debate the extent to which parents demonstrated attachment to children in a period of high mortality for infants and young children. </li>
</ol>

<h3>Materials</h3>
<ul>
<li>Printouts of primary sources sufficient for each student to have a full set of the texts and images in the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/166?section=introduction"><em>Health in England</em></a> Teaching Module. <a id="fn1" class="footnote" href="#note1">1</a></li>
<li>Highlighters</li>
<li>Index cards </li>
</ul>

<h3>Day One</h3>
<p><em>Hook</em><br />
Ask students to imagine life without modern conveniences such as electricity, sewers, and clean water by listing ten possible effects on health, hygiene, and illness. Then, with a partner, have them predict which of those effects were common among children in early modern England. Make a class list of these predictions to post for comparison later.</p>

<p><em>Activity</em><br />
Students will read the primary sources looking for any connections between the lack of modern conveniences and health, hygiene, and illness among children. One strategy to help with close reading is to help the students generate lists of typical words they might find in the text, and then encouraging them to underline or highlight the words associated with a lack of conveniences (such as lack of clean water for drinking or washing) and circle or highlight the words associated with symptoms of illness (complexion, fever, fits, pain, sweat, swollen, shivers, blisters) and treatments (ointment, medicine, bloodletting, fasting, bed rest). Have the students turn in their annotated sources. Check to make sure they found most of the key words. If not, show them to the students the next day.</p>

<h3>Day Two: Debate Prep</h3>

<p>Return the annotated sources and ask students to share with a partner the words that appeared the most often.</p>

<p>With partners, have students try to translate those words into lists:</p>
<ul>
<li>identifying the common illnesses of children and youth in early modern England and</li>
<li>identifying the remedies suggested and by whom.</li></ul>
<p>They should write these analyses of the sources in the margins.</p>

<p>Students prepare for a debate on whether parents in early modern England tried not to become too attached to their children, as infant and child mortality was so high. </p>

<h3>Day Three: The Debate</h3>
<p><em>Debate Directions</em><br />
Divide the class into two groups (pro and con).</p>
<p>Assign each student a specific speaking role in the debate.</p> 
<ul>
<li>Each group has a different student make the opening statement and the closing statement.</li>
<li>Each group has six main pieces of evidence delivered by six different students.</li>
<li>Each group also assigns six students to critique the evidence delivered on the basis of the authority or reliability and perspective of the source.</li>
<li>That's 28 student roles. Adjust as necessary for the size of the class. If the class is larger, assign students to critique the arguments and evidence used overall in the debate and then report on their assessment at the end.</li>
</ul>
<h3>Differentiation</h3>
<p>Some strategies for supporting and challenging students are already included in the lesson. For struggling readers, the sources might need to be translated into modern English, and perhaps even analyzed together as a class. The preparation for the debate for students still learning how to construct and support arguments might take an extra day, so the teacher can speak individually with each student to guide the framing of the arguments and selection of evidence to support the main points. To challenge students further, it might be possible for them to find additional evidence not included in this module, even perhaps going beyond the borders of England to compare the attitudes and practices toward children's health in other places.</p>

<hr />
<div id="notes">
<p><a id="note1" class="footnote" href="#fn1">1</a> Texts include:</p>
<ul>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=155>Boke of Chyldren</a></li>

<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=156">"On Scarlet Fever"</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=162">Infanticide Trial Transcript from the Old Bailey of Elizabeth Taylor of Clerkenwell</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=158">Gin Lane text and illustration</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=160">Diary of John Evelyn</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/166?section=primarysources&source=163">The Graham Children</a></li>
</ul>
</div>
</div>
                    </div><!-- end element -->
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        <h3>Primary Sources</h3>
                                    <div class="element-text">155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165</div>
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      <pubDate>Wed, 15 Oct 2008 00:12:45 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Thoughts and Sentiments on the Evil of Slavery: Middle Passage [Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/153</link>
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                                    <div class="element-text"><em>Thoughts and Sentiments on the Evil of Slavery</em>: Middle Passage [Excerpt]</div>
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                                    <div class="element-text"><p>Born in present-day Ghana, young Ottobah Cugoano was kidnapped and sold into slavery at the young age of 13. Cugoano worked in the sugar fields of a Grenadan plantation until 1773. That year, Cugoano traveled to England with his owner where he obtained his freedom, inspired in part by the Somerset Case, an English legal case that declared slavery illegal in England. Cugoano then joined the Abolitionist movement and published one of the most critical accounts of slavery to date. In this excerpt, Cugoano only briefly described his experience during the Middle Passage while he provided a fuller account of the slave coffle. Given his age at the time of capture, it could be that these are his only memories of the experience. However, it could also be that the trauma of the Middle Passage caused him to block out all but the most horrible of his memories.</p></div>
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                                    <div class="element-text">Cugoano, Ottobah. <em>Thoughts and Sentiments on the Evil of Slavery</em>.  London: s.n., 1787. Reprint, London:  Dawsons of Pall Mall, 1969. Annotated by Colleen A. Vasconcellos.</div>
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                                    <div class="element-text"><p>But when a vessel arrived to conduct us away to the ship, it was a most horrible scene; there was nothing to be heard but rattling of chains, smacking of whips, and the groans and cries of our fellow- men. Some would not stir from the ground, when they were lashed and beat in the most horrible manner. I have forgot the name of this infernal fort; but we were taken in the ship that came for us, to another that was ready to sail from Cape Coast. When we were put into the ship, we saw several black merchants coming on board, but we were all drove into our holes, and not suffered to speak to any of them. In this situation we continued several days in sight of our native land; but I could find no good person to give any information of my situation to Accasa at Agimaque. And when we found ourselves at last taken away, death was more preferable than life, and a plan was concerted amongst us, that we might burn and blow up the ship, and to perish all together in the flames; but we were betrayed by one of our own countrywomen, who slept with some of the head men of the ship, for it was common for the dirty filthy sailors to take the African women and lie upon their bodies; but the men were chained and pent up in holes. It was the women and boys which were to burn the ship, with the approbation and groans of the rest; though that was prevented, the discovery was likewise a cruel bloody scene.</p> 
            <p>But it would be needless to give a description of all the horrible scenes which we saw, and the base treatment which we met with in this dreadful captive situation, as the similar cases of thousands, which suffer by this infernal traffic, are well known. Let it suffice to say, that I was thus lost to my dear indulgent parents and relations, and they to me. All my help was cries and tears, and these could not avail; nor suffered long, till one succeeding woe, and dread, swelled up another. Brought from a state of innocence and freedom, and, in a barbarous and cruel manner, conveyed to a state of horror and slavery: This abandoned situation may be easier conceived than described. From the time that I was kid-napped and conducted to a factory, and from thence in the brutish, base, but fashionable way of traffic, consigned to Grenada, the grievous thoughts which I then felt, still pant in my heart; though my fears and tears have long since subsided. And yet it is still grievous to think that thousands more have suffered in similar and greater distress, under the hands of barbarous robbers, and merciless task- masters; and that many even flow are suffering in all the extreme bitterness of grief and woe, that no language can describe. The cries of some, and the sight of their misery, may be seen and heard afar; but the deep sounding groans of thousands, and the great sadness of their misery and woe, under the heavy load of oppressions and calamities inflicted upon them, are such as can only be distinctly known to the ears of Jehovah Sabaoth.</p></div>
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      <pubDate>Mon, 13 Oct 2008 00:30:58 +0000</pubDate>
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