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    <title><![CDATA[Children and Youth in History]]></title>
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    <pubDate>Wed, 11 Aug 2021 03:25:45 +0000</pubDate>
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      <title><![CDATA[Abdul-Hamid II Collection Photography Archive]]></title>
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                                    <div class="element-text">Abdul-Hamid II Collection Photography Archive</div>
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                                    <div class="element-text">2009-05-01</div>
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                                    <div class="element-text">http://lcweb2.loc.gov/pp/ahiihtml/ahiiabt.html</div>
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                                    <div class="element-text">Library of Congress, Prints &amp; Photographs Division</div>
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                                    <div class="element-text">April 2009</div>
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                                    <div class="element-text"><p>The impressive photography of the <a class="external" href="http://lcweb2.loc.gov/pp/ahiihtml/ahiiabt.html">Abdul-Hamid II Collection</a> contains 1,819 photographs from the Ottoman Empire. Dated from approximately 1880 to 1893, the images depict scenes within the borders of modern Turkey, as well as Ottoman holdings in Greater Syria, Greece, and modern Iraq. Teachers and students of the history of children and youth will be particularly taken by the vast array of education-themed photographs, which reveal a strong emphasis placed on schooling by the Ottoman Empire at the time.</p>
<p>The photos in this collection were originally presented to the Library of Congress by Sultan Abdul-Hamid II in 1894. Most of the photos promote the Empire's modernization, with institutions such as schools, hospitals, military barracks, medical and law schools, and fire departments featuring prominently. A keyword search on "school" returns 546 images.</p>

<p>One of the most interesting elements of the collection are the many images of school children from the 19th century, particularly in Istanbul and surrounding areas of modern-day Turkey. There are also several images depicting school lessons, with an emphasis on cultural trends, such as physical fitness, art education, and schooling for the handicapped.  See, for example, this <a class="external" href="http://hdl.loc.gov/loc.pnp/cph.3b28780"> "Group photograph of the students and the teachers of the school for the deaf."</a></p>

<p>Scholars and educators will be impressed by the many portraits of school children available in the collection. Using the website&rsquo;s search function, keywords such as "girl," "boy," and "education" reveal tens of portraits of children in their school uniforms.</p>

<p>One of the more common portrait styles for children is to pair kids together. [<a class="external" href="http://hdl.loc.gov/loc.pnp/cph.3b28367">Students, orphan school, Dar&uuml;ssafaka</a>] These photos are fascinating primary documents that reveal important social indicators, including schoolboy and schoolgirl fashions (both in terms of uniforms and dress clothing), aesthetic notions about presenting children in portraiture, and elements of class and ethnicity in school populations of the Ottoman Empire.</p>

<p>Another essential element of this collection for those who study children&rsquo;s history in the Ottoman Empire is the emphasis on modern educational facilities and contemporary methods of education. There are several photos highlighting the modern architecture of educational institutions, as well as images that reveal the scope of children&rsquo;s education in the Ottoman Empire. Not only are private institutions represented, but mosque schools, orphanages, and schools for the deaf and blind are depicted, along with portraits of children attending these facilities. [<a class="external" href="http://hdl.loc.gov/loc.pnp/cph.3b28364">Students, school for the blind</a>] Schools for art and various trades are also depicted, and these images reveal fascinating gender assumptions, as it is girls who are attending art schools, whereas boys are taking part in trade school education.</p>

<p>An interesting assignment would be to have students search through the images and compare and contrast elements of the portrait photography. For instance, students could compare and contrast clothing styles, students&rsquo; ages and genders, and the types of schools depicted. Then, they could extrapolate upon various elements of Ottoman life in the late 19th century, including topics such as the increasing European influence on the Empire, the role of physical fitness and militarization in education, and the increasing diversity of educational options in the Ottoman polity.</p>

<p>The images are well displayed on dedicated pages, and are available as thumbnails, web-ready JPEG files, and uncompressed archival TIFF files. Full archival citation information is displayed, as well as clear information about how to purchase copies of some images.</p>

<p>The primary drawback of this website is its organization. From the <a class="external" href=" http://lcweb2.loc.gov/pp/ahiiquery.html">search page</a> users can preview all images, browse Library of Congress subject and format headings or names of creators or conduct broad searches or searches on specific fields. An <a class="external" href="http://lcweb2.loc.gov/pp/ahiiquery.html">exterior search engine</a> (similar to Google) reveals a broad subject index, but there is no link from the main page to direct visitors there. This page will lead viewers to a comprehensive index, but without this knowledge, those looking for specific images or topics must rely on the Library of Congress search engine featured on the home page. Because of this flaw, viewers may find what they are looking for but miss related topics.</p>

<p>Despite this flaw, this collection is a rich resource. The photographs provice an excellent sense of the way that Abdul-Hamid II wanted Americans to view his empire. Moreover, the many images of educational facilities, as well as the myriad portraits of school children, illustrate a fascinating connection between education and modernity in the Ottoman Empire and its image projection abroad, one in which teachers and students should find much to explore.</p></div>
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        <h3>Website Reviewer</h3>
                                    <div class="element-text">Nancy L. Stockdale</div>
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                                    <div class="element-text">University of North Texas</div>
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                                    <div class="element-text">One of the most interesting elements of the collection are the many images of school children from the 19th century, particularly in Istanbul and surrounding areas of modern-day Turkey. </div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/149/fullsize"><img src="/files/display/149/square_thumbnail" class="thumb" alt="Abdul-Hamid II Collection Photography Archive" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Fri, 01 May 2009 18:10:24 +0000</pubDate>
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    <item>
      <title><![CDATA[Louisa’s World]]></title>
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                                    <div class="element-text">Louisa’s World</div>
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                                    <div class="element-text">Ilana Nash</div>
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                                    <div class="element-text">eng</div>
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        <h3>Website URL</h3>
                                    <div class="element-text">http://www.brookhousepress.ca/louisa/home.htm</div>
                    </div><!-- end element -->
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                                    <div class="element-text">Brook House Press</div>
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                                    <div class="element-text">January 2009</div>
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                                    <div class="element-text"><p><a class="external" href="http://www.brookhousepress.ca/louisa/home.htm"><em>Louisa's World</em></a> is a website that presents, in full text, the extant fragments of a diary written by Louisa Collins, a girl of about 18 who lived near Nova Scotia during the Regency period [1811-1820].  Hosted by Brook House Press, a Canadian publisher, <em>Louisa's World</em> is based on a manuscript donated to the Public Archives of Nova Scotia by a descendant of Louisa Collins' family.</p>

<p>The site's main page offers a menu of six sections: <a class="external" href="http://www.brookhousepress.ca/louisa/index/namedex.htm">People</a>,<a class="external" href="http://www.brookhousepress.ca/louisa/textltd.htm"> Intro</a>, <a class="external" href="http://www.brookhousepress.ca/louisa/textltd.htm">Diary</a>, <a class="external" href="http://www.brookhousepress.ca/louisa/galltt2.htm">Gallery</a>, <a class="external" href="http://www.brookhousepress.ca/louisa/colgrov.htm">Colin Grove</a>, and <a class="external" href="http://www.brookhousepress.ca/louisa/afterwd/afterwd.htm">Afterword</a>. Of these, it is the diary itself&mdash;covering a one year period from 1815 to 1816&mdash;that provides the best material for a class on the history of youth generally and female adolescence specifically.</p>
<p>Louisa's entries are full of rich detail about the daily activities of an 18 to 19 year old woman in a rather isolated rural environment. Through Louisa's descriptions of such tasks as carding wool and churning butter, the reader glimpses a stark world in which manual labor abounds, but excitements are few and far between. Louisa loves reading, and the webpages offer hypertext links to the poems of Edward Young, some of whose phrasings and metaphors seem to be mimicked in Louisa&rsquo;s writing.</p>
<p>Indeed, the whole text of Louisa's diary is full of such links, which lead to brief explanations of context and background data. For example, Louisa's reference to a neighbor's "black girl" is linked to a paragraph about the probable status of that unnamed girl as a maid-servant rather than a slave, given the emancipationist sentiments that prevailed in Nova Scotia at the time.</p>
<p>Louisa seems to have delighted above all in the companionship of her female friends, although her opportunities for visiting with them were limited by bad weather. Many entries voice plaintive regret at having to bear the tedium of long, dark days without the company of friends. On October 24, she wrote of one such day: "I don't think I shall git the rheumatism in my fingers for want of exercise, for I have been in my spinning room all day. No one intrudes on my solitude; my mind has free scope for thinking. &ndash; If it were not for hope and anticipation, time indeed would pass heavily on. &ndash; It has been very unpleasant all day; no one has been here."</p>
<p>In the <a class="external" href="http://www.brookhousepress.ca/louisa/intro/intro2.htm">"Intro"</a> section the text's editor, Dale McLare, summarizes and interprets Louisa's entries. McLare comments upon the detailed descriptions of daily chores, noting that Louisa seemed to glean satisfaction from a job well done, and that she had "the attitude of one who has never doubted [work's] importance nor her responsibility for carrying it out. At the same time, it is very clear that Louisa has no urban-romantic nostalagia [sic] about the things she has to do. The work is just something that has to be done not the be-all and end-all of her life." (Before directing students to this site, a teacher would have to caution them about the numerous lapses of spelling and punctuation in the editor's prose&mdash;an unfortunate oversight of proofreading that somewhat compromises the site's value.)</p>
<p>McLare's introduction provides yet another body of material for history students to analyze: the impact of an editor's world-view on the production of knowledge. The editorial comments are historically specific: they suggest a current-day sensibility, one that finds it noteworthy when a teenager approaches hard work with a sense of duty, and one that knows all about "urban-romantic nostalgia" as a social construct.</p>
<p>McLare also takes several opportunities to note similarities between Louisa and Anne Shirley, fictional heroine of the Canadian classic, <em>Anne of Green Gables</em>.  Although Louisa Collin's childhood occurred a century before Anne Shirley&rsquo;s, McLare finds similarities (e.g., sentiments) between the real-life girl and the later fictional one, and clearly wants to link Louisa&rsquo;s diary to a famous Canadian text. This is just one of several elements of <em>Louisa's World</em> that cater to a sense of nationalism and "pride of place" among the site's imagined readers, who seem to be comprised mainly of local historians and genealogists. The <a class="external" href="http://www.brookhousepress.ca/louisa/index/namedex.htm">"People"</a> section&mdash;the first one listed in the menu&mdash;is tailored for genealogists, in its cross-indexed listing of all the people named in Louisa's diary.</p>
<p>The <a class="external" href="http://www.brookhousepress.ca/louisa/galltt2.htm">"Gallery"</a> section provides some excellent visual aids for readers of the diary, featuring maps, paintings, sketches, and survey-plans of locations near Louisa's home. Some of these images date from the relevant period, including a watercolor painting of a Micmac Indian encampment near Halifax in 1790.</p>
<p>The section on "Colin Grove" provides a detailed time-line of events in the history of the 5,000 acre estate owned by Louisa's family. The "Afterword" uses data from local histories and census records to provide information on the events in Louisa's family (marriages, deaths, etc.) in the years after the diary ends.</p>
<p>All in all, <em>Louisa's World</em> is very limited in scope, but broad in its historical information. It provides a good example of the sort of historiography that resembles miniature paintings: it focuses intensely on the fine details of a small primary document. The site's organization, with numerous hyperlinks and cross-indexing, make it very user-friendly. Most importantly for historians of youth, it impresses upon readers the feeling or tone and the quotidian realities or details of life in a rural town 200 years ago, as lived by a teenaged young woman.</p></div>
                    </div><!-- end element -->
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                    <div class="element-text-empty">[no text]</div>
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            <div id="website-review-item-type-metadata-website-reviewer" class="element">
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                                    <div class="element-text">Ilana Nash</div>
                    </div><!-- end element -->
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                                    <div class="element-text">Western Michigan University</div>
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            <div id="website-review-item-type-metadata-pullquote" class="element">
        <h3>Pullquote</h3>
                                    <div class="element-text"><em>Louisa’s World</em></a> is a website that presents, in full text, the extant fragments of a diary written by Louisa Collins, a girl of about 18 who lived near Nova Scotia during the Regency period [1811-1820].</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/152/fullsize"><img src="/files/display/152/square_thumbnail" class="thumb" alt="Louisa’s World" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Wed, 15 Apr 2009 17:13:57 +0000</pubDate>
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    <item>
      <title><![CDATA[Age of Consent Laws]]></title>
      <link>https://cyh.rrchnm.org/items/show/230</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
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                                    <div class="element-text">Age of Consent Laws</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>This module traces the shifting ways that age of consent laws have been defined, debated and deployed worldwide and from the Middle Ages to the present, and explores how such laws figure in debates over the nature of childhood, adolescence, and adulthood, in campaigns against prostitution and child marriage, and teenage pregnancy, as well as struggles to achieve gender and sexual equality.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Stephen Robertson</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Rights</h3>
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                                    <div class="element-text">eng</div>
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    <h2>Teaching Module Item Type Metadata</h2>
        <div id="teaching-module-item-type-metadata-bibliography" class="element">
        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">
<li>Cocca, Carolyn. <em>Jailbait: The Politics of Statutory Rape Laws in the United States</em>. Albany: State University of New York Press, 2004.<br /> <span>A study of changes in American age of consent laws since the 1970s, which uses case studies to explore the roles of feminists, religious conservatives and legislators in shaping new laws.</span></li>
<li>Gorham, Deborah. "The Maiden Tribute of Modern Babylon Re-examined: Child Prostitution and the Idea of Childhood in Late-Victorian England." Victorian Studies 21 (Spring 1978): 353-79.<br /> <span>An older article, but still the most thoughtful analysis of the 'Maiden Tribute' scandal in terms of ideas about childhood. Gorham's emphasis on the regulatory motives of reformers should be supplemented with Robertson's exploration of how an increased age of consent also offered protection to girls.</span></li>
<li>Odem, Mary. <em>Delinquent Daughters: Protecting and Policing Female Adolescent Sexuality in the United States, 1885-1920.</em> Chapel Hill: University of North Carolina Press, 1995.<br /> <span>The first major study of campaigns to raise the age of consent in the United States, this book also examines early prosecutions in California. Odem places the age of consent alongside the treatment of girls in juvenile courts, as opposed to the prosecutions for sexual violence that provide the context in Robertson, and emphasizes how working-class families, not just middle-class authorities, used the law to regulate girls' behavior.</span></li>
<li>Robertson, Stephen. <em>Crimes against Children: Sexual Violence and Legal Culture in New York City, 1880-1960.</em> Chapel Hill: University of North Carolina Press, 2005.<br /> <span>A detailed history of the prosecution of sexual violence, and how practices and outcomes were changed by shifts in understandings of childhood. Chapters 2, 4, 5, 6 and 9 are focused on cases involving the age of consent, and explore the rise and fall of enforcement of that law.</span></li>
<li>Waites, Matthew. <em>The Age of Consent: Young People, Sexuality and Citizenship.</em> New York: Palgrave Macmillan, 2005.<br /> <span>A wide-ranging, sometimes dense, discussion of the theoretical issues raised by the age of consent and of its legislative history in the United Kingdom; best on the second half of the 20th century and on the age of consent for homosexual acts.</span></li>
</ol></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Sharon Cohen<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p>The following question is based on the documents included in this module. This question is designed to test your ability to work with and understand historical documents.</p>

<p>Drawing on specific examples from the sources in the module, write a well- organized essay of at least five paragraphs in which you respond to the following prompt:</p>
<ul>
<li>Analyze the causes of the changes and continuities in age of consent laws in Western Europe between 1850 and the present.</li>
</ul>
<p>What additional sources, types of documents, or information would you need to have a more complete view of this topic?</p>

<p>Write an essay that:</p>
<ul>
<li>has a relevant, clear thesis that answers the question, </li>
<li>uses at least six of the documents,</li>
<li>analyzes the documents by grouping them in as many appropriate ways as possible. Does not simply summarize the documents individually, and</li>
<li>takes into account both the sources of the documents and the creators' points of view. You may refer to relevant historical information not mentioned in the documents.</li>
</ul>
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><p>Grateful acknowledgment is made to the following institutions for primary sources:</p>

<ul>
<li><a class="external" href="http://www.avert.org/">AVERTing HIV and Aids</a>,</li>
<li><a class="external" href="http://cmiskp.echr.coe.int/tkp197/view.asp?action=html&documentId=683822&portal=hbkm&source=externalbydocnumber&table=F69A27FD8FB86142BF01C1166DEA398649">European Court of Human Rights</a>,</li>
<li><a class="external" href="http://www.springer.com/social+sciences/criminology/journal/10610">European Journal on Criminal Policy and Research</a>,</li>
<li><a class="external" href="http://www.hup.harvard.edu/">Harvard University Press</a>,</li>
<li><a class="external" href="http://www.oldbaileyonline.org/">The Old Bailey Proceedings Online Project</a>,</li>
<li><a class="external" href="http://www.prenticehall.com/">Prentice-Hall</a>,</li>
<li><a class="external" href="http://prometheusbooks.com/">Prometheus Books</a>,</li>
<li><a class="external" href="http://www.uncpress.unc.edu/">University of North Carolina Press</a>,</li>
<li><a class="external" href="http://vampisoul.com/">Vampi Soul</a>, and</li>
<li><a class="external" href="http://www.vahealth.org/civp/sexualviolence/statutoryrape.asp">Virginia Department of Health: Sexual Violence Prevention</a>.</li>
</ul>

<h3>About the Author</h3>

<p>Stephen Robertson is a Senior Lecturer in the Department of History at the University of Sydney in Australia. He did his undergraduate studies in History and English at the University of Otago in Dunedin, New Zealand, and his Ph.D. at Rutgers University, New Brunswick. Prior to coming to Sydney in 2000, he was a post-doctoral fellow at the American Bar Foundation in Chicago (1997-98), and the JNG Finley Postdoctoral Fellow in the Department of History at George Mason University (1998-99). He also taught for a semester at Massey University in New Zealand. His first book, <em>Crimes against Children: Sexual Violence and Legal Culture in New York City, 1880-1960</em>, explored the prosecution of sex crimes during the period in which new ideas about childhood transformed American laws regarding sexual violence. His current research explores everyday life in Harlem in the 1920s. He teaches courses on childhood and youth in modern America, the history of New York City, and digital history. In 2006, he was awarded a Carrick Australian Award for University Teaching Citation for Outstanding Contributions to Student Learning.</p>

<h3>About the Lesson Plan Author</h3>
<p>Sharon Cohen teaches AP World History and IB Theory of Knowledge at Springbrook High School in Maryland. She regularly presents papers on world history pedagogy at the annual conferences of the World History Association, the American Historical Association, the National Council for Teaching History, and the National Council for the Social Studies, served on the College Board's AP World History Development Committee, contributed articles to the online journal <em>World History Connected</em>, and published curriculum units in world history for the College Board and the online model world history project <em>World History For Us All</em>.</p>
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">University of Sydney, Australia</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>In western law, the age of consent is the age at which an individual is treated as capable of consenting to sexual activity. Consequently, any one who has sex with an underage individual, regardless of the circumstances, is guilty of a crime. Narrowly concerned with sexual violence, and with girls, originally, since the 19th century the age of consent has occupied a central place in debates over the nature of childhood, adolescence, and adulthood, and been drawn into campaigns against prostitution and child marriage, struggles to achieve gender and sexual equality, and the response to teenage pregnancy. This module traces the shifting ways that the law has been defined, debated and deployed worldwide and from the Middle Ages to the present.</p>
<p>An age of consent statute first appeared in secular law in 1275 in England as part of the rape law. The statute, Westminster 1, made it a misdemeanor to "ravish" a "maiden within age," whether with or without her consent. The phrase "within age" was interpreted by jurist Sir Edward Coke as meaning the age of marriage, which at the time was 12 years of age.</p>
<p>A 1576 law making it a felony to "unlawfully and carnally know and abuse any woman child under the age of 10 years" was generally interpreted as creating more severe punishments when girls were under 10 years old while retaining the lesser punishment for acts with 10- and 11-year-old girls. Jurist Sir Matthew Hale argued that the age of consent applied to 10- and 11-year-old girls, but most of England's North American colonies adopted the younger age. A small group of Italian and German states that introduced an age of consent in the 16th century also employed 12 years.</p>
<p>An underage girl did not have to physically struggle and resist to the limit of her capacity in order to convince a court of her lack of consent to a sexual act, as older females did; in other words, the age of consent made it easier to prosecute a man who sexually assaulted an underage girl. However, since the age of consent applied in all circumstances, not just in physical assaults, the law also made it impossible for an underage female to consent to sexual activity. There was one exception: a man's acts with his wife, to which rape law, and hence the age of consent, did not apply.</p>
<p>In trials, juries were often unwilling to simply enforce the law. Rather than focusing strictly on age, they made judgments about whether the appearance and behavior of a girl fit their notions of a child and a victim. It was not only that relying solely on age seemed arbitrary to them; at least until the end of the 19th century, age had limited salience in other aspects of daily life. Laws and regulations based on age were uncommon until the 19th century, and consequently so was possession of proof of age or even knowledge of a precise date of birth.</p>
<p>Near the end of the 18th century, other European nations began to enact age of consent laws. The broad context for that change was the emergence of an Enlightenment concept of childhood focused on development and growth. This notion cast children as more distinct in nature from adults than previously imagined, and as particularly vulnerable to harm in the years around puberty. The French Napoleonic code provided the legal context in 1791 when it established an age of consent of 11 years. The age of consent, which applied to boys as well as girls, was increased to 13 years in 1863.</p>
<p>Like France, many other countries, increased the age of consent to 13 in the 19th century. Nations, such as Portugal, Spain, Denmark and the Swiss cantons, that adopted or mirrored the Napoleonic code likewise initially set the age of consent at 10-12 years and then raised it to between 13 and 16 years in the second half of the 19th century. In 1875, England raised the age to 13 years; an act of sexual intercourse with a girl younger than 13 was a felony. In the U.S., each state determined its own criminal law and age of consent ranged from 10 to 12 years of age. U.S. laws did not change in the wake of England's shift. Nor did Anglo-American law apply to boys.</p>
<p>Behind the inconsistency of these different laws was the lack of an obvious age to incorporate into law. Although scientists and physicians had established that menstruation and puberty occurred on average around age 14 in Europe at this time, different individuals experienced it at different ages -- a fluid situation at odds with the arbitrary line drawn by whatever age was incorporated into law.</p>
<p>At the end of 19th century, moral reformers drew the age of consent into campaigns against prostitution. Revelations of child prostitution were central to those campaigns, a situation that resulted, reformers argued, from men taking advantage of the innocence of girls just over the age of consent. W. T. Stead's series of articles entitled, "The Maiden Tribute of Modern Babylon," published in the Pall Mall Gazette in 1885, was the most sensational and influential of these expos&eacute;s.</p>
<p>The outcry it provoked pushed British legislators to raise the age of consent to 16 years, and stirred reformers in the U.S, such as the Women's Christian Temperance Union, the British Empire, and Europe to push for similar legislation. By 1920, Anglo-American legislators had responded by increasing the age of consent to 16 years, and even as high as 18 years.</p>
<p>While those ages were well beyond the normal age of menstruation, proponents justified them on scientific grounds that psychological maturity came later than physiological maturity. They also argued that the age of consent should be aligned with other benchmarks of development, such as the age at which girls could enter into contracts and hold property rights, typically 21 years. Opponents remained focused on physiological maturity, however, and argued that girls in their teens were sufficiently developed not to need legal protection. Moreover, they argued, by late adolescence girls possessed sufficient understanding about how to use the law to blackmail unwary men.</p>
<p>Historians have argued that increasing the age of consent also gave the law a more pronounced regulatory dimension. In practice, these laws were often used to control the behavior of the working-class girls. Yet reformers at the time saw no distinction between protection and regulation: in making it a crime for girls to decide to have sexual intercourse outside marriage, the law protected them from themselves and from the immature understanding that led them to behaviors reformers considered immoral.</p>
<p>In addition to class, the intersection of race and age also gave the law a regulatory character. In India, for example, the prevalence of the custom of child marriage among Hindus led the British colonial authorities to apply the age of consent to married as well as unmarried girls, thereby creating a crime of marital rape that did not exist in British law. The 1860 Indian Penal Code set the age at 10 years; in 1891 the age of consent but not the age of marriage was raised to 12 years. As a result, the age of consent regulated the consummation of marriage, ensuring that it was delayed until an age when Indian girls were considered likely to have begun menstruating.</p>
<p>A furious debate preceded the enactment of the 1891 law, focused in large part on whether the law violated the commitment the British government had made in 1857 not to interfere in native cultures. That Indian law set the age lower than British law reflected ideas that non-white races "matured earlier," in part because of the environments in which they originated. In the U.S., those who opposed resetting the age of consent to 16 made similar arguments about African-Americans, Mexicans, and Italian immigrants. Australian legislators even claimed that white girls living in sub-tropical climates "ripened" into women earlier than those in Europe.</p>
<p>The behavior of underage girls gave support to both proponents and opponents of the increased age of consent. Increasingly living in cities and working in factories, offices and stores, working-class girls with a new freedom from the supervision of family members and neighbors cultivated a flamboyant, sexually expressive style that extended to consensual sexual activity, usually with men only a few years their elders. Their new freedom brought girls danger as well as pleasure: subordination at work and dependence on men for access to leisure, limited their agency and ability to consent, and sometimes exposed them to sexual violence. Girls involved in age of consent prosecutions came in roughly equal numbers from each of those groups.</p>
<p>In the 1930s, support for setting the age of consent at 16 years or older began to weaken. Characterized by growing economic, social, and cultural independence, girls in their teens assumed a place in western societies quite distinct from that of younger children. New concepts of adolescence and specifically of girlhood normalized sexual activity during the teenage years, at least within peer groups, as "sex play" necessary to achieve adult heterosexuality. Emboldened and influenced by such ideas, girls more often talked of being "in love" with the men charged with having sex with them, and expressed sexual desire. Prosecutors and juries increasingly refused to treat such cases as rape.</p>
<p>Legislators, however, did not reduce the legal age of consent. The resulting tension was reflected in slang, most notably the American term "jailbait," dating from the 1930s, that registered cultural recognition of teenage girls as sexually attractive, even sexually active, but legally unavailable. American legislators did amend laws to take account of the offender's age during the 1940s and 1950s as teen culture expanded and female adolescents exercised their sexual autonomy. During and after World War II, if both the male and female were underage (or between two and six years above the age of consent), the punishment was reduced.</p>
<p>By the 1970s, feminist rape law reform campaigns had helped to expand age of consent laws. Aiming to challenge stereotypes of female passivity and growing concern about male victimization, they made it clearer that the laws concerned all youth&mdash;male and female&mdash;and that the laws protected them from exploitation rather than ensuring their virginity. European nations in general did not follow suit. Only Britain, in 2003, revised its legislation, making an act committed by an individual under 18 with one under 16 a separate, lesser offense.</p>
<p>A more broadly adopted element of feminist rape law reform was the application of gender-neutral language: instead of referring to "females" the law referred to any "person." Unchanged, however, was the nature of the act addressed. Age of consent laws applied only to heterosexual intercourse. The new language criminalized acts between underage boys and women, but not those between boys and men. Promoted as a means of formalizing equality between men and women, gender-neutral language won support as a means of protecting boys. The treatment of such cases, however, was not gender neutral and drew upon gender stereotypes. In practice, boys were imagined as sexual agents, not victims, and as sexual agents, the prevailing assumption was that they would not be harmed by sexual acts with adult women.</p>
<p>In the U.S., the Supreme Court ruled that it was constitutional to apply the age of consent only to girls. The ruling found a new, "modern" basis for the law: the consequences of pregnancy for females. Although out of line with a broad shift toward formal legal equality between males and females, the decision fit the circumstances of the small number of cases still being prosecuted. And despite this ruling, gender-neutral laws were still enacted around the country.</p>
<p>This debate foreshadowed a new link between the law and teenage pregnancy in the 1990s. Conservatives seeking to control adolescent sexuality joined with welfare reform activists. They promoted claims that the enforcement of the age of consent could prevent teenage motherhood (and rising welfare costs) that resulted from girls' exploitation by adult men. Few cases actually fit that pattern, but campaigns to publicize and enforce the law on that basis were implemented in at least 10 states.</p>
<p>At the end of the 20th century, outside the U.S., age of consent laws were expanded to include same-sex acts, due in part to growing tolerance of homosexuality and desire to reach those at risk of AIDS. In the first half of the 20th century, all the European nations, other than Italy and Turkey, that had followed the Napoleonic code in treating heterosexual and homosexual acts alike had recriminalized homosexual acts, either establishing a total ban or an age of consent higher than that for heterosexual acts. In the last quarter of the century, arguments that boys developed later and needed to be older to appreciate the social consequences of homosexual acts began to fade.</p>
<p>European nations began establishing a uniform age of consent for heterosexual and homosexual acts in the 1970s. Under pressure from the European Commission on Human Rights, the former Soviet states and the United Kingdom were the last to revise their legislation at the beginning of the 21st century. In 2003, New South Wales became the final Australian state to adopt a uniform law. In that same year, a U.S. Supreme Court decision decriminalized consensual sodomy, opening the way for the invalidation of unequal laws, a process started in 2005. As of 2007, Canada, Cyprus, and the British territories of Gibraltar and Guernsey were the only western nations without a uniform age of consent for heterosexual and homosexual acts.</p>
<p>More than 800 years after the first recorded age of consent laws, the one constant is the lack of consistency. Laws around the world define the socially appropriate age of consent anywhere from 13 to 18. Some differentiate between heterosexual and homosexual acts while others do not. Some apply to young men as well as young women and others remained focused on the lives and actions of girls. And beyond the legislation lies the world of practice, an even more complex story.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Stephen Robertson</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><p>The primary sources in this module have been chosen to highlight the shifting ways that age of consent laws have been defined, debated and deployed in Western nations over time. To make sense of these documents, it is important to recognize the historically contingent nature of childhood and girlhood: the answer to who is a child or girl differs depending upon the historical period. Bodies are perceived differently and are different to the extent that the average age of puberty has fallen; psychological development and understanding are not always important in definitions of childhood.</p>
<p>It is also important to recognize two tensions within age of consent laws. First, the arbitrary nature of the legal category of age was at odds with fluidity of growth: while the law treated all underage girls as equally mature (or immature), in practice judges and juries confronted the fact that they were not. Second, the age of consent had a dual nature, both protective, in the sense that it removed the need for a girl to show resistance to charge rape, and regulatory, in that it precluded an underage girl from consenting. Broader questions about the law also underpin the issue of the age of consent. Can the law change people's ideas? Can the law stop individuals from having sex? What role do unenforced laws play in shaping cultural attitudes and social behavior?</p>
<p>These sources track the shifting meanings of the age of consent. The Arrowsmith trial demonstrates its role in rape law and the gap between the statute and legal practice. The "Maiden Tribute" articles connect rape and prostitution, making clear how the age of consent became part of anti-prostitution campaigns. The WCTU petition also refers to sexual assault, but incorporates circumstances in which girls consent to their own ruin, highlighting the new regulatory arguments for the law that came to dominate campaigns to increase the age.</p>
<p>Yajnik's speech links the age of consent and marriage and shows the different forms regulatory arguments could take in colonial contexts. Texas legislators' grounds for opposing an increased age highlight the divergent understandings of childhood that existed even when the age of consent was being raised. Morris Ploscowe's later commentary on the law in many ways echoes those arguments, but does so within a new framework, the modern concept of adolescence, that provides them with expert backing. The notion of jailbait invoked by Andre Williams' song speaks to a recognition in popular culture of the same tensions between the sexualization of adolescents and existence of the law that Ploscowe identifies.</p>
<p>Against the backdrop of these tensions, the U.S. Supreme Court decision again shifts the grounds for the age of consent, this time to the consequences of sex for girls;specifically pregnancy. The Virginia billboard builds on that argument, linking the age of consent to public health and positioning the law as a means of changing behavior. The table of ages used in western laws highlights the historical and contemporary variations in age of consent laws, and the comparatively higher ages employed in the Anglo-American laws relative to Europe. Finally, the decision in the Sutherland case highlights a further shift in the meaning of the age of consent, to encompass in not only boys, but also same-sex acts.</p>
<h3>Discussion Questions</h3>
<ul>
<li>What justifications for the age of consent do different sources offer? What arguments against the age of consent, or for a lower age of consent, do different sources offer? What do those arguments suggest about why the age of consent has increased since the 19th century? What do those arguments suggest about why there is so much variation in the age used in the laws of different nations? What is the relationship between age of consent laws and changing notions of girlhood and adolescence?</li>
</ul>
<ul>
<li>What issues have been connected to age of consent laws in these documents? What was the basis of those connections?</li>
<li>Does the age of consent primarily protect or regulate children, especially girls', sexuality? Is the answer different at different historical moments or in different cultures?</li>
</ul>
<ul>
</ul>
<ul>
<li>Why did the age of consent not apply to boys in Anglo-American cultures until the 1970s? Why did it not apply to same-sex acts in those cultures until the 1960s, and not at an equal age until 2000? Is the age of consent still gendered? Does it still apply primarily to girls?</li>
</ul></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Childhood Seen Through Age of Consent Laws</h3>
<p>by Sharon Cohen</p>
<p><strong>Time Estimated:</strong> two 45-minute classes</p>
<h3>Objectives</h3>
<ol>
<li>Describe and analyze changes and continuities in Western childhood during the 19th and 20th centuries.</li>
<li>Define "age of consent" and analyze age of consent laws to see continuity and change over time in dealing with age, gender, and context.</li>
<li>Analyze point and view and purpose of historical documents, including audience, author, place, and time period.</li>
<li>Compare laws to other sources (including articles, commentaries, and speeches) to analyze changing definitions of childhood over time and place.</li>
<li>Analyze the influence of Enlightenment and other ideologies on age of consent laws.</li>
<li>Discuss how historians study and find evidence of the developing concept of childhood.</li>
</ol>

<h3>Materials</h3>
<ul>
<li>Sufficient copies of sources:<br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=37">The Trial of Stephen Arrowsmith</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=38">"The Violation of Virgins"</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=39">Petition to Raise the Age of Consent</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=40">"Review of the Age-of-Consent Legislation in Texas"</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=45">Adolescent Sexual Experimentation Should Not Be a Crime</a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=46"><em>Jailbait</em></a><br /> <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=47">U.S. Supreme Court Decision Justifying Gender-Based Age of Consent Laws</a><br /> </li>
<li>Copies of the <a class="external" href="http://www.representingchildhood.pitt.edu/medieval_child.htm">"Childhood in Medieval England"</a> article</li>
<li>Copies of the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=207">"Age of Menarche in Norway"</a> chart</li>
<li>Copies of the <a class="external" href="http://chnm.gmu.edu/cyh/archive/files/apparts_b60cd02284.pdf">APPARTS worksheet</a> 
 </li>
<li>Poster paper, magic markers</li>
</ul>

<h3>Day One</h3>

<p><em>Hook (10 minutes)</em><br />
To get the students thinking about what childhood means, have them write a short description of their daily lives when they were eight. Then, have them share their descriptions with each other in groups of two or three.</p>

<p><em>In-class Reading (25 minutes)</em><br />
Explain to the students that they will be comparing their childhood to children's lives in medieval England. Have the students read the "Childhood in Medieval England" article, either individually or in pairs. Then, ask the students the following questions:</p>        
<ul>
<li>How was children's work life similar and different from today's?</li>
<li>How was children's leisure time similar to and different from today's?</li>
<li>In general, how were people's understanding of the boundary between childhood and adulthood similar to and different from our understanding of that boundary today?</li>
</ul>

<p><em>Lecture (10 minutes)</em><br />
Give students a brief lecture to provide them with a basic understanding of age of consent laws: what they are, why they were made, and how they can indirectly define childhood by setting a boundary between childhood and adulthood. The purpose of the lecture is to prepare the students to read the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=introduction">introductory article</a> at home before the next class; the first paragraph of the article is a good source for this lecture.</p>

<p><em>Homework</em><br /> 
Assign students background reading from the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230">introductory article</a>. You may also wish to have them respond in two to three paragraphs to the following prompt: "What should the age of consent be in America, today? Defend your answer, citing at least three issues discussed in the reading."</p>

<h3>Day Two</h3>

<p><em>Share (5 minutes)</em><br />
Have students share the specific age they selected, as well as their findings on historical age of consent laws from the reading.</p>

<p><em>Small-Group Work (30 minutes)</em><br />
This activity helps students further understand the various issues around age of consent laws, as well as give them a chance to practice their document analysis skills. Break up the class into groups of two to three students. Assign half of the student groups all three documents from group A (below) and the remaining student groups all three documents from group B.</p>
        
<ul>
<li><strong>Group A</strong><br /> Source 2: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=38">"The Violation of Virgins" Newspaper Article</a><br /> Source 7: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=47">U.S. Supreme Court Decision Justifying Gender-Based Age of Consent Laws Legal Document</a><br /> Source 9: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=23">"Isn't she a little young?" Billboard</a></li>
<li><strong>Group B</strong><br /> Source 3: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=39">Petition to Raise the Age of Consent</a><br /> Source 5: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=40"> Increased Age of Consent Speech</a><br /> Source 6: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=45">Adolescent Sexual Experimentation Should Not Be a Crime Commentary</a></li>
</ul>

<p>Have the students analyze their sources to find the point of view and purpose in each source. The students then should identify how the sources show a continuity or change in the age of consent law for that country, region, or colony.  Each group should fill out an APPARTS worksheet for each document as part of this analysis.  Then, have each group jigsaw share their findings with a group that analyzed the other set of documents to share their findings with each other.</p>

<p><em>Lecture/discussion (10 minutes)</em><br />
 To help students understand how the Enlightenment influenced these changes, have the students read this short excerpt from <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/216">Rousseau's <em>Emile</em></a>, or read it to them aloud (along with the background information). In a short discussion, have them explain how these Enlightenment ideas might relate to changes in age of consent laws.</p>

<h3>Day Three (Optional Activities)</h3>

<p><em>Data Analysis (25 minutes):</em><br />
This activity will help students see the major changes and continuities in age of consent laws. Divide the students into groups of two. Pass out copies of two secondary sources to each group: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=24">Source 10, the Age of Consent Laws Table</a>, and the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=207">Age of Menarche in Norway chart</a>. Explain to the class that menarche is a female's first menstrual cycle, and is often considered the beginning of puberty. Before beginning the analysis, ask the students the following two questions, either in a short discussion or in pairs:</p> 
<ul>
<li>Are these primary or secondary sources? How do you know?</li>
<li>Who was the author of each? What do you think his or her purpose was in creating this source?</li>
</ul>

<p>Next, ask the students to analyze the two sources by answer the following questions. Tell them to link their answers to specific evidence from the documents and readings they have encountered over the past two days.</p> 
<ul>
<li>Describe the trends you see in the legal age of consent. What are their changes over time? Are there continuities?</li>
<li>Describe the trends. Do you see in the age at which puberty begins? Are their changes over time? Continuities?</li>
<li>What political, economic, and social forces might have led to the changes and/or continuities in the age of consent?</li>
<li>Why might the changes and continuities in the age of consent vary from one region to another?</li>
<li>What might have caused the age of puberty to change over time? (Note to teacher: many scholars believe that this is only due to improvements in nutrition during childhood, possibly during the prenatal period, too.)</li>
<li>What might be the political, economic, and social effects of changes you see in <em>both</em> sets of data?</li>
</ul>

<p><em>Writing Assignment</em><br />
Finally, have the students write a thesis statement (1-2 sentences) to address the prompt:</p>
<ul>
<li>Analyze the changes and continuities in age of consent laws in Western Europe between 1850 and the present. Be sure to include <em>causes</em> of changes and/or continuities in your thesis.</li>
</ul>

<p><em>Socratic Circle (20 minutes)</em><br /> 
This activity helps students understand the political and social implications of age of consent laws. Using a Socratic Circle, have students discuss how a state-defined concept of childhood could affect minority groups and/or colonized peoples. Ask the students to re-read <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/230?section=primarysources&source=40">Source 5 (Increased Age of Consent Speech)</a>, then discuss the following questions:</p> 
<ul>
<li>Why were British officials anxious about changing the age of consent laws? What could the potential consequences of these changes have been?</li>
<li>How might an 11-year old Hindu girl have reacted to the change in the law? How might her mother have reacted? Why?</li>
<li>How might Muslims and/or Christians living in India have responded to the changes in laws? What implications might their reactions (vs. Hindu reactions) have for the British colonial government?</li>
<li>How might changes in these laws affect the relationship between a state and minority groups living in that state (not a colony)? Use specific examples, such as Indian immigrants in England, Jews in Germany, or Africans in the United States.</li>
</ul>

<h3>Differentiation</h3>
<p><em>Advanced Students</em><br />
Have students evaluate the use of age of consent laws <em>by historians</em> (i.e. historiography) as a tool to trace the development of the concept of childhood and other stages of the lifespan (e.g., teenage years). Students should write a paper or create a presentation that responds to the following questions:</p>
<ul>
<li>Should historians use age of consent laws to trace the changes and continuities in the concept of childhood and/or teenage years? Why or why not?</li>
<li>What are the strengths and weaknesses of this approach?</li>
<li>What other types of information should they also examine?</li>
<li>What viewpoints are omitted by focusing on the legal age of consent? How could historians better understand those viewpoints? What types of documents would help in this effort?</li>
</ul>
<p><em>Less Advanced Students</em><br />
Help students understand what they are reading by creating a vocabulary list, and/or using shorter excerpts of the articles and documents rather than entire excerpts. Create scaffolding worksheets to help students record the changes and continuities they find in the documents; e.g., providing a grid for students to record the political, economic, social, cultural changes in each document.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-primary-sources" class="element">
        <h3>Primary Sources</h3>
                                    <div class="element-text">37, 38, 39, 40, 41, 45, 46, 47, 48, 23, 24, 207</div>
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      <pubDate>Sun, 12 Apr 2009 18:20:29 +0000</pubDate>
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      <title><![CDATA[Chinese Mother Goose Rhymes [Literary Excerpts]]]></title>
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                                    <div class="element-text"><em>Chinese Mother Goose Rhymes</em> [Literary Excerpts]</div>
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                                    <div class="element-text"><p>Isaac Taylor Headland (1859-1942), a resident of Beijing and a scholar at Peking (Beijing) University, joined other contemporaries interested in both popular culture and folklore in collecting and transcribing Chinese children's rhymes. The rhymes were shared by nurse-maids who cared for the children of expatriates living in the city as well as through interviews of kids who sang in the streets and neighborhoods of the city and surrounding region. The text, which includes both English and Chinese versions of the rhymes as well as photographs, offers an interesting perspective on popular culture, social roles related to gender and family, as well as the material culture of daily life in turn-of-the-century China.</p></div>
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                                    <div class="element-text">Li Han and Hsü Tzu-kuang</div>
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                                    <div class="element-text">Headland, Isaac Taylor. <em>Chinese Mother Goose Rhymes</em>. New York: Fleming H. Revell Co., 1900, p. 15, 60–1, 146–7.</div>
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                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><h3>"Grandpa Feeds Baby"</h3>
<p>Grandpa holds the baby,<br /> He's sitting on his knee<br /> Eating mutton dumplings<br /> With vinegar and tea.<br /> Then grandpa says to baby,<br /> "When you have had enough,<br /> You'll be a saucy baby<br /> And treat your grandpa rough."</p>
<hr />
<h3>"The Ungrateful Son"</h3>
<p>The tail of one magpie's as long as another,<br /> He married a wife and he gave up his mother,<br /> When asked by his mother to buy her some cake,<br /> He wanted to know how much money  twould take;<br /> When his wife wanted pears he saddled his beast,<br /> And started to market to buy her a feast;<br /> He took off the peeling with very great airs,<br /> And asked her politely to have a few pears.</p>
<hr />
<h3>"The Mischievous Sister-in-Law"</h3>
<p>Oh the pumpkin red, on the gourd decayed,<br /> I am my father's mischievous maid;<br /> I am my brother's dear little sister;<br /> I am my sister-in-law's fly-blister.<br /> Father, when I marry, what will you give?<br /> A box and a ward-robe you shall receive.<br /> Mother, when I marry, what will you bring?<br /> A little work-basket full of everything.<br /> Brother, when I marry, what will come from you?<br /> A fancy cloth towel; think that will do?<br /> My happiness, sister, you will not mar?<br /> I'll give a broken bottle and a little smashed jar,<br /> And send you, you nuisance, away very far.</p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Thu, 26 Mar 2009 05:46:25 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[The Chinese Boy and Girl [Literary Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/227</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text"><em>The Chinese Boy and Girl</em> [Literary Excerpt]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Issac Taylor Headland (1859-1942), a resident of Beijing and a scholar at Peking (Beijing) University, joined other contemporaries interested in both popular culture and folklore in his own study of daily life in China. He was particularly concerned with the collection and transcription of Chinese children's rhymes. Readings from his texts offer a look at a Westerner's own perspective on children's culture and family life as well as the complexities of cross-cultural exchange. Headland's voice offers an example of a global encounter at a moment of high imperialism – indeed, these texts were published in the immediate wake of the dramatic Boxer Uprising and siege of foreign legations that occurred in Beijing during the summer of 1900.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Isaac Taylor Headland</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Headland, Isaac Taylor. <em>The Chinese Boy and Girl</em>. New York: Fleming H. Revell, 1901, 5. [Full text available  at the <a class="external" href="http://etext.virginia.edu/toc/modeng/public/HeaChin.html">University of Virginia online etext archive</a>.]</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2009-03-26</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Susan Fernsebner</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">221, 228</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">text</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text"><p>No thorough study of Chinese child life can be made until the wall of Chinese exclusiveness is broken down and the homes of the East are thrown open to the people of the West. Glimpses of that life, however, are available, sufficient in number and character to give a fairly good idea of what it must be. The playground is by no means always hidden, lease of all when it is the street. The Chinese nurse brings her Chinese rhymes, stories, and games into the foreigner's home for the amusement of its little ones. Chinese kindergarten methods and appliances have no superior in their ingenuity and their ability to interest, as well as to instruct. In the matter of traveling shows and jugglers also, no country is better supplied, and these are chiefly for the entertainment of the little ones.</p>
	<p>To the careful observer of these different phases it becomes apparent that the Chinese child is well supplied with methods of exercise and amusement, also that he has much in common with the children of other lands. A large collection of toys shows many duplicates of those common in the West, and from the nursery rhymes of at least two out of the eighteen provinces it appears that the Chinese nursery is rich in Mother Goose. As a companion to the "Chinese Mother Goose," this book seeks to show that the same sunlight fills the homes of both East and West. If it also leads their far-away mates to look upon the Chinese Boy and Girl as real little folk, human like themselves, and thus think more kindly of them, its mission will have been accomplished.</p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Thu, 26 Mar 2009 05:45:32 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Joyous Celebration at the New Year [Image]]]></title>
      <link>https://cyh.rrchnm.org/items/show/226</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Joyous Celebration at the New Year [Image]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>This image offers an artistic view of a household celebrating the New Year's holiday. Here we find children at play amidst a scene of domestic joy and prosperity for an elite family of the Qing dynasty (1644-1911). The <a class="external" href="http://www.npm.gov.tw/exh98/newyear/img_item_o3_en.html">detail of the image</a> is rich in its representation of material culture, shared domestic space, as well as visions of play and the culinary endeavor of a grand feast. We might inventory the different kinds of toys that can be seen here and consider the ways in which the children of that day imagined and made use of them. On the right side of the main outdoor courtyard, for example, we see two children at play with what seems a puppet hanging from a pole. The figure may have represented a character from a famous tale or historic play. What might children have gained from play with such kinds of figures? Notice also the contrast in this image between the many children at play and those who are also engaged in a parallel act of serving their elders (see, in particular, the figures at the table.) What might this shared imagery of play and respectful or filial service to parents have meant to those viewing the image during the Qing dynasty itself? It is helpful to consider the ways in which these specific scenes of play overlap with those representing other kinds of household relationships and roles. </p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Yao Wen-han, &quot;Joyous Celebration at the New Year,&quot; Collection of the National Palace Museum, &lt;a class=&quot;external&quot; href=&quot;http://www.npm.gov.tw/exh98/newyear/img_item_o3_en.html&quot;&gt;http://www.npm.gov.tw/exh98/newyear/img_item_o3_en.html&lt;/a&gt; (accessed May 12, 2009). </div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Susan Fernsebner</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">221</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">image/jpeg</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                                    <div class="element-text">82.4 x 55 cm</div>
                    </div><!-- end element -->
            <div id="still-image-item-type-metadata-image-description" class="element">
        <h3>Image Description</h3>
                                    <div class="element-text">Hanging scroll, ink and colors on paper.</div>
                    </div><!-- end element -->
            <div id="still-image-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/160/fullsize"><img src="/files/display/160/square_thumbnail" class="thumb" alt="Joyous Celebration at the New Year [Image]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Thu, 26 Mar 2009 05:44:30 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/160/fullsize" type="image/jpeg" length="272011"/>
    </item>
    <item>
      <title><![CDATA[The Story of the Stone [Literary Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/225</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text"><em>The Story of the Stone</em> [Literary Excerpt]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Many adult voices advocated the need for a good moral upbringing as part of a rigorous education for children during the later Ming and Qing dynasties, an aspect seen in the primers that were repeatedly published during this period. Yet other realms of popular literature caught the attention of a broad class of educated elites. Here we also find rich descriptions of childhood that complicate a moralistic tone. One of the most famous novels of the period is <em>The Story of the Stone</em> (also known as <em>Dream of the Red Chamber</em>) by Cao Xueqin (d. 1763). Cao offers an extended tale of a grand family in the 18th century that focuses upon two young characters, the young heir Bao-yu and the beautiful Dai-yu, amidst a rich narrative of family intrigue, daily life, and culture. In the selection offered here, we gain a view of Bao-yu's own life as a young and poetic lad who embraces life in the quieter quarters amongst his female cousins and their maids. Here we see a vision that celebrates diverse joys and, perhaps, satirizes the staples of a proper Confucian upbringing.</p>

</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Cao Xueqin</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Cao Xueqin. <em>The Story of the Stone</em>. Transl. by David Hawkes. New York: Penguin Classics, 1973, 460–4 (adapted).</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
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        <h3>Contributor</h3>
                                    <div class="element-text">Susan Fernsebner</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">221</div>
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                                    <div class="element-text">text</div>
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                                    <div class="element-text">en</div>
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                                    <div class="element-text"><p>Life for Bao-yu after his removal into the garden became utterly and completely satisfying. Every day was spent in the company of his maids and cousins in the most amiable and delightful occupations, such as: reading, practicing calligraphing, strumming on the qin, playing Go, painting, composing verses, embroidering in coloured silks, competitive flower collecting, making flower-sprays, singing, word games, and guess fingers. In a word, he was blissfully happy. . .</p>
<p>Then, quite suddenly, in the midst of this placid, agreeable existence, he was discontented. He got up one day feeling out of sorts. Nothing he did brought any relief. Whether he stayed indoors or went out into the garden, he remained bored and miserable. The garden's female population were mostly still in that age of innocence when freedom from inhibition is the fruit of ignorance. Waking and sleeping they surrounded him, and their mindless giggling was constantly in his ears. How could <em>they</em> understand the restless feelings that now consumed him? In his present mood of discontent he was bored with the garden and its inmates; yet his attempts to find distraction outside it ended in the same emptiness and ennui.</p>
<p>Tealeaf saw how it was with him and racked his brains for a remedy. Unfortunately all the things he could think of seemed to be things that Bao-yu had already tried and grown tired of. But no, there <em>was</em> something he had not yet tried. As soon as Tealeaf thought of it, he set off to the book-stalls and bought a pile of books &ndash; books of a kind Bao-yu had never heard about &ndash; to give as a present to his young master. His purchases included: <em>Old Inklubber's Stories Old and New; The Secret History of Flying Swallow; Sister of Flying Swallow; The Infamous Loves of Empress Wu; The Jade Ring Concubine, or Peeps in the Inner Palace</em>&hellip; and a heap of playbooks &ndash; mostly romantic comedies and the like.</p>
<p>Bao-yu took one look at this gift and was enraptured; but Tealeaf uttered a warning: "Don't take these into the garden! If you do, and anyone finds out about them, I'll be in <em>real trouble</em> &ndash; more than just a bellyful!"</p>
<p>The injunction was one with which Bao-yu was most unwilling to comply. After a good deal of hesitation he picked out a few of the chaster volumes to keep by his bed and read when no one was about, and left the cruder, more forthright ones behind, hidden somewhere in his outer study.</p>
<p>One day after lunch &ndash; it was round about the Midwash of the third month, as our forefathers, who measured the passage of time by their infrequent ablutions, were wont to say &ndash; Bao-yu set off for Drenched Blossoms Weir with the volumes of <em>Western Chamber</em> under his arm, and sitting down on a rock underneath the peach-tree which grew there beside the bridge, he took up the first volume and began, very attentively, to read the play. He had just reached the line "The red flowers in their hosts are falling" when a little gust of wind blew over and a shower of petals suddenly rained down from the tree above, covering his clothes, his book, and all the ground about him. . . a voice behind him said, "What are you doing here?"</p>
<p>He looked around and saw that it was Dai-yu. She was carrying a garden hoe with a muslin bag hanging from the end of it on her shoulder and a garden broom in her hand.</p>
<p>"You've come at just the right moment," said Bao-yu, smiling at her. "Here, sweep these petals up and tip them in the water for me! I've just tipped one lot in myself."</p>
<p>"It isn't a good idea to tip them in the water," said Dai-yu. "The water you see here is clean, but farther on beyond the weir, where it flows past people's houses, there are all sorts of muck and impurity, and in the end they get spoiled just the same. In that corner over there I've got a grave for the flowers, and what I'm doing now is sweeping them up and putting them back in this silk bag to bury them there, so that they can gradually turn back into earth. Isn't that a cleaner way of disposing of them?"</p>
<p>Bao-yu was full of admiration for this idea. "Just let me put this book somewhere and I'll give you a hand."</p>
<p>"What book?" said Dai-yu.</p>
<p>"Oh. . . the <em>Doctrine of the Mean</em> and <em>The Greater Learning</em>," he said, hastily concealing it.</p>
<p>"Don't try to fool <em>me</em>!" said Dai-yu. "You would have done much better to let me look at it in the first place, instead of hiding it so guiltily."</p>
<p>"In your case, coz, I have nothing to be afraid of," said Bao-yu; "but if I do let you look, you must promise not to tell anyone. It's marvelous stuff. Once you start reading it, you'll even stop wanting to eat!"</p>
<p>He handed the book to her, and Dai-yu put down her things and looked. The more she read, the more she liked it, and before very long she had read several acts. She felt the power of the words and their lingering fragrance. Long after she had finished reading, when she had laid down the book and was sitting there rapt and silent, the lines continued to ring on in her head.</p>
<p>"Well," said Bao-yu, "is it good?"</p>
<p>Dai-yu smiled and nodded.</p>
<p>Bao-yu laughed: "How can I, full of sickness and woe, withstand that face which kingdoms could o'erthrow?"</p></div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Thu, 26 Mar 2009 05:43:17 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Late Imperial China]]></title>
      <link>https://cyh.rrchnm.org/items/show/221</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Late Imperial China</div>
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        <h3>Creator</h3>
                                    <div class="element-text">Sue Fernsebner</div>
                    </div><!-- end element -->
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                                    <div class="element-text">2009-03-25</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">eng</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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    <h2>Teaching Module Item Type Metadata</h2>
        <div id="teaching-module-item-type-metadata-bibliography" class="element">
        <h3>Bibliography</h3>
                                    <div class="element-text"><ol class="bibliography">
<li>Cao Xueqin. <em>The Story of the Stone</em>. Translated by David Hawkes. 5 vols. New York: Penguin Classics, 1973.<br/> 

	<span>A classic novel from 18th-century China that presents the life of an elite family, offering rich detail of daily life and practice, period humor, and dramatic intrigue.</span></li>

<li>Hsiung Ping-chen. <em>A Tender Voyage: Children and Childhood in Late Imperial China</em>. Stanford: Stanford University Press, 2005. <br/>

	<span>A path-breaking work on childhood in late Imperial China – an excellent study that explores the lives of children in relation to the social, material, and philosophical context of the period while raising important historiographic issues for further research.</span></li>

<li>Kinney, Anne Behnke, ed. <em>Chinese Views of Childhood</em>. Honolulu: University of Hawaii Press, 1995.<br/> 
	
	<span>An edited volume rich in its thematic and temporal coverage of themes related to childhood in Chinese history.</span></li>

<li>Saari, Jon L. <em>Legacies of Childhood: Growing Up Chinese in a Time of Crisis, 1890-1920</em>. Cambridge, MA: Harvard University Press East Asian Monographs, 1990.<br/> 

	<span>This text provides an insightful examination of the experience of childhood at a moment of historical transition between the established traditions of family and education and the shifts accompanying the rise of a modern China in the early 20th century.</span></li>

</ol></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-document-based-question" class="element">
        <h3>Document Based Question</h3>
                                    <div class="element-text"><p>by Susan Douglass<br />
<em>(Suggested writing time: 50 minutes)</em></p>

<p>Using the images and texts in the documents provided, write a well-organized essay of at least five paragraphs in response to the following prompt.</p>
<ul>
<li>Create a portrait describing childhood in late Imperial China in terms of the roles children were socialized to fulfill, the roles parents were expected to play in providing for and nurturing children at different stages of development, and the cultural objects used in teaching, entertaining, and childrearing. Base your description on analysis of evidence in the documents.</li>
</ul>

<p>Your essay should:</p>
<ul>
<li>have a clear thesis,</li>
<li>use at least six of the documents to support your thesis,</li>
<li>how analysis by grouping the documents into at least two groups,</li>
<li>analyze the point of view of the documents, and</li>
<li>recognize the limitation of the documents before you by suggesting an additional type of document or source to make your discussion more complete or valid.</li>
</ul>
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-credits" class="element">
        <h3>Credits</h3>
                                    <div class="element-text"><h3>Grateful acknowledgment is made to the following institutions for primary sources:</h3>
<p>[Information Coming Soon]</p>
<h3>About the Author</h3>
<p>Sue Fernsebner is a specialist in the cultural and social history of China during the 19th and 20th centuries. Her interests lie in the shared realms of material culture and social experience, gender, and global encounters. Included among her published works is the study "A People's Playthings: Toys, Childhood, and Chinese Identity, 1909&ndash;1933." She is currently finishing a book on China's participation in world's fairs and international expositions. She is Assistant Professor of History at the University of Mary Washington.</p>

<h3>About the Lesson Plan Author</h3>

<p>Susan Douglass is a doctoral student in history at George Mason University, and also serves as education outreach consultant for the Al-Waleed Center for Muslim-Christian Understanding at Georgetown University. Publications include <em>World Eras: Rise and Spread of Islam, 622-1500</em> (Thompson/Gale, 2002), the study <em>Teaching About Religion in National and State Social Studies Standards</em> (Freedom Forum First Amendment Center and Council on Islamic Education, 2000), and teaching resources, both online and in print, including and the curriculum project <em>World History for Us All, The Indian Ocean in World History</em>, and websites for documentary films such as <em>Cities of Light: the Rise and Fall of Islamic Spain</em> and <em>Muhammad:Legacy of a Prophet</em>.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-institution" class="element">
        <h3>Case Study Institution</h3>
                                    <div class="element-text">University of Mary Washington
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-introduction" class="element">
        <h3>Introduction</h3>
                                    <div class="element-text"><p>An exploration of primary sources on childhood in late imperial China (framed broadly as the Song through Qing dynasties, ca. 960-1911 CE) offers a window into lived experience and the diverse ways in which childhood itself could be imagined and articulated. As with other times and places, the historical record presents a variety of perspectives and different takes on childhood, providing a sense of that realm as socially defined, imagined, and experienced.</p>
<p>Chinese family life in the late imperial period was marked by a complex realm of relationships. Children often grew up amidst an extended family of parents and siblings, grandparents, cousins, and, for the wealthier families, a domestic realm that would also include servants, wet-nurses, as well as the various women of a household including a formal wife and (potentially) multiple concubines. Extended families were thus the norm, offering a rich and complex community for the child.</p>
<p>Practices of child-rearing and the life patterns of children were shaped by class and gender. The management of the household was overseen by females as was child-rearing itself. Women would care for the children and, particularly as the late imperial period progressed through the Ming and Qing dynasties, would also be responsible for much of their early education. Youngsters would be guided in their initial acquisition of literacy and numbers through memorization of basic poetry and childhood primers.</p>
<p>Men in a family would also often play a role in children's lives, particularly in shaping decisions about the continued education and training of children (both boys and girls). Many a father or grandfather would also enjoy and celebrate leisure time with kids at play in the domestic quarters.</p>
<p>Children themselves would share together the joys and endeavors of early childhood through to an age of seven or eight years, at which point gendered divisions would be more clearly defined in their own activities and in their own spaces of learning. Growing girls would learn from other women in the household the essential skills associated with the feminine, including embroidery, sewing, cooking, and, particularly for elite girls, reading and calligraphy.</p>
<p>Elite boys, having shared an early training and playful realm with little girls, would then move to their own education, building up a literacy and experience with the canon of Confucian classics in preparation for the imperial state's civil service exams that could bring true success to their family and lineage. Boys who were not from elite classes, but who were raised in peasant households or by working class families, would also begin to engage in more strenuous work in the fields or perhaps new duties in the shops and artisan studios of an urban center.</p>
<p>Social relationships, meanwhile, were shaped by and articulated through a rich culture of philosophy and practice associated with the family. Confucian classics such as <em>The Book of Rites</em> (<em>Liji</em>) set forth an ideal vision of the proper child and the mandated aims of child-rearing. Here, as in the many instructional texts that circulated amidst China's booming print industry of the late imperial period, an emphasis was placed upon a moral training for the child in appropriate forms of behavior and in a recognition of the value of social relationships.</p>
<p>Moral teachings included the inculcation of a respect for elders and the encouragement of a child's true expressions of filial piety. This latter ideal was one celebrated as the foundation of a good family and of society itself. In ideal examples, children were honored for displaying a heartfelt sense of obligation, gratitude, and loyalty to their family as well as their dedication, throughout life, in caring for their elders.</p>
<p>Actual practice, naturally, was more complex. Reaching beyond the texts devoted to the ideal and exemplary, one also discovers more varied depictions of children's lives. Sources found in literature, poetry, biography and family records as well as in visual images from the time reveal the variety of experiences, emotions, challenges, and playful intrigue found in (or represented through) the experience of childhood.</p>
<p>The collection of primary sources offered here presents a view of both the normative prescriptions for the proper child as well as alternate perspectives on a culture of childhood in late imperial China.</p></div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-case-study-author" class="element">
        <h3>Case Study Author</h3>
                                    <div class="element-text">Susan Fernsebner</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-strategies" class="element">
        <h3>Strategies</h3>
                                    <div class="element-text"><p>The texts presented here offer a broad range of perspectives on childhood in late Imperial china. They include historical tales for children that paint the stories of heroes and villains, period literature, images, and folklore collections that offer a view toward the daily life and amusements of children, as well as the rhymed primers intended to train the child not only in literacy but also in a social and moral sensibility.</p> 

<p>The sources cover a broad time frame as well as diverse aspects of childhood in late imperial China. They speak to a number of related themes and issues including ideal notions of the child and a child's place in the family, practices of play and amusement, and the complexities of latter-day efforts (and, indeed, those of adults themselves) to recapture and understand childhood as its own realm.</p>

<p>One aspect for students to explore through their readings of this material is the moral instruction and dissemination of values that historical children would have encountered in their own exploration of these texts and stories. Students may read and compare the Meng Ch'iu and San Tzu Ching texts in regard to this issue. These two texts also provide for a view towards a comparison over time as the Meng Ch'iu text was critiqued and later faded from use (see source introductions for more detail).</p> 

<p>Useful questions to ask here would include:</p>
<ul>
<li>What moral instructions might children have found in these texts?</li>	
<li>What were the idealized social roles that were presented?</li>
<li>What might adults who shared these texts have hoped that their children would have learned from them?</li>
</ul>

<p>Students might also explore the visions presented of the relationship between an individual and the social world that they inhabited, sometimes subtly and often less so,  in these texts. In exploring these questions, students may discover the closely tied (at least in an idealized realm) relationship between children and parents and the celebrated role of the family as the center of an ordered Chinese society.</p>

<p>A second line of exploration for students lies in a comparative exploration of notions of amusement. Here we may compare pedagogical texts, particularly the <em>San Tzu Ching</em>, with images and impressions gained from literature (<em>Story of the Stone</em>), rhymes (Headland's collections), and images of childhood play.</p> 

<ul>
<li>How does the evidence offered in these diverse sources complicate a vision of childhood discipline as presented in pedagogical texts?</li>
<li>What did "fun" mean to different children of the time?</li>
<li>How did these sources' own presentation of childhood amusement offer evidence towards more complex visions of personal identity, life-paths, and social relationships?</li> 
</ul>
<p>Here one may explore articulations of family relationships, marriage, and education, among other topics, that are revealed in these texts and images.</p>

<p>Finally, Isaac Taylor Headland's study of childhood rhymes and amusements sheds light upon a culture of play shared by children outside the elite class as represented in Hong Lou Meng. His collections introduce their own complexities, however, as material presented by a foreign observer of Chinese life in an era of high imperialism. As such, it offers a valuable opportunity for students to explore the complex nature of a cross-cultural encounter at a particular moment, one defined by a new economy and culture of global exchange, competition, and colonialism.</p> 

<p>Worthwhile questions of exploration include:</p>
<ul>
<li>How does I.T. Headland describe or define "Chinese" in this discussion?</li>
<li>What are the points he seeks to make?</li>
<li>Who might he have imagined as his audience?</li> 
<li>In what ways do our Chinese sources coincide with – or complicate – the depiction and analysis he offers?</li> 
</ul>

<h3>Discussion Questions</h3>

<h3>Sources 1 and 2: 
<em>Meng Ch'iu</em>, <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/222">Empress Ma in coarse-woven silk. . .</a> and
<a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/223"> K'uang Heng bores a hole in the wall Sun Ching shuts his door</a> [Literary Excerpts]</h3>

<ul>
<li>Are these visions of success or achievement? What makes a good husband, wife, son or daughter? How are the relationships between people in these roles celebrated?</li>
<li>What are the values that are celebrated here?</li> 
<li>How is friendship or companionship characterized or depicted?</li>
<li>How does emotion, as shown in these stories, related to moral value(s) or to idealized social roles?</li>
</ul>

<h3>Source 3: <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/224"><em>Three-Character Classic</em></a> [Literary Excerpt]</h3>
<ul>
<li>What are the core social roles presented here?</li>
<li>What kinds of mutual obligations and responsibilities are encouraged or mandated by these verses?</li>
<li>How does memorization as a way of learning shape knowledge, and the individual? Is this a practice still known in our own day?</li>
</ul>

<h3>Source 4: <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/225"><em>The Story of the Stone</em></a> [Literary Excerpt]</h3>

<ul> 
<li>What constitutes joy (or the opposite) for the elite children depicted in this text?</li>
<li>What are the visions of talent and success as seen here? What skills do these youngsters celebrate for themselves?</li>
<li>In what ways does this text complicate our vision of society as seen in the text of the children's primer?</li>
</ul>

<h3>Source 5: <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/226">"Joyous Celebration at the New Year"</a> [Image]</h3>
<ul>
<li>What objects do the children in these images make use of? How do they appear, how are they handled or used, and what life do they seem to hold for the little ones who possess them? Students are encouraged to explore the visual depictions of the toys and objects themselves, and to imagine the games and play they might suggest.</li>

<li>What kinds of social relationships within an elite household are represented in this image, both in the arrangement of domestic space and its uses? How does this visual depiction reveal an ideal vision of relationships within the family and between generations, genders, and classes?</li>

<li>How does this visual image compare to the textual expressions of domestic ideals and relationships? (e.g. a child's feelings of respect and filial piety towards their parents, the joys of play and creative diversions,  engagement in productive work in the household?)</li>
</ul>

<h3>Source 6: <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/227"><em>The Chinese Boy and Girl</em></a>, Preface [Literary Excerpt]</h3>

<ul>
<li>How does Isaac Taylor Headland describe or define "Chinese" in his discussion? What are the terms he uses? Points he seeks to make? Who might he imagine as his audience?</li>

<li>In what ways do the Chinese rhymes and discussion he shares depict Chinese childhood and family life? What perspectives are offered on family roles, gender, socio-economic class? In what ways does Headland invoke discourses of nation and culture?</li>

<li>How do these sources compare with others, translated from Chinese, that we have seen?</li>
</ul>

<h3>Source 7: <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/228"><em> Chinese Mother Goose Rhymes </em></a> [Literary Excerpts]</h3>

<ul>
<li>What can we learn about specific social values as defined by a role in the family – mother, son, daughter, father, others? How do these rhymes reflect and/or complicate understandings of a traditional family system in imperial China?</li>

<li>In what way does the humor presented in these rhymes also shed light upon an individual's expectations, hopes, or view of their life-path at that moment in history?</li>
</ul>

<h3>Source 8: <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/262">"Yin Yu Tang: A Chinese Home"</a> [Online Exhibit]</h3>

<ul>
<li>How did families organize their domestic space in the late imperial period as seen in this exhibit? What are the ways in which the space is arranged, utilized, and imagined?</li>

<li>Imagine <em>yourself</em> as a child growing up in this house. Where, in this household setting, did the children fit in? How does it seem that children may have used or experienced this space?</li>

<li>What objects, in this family home, were designed for children? What were their practical purposes or uses? What might have been the personal value or symbolic meanings attached to them?</li>
</ul>


<h3>Sources 9 and 10: <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/263">Children and Toys</a> and <a class="external" href="http://chnm.gmu.edu/cyh/primary-sources/264">Selling Toys</a> [Selections]</h3>

<ul>
<li>Describe, in detail, the toys that we see depicted in these photographs of street scenes in China. Of what materials where they constructed and who made them? Who sold them? Who are the consumers depicted here?</li>

<li>What attractions might these toys have held for children? What sorts of figures or imagery do they present? What stories, games, or visions of make-believe might they have inspired?</li>
</ul>
</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-lesson-plan" class="element">
        <h3>Lesson Plan</h3>
                                    <div class="element-text"><h3>Lesson Plan: Children in Late Imperial China</h3>
<p>by Susan Douglass</p>
<p><strong>Time Estimated:</strong> three to four 50-minute classes</p>
<h3>Objectives</h3>
<ol>
<li>Students will make inferences from primary sources about expectations for instruction and roles of children in late Imperial China, 10th to 20th century.</li>
<li>Students will differentiate between roles and attributes of boys and girls in China during the period.</li>

<li>Students will explain how expectations for child raising changed over time in late Imperial China.</li>

<li>Students will explore what a household reveals about ways of life for family members through examination of the Yin Yu Tang house virtual exhibition.</li>
</ol>
<h3>Materials</h3>
<ul>
<li> Printouts of primary sources sufficient for each student to have a full set of the texts and images in the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=introduction"><em>Late Imperial China</em></a> Teaching Module. <a id="fn1" class="footnote" href="#note1">1</a></li>

<li>Computer(s) with internet connection to view the Peabody Museum online exhibit <a class="external" href="http://www.pem.org/sites/yinyutang/index.html">Yin Yu Tang house</a> (lab, projection, assignment, or smartboard for viewing)</li>
<li>Writing materials, notebooks, pads & pencils for sketching</li>
</ul>

<h3>Strategies</h3>

<p><em>Hook</em><br />
Think of a favorite children's book of yours, and describe its storyline in a short paragraph or narrative. Explain what moral or ethical message may be inherent in that story, and what it says about the contemporary culture of childhood (or the culture of the period in which it was written) and what expectations for the upbringing of children it reveals. Then, think of a favorite toy and sketch or describe it, explaining how you played with it, and why you enjoyed it. Did the toy have gender-specific attributes? What did it say about childhood in contemporary culture? Was it handmade or mass-produced, generic or a famous brand-name?</p>

<p><em>Toys and Celebrations</em><br />
 Using the images "Joyous Celebration at the New Year," and the photographic collections "Children and Toys" and "Selling Toys," students can make sketches of the toys and play activities shown. The annotations to the primary sources give some explanations of the images, and sketching the toys shown may help give clues as to their play value—what did they do that was attractive to children as play (e.g., movement, making sounds, humorous animals, whirligigs, fireworks, dolls or puppets, etc.) ?  A high-resolution image of <a class="external" href="http://www.npm.gov.tw/exh98/newyear/img_item_o3_en.html"><em>Joyous Celebration at the New Year</em></a>, shows much greater detail for the individual figures and groups. Discuss continuity and change over time between the painting and the photographs, as well as universal aspects of play across cultures. Which toys and activities seem gender-specific? What activities in the images do not rely on toys (e.g. putting pine branches in the fireplace in the painting, children playing with each other, etc.), and how are children in the painting and photographs involved in helping, serving adults, etc.</p>

<p><em>Children's Literature</em><br />
Building from the hook activity on children's literature, read the selections in the module such as the <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=224"><em>Three-Character Classic</em></a>, <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=225"><em>The Story of the Stone</em></a>, <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=228"><em>Chinese Mother Goose Rhymes</em></a> and the more biographical <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=222"><em>Meng Ch'iu</em>, Empress Ma in coarse-woven silk</a> and <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=223"><em>Meng Ch'iu</em>, K'uang Heng bores a hole in the wall Sun Ching shuts his door</a>. Make a list of citations from the excerpts that indicate normative behavior. Mark them with sticky-notes, highlight, or copy the citations. Make a two-column chart with the headings: Qualities of the ideal boy and Qualities of the ideal girl. Using the citations, list the personal and moral qualities the stories instill about proper behavior and moral actions of boys and girls in Chinese society. (Extension: for comparison, the same activity can be done with examples of didactic literature either from other <em>Children & Youth in History</em> primary sources or from <a class="external" href="http://www.faqs.org/childhood/Ch-Co/Children-s-Literature.html">historical children's literature</a> for examples).</p>

<p><em>Exploring the Yin Yu Tang House</em><br /> Introduce the activity by asking students to quickly sketch the layout of their own house, describe their sleeping space, and list the members of their household. They should use this material to think about how the house relates to the neighboring homes, how the common spaces of the house are shared by family members, and how this shared space reflects rules about adults' and children's roles in the family. What does your bedroom convey about the importance given to individual space and expectations about raising children, or child development? What values does the difference in decoration in common and private spaces say about the culture and how the family is constituted? Share ideas and differences among members of the class in discussion.</p>

<p><em>Yin Yu Tang House, cont.</em><br />
Building from the ideas shared about the students' own homes and lives, view the exhibit. Students may be assigned to view the exhibit as homework if this is practical. Pay particular attention to the layout of the house and conventions for who occupied which spaces in the house, who slept in which rooms with whom, and how other spaces in the house were used. In the Yin Yu Tang house, there were also spaces created or reserved for absent persons, and for reverence toward other figures. These figures changed over time (e.g., Buddhist objects of worship, ancestor images, lists of past family members, and later images of Mao).</p>

<p><em>Optional Activity</em><br /> 
The letters reproduced in the exhibit provide considerable evidence concerning lasting expectations and relations between adult children and their parents. Inquiries about health, concern for the raising of children from afar by absent fathers, duties concerning marriage of siblings and others, requests for goods from the city, formulas of politeness required in addressing family members, all make for interesting inferences about the nature of family life and the results of traditional upbringing of children.</li>

<p><em>Optional Activity</em><br />  
The sections of the exhibit on Ornamentation and Belongings are very revealing of change over time, as traditional carving and invocation of legends, lore, and protective decoration give way to the use of industrially produced decorative elements such as wallpaper, newspapers, and nationalist iconography such as Mao images vs. images and writing related to ancestors and religious imagery.</p>

<h3>DBQ</h3> 
<p>Writing the essay as a culminating activity can be done as a timed writing or as a homework assignment (see: <a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=dbq">Document Based Question</a>).</p>
</ol>

<h3>Differentiation</h3>

<p><em>Advanced Students</em><br />
Students may explore the objects and layout of the house in further detail, reporting on clothing, furnishings, and other aspects of interest. They may also explore additional passages from the literature excerpted in this module and evaluate these sources in terms of their use as evidence in explaining childrearing and education in late Imperial China.</p>

<p><em>Less Advanced Students</em><br />
Students can work with a limited number of documents, focusing their writing on one or more of the following three choices:</p>
<br />
<ol>
<li>comparison between their own family home and the Yin Yu Tang house;</li>
<li>comparing toys in contemporary society with the toys and games shown; or</li> 
<li>a familiar didactic work of children's literature may also provide a concrete foil for comparison with some of the examples given in this module.</li></ol> 

<p>Use one or more of these three possibilities to compose a concluding essay that utilizes evidence from the two sets of sources.</p>
<hr />
<div id="notes">
<p><a id="note1" class="footnote" href="#fn1">1</a> Texts include:</p>
<ul>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=222"><em>Meng Ch'iu</em>, Empress Ma in coarse-woven silk… [Literary Excerpt]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=223"><em>Meng Ch'iu</em>, K'uang Heng bores a hole in the wall Sun Ching shuts his door [Literary Excerpt]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=224"><em>Three-Character Classic</em> [Literary Excerpt]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=225"><em>The Story of the Stone</em> [Literary Excerpt]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=226">Joyous Celebration at the New Year [Image]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=227"><em>The Chinese Boy and Girl</em> [Literary Excerpt]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=228"><em>Chinese Mother Goose Rhymes</em> [Literary Excerpts]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=262">"Yin Yu Tang: A Chinese Home" [Online Exhibit]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=263">Children and Toys [Photographs]</a></li>
<li><a class="external" href="http://chnm.gmu.edu/cyh/teaching-modules/221?section=primarysources&source=264">Selling Toys [Photographs]</a></li>
</ul></div</div>
                    </div><!-- end element -->
            <div id="teaching-module-item-type-metadata-primary-sources" class="element">
        <h3>Primary Sources</h3>
                                    <div class="element-text">222, 223, 224, 225, 226, 227, 228, 262, 263, 264</div>
                    </div><!-- end element -->
        </div><!-- end element-set -->]]></description>
      <pubDate>Thu, 26 Mar 2009 05:32:17 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Emile [Literary Excerpt]]]></title>
      <link>https://cyh.rrchnm.org/items/show/216</link>
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                                    <div class="element-text"><em>Emile</em> [Literary Excerpt]</div>
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                                    <div class="element-text"><p>French philosopher Jean-Jacques Rousseau wrote the philosophical treatise <em>Emile</em>, or <em>On Education</em> in 1762.  In it, he imagines a situation in which a young tutor devotes 20 years to raising a single child.  In the process, Rousseau lays out many of his fundamental beliefs about the nature of humans and their relationship to society.</p> </div>
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                                    <div class="element-text">Rousseau, Jean-Jacques. <em>Emile</em>. New York: E. P. Dutton, 1969. Quoted in Barbara Kaye Greenleaf. <em>Children through the ages: a history of childhood</em> (New York: McGraw-Hill, 1978), 64, 67, 755.</div>
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                                    <div class="element-text">2009-03-12</div>
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                                    <div class="element-text">Sharon Cohen</div>
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                                    <div class="element-text">eng</div>
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                                    <div class="element-text"><p>Nature wants children to be children before they are men.  If we deliberately pervert this order, we shall get premature fruits which are neither ripe nor well-flavored, and which soon decay. . . Childhood has ways of seeing, thinking, and feeling peculiar to itself; nothing can be more foolish than to substitute our ways for them.</p>

<hr />

<p>A child's worth increases with his years. To his personal value must be added the cost of the care bestowed upon him; to the loss of his life is joined in him the sentiment of death. It is therefore above all of the future that we must think in watching over his conservation; it is against the ills of childhood that he must be armed even before he gets there. For if the value of life increases until the child reaches an age when he can be useful, is it not crazy to spare some suffering in infancy only to multiply his pain when he reaches the age of reason?</p>

<hr />

<p>The child's first sentiment is to love himself, and the second, which derives from the first, is to love those around him. For in his present state of weakness he is aware of people only through the help and attention he receives from them. At first his affection for his nurse and his governess is mere habit. He seeks them because he needs them and because it feels good to have them; it is more like consciousness than benevolence. He needs a long time to understand that not only are they are useful to him but that they want to be useful to him. It is then that he begins to love them.
 
 

Nature exercises children continually, it hardens their temperament by all kinds of difficulties, it teaches them early the meaning of pain and sorrow. Teething gives them fevers, sharp colics bring on convulsions, long coughing suffocates them, worms torment them, plethora corrupts their blood, various leavens ferment it and cause dangerous eruptions. Almost all of the first age is sickness and danger: one half of the children who are born die before their eighth year. The tests passed, the infant has gained strength, and as soon as he can make use of his life its principle becomes more secure.</p></div>
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                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set --><div class="item-file image-gif"><a class="download-file" href="/files/download/138/fullsize"><img src="/files/display/138/square_thumbnail" class="thumb" alt="&lt;em&gt;Emile&lt;/em&gt; [Literary Excerpt]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Fri, 13 Mar 2009 01:23:05 +0000</pubDate>
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      <title><![CDATA[American Indian Girls Playing with Dolls [Photograph]]]></title>
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                                    <div class="element-text">American Indian Girls Playing with Dolls [Photograph]</div>
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                                    <div class="element-text"><p>In these three photographs, taken near the turn of the 20th century, American Indian girls in the southwestern United States are learning through play how to be mothers and keepers of the home. In the first photograph, a Hopi girl in Arizona follows her mother's example; she wraps her baby doll in a blanket and carries her on her back, in contrast to the Anglo girl who holds her doll in her arms. The Mescalero Apache girls in the second photograph have strapped their baby dolls into cradleboards, which they can carry on their backs or, when engaged in labor, lean against a tree or rock. As they tend their doll-sized tepees and wickiups, the Mescalero girls imitate their mothers who were in charge of the temporary homes that could be moved from place to place or made on the spot as they followed the seasonal supply of food throughout the southwestern borderlands.</p> 
<p>At the turn of the 20th century many white women missionaries and social reformers regarded these common Indian ways of mothering and keeping house as savage and uncivilized. They condemned the use of cradleboards and regarded tepees and wickiups, even Hopi adobe homes, as evidence of Indian women's savagery. Believing that the transformation of Indian girls' methods of raising children and keeping house were central to the assimilation of Indian people, many white women reformers promoted the removal of Indian children from their families.  Instead, they favored their institutionalization in distant boarding schools where they would be taught middle-class Anglo methods of mothering, as can be seen in the third photograph of Indian girls at the Santa Fe Indian School in New Mexico.</p></div>
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                                    <div class="element-text">NAU.PH.99.54.166 (Item 7165), image courtesy of Cline Library, Northern Arizona University; MS 110  RG 81-38, New Mexico State University Library, Archives and Special Collections; Students, ca. 1904, Santa Fe Indian School, Courtesy Palace of the Governors Photo Archives (NMHM/DCA), negative #1035 courtesy of Palace of the Governors (MNM/DCA).</div>
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                                    <div class="element-text">2009-03-05</div>
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                                    <div class="element-text">Miriam Forman-Brunell</div>
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                                    <div class="element-text">en</div>
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      <pubDate>Thu, 05 Mar 2009 20:47:53 +0000</pubDate>
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