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    <title><![CDATA[Children and Youth in History]]></title>
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    <pubDate>Wed, 11 Aug 2021 03:15:09 +0000</pubDate>
    <managingEditor>chnm@gmu.edu (Children and Youth in History)</managingEditor>
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      <title><![CDATA["Jingle Bells, Batman Smells" [Folksong]]]></title>
      <link>https://cyh.rrchnm.org/items/show/333</link>
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                                    <div class="element-text">&quot;Jingle Bells, Batman Smells&quot; [Folksong]</div>
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                                    <div class="element-text"><p>This parodic folksong is representative of the "culture"—texts, toys, uses of technology, social practices, and shared meanings—young people create when they selectively incorporate commercial products into their peer activities. Borrowing from cultural traditions (the song "Jingle Bells") and contemporary media/material objects they find in their everyday lives (<em>Batman</em> products), the inventive remixing children engage in frequently inverts the powerlessness they experience in relation to adult authority and institutions. In this song the belittlement of the Dynamic Duo's heroic status, the breakdown of their super car, and the celebration of the escape of their enemy, the Joker, playfully challenges the moral order of right and wrong that organizes social behavior. Another variant of the song more explicitly challenges adult authority by changing the last line to: "And the Commissioner broke his leg." Other folksongs challenge adult authority and institutions more directly still, as in the parody "On top of Old Smoky/All covered with sand/I shot my poor teacher/With a pink rubber band."</p>

<p>Adults often expect children's toys, games, and play activities to be educational; they frequently express concern if mass-marketed products seem to promote anti-social behaviors: acquisitiveness, competition, play fighting/violence, and sexuality being the most objectionable. A great deal of the oral lore children share with each other deliberately transgresses these norms in order to create a distinct (often covert) culture among their peers that they control, however temporarily. Similarly, the lore that children create allows them to explore social taboos.</p>

<p>The song "Batman smells" exhibits common themes found in children's folklore. Batman's odor is an example of grosslore that allows children to pursue the curiosity they have about their own bodies. A fartlore variant of the song celebrates another villain in the last line: "And Mr. Freeze cut the cheese." The pun of Robin laying an egg is a rich example of many common features of childlore: (1) it demonstrates children's inventive play with, and contravention of, the rules of language; (2) it fantastically and nonsensically (as a challenge to adult insistence on rationality and reality) transforms Robin into an animal; and (3) it may be interpreted as an example of the common theme of food. If the adult authority invested in the hero status of Batman and Robin is challenged in this song, so too does the song undercut their masculinity. Variants of the song feature a last line that has Batman, Robin, or the Joker doing ballet. Interpreting this variant requires attention to the singer-audience context in which the song is performed. Childlore frequently reinforces traditional definitions of gender. By inverting traditional definitions of strong masculinity this variant is an example of children's awareness of and interest in gender difference. In another context, sung by girls, this variant is an example of the ways girls' lore sometimes challenges gender hierarchies.</p>

<p>Given the inventive, appropriative nature of children's culture, it is probable that "Batman Smells" is part of a longer tradition of folk parodies. It is likely that it was preceded by parodies of "Jingle Bells" dating from the publication of that song in 1857. As children have always turned the products of mass culture back into their own folklore, it is certain that "Batman Smells" has been sung continuously by generations of children (and adults) since the first <em>Batman</em> comic appeared in 1939. The song is a perennial favorite and has been infinitely reinvented because Batman has been continuously marketed to young people and adults as comic books, cartoons, television shows, action figures, Halloween costumes, movies, and video games. Now, with the gross and oppositional characteristics of children's folklore more pervasively available through 24/7 cable television programming and children themselves disseminating their parodies through streaming videos on the internet, the covert world(s) of children's folklore have become a more apparent and central part of our information societies and commercial cultures.<a href="#note1" id="fn1" class="footnote">1</a></p>

<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a> Jay Mechling, "Children's Folklore," in Elliott Oring, ed., <em>Folk Groups and Folklore Genres</em> (Logan, UT: Utah State University Press, 1986): 91–120.</p>
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                                    <div class="element-text">Unknown Author, <em>Jingle Bells, Batman Smells</em>, n.d. Annotated by Mike Willard.</div>
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                                    <div class="element-text">Mike Willard</div>
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                                    <div class="element-text"><p>Jingle bells, Batman smells<br />
Robin laid an egg<br />
Batmobile lost a wheel<br />
And Joker got away</p>
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      <pubDate>Sat, 24 Oct 2009 01:56:52 +0000</pubDate>
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    <item>
      <title><![CDATA[Holocaust Girls/Closet [Short Story]]]></title>
      <link>https://cyh.rrchnm.org/items/show/331</link>
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                                    <div class="element-text">Holocaust Girls/Closet [Short Story]</div>
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                                    <div class="element-text"><p>This short story by fiction writer, S.L. Wisenberg, sheds light on the influence of Anne Frank on the imagination and identity of Jewish girls growing up in postwar America. Written from a child's point of view and in the language of children, Wisenberg describes a fantasy game she played with her sister after reading the diary, seeing the popular movie on television, and viewing documentary footage of concentration camps in Hebrew school. From the safety of their walk-in closets in their middle-class suburban Texas home, the empathic pair anxiously imagined that they too were hiding from the Nazis in a secret annex. That Wisenberg saw herself through the eyes of the persecuted as well as persecutors illuminates the complexity of a developing sense of self that alloyed self-blame and survivor's guilt, with historical agency. Manifest in their girls' play is a tension between vigor and stealth. The tension between protecting children from the horrors of the Holocaust and the value placed on knowledge of the past is reflected in their parents' mixed messages about how much their daughters should know. That the sisters played in their pink-infused bedrooms (pink rug and shelf paper) where they also imagined themselves in feminized careers alludes to the gendered limitations they faced being female in the early 1960s.</p>   

<p>Stories like this and other types of documentary sources (e.g., diaries, letters, oral histories, etc.) can provide researchers with insight into the meanings and nature of children's play, fantasy lives, and developing sense of self. Questions that might be fruitful for further study are: How has children's play been shaped by historical circumstances? In what ways is children's play natural and universal? How have gender, race, ethnicity, class, etc. influenced children's play?</p> 
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                                    <div class="element-text">S. L. Wisenberg, <em>Holocaust Girls: History, Memory, and Other Obsessions</em>. Lincoln, NB: University of Nebraska Press. 2002, 14–17. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text">Miriam Forman-Brunell</div>
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                                    <div class="element-text"><p>Nazis came to Texas in the 1960s. We could hear them just around the corner. My older sister Rosi would make the sound of their footsteps—would tap her hands on the pink carpet of the walk-in closet in her room (just like the one in mine). She would look up and say, "Listen, do you hear them?" I would hold my breath. We were in the woods with the partisans. Though we didn't know the exact meaning of the word. We sat around our (invisible) campfire. We were hiding from the Nazis. They would take us away. We had saltines and olives to live on.</p>

<p>Sometimes I would be the one to tap tap tap slap my palms against the pink carpet: "Listen, do you hear them?" Nazis coming through the woods. They had been tipped off, perhaps by paid informers, like the ones who had turned in Anne Frank.</p>

<p>I had read her diary. We had seen the end of the movie on TV though my mother had said, "Don't you think they should go to bed?" My father had said, "They have to learn." What we had to learn about was life. What had happened to the Jews crouched in silence.</p>

<p>On TV we heard the big Nazi boot against the door of the Secret Annex where the Franks had hidden. The Nazis bashed in the door the way ours had never been bashed, or my father's or my mother's. My father had fought the Nazis in the ocean. My mother had stayed home. She'd been a schoolgirl.</p>

<p>Once I asked her, "Have you ever had a raw potato?" I imagined her digging them from a field, getting through the war. She'd grown up in Dallas. She said, "Maybe once" — when her brother's barbecue project in the back yard hadn't turned out. Potato half-raw, half-burned. There was no starvation, no SS in Texas. No hiding with partisans. Nothing but two daughters in the 1960s with saltines and green olives stuffed with pimientos, and sometimes a strand or two of raw spaghetti to munch on.</p>

<p>For years I kept a getaway bag in my closet — saltines and a notebook, a change of clothes. An alarm clock, so I would know the time. I liked the big, friendly white and gold face of that alarm clock. One summer night the air conditioning didn't work and we opened the widows and I heard Nazis, scratching to get in to take me away and steal my glasses. In the morning my father claimed the noise had been mosquitoes, other night insects. June bugs. The same June bugs I would watch at night on the porch. I would turn over the June bugs that had landed on their backs, skittering. I wanted to right all the June bugs.</p>

<p>We liked playing in the closet. We liked the thrill of hiding. We were victims but we were never caught. Sometimes we played secretary instead. Sometimes we played that we were lizards on a ship hiding from the Nazis. The Nazis would take us to a concentration camp. They would take my glasses and asthma drugs and let death just come up and kill me, like that. At Hebrew school the teachers talked about Nazis. They showed us a film on a small screen. They showed us the small bodies and the striped prison outfits. But we didn't think of it as prison. It was a death camp and the Nazis took people there. Jews.</p>

<p>They didn't take us because we were quiet in the woods, we sprinkled sand and dirt over our fire in the closet in the woods before they were close enough to smell the smoke. The Nazis were stupid. They were thick and dumb like animals and wore big heavy boots up to their hips. We were good so the Nazis would never find us. We were smarter and darker than the Nazis. But we were bad, something bad about us or the Nazis wouldn't be after us in the first place.</p>

<p>When we played secretary, our office was out in the hall and we would hold papers up to the air vents that would suck them so they stuck. When we played school, the air vents held up the pretend tests we gave each other. Sometimes we would just play without having a name to it and slide across the terrazzo floor in our stocking feet. We didn't wear shoes when we hid from the Nazis. They would find us; shoes would make too much noise.</p>

<p>Sometimes at dusk we played capture-the-flag with the neighbor kids in the Shelbys' front yard. After a rain we'd play stand-in-old-shoes-in-the-mud-in-the-side-yard. Sometimes we'd go to the houses still being built and stand on the extra lumber and play island-in-the-ocean. There were brown rabbits in the "empty" lot behind the house and once policemen came with horses back there on a search for someone — a criminal hiding in the overgrown weeds.</p>

<p>At some point we stopped playing Nazi. It wasn't my idea to start or stop. Maybe Rosi stopped playing with me, started playing with her own friends, and no more Nazis. We outgrew Nazis. When I was twenty-one I went to Amsterdam and went, alone, to the Secret Annex. It was on the tourist map. Each room was small and there was a guest book to sign with a fancy gold pen, unattached to anything, no string or chain. There were the books Anne Frank had read while she was in hiding and her movie star pictures pinned to the wall. The place was small, it had no power, too many people walking through.</p>

<p>Ten years after that, on a layover in the Amsterdam airport, a Greek man saw me borrow someone's tour book of the Anne Frank house. The Greek man said to his American wife: "Of course she's interested in Anne Frank — she's Jewish." The man who'd bought the book wasn't Jewish. I said nothing. The Greek had been able to tell that I was Jewish.</p>

<p>There is a statue of Anne Frank in front of a church in Amsterdam. In the walk-in closets in Houston now are full-length mirrors and the shelves that Rosi and I covered in our favorite pink contact paper, ruffles that we tacked along the edges. The closets are shrines, and storage. In Rosi's closet are my mother's mink coat and the large bride doll too big to play with and the felt board with felt numbers.</p> 

<p>Where I live now I don't sit in closets. The closets are full. I'm on the third floor. No Nazis bang against my screens at night. Around the world people are defacing Jewish graves, threatening pogroms. In my neighborhood Jewish Community Center I watched a slide show of someone's trip to Europe — pictures of Auschwitz-Birkenau, rust-colored gas chamber. "It was cold," the traveler told us, "so very very cold. Everyone told us to bring our sweaters, even though it was a warm day." Ghosts breathing out cold air, having absorbed the force of someone's bare hatred. About 175 miles from the camp, the traveler had seen two young boys spray-paint on a memorial to the Warsaw Ghetto. She said, "There is hatred for Jews where there are not even Jews any more."</p>

<p>Anne Frank was shipped from Auschwitz-Birkenau to Bergen-Belsen. I read about her all through my childhood. She never seemed like a child to me. At parties I eat olives and crackers. Alone at night, shadows brush against my face. At the JCC, one of the slides showed words in a foreign language carved into a wall at the concentration camp. The traveler thought it said to never forget. In my late twenties when I felt sad I would go to the public library and read <em>Anne Frank: The Diary of a Young Girl</em>. It was warm and familiar. It would sooth me.</p>

<p>Reproduced from <em>Holocaust Girls: History, Memory, and Other Obsessions</em> by S. L. Wisenberg by permission of the University of Nebraska Press. © 2002 by the University of Nebraska Press.</p>


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      <pubDate>Sat, 24 Oct 2009 00:57:12 +0000</pubDate>
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    <item>
      <title><![CDATA[My Weekly Reader [Children's Newspaper]]]></title>
      <link>https://cyh.rrchnm.org/items/show/330</link>
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                                    <div class="element-text">My Weekly Reader [Children&#039;s Newspaper]</div>
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                                    <div class="element-text"><p>First launched in 1928, <em>My Weekly Reader</em> sought to make the national news accessible to elementary school children. By the early 1970s grade-specific versions were available for students from preschool to the sixth grade.</p>

<p><em>My Weekly Reader</em> was the brainchild of Eleanor Murdoch Johnson, the director of elementary schools in York County, PA. Seeking to balance children's preference for myth and fantasy with greater knowledge of world events, Johnson pitched the idea of a weekly newspaper for elementary students to American Education Publications, publisher of <em>Current Events</em>, a newspaper for 6th graders established in 1902. Circulation reached 100,000 the first year and by the end of the 1930s, first through sixth graders had their own edition. </p>

<p>Once a week teachers distributed copies of <em>My Weekly Reader</em> to millions of students in two-thirds of the nation's schools. Students read the 4-8 page educational paper in class or for homework. The articles provided teachers with a springboard for discussion about current events. The oversized weekly printed on newspaper stock included grade-appropriate stories, photographs, illustrations, puzzles, cartoons—even advertisements for books. Some children who loved reading about the space race, examining animal pictures, and laughing at the comics also looked forward to the next issue. While many students found <em>My Weekly Reader</em> to be more like fun than work, others remained uninspired by the flat prose and corny humor.</p>

<p>Despite its claim to present the news with accuracy and fairness, from its inception through the Cold War, the current-events newspaper provided more biased than balanced coverage of international events. News articles avoided issues of conflict (e.g., Civil Rights movement) and instead promoted an anti-Communist, pro-Patriotic Cold War perspective.  For much of the twentieth century, <em>My Weekly Reader</em> imaged its readership to be both Caucasian and Christian.</p> 

	<p>What ideas and kinds of information did <em>My Weekly Reader</em> establish as important for school children to be American citizens? Did <em>My Weekly Reader</em> imagine that male students differed from girls such as the one pictured here? Analyses of the facts, values, customs, and biases in the articles, images, and cartoons in <em>My Weekly Reader</em> is sure to provide researchers with information and insight into the formation of the cultural identity and media literacy of American school children. </p> 

</div>
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                                    <div class="element-text">Cover, &quot;My Weekly Reader: Picture Reader,&quot; November 7-11, 1955. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text">Miriam Forman-Brunell</div>
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                    <div class="element-text-empty">[no text]</div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/267/fullsize"><img src="/files/display/267/square_thumbnail" class="thumb" alt="My Weekly Reader [Children&amp;#039;s Newspaper]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Fri, 23 Oct 2009 23:12:56 +0000</pubDate>
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      <title><![CDATA[Margaret Mead, Coming of Age in Samoa [Photograph and Scholarly Text]]]></title>
      <link>https://cyh.rrchnm.org/items/show/329</link>
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                                    <div class="element-text">Margaret Mead, <em>Coming of Age in Samoa</em> [Photograph and Scholarly Text]</div>
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                                    <div class="element-text"><p>In 1928, Martha Mead published <em>Coming of Age in Samoa</em>, an anthropological work based on field work she had conducted on female adolescents in Samoa. In Mead's book that became a best seller and unleashed a storm of controversy, she argued that it was cultural factors rather than biological forces that caused adolescents to experience emotional and psychological stress.</p> 



	<p>Mead's work had taken shape against a backdrop of broader anxieties about American youth generally and female adolescents specifically who were openly challenging social and sexual mores. Many contemporaries believed that the "storm and stress" of adolescence was biologically determined following a three-volume study of largely male adolescents by American psychologist G. Stanley Hall in 1904. Under the direction of her mentor, the anthropologist, Franz Boaz, Margaret Mead sought to study whether adolescence was a "period of mental and emotional distress for the growing girl as inevitably as teething is a period for the small baby? Can we think of adolescence as a time in the life history of every girl which carries with it symptoms of conflict and stress as surely as it implies a change in the girls' body."</p> 

	<p>In 1925, Mead observed, interviewed, and interacted with 68 girls between the ages of 9 and 20 living in three villages on the island of Ta‘ū in American Samoa. After 9 months of study, Mead concluded that unlike stressed American girls, the well-balanced and carefree nature of sexually-active Samoan girls was due to the cultural stability of their society free of conflicting values, expectations, and shameful taboos. 
Largely relieved of the baby-tending responsibilities that had burdened them as little girls, Samoan adolescents reveled in their freedom and deferred marriage during this "best period" in their lives.</p> 

<p>This is a photograph of Margaret Mead (center) and two Samoan adolescents. Mead donned a Samoan wedding dress woven by Makelita, the last Queen of Manu'a. (Mead's Samoan name was also Makelita). This photograph was one of three included in a letter to Ruth Benedict (dated February 10, 1926) in which she commented about her appearance, "I look very prim and proper and unpolynesian."</p></div>
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                                    <div class="element-text">Image: "Margaret Mead standing between two Samoan girls," ca. 1926, Library of Congress, <a class="external" href=" http://www.loc.gov/rr/mss/ ">Manuscript Division</a> (50a) (accessed October 23, 2009). Text: Margaret Mead, <em>Coming of Age in Samoa: A Psychological Study of Primitive Youth for Western Civilisation</em> (New York: Morrow Quill, 1961), 195–96. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text">Miriam Forman-Brunell</div>
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                                    <div class="element-text">image/jpeg, text</div>
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                                    <div class="element-text">en</div>
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                                    <div class="element-text"><p>For many chapters we have followed the lives of Samoan girls, watched them change from babies to baby-tenders, learn to make the oven and weave fine mats, forsake the life of the gang to become more active members of the household, defer marriage through as many years of casual love-making as possible, finally marry and settle down to rearing children who will repeat the same cycle. As far as our material permitted, an experiment has been conducted to discover what the process of development was like in a society very different from our own. Because the length of human life and the complexity of our society did not permit us to make our experiment here, to choose a group of baby girls and bring them to maturity under conditions created for the experiment, it was necessary to go instead to another country where history had set the stage for us. There we found girl children passing through the same process of physical development through which our girls go, cutting their first teeth and losing them, cutting their second teeth, growing tall and ungainly, reaching puberty with their first menstruation, gradually reaching physical maturity, and becoming ready to produce the next generation. It was possible to say: Here are the proper conditions for an experiment; the developing girl is a constant factor in America and in Samoa; the civilisation of America and the civilisation of Samoa are different. In the course of development, the process of growth by which the girl baby becomes a grown woman, are the sudden and conspicuous bodily changes which take place at puberty accompanied by a development which is spasmodic, emotionally charged, and accompanied by an awakened religious sense, a flowering of idealism, a great desire for assertion of self against authority—or not? Is adolescence a period of mental and emotional distress for the growing girl as inevitably as teething is a period of misery for the small baby? Can we think of adolescence as a time in the life history of every girl child which carried with it symptoms of conflict and stress as surely as it implies a change in the girl’s body?</p>

<p>Following the Samoan girls through every aspect of their lives we have tried to answer this question, and we found throughout that we had to answer it in the negative. The adolescent girl in Samoa differed from her sister who had not reached puberty in one chief respect, that in the older girl certain bodily changes were present which were absent in the younger girl. There were no other great differences to set off the group passing through adolescence from the group which would become adolescent in two years or the group which had become adolescent two years before.</p>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/270/fullsize"><img src="/files/display/270/square_thumbnail" class="thumb" alt="Margaret Mead, &lt;em&gt;Coming of Age in Samoa&lt;/em&gt; [Photograph and Scholarly Text]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Fri, 23 Oct 2009 22:32:36 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/270/fullsize" type="image/jpeg" length="431392"/>
    </item>
    <item>
      <title><![CDATA[Der Struwwelpeter (Slovenly Peter) [Children’s Book]]]></title>
      <link>https://cyh.rrchnm.org/items/show/328</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Der Struwwelpeter (Slovenly Peter) [Children’s Book]</div>
                    </div><!-- end element -->
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                                    <div class="element-text"><p>Published in 1858, <em>Der Struwwelpeter</em> (Shaggy Peter) is a German children's book first published anonymously under a different title in 1845 by Heinrich Hoffman. Hoffman, a Frankfurt physician and father, wrote the book after realizing that there were none he wanted to buy for his 3-year-old son for Christmas. The first English translation was published in 1848. While living in Berlin with his family in 1891, Mark Twain translated the book he gave to his three daughters for Christmas.  According to one, her father had been motivated by his close identification with the children in <em>Der Struwwelpter</em>. Twain's American version, <em>Slovenly Peter</em>, was published in 1935.<a href="#note1" id="fn1" class="footnote">1</a></p> 

<p>The 10 cautionary tales told in rhyme are accompanied by vivid illustrations of boys and girls in nightmarish scenarios. The cartoon-like illustrations depict the dire consequences of such disobedient and unwise behavior as: poor hygiene, cruelty, playing with matches, bullying, thumb sucking, eating poorly, fidgeting at the table, and not paying attention while walking. While many German parents today find the tales disturbing, those who raised their children during the early decades of the 20th century found them useful for childrearing. Parents' mention of a specific character in <em>Der Struwwelpeter</em> kids knew well served as short-hand criticism of objectionable behavior. </p>  

<p>What happens to disobedient children who suck their thumbs when told not to is illustrated in four panels. In the third one, Conrad's thumbs are about to be cut off by the tailor because he did not listen to his mother warning him not to suck his thumbs while she went out. </p> 

	<p>Students might analyze the text as well as the images in regard to issues of gender and race. (For bullying a boy of color the bullies are dipped in black ink.) The book could also be compared to other proscriptive stories from different periods, nationalities, and cultures. Another rich avenue for research would be to examine children's varied reactions to <em>Der Stuvwwelpeter</em>.</p>


<p>A version of the American translation, <em>Struwwelpeter: Merry Tales and Funny Pictures</em>, is available on <a class="external" href=http://www.gutenberg.org/files/12116/12116-h/12116-h.htm>The Project Gutenberg EBook</a>.</p>


<div id="notes">
<p><a href="#fn1" id="note1" class="footnote">1</a> For a useful scholarly essay see: J. D. (John Daniel) Stahl, <em>Mark Twain's "Slovenly Peter" in the Context of Twain and German Culture. The Lion and the Unicorn</em>, Vol. 20, No 2, December 1996, pp. 166-180.</p>
</div></div>
                    </div><!-- end element -->
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                                    <div class="element-text">Image available on Wikimedia Commons, S.v. "Struwwelpeter," 	 <a class="external" href="http://commons.wikimedia.org/wiki/File:Struwwelpeter.png">http://commons.wikimedia.org/wiki/File:Struwwelpeter.png</a> (accessed October 15, 2009). German version: Heinrich Hoffmann, <em>Der Struwwelpeter: oder lustige Geschichten und drollige Bilder</em> (Rütten & Loening Verlag in Frankfurt am Main, 1871), <a class="external" href="http://www.gutenberg.org/wiki/Main_Page"><em>Project Gutenberg</em></a>, 
<a class="external" href="http://www.gutenberg.org/files/24571/24571-8.txt">http://www.gutenberg.org/files/24571/24571-8.txt</a> (accessed October 23, 2009).  American Version: Heinrich Hoffmann, <em>Der Struwwelpeter: Merry Stories and Funny Pictures</em>, (New York: Frederic Warne & Co. [n.d.]), <a class="external" href="http://www.gutenberg.org/wiki/Main_Page"><em>Project Gutenberg</em></a>, 
<a class="external" href="http://www.gutenberg.org/etext/12116">http://www.gutenberg.org/etext/12116</a> (accessed October 23, 2009). Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text"><h3>Die Geschichte vom Daumenlutscher</h3>



<p>"Konrad," sprach die Frau Mama,<br />
"ich geh aus und du bleibst da.<br />
Sei hübsch ordentlich und fromm,<br />
bis nach Haus ich wieder komm.<br />
Und vor allem, Konrad, hör!<br />
lutsche nicht am Daumen mehr;<br />
denn der Schneider mit der Scher<br />
kommt sonst ganz geschwind daher,<br />
und die Daumen schneidet er<br />
ab, als ob Papier es wär."</p>


<p>Fort geht nun die Mutter und<br />
wupp! den Daumen in den Mund.</p>


<p>Bauz! da geht die Türe auf,<br />
und herein in schnellem Lauf<br />
springt der Schneider in die Stub<br />
zu dem Daumen-Lutscher-Bub.<br />
Weh! jetzt geht es klipp und klapp<br />
mit der Scher die Daumen ab,<br />
mit der großen, scharfen Scher!<br />
Hei! da schreit der Konrad sehr.</p>


<p>Als die Mutter kommt nach Haus,<br />
sieht der Konrad traurig aus.<br />
Ohne Daumen steht er dort,<br />
die sind alle beide fort.</p>




<hr />





<h3>Story of the Thumb-Sucker</h3>

<p>"Konrad!" cried his mamma dear,<br />
"I'll go out, but you stay here,<br />
Try how pretty you can be<br />
Till I come again," said she.<br />
"Docile be, and good and mild,<br />
Pray don't suck your thumb, my child,<br />
For if you do, the tailor'll come<br />
And bring his shears and snip your thumb<br />
From off your hand as clear and clean<br />
As if paper it had been."</p>


<p>Before she'd turned the south,<br />
He'd got his thumbkin in his mouth!</p>


<p>Bang! here goes the door ker-slam!<br />
Whoop! the tailor lands ker-blam!<br />
Waves his shears, the heartless grub,<br />
and calls for Dawmen-lutscher-bub.<br />
Claps his weapon to the thumb,<br />
Snips it square as head of grum,<br />
While that lad his tongue unfurled<br />
And fired a yell heard 'round the world.</p>


<p>Who can tell mother's sorrow<br />
When she saw her boy the morrow!<br />
There he stood all steeped in shame,<br />
And not a thumbkin to his name.</p>
</div>
                    </div><!-- end element -->
            <div id="document-item-type-metadata-related-primary-sources" class="element">
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                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/files/download/266/fullsize"><img src="/files/display/266/square_thumbnail" class="thumb" alt="Der Struwwelpeter (Slovenly Peter) [Children’s Book]" width="250" height="250"/>
</a></div>]]></description>
      <pubDate>Tue, 20 Oct 2009 17:00:27 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/266/fullsize" type="image/jpeg" length="110824"/>
    </item>
    <item>
      <title><![CDATA[Baby Sitter and the Man Upstairs [Urban Legend]]]></title>
      <link>https://cyh.rrchnm.org/items/show/327</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Baby Sitter and the Man Upstairs [Urban Legend]</div>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text"><p>Many children, young people, and adults (especially Americans) are likely to be familiar with this story about the babysitter menaced by the maniac that has gripped the popular imagination for the last half century. First appearing in the early 1960s, the story spread spontaneously among friends, family, and neighbors who claimed it to be a "true." Scholars of modern folklore have since identified it as an urban legend that, like other second-hand stories of its kind, expresses anxieties and contains moral messages.</p> 

<p>This urban legend, that by the 1970s became the basis of slasher movies (e.g., <em>Halloween</em>; <em>When a Stranger Calls</em>) and horror fiction, reflected the intense anxieties of: (1) parents worried about the safety of their children while under the care of babysitters; (2) mothers apprehensive about leaving the home for work; (3) fathers frustrated by their decreasing authority; (4) society growing increasingly uneasy about girls’ accelerating rejection of conventional feminine expectations set into motion by the counter culture, second-wave feminism, and the sexual revolution); (5) girls uncertainties about the dangers they faced in their pursuit of independence; and (6) children’s fears of strangers in an increasingly mobile society.</p> 

<p>Among the many morals this urban legend issued were those directed at girls. (1) As babysitters girls were exhorted to behave responsibly. (2) Girls were informed that they should conform to gendered expectations (e.g., submission, maternity and domesticity) or else. (3) Girls were warned about the high cost of pursuing independence.</p>  



<p>Different versions of this urban legend and many others that involve children and young adults are widely accessible. Students and teachers are likely to serve as a good source for many. Who told them and why? How did different listeners understand the tale? As with folktales and other fictional works, urban legends can be analyzed for the light they shed on children and childhood, generation and gender, among other topics. Urban legends can also be compared across cultures that feature boogey men. Longnose was a Seneca Indian boogeyman who threatened to consume unruly
children. Similarly, the pre-Christian folk figure, "Krampus" or "Grampus," has threatened generations of badly behaved children in Austria,
Switzerland, Bavaria, Slovenia, and Italy. In these countries, it is often young men who dress up as the devil figure, rattle chains and scare children
on December 5th.</p> 
</div>
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                                    <div class="element-text">Baby Sitter and the Man Upstairs, File I B3 M2, Folklore Archives, University of California, Berkley. Annotated by Miriam Forman-Brunell.</div>
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                                    <div class="element-text"><p>There was this girl babysitting in a two-story house in New York and she received a phone call from a man laughing and he tells her she better go check the children. She doesn’t believe him and she goes back to watch TV. She receives a second call and the man with a deeper voice is laughing and tells her she better check the children up stairs. And then she gets scared and calls the police and the police tell her if it happens again that they’re going to trace the next call. So, the third time, he called and he was really laughing hard and she got more scared. The police call her back and tell her to leave the house right away without going upstairs or anything. The police come over and told her the call was coming from upstairs and the man had been calling after he killed each child.</p></div>
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        </div><!-- end element-set -->]]></description>
      <pubDate>Mon, 19 Oct 2009 02:47:32 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Tule Lake, California, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/322</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Tule Lake, California, Interview [Oral History]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Kenge Kobayashi is a Nisei (second generation) Japanese American born in 1926 in Imperial Valley, California. With his family, he was incarcerated at Tulare Assembly Center, California, and then at the Gila River, Arizona, and Tule Lake, California, incarceration camps. A traumatic episode in the years of incarceration was the imposition of a loyalty questionnaire in early 1943. The government attempted to separate those they considered disloyal so that Japanese Americans designated as loyal could serve in the military or be released to communities away from the West Coast. The poorly worded and badly administered loyalty registration caused anger and turmoil in the camps and divided families. Questions 27 and 28 in particular put the detainees in untenable positions: the first asked if respondents were willing to serve in the armed forces, and the second asked respondents to swear unqualified allegiance to the United States and to forswear any loyalty to Japan. Issei parents feared their sons would be drafted; the American-born Nisei resented the assumption that they were loyal to Japan. Those who answered "no" to questions 27 and 28 or qualified their answers in any way--such as, "I will serve in the military when my rights are restored"--were labeled disloyal and sent to Tule Lake. Designated as a segregation center, Tule Lake experienced the worst violence and repression of all the camps, as War Relocation Authority (WRA) authorities imposed harsh security measures and jailed protestors in a stockade. In the interview excerpt, Kobayashi tells how he was a relatively carefree teenager before the loyalty registration changed life at Tule Lake.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Kenge Kobayashi, interview, July 4, 1998, Klamath Falls, Oregon. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segments 7, 10, 11, denshovh-kkenge-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1998-07-04</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 321</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                                    <div class="element-text"><p>KK: But we were having fun and it was kind of enjoyable until the questionnaires came out.</p>
<p>AI: And that was in 1943?</p>
<p>KK: Yeah.</p>
<p>AI: And can you tell me what happened then?</p>
<p>KK: Well, of course, my folks and my older brothers -- I was a little young so I didn't have to answer those questions, but they all answered no because they were bitter. My father felt insulted being asked those questions 'cause he had no intention of going back to Japan or anything or he had no allegiance to Japan and here they asking them questions after they take all the property away and everything so he was bitter. And the other thing was he didn't know if -- where to go home to 'cause there was nothing left so the alternative was maybe Japan. We should go back to Japan 'cause there is nothing here. So that's why he answered no. I don't think it was any loyalty to Japan or anything.</p>
<p>AI: So he made that decision, but then how about your older brothers?</p>
<p>KK: Well, they felt, whatever they do, we should do it, too. We should stick together.</p>
<p>AI: So their decision was mainly based on, sounds like, wanting to stay together as a family.</p>
<p>KK: Yeah, uh-huh.</p>
<p>AI: Did you have any family discussion about that that you recall?</p>
<p>KK: Yeah, but I wasn't in on that discussion. I think my older brothers and sister was, but I stayed out of it.</p>
<p>AI: And did you have any sense, had you heard any rumors, or did you have any idea of what might happen because of their decisions?</p>
<p>KK: No. Well, I didn't know what was gonna happen. I didn't know why they asked the questions from the first place, but it kind of tore a lot of us apart because it separated families, it separated friends. I made good friends there and all of a sudden we had to part when the decision was made that we had to go to Tule Lake. There was a lot of divisions and things like that.</p>
<p>KK: But you want me to tell about Okamoto?</p>
<p>AI: Yeah. Who was Mr. Okamoto?</p>
<p>KK: He was, their family was from Heart Mountain, I think, and we knew them, my family knew them. And he was working, he was a truck driver working outside the fence, and when you go out through the gates, you have to show your pass to the guard. But he has been going in and out, in and out every day so this guard knew him so he just waves him on. But, this one day it was a new guard there who just came back from the Pacific war, and he told him to halt. So he halted and he told him to get out of the truck so he got out, and he said, "Show me your pass" or something, give me. . . so he -- this driver was kind of cocky, I guess, he just threw the pass on the ground. And this guy told him to pick it up and they started to argue and all of a sudden he shot him, the guard shot this guy. And this is what I heard 'cause I wasn't there to see it. I didn't see it, from their family story, but they said that they called the medics and everything, but this guard kept everybody away with the gun and so he bleed to death right on the ground. So we had a camp-wide funeral and one of those fire breaks they had, and there were thousands of people there at the funeral. And it was after that, even during the funeral, somebody was talking about how this guy murdered this guy. Anyway, it started, I think that was the catalyst to the riot that happened because people start talking and everything. And I'm not saying that was the only reason, but there's other reasons too, but everybody start talking, pretty soon everybody got all hepped up and started walking towards the administration building.</p>
<p>AI: And what happened next?</p>
<p>KK: Well, one of the thing that they found out was the WRA was stealing some food like meat and selling on the black market, which we were supposed to get. So I, as a kid, I said, "Well, we're going to go in there and steal the meat back." So we went in the cold storage, and we lug out all these meat and took it back to our mess hall, and we had steaks for a whole week. [Laughs] But in the meantime they were throwing tear gas at us and everything and pretty soon there was martial law. And then the army came in with their tanks and started shooting the guns and everything.</p>
<p>AI: Were you there during the shooting?</p>
<p>KK: Yeah. But they didn't shoot at anything, they were shooting at people's, up high, so they didn't shoot anybody, but they were scaring the hell out of everybody. And they were coming between our barracks, the tanks, and shake. Our whole barrack was shaking.</p>
<p>AI: What did you do?</p>
<p>KK: We were hiding under the bed scared. [Laughs] Anyway, we didn't know what was gonna happen. We thought they going to start killing everybody. Who knows.</p>
<p>AI: So people were really afraid for their lives?</p>
<p>KK: Yeah. So everybody stayed in and they wouldn't come out, but then the military start -- the other thing was the military start delivering the food to the mess hall. And we were watching 'em and they just drive up and threw the -- all the food down from the truck and a lot of the things broke, eggs broke and everything. They didn't care. They just drop everything and they just went. That's how they were delivering the food. And I thought at that time, "Well, what is this anyway."</p>
<p>AI: So during martial law lots of the normal operations were stopped and operations that were normally carried out by the internees, internees were not allowed to do that so the Army had taken over some of these, such as delivering and so forth.</p>
<p>KK: Yeah, and they closed the school and all that stuff and we were under curfew. But it was kind of a bad time for us.</p>
<p>AI: And do you recall what else happened during that time of martial law?</p>
<p>KK: Well, I heard -- this is from hearing -- that they arrested a lot of people through the FBI, and they arrested a lot of people and they put them in the stockade.</p>
<p>AI: Did you know anyone who was put in there?</p>
<p>KK: No, uh-uh. No, but then that kind of subsided.</p></div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-website-image" class="element">
        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Kenge Kobayashi, interview, July 4, 1998, Klamath Falls, Oregon. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segments 7, 10, 11, denshovh-kkenge-01 (accessed October 14, 2009).</div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Alice Ito</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>KK: But we were having fun and it was kind of enjoyable until the questionnaires came out.</p>
<p>AI: And that was in 1943?</p>
<p>KK: Yeah.</p>
<p>AI: And can you tell me what happened then?</p>
<p>KK: Well, of course, my folks and my older brothers -- I was a little young so I didn't have to answer those questions, but they all answered no because they were bitter. My father felt insulted being asked those questions 'cause he had no intention of going back to Japan or anything or he had no allegiance to Japan and here they asking them questions after they take all the property away and everything so he was bitter. And the other thing was he didn't know if -- where to go home to 'cause there was nothing left so the alternative was maybe Japan. We should go back to Japan 'cause there is nothing here. So that's why he answered no. I don't think it was any loyalty to Japan or anything.</p>
<p>AI: So he made that decision, but then how about your older brothers?</p>
<p>KK: Well, they felt, whatever they do, we should do it, too. We should stick together.</p>
<p>AI: So their decision was mainly based on, sounds like, wanting to stay together as a family.</p>
<p>KK: Yeah, uh-huh.</p>
<p>AI: Did you have any family discussion about that that you recall?</p>
<p>KK: Yeah, but I wasn't in on that discussion. I think my older brothers and sister was, but I stayed out of it.</p>
<p>AI: And did you have any sense, had you heard any rumors, or did you have any idea of what might happen because of their decisions?</p>
<p>KK: No. Well, I didn't know what was gonna happen. I didn't know why they asked the questions from the first place, but it kind of tore a lot of us apart because it separated families, it separated friends. I made good friends there and all of a sudden we had to part when the decision was made that we had to go to Tule Lake. There was a lot of divisions and things like that.</p>
<p>KK: But you want me to tell about Okamoto?</p>
<p>AI: Yeah. Who was Mr. Okamoto?</p>
<p>KK: He was, their family was from Heart Mountain, I think, and we knew them, my family knew them. And he was working, he was a truck driver working outside the fence, and when you go out through the gates, you have to show your pass to the guard. But he has been going in and out, in and out every day so this guard knew him so he just waves him on. But, this one day it was a new guard there who just came back from the Pacific war, and he told him to halt. So he halted and he told him to get out of the truck so he got out, and he said, "Show me your pass" or something, give me. . . so he -- this driver was kind of cocky, I guess, he just threw the pass on the ground. And this guy told him to pick it up and they started to argue and all of a sudden he shot him, the guard shot this guy. And this is what I heard 'cause I wasn't there to see it. I didn't see it, from their family story, but they said that they called the medics and everything, but this guard kept everybody away with the gun and so he bleed to death right on the ground. So we had a camp-wide funeral and one of those fire breaks they had, and there were thousands of people there at the funeral. And it was after that, even during the funeral, somebody was talking about how this guy murdered this guy. Anyway, it started, I think that was the catalyst to the riot that happened because people start talking and everything. And I'm not saying that was the only reason, but there's other reasons too, but everybody start talking, pretty soon everybody got all hepped up and started walking towards the administration building.</p>
<p>AI: And what happened next?</p>
<p>KK: Well, one of the thing that they found out was the WRA was stealing some food like meat and selling on the black market, which we were supposed to get. So I, as a kid, I said, "Well, we're going to go in there and steal the meat back." So we went in the cold storage, and we lug out all these meat and took it back to our mess hall, and we had steaks for a whole week. [Laughs] But in the meantime they were throwing tear gas at us and everything and pretty soon there was martial law. And then the army came in with their tanks and started shooting the guns and everything.</p>
<p>AI: Were you there during the shooting?</p>
<p>KK: Yeah. But they didn't shoot at anything, they were shooting at people's, up high, so they didn't shoot anybody, but they were scaring the hell out of everybody. And they were coming between our barracks, the tanks, and shake. Our whole barrack was shaking.</p>
<p>AI: What did you do?</p>
<p>KK: We were hiding under the bed scared. [Laughs] Anyway, we didn't know what was gonna happen. We thought they going to start killing everybody. Who knows.</p>
<p>AI: So people were really afraid for their lives?</p>
<p>KK: Yeah. So everybody stayed in and they wouldn't come out, but then the military start -- the other thing was the military start delivering the food to the mess hall. And we were watching 'em and they just drive up and threw the -- all the food down from the truck and a lot of the things broke, eggs broke and everything. They didn't care. They just drop everything and they just went. That's how they were delivering the food. And I thought at that time, "Well, what is this anyway."</p>
<p>AI: So during martial law lots of the normal operations were stopped and operations that were normally carried out by the internees, internees were not allowed to do that so the Army had taken over some of these, such as delivering and so forth.</p>
<p>KK: Yeah, and they closed the school and all that stuff and we were under curfew. But it was kind of a bad time for us.</p>
<p>AI: And do you recall what else happened during that time of martial law?</p>
<p>KK: Well, I heard -- this is from hearing -- that they arrested a lot of people through the FBI, and they arrested a lot of people and they put them in the stockade.</p>
<p>AI: Did you know anyone who was put in there?</p>
<p>KK: No, uh-uh. No, but then that kind of subsided.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">July 4, 1998</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">6:57</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Klamath Falls, Oregon</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">Kenge Kobayashi</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 321</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/322_denshovh-kkenge-1-07_bc4377d2d0.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/322_denshovh-kkenge-1-07_bc4377d2d0.ogv" type="video/ogg" />
                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 17:26:17 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/328/fullsize" type="video/quicktime" length="19672554"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Heart Mountain, Wyoming, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/321</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Heart Mountain, Wyoming, Interview [Oral History]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Mits Koshiyama is a Nisei (second generation) Japanese American born in 1924 in Mountain View, California. He grew up in the Santa Clara Valley, working on his family's leased strawberry farm. In June 1942, he was removed to Santa Anita Assembly Center, California (a converted race track), and then taken to Heart Mountain incarceration camp, Wyoming. Mits graduated from high school in camp and at the age of 19, refused induction into the military on the grounds that the incarceration violated his Constitutional rights as an American citizen. He served two years at McNeil Island federal penitentiary, Washington. Over 300 resisters of conscience were convicted of draft evasion. In 1947 President Harry Truman pardoned them all, but the Japanese American community shunned them as "troublemakers." In this interview excerpt Mits recollects a fellow high school student's stance on civil liberties. He mentions the <i>coram nobis</i> cases, the rehearing of three wartime Supreme Court cases brought by Japanese Americans who challenged the legality of their incarceration.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Mits Koshiyama, interview, July 14, 2001, Seattle, Washington. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segment 10, denshovh-kmits-01 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2001-07-14</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 322</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
            <div id="dublin-core-type" class="element">
        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                                    <div class="element-text"><p>AI: Well, so now you're in Heart Mountain. It's fall of 1942, and you still haven't finished your high school. What happened then after, when you got to Heart Mountain then? Was there a school all ready for you to join in the, start going to class again?</p>
<p>MK: Yeah, at the, the early school was in the barracks. Later on, they built the high school there, and gymnasium and everything. While we were there, we went to the barracks. We had, some were teachers, some were teachers' aides, some were Caucasians from the outside, and they taught all the kids, I guess the best of their ability under the condition. A funny thing, when I went to school there, nobody talked about the Constitution and the Bill of Rights and the deprivation of our constitutional rights. We were taught school like a normal school, like on the outside. Probably wrote compositions "Why I'm proud to be an American," too. [Laughs] Isn't it ridiculous, but that's the way it was. I do remember a student writing, "Why We Are Prisoners in a Concentration Camp." I remember that. I, I thought, "Gee, that kid there is really bright and has a lot of courage to write a composition like that. But everybody else is, "Why I'm proud to be American," and you know, waving the flag and everything. Kind of ridiculous, but that, that's the way people thought in those days. This one kid wrote about the Constitution and the deprivation of our rights. And I said, "Wow." That put a kind of a seed in my mind, too. We're taking this evacuation and incarceration too lightly. It actually is a deprivation, like this student says, of our constitutional rights. Probably didn't hit a lot of people, but, because I had, because I went to detention and learned about the Constitution and all that. It really hit me, because I, I knew this kid was right. Why were we there? We didn't do anything wrong. We were denied due process of the law, which is supposed to be God-given right to all Americans, and I just couldn't understand it, why more people didn't fight it. Like the <i>coram nobis</i> cases. There was only three, three out of 120,000 that refused to be evacuated. You would think if everybody believed in the Constitution and all that, there'd be a bigger percentage.</p>
<p>AI: It's July 14, 2001, we're continuing our interview with Mits Koshiyama. And Mits, I wanted to ask you to back up a bit. In the interview, you had just mentioned about, learning about the Constitution when you were in detention.</p>
<p>MK: Uh-huh.</p>
<p>AI: And you were referring to a time before the concentration camp when you were in high school back in, at Fremont High School. So would you tell a little bit about what happened, how come you were in detention, and what, what you learned while you were there.</p>
<p>MK: Actually, it was in grade school when it happened. I think that was about the seventh grade. I would be called by the other kids, one day, "Jap." I resented it, so I kind of fought with them. First thing I knew I was called into the principal's office, and I was sent to detention class. I don't know if the teacher trying to help me or make, punish me. I, detention is for punishment. So I believe that she made me study all about the Constitution because that's the subject I, kids didn't want to study. So I didn't want to be punished anymore, so I studied the Constitution pretty hard. Then the teacher told me, she checked my papers and everything and, "What'd you learn? Don't you know that all Americans are supposed to fight for their constitutional rights?" And it'd kind of go through one ear and the other. But I read everything about the Constitution and how it should, it's supposed to protect all citizens. She told me, "It protects all citizens," she told me. "Don't you understand?" she told me -- [laughs] -- "It protects all citizens. It's for your own protection that the Constitution was written." I, it finally sunk into my head. It took a little while, but I didn't just go to detention one day. I had so many fights that it looked like I was there, oh, most of the time. Most every recess I had to spend in detention. But it, it did turn out to be real helpful to me later on. I did realize that, like she said, the Constitution is the main law of the land. It doesn't mean -- you know presidents come and go, teachers come and go, governments come and go -- but she says, "The Constitution be always there no matter what." She says, "You'd better learn all about the Constitution because sooner or later it's gonna help you." It sure did.</p>
<p>I, my soul was clean because I, I really believed in the Constitution, and I believed that they should protect me at, when I needed it the most. And that, the belief in that Constitution kind of pulled me through all this difficulties that I had during the war years. I, I knew that sooner or later -- I'm not a prophet or anything -- but I know by, let's say common sense, that sooner or later after the war that people were going to realize that standing up for constitutional rights is the most important thing. And it's proven to be true. Like I was telling somebody today, the resisters' story -- was that you? [Laughs] Resisters' story is like the Boston Tea Party -- "taxation without representation." Drafting us without rights is like taxation without representation. And that's why I call it the, draft resistance, the "Japanese Boston Tea Party." I guess a lot of people laugh about that, but there's lot of similarities.</p></div>
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        <h3>Source</h3>
                                    <div class="element-text">Mits Koshiyama, interview, July 14, 2001, Seattle, Washington. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewer: Alice Ito, segment 10, denshovh-kmits-01 (accessed October 14, 2009).</div>
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        <h3>Interviewer</h3>
                                    <div class="element-text">Alice Ito</div>
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            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>AI: Well, so now you're in Heart Mountain. It's fall of 1942, and you still haven't finished your high school. What happened then after, when you got to Heart Mountain then? Was there a school all ready for you to join in the, start going to class again?</p>
<p>MK: Yeah, at the, the early school was in the barracks. Later on, they built the high school there, and gymnasium and everything. While we were there, we went to the barracks. We had, some were teachers, some were teachers' aides, some were Caucasians from the outside, and they taught all the kids, I guess the best of their ability under the condition. A funny thing, when I went to school there, nobody talked about the Constitution and the Bill of Rights and the deprivation of our constitutional rights. We were taught school like a normal school, like on the outside. Probably wrote compositions "Why I'm proud to be an American," too. [Laughs] Isn't it ridiculous, but that's the way it was. I do remember a student writing, "Why We Are Prisoners in a Concentration Camp." I remember that. I, I thought, "Gee, that kid there is really bright and has a lot of courage to write a composition like that. But everybody else is, "Why I'm proud to be American," and you know, waving the flag and everything. Kind of ridiculous, but that, that's the way people thought in those days. This one kid wrote about the Constitution and the deprivation of our rights. And I said, "Wow." That put a kind of a seed in my mind, too. We're taking this evacuation and incarceration too lightly. It actually is a deprivation, like this student says, of our constitutional rights. Probably didn't hit a lot of people, but, because I had, because I went to detention and learned about the Constitution and all that. It really hit me, because I, I knew this kid was right. Why were we there? We didn't do anything wrong. We were denied due process of the law, which is supposed to be God-given right to all Americans, and I just couldn't understand it, why more people didn't fight it. Like the <i>coram nobis</i> cases. There was only three, three out of 120,000 that refused to be evacuated. You would think if everybody believed in the Constitution and all that, there'd be a bigger percentage.</p>
<p>AI: It's July 14, 2001, we're continuing our interview with Mits Koshiyama. And Mits, I wanted to ask you to back up a bit. In the interview, you had just mentioned about, learning about the Constitution when you were in detention.</p>
<p>MK: Uh-huh.</p>
<p>AI: And you were referring to a time before the concentration camp when you were in high school back in, at Fremont High School. So would you tell a little bit about what happened, how come you were in detention, and what, what you learned while you were there.</p>
<p>MK: Actually, it was in grade school when it happened. I think that was about the seventh grade. I would be called by the other kids, one day, "Jap." I resented it, so I kind of fought with them. First thing I knew I was called into the principal's office, and I was sent to detention class. I don't know if the teacher trying to help me or make, punish me. I, detention is for punishment. So I believe that she made me study all about the Constitution because that's the subject I, kids didn't want to study. So I didn't want to be punished anymore, so I studied the Constitution pretty hard. Then the teacher told me, she checked my papers and everything and, "What'd you learn? Don't you know that all Americans are supposed to fight for their constitutional rights?" And it'd kind of go through one ear and the other. But I read everything about the Constitution and how it should, it's supposed to protect all citizens. She told me, "It protects all citizens," she told me. "Don't you understand?" she told me -- [laughs] -- "It protects all citizens. It's for your own protection that the Constitution was written." I, it finally sunk into my head. It took a little while, but I didn't just go to detention one day. I had so many fights that it looked like I was there, oh, most of the time. Most every recess I had to spend in detention. But it, it did turn out to be real helpful to me later on. I did realize that, like she said, the Constitution is the main law of the land. It doesn't mean -- you know presidents come and go, teachers come and go, governments come and go -- but she says, "The Constitution be always there no matter what." She says, "You'd better learn all about the Constitution because sooner or later it's gonna help you." It sure did.</p>
<p>I, my soul was clean because I, I really believed in the Constitution, and I believed that they should protect me at, when I needed it the most. And that, the belief in that Constitution kind of pulled me through all this difficulties that I had during the war years. I, I knew that sooner or later -- I'm not a prophet or anything -- but I know by, let's say common sense, that sooner or later after the war that people were going to realize that standing up for constitutional rights is the most important thing. And it's proven to be true. Like I was telling somebody today, the resisters' story -- was that you? [Laughs] Resisters' story is like the Boston Tea Party -- "taxation without representation." Drafting us without rights is like taxation without representation. And that's why I call it the, draft resistance, the "Japanese Boston Tea Party." I guess a lot of people laugh about that, but there's lot of similarities.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">July 14, 2001</div>
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        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">7:49</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">Seattle, Washington</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">Mits Koshiyama</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 320, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/321_denshovh-kmits-1-10_3f0e6482f2.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/321_denshovh-kmits-1-10_3f0e6482f2.ogv" type="video/ogg" />
                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 17:20:39 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/335/fullsize" type="video/quicktime" length="21577187"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Manzanar, California, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/320</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Manzanar, California, Interview [Oral History]</div>
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        <h3>Description</h3>
                                    <div class="element-text"><p>Aiko Herzig-Yoshinaga is a Nisei (second generation) Japanese American born in 1925 in Los Angeles. She was incarcerated at Manzanar, California, and later Jerome and Rohwer, Arkansas. In the 1980s, working as the primary archival researcher for the Commission on Wartime Relocation and Internment of Civilians, she discovered documents that led to the federal congressional commission's recommendation of a presidential apology and monetary redress for surviving Japanese American detainees. In this interview excerpt, she describes the difficulty of caring for a young baby in the crude living conditions of Manzanar. She also speaks of the inferior health care available to Japanese Americans in the incarceration camps.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Source</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga, interview, March 20, 1994, San Francisco, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Emiko Omori, Chizu Omori, segment 10, denshovh-haiko-02-0010 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                                    <div class="element-text">1994-03-20</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 321, 322</div>
                    </div><!-- end element -->
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        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
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                                    <div class="element-text">en</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Transcription</h3>
                                    <div class="element-text"><p>EO: So tell me about your pregnancy and giving birth, and about your daughter.</p>
<p>AH: All right. First my pregnancy. Since I was young, it was a pretty easy nine-months' gestation. It would have been easier if we had not had to have our meals, three meals outside of our own apartment. Our own apartment finally -- served as bedroom, living room, and of course, the main things we lacked were kitchen and bathroom facilities. So three meals a day we had to get in line for food and being pregnant and suffering what most pregnant women go through -- what is known as morning sickness and nauseous periods, waiting in line for our meals during that period was very, very difficult under the, the conditions that existed there: the dust storms, the heat, the cold.</p>
<p>Then when. . . I think the lack of real good milk at the time which was considered very important for pregnant women to have, that, I think, affected my fetus, the fetus, the embryo a great deal. When my child was born in the camp hospital, she was born with an allergy to the powdered milk that they permitted babies to have during that time. And it was not diagnosed that she had an allergy to this powdered milk and that she should have what was called at that time, Carnation milk in a can. I requested that for my child, but they said, "No, that, all those, that has to go to the army." To the men in the armed forces, and we would not be permitted to unless we could afford to send for it from outside. And, of course, we couldn't do that, we were earning minimum salaries which ran from twelve dollars a month, sixteen dollars a month and nineteen dollars a month at that time. Nineteen dollars for the professionals, sixteen dollars for semi-skilled -- for skilled, and twelve dollars for the unskilled laborers. We could not afford to buy canned milk. So my daughter suffered tremendously. She was hospitalized in the camp, went in and out, in and out, with stomach disorders because of her inability to, to get this milk, which was, of course, the lifeline for infants at the time. Most children double their weight, most infants double their weight, birth weight, at six months. My child had not doubled her weight in a year, she was so sick.</p>
<p>EO: How did this make you feel?</p>
<p>AH: Very angry. I was very angry and felt so responsible for my child. There's nothing, nothing at all that I could do about it. And I think the lack of this important nutrition at this time of her life has affected her whole entire life. She didn't have the basic ingredients to be a healthy person.</p>
<p>EO: What was the hospital like?</p>
<p>AH: Oh, the hospital, very sort of primitive. The doctors were mostly Japanese American doctors. The white, Caucasian doctors served as supervisors, overseers. The nurses and the doctors were primarily Japanese and they were skillful. We, I'm sure, although I didn't know anything about hospitals and supplies at the time, but I have read what Japanese doctors who served in the camps said, that they lacked medicine, they lacked the proper equipment to do the necessary work that they needed to do as doctors. I think the, we were probably very low down on the totem pole in terms of priority as far as the government was concerned at the time.</p></div>
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        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Submission Consent</h3>
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                    <div class="element-text-empty">[no text]</div>
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                                    <div class="element-text">Aiko Herzig-Yoshinaga, interview, March 20, 1994, San Francisco, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Emiko Omori, Chizu Omori, segment 10, denshovh-haiko-02-0010 (accessed October 14, 2009).</div>
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        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Emiko Omori and Chizu Omori</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>EO: So tell me about your pregnancy and giving birth, and about your daughter.</p>
<p>AH: All right. First my pregnancy. Since I was young, it was a pretty easy nine-months' gestation. It would have been easier if we had not had to have our meals, three meals outside of our own apartment. Our own apartment finally -- served as bedroom, living room, and of course, the main things we lacked were kitchen and bathroom facilities. So three meals a day we had to get in line for food and being pregnant and suffering what most pregnant women go through -- what is known as morning sickness and nauseous periods, waiting in line for our meals during that period was very, very difficult under the, the conditions that existed there: the dust storms, the heat, the cold.</p>
<p>Then when. . . I think the lack of real good milk at the time which was considered very important for pregnant women to have, that, I think, affected my fetus, the fetus, the embryo a great deal. When my child was born in the camp hospital, she was born with an allergy to the powdered milk that they permitted babies to have during that time. And it was not diagnosed that she had an allergy to this powdered milk and that she should have what was called at that time, Carnation milk in a can. I requested that for my child, but they said, "No, that, all those, that has to go to the army." To the men in the armed forces, and we would not be permitted to unless we could afford to send for it from outside. And, of course, we couldn't do that, we were earning minimum salaries which ran from twelve dollars a month, sixteen dollars a month and nineteen dollars a month at that time. Nineteen dollars for the professionals, sixteen dollars for semi-skilled -- for skilled, and twelve dollars for the unskilled laborers. We could not afford to buy canned milk. So my daughter suffered tremendously. She was hospitalized in the camp, went in and out, in and out, with stomach disorders because of her inability to, to get this milk, which was, of course, the lifeline for infants at the time. Most children double their weight, most infants double their weight, birth weight, at six months. My child had not doubled her weight in a year, she was so sick.</p>
<p>EO: How did this make you feel?</p>
<p>AH: Very angry. I was very angry and felt so responsible for my child. There's nothing, nothing at all that I could do about it. And I think the lack of this important nutrition at this time of her life has affected her whole entire life. She didn't have the basic ingredients to be a healthy person.</p>
<p>EO: What was the hospital like?</p>
<p>AH: Oh, the hospital, very sort of primitive. The doctors were mostly Japanese American doctors. The white, Caucasian doctors served as supervisors, overseers. The nurses and the doctors were primarily Japanese and they were skillful. We, I'm sure, although I didn't know anything about hospitals and supplies at the time, but I have read what Japanese doctors who served in the camps said, that they lacked medicine, they lacked the proper equipment to do the necessary work that they needed to do as doctors. I think the, we were probably very low down on the totem pole in terms of priority as far as the government was concerned at the time.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">March 20, 1994</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">4:47</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">San Francisco, California</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 319, 321, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/320_denshovh-haiko-2-10_19f89c5320.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/320_denshovh-haiko-2-10_19f89c5320.ogv" type="video/ogg" />
                 </video></div>]]></description>
      <pubDate>Wed, 14 Oct 2009 17:14:42 +0000</pubDate>
      <enclosure url="https://cyh.rrchnm.org/files/download/334/fullsize" type="video/quicktime" length="13689046"/>
    </item>
    <item>
      <title><![CDATA[Japanese American Incarceration at Manzanar, California, Interview [Oral History]]]></title>
      <link>https://cyh.rrchnm.org/items/show/319</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Japanese American Incarceration at Manzanar, California, Interview [Oral History]</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text"><p>Aiko Herzig-Yoshinaga is a Nisei (2nd generation) Japanese American born in 1925 in Los Angeles. She was incarcerated at Manzanar, California, and later Jerome and Rohwer, Arkansas. In the 1980s, working as the primary archival researcher for the Commission on Wartime Relocation and Internment of Civilians, she discovered documents that led to the federal congressional commission's recommendation of a presidential apology and monetary redress for surviving Japanese American detainees. In this interview excerpt, she describes the confusion and stress of having to pack for immediate "evacuation" from the military zones declared on the West Coast in early 1942. People destroyed family treasures that tied them culturally to Japan, and with as little as a week's notice, they were forced to sell belongings for a fraction of their value.</p></div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga, interview, March 20, 1994, San Francisco, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Emiko Omori, Chizu Omori, segment 5, denshovh-haiko-02-0005 (accessed October 14, 2009). Annotated by Patricia Kiyono.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1994-03-20</div>
                    </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Densho: The Japanese American Legacy Project</div>
                    </div><!-- end element -->
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        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 320, 321, 322</div>
                    </div><!-- end element -->
            <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">video/quicktime</div>
                    </div><!-- end element -->
            <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">en</div>
                    </div><!-- end element -->
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        <h3>Type</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-identifier" class="element">
        <h3>Identifier</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-coverage" class="element">
        <h3>Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Additional Item Metadata</h2>
        <div id="additional-item-metadata-transcription" class="element">
        <h3>Transcription</h3>
                                    <div class="element-text"><p>EO: So tell me, now, about having to move. How long did you have, and what did you decide to take, and how did you dispose of things?</p>
<p>AH: Oh. I was all of seventeen years old, ready to graduate high school, madly in love with this young Nisei man, a young man, who lived on the other side of town, other side of Los Angeles. We were all frantic about where each one of us would be moving to. Los Angeles was a big area, it was divided into different sections. Certain areas would be, were told they would be going somewhere, no name, but a certain section of, inland. And therefore, since the army did not notify each family exactly where they would be going, what kind of weather they would be encountering, or exactly when they would be moving, efforts within the, each family started to roll, to get rid of, to sell or to store their household goods. And then trying to separate out what they thought they would need and what they thought they could either store or sell. It was a hectic, frantic time for all the Japanese families. In our family, my father, as a matter of fact, destroyed all of his Japanese language books because rumors spread that if the FBI came to your home and found Japanese language books, your father or uncle, or mother would be taken away and fear just gripped the community over things like that. My father destroyed almost all of his Japanese language books, including a book that he had written -- he had a number of copies of a autobiography my sister said he had written. Also, he had been carrying around the ashes of one of my sisters, a half-sister, and my mother told me many, many years later that he had buried those ashes in the backyard of our home in Los Angeles. She didn't know where, what part of the yard. I've often thought of going back to that house, but I didn't know how to approach the occupant of the house to ask if I could dig up his backyard to look for the ashes of my sister my father had buried fifty years ago. [Laughs] So I've never done it. But I've passed in front of the house a couple of times, and wondered what could I do.</p>
<p>EO: And he had her ashes because -- why, why was he carrying her ashes around?</p>
<p>AH: I'm not sure. You know, I think that he thought perhaps -- she was born in Japan -- and I have a feeling he had hoped one day to take her ashes back to Japan. Either that or he was waiting for, to get settled someplace, in say, southern California, where he could feel, this is where we're going to set our roots, place our roots, and perhaps get our family plot, and bury her there. But I have a feeling it was that he was planning to take her ashes back to Japan.</p>
<p>EO: Did they bury anything? They burned these books. Did you leave anything else? I mean, where, what did you do with your things?</p>
<p>AH: Oh, all right. Many families owned their homes, so they had a lot more problems in terms of their economic situation and property. We were so poor, we didn't own the home, we were renting, so that, that was not as big a problem for us. Our problem was what to take, what to destroy, what to sell. And the neighbors, the persons, the non-Japanese who were not moving, being asked to move, knew that the shorter time we had to leave, the more willing we would be to lower our prices. So there were "vultures" all around, hanging around for days, waiting for the day that we would move, and that we would literally have to give things away. My mother, of course, had some small items, beautiful little dishes from Japan, and I think some heirlooms that she decided to sell -- brooches, <i>obitome</i> -- things like that that I, I know that she had to get rid of, to sell, because she felt we must take what is absolutely necessary as long as we were permitted to take only what we could carry, at the time. And I have heard many stories of mothers who were so furious at the insulting prices that were offered by buyers, that they rather, rather than sell them at these prices, they would break the dishes or the big platters that they cherished so much. I believe those who left for the camps early on did not have the opportunity, or the knowledge at the time, or the permission by the government, that they could store some things. That kind of information came later on and those who moved into these army-run assembly centers later on, say, June, July, they were told that they could store some things. So many of those families were able to keep household goods, furnitures, where those of us who left very early could not do that. I myself -- yes?</p>
<p>EO: At whose expense?</p>
<p>AH: The furniture could be stored sometimes in Buddhist churches, or community centers. The government itself offered in certain areas to store the furniture, but with a caveat: you store them at your own expense, at your own risk. And, of course, as, when many folks went back to that area later on, they found their homes and property vandalized, broken, stolen.</p></div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-local-url" class="element">
        <h3>Local URL</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-online-submission" class="element">
        <h3>Online Submission</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-posting-consent" class="element">
        <h3>Posting Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-submission-consent" class="element">
        <h3>Submission Consent</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-edit" class="element">
        <h3>Process Edit</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-annotate" class="element">
        <h3>Process Annotate</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-process-review" class="element">
        <h3>Process Review</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Website Image</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-analyzing-sources" class="element">
        <h3>Analyzing Sources</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-creator" class="element">
        <h3>Creator</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga, interview, March 20, 1994, San Francisco, California. From Densho Digital Archive, &lt;a class=&quot;external&quot; href=&quot;http://www.densho.org/&quot;&gt;http://www.densho.org/&lt;/a&gt;. Interviewers: Emiko Omori, Chizu Omori, segment 5, denshovh-haiko-02-0005 (accessed October 14, 2009).</div>
                    </div><!-- end element -->
            <div id="additional-item-metadata-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights" class="element">
        <h3>Rights</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-bibliographic-citation" class="element">
        <h3>Bibliographic Citation</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-provenance" class="element">
        <h3>Provenance</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-citation" class="element">
        <h3>Citation</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="additional-item-metadata-spatial-coverage" class="element">
        <h3>Spatial Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-rights-holder" class="element">
        <h3>Rights Holder</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="additional-item-metadata-temporal-coverage" class="element">
        <h3>Temporal Coverage</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Oral History Item Type Metadata</h2>
        <div id="oral-history-item-type-metadata-interviewer" class="element">
        <h3>Interviewer</h3>
                                    <div class="element-text">Emiko Omori and Chizu Omori</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interview-transcription" class="element">
        <h3>Interview Transcription</h3>
                                    <div class="element-text"><p>EO: So tell me, now, about having to move. How long did you have, and what did you decide to take, and how did you dispose of things?</p>
<p>AH: Oh. I was all of seventeen years old, ready to graduate high school, madly in love with this young Nisei man, a young man, who lived on the other side of town, other side of Los Angeles. We were all frantic about where each one of us would be moving to. Los Angeles was a big area, it was divided into different sections. Certain areas would be, were told they would be going somewhere, no name, but a certain section of, inland. And therefore, since the army did not notify each family exactly where they would be going, what kind of weather they would be encountering, or exactly when they would be moving, efforts within the, each family started to roll, to get rid of, to sell or to store their household goods. And then trying to separate out what they thought they would need and what they thought they could either store or sell. It was a hectic, frantic time for all the Japanese families. In our family, my father, as a matter of fact, destroyed all of his Japanese language books because rumors spread that if the FBI came to your home and found Japanese language books, your father or uncle, or mother would be taken away and fear just gripped the community over things like that. My father destroyed almost all of his Japanese language books, including a book that he had written -- he had a number of copies of a autobiography my sister said he had written. Also, he had been carrying around the ashes of one of my sisters, a half-sister, and my mother told me many, many years later that he had buried those ashes in the backyard of our home in Los Angeles. She didn't know where, what part of the yard. I've often thought of going back to that house, but I didn't know how to approach the occupant of the house to ask if I could dig up his backyard to look for the ashes of my sister my father had buried fifty years ago. [Laughs] So I've never done it. But I've passed in front of the house a couple of times, and wondered what could I do.</p>
<p>EO: And he had her ashes because -- why, why was he carrying her ashes around?</p>
<p>AH: I'm not sure. You know, I think that he thought perhaps -- she was born in Japan -- and I have a feeling he had hoped one day to take her ashes back to Japan. Either that or he was waiting for, to get settled someplace, in say, southern California, where he could feel, this is where we're going to set our roots, place our roots, and perhaps get our family plot, and bury her there. But I have a feeling it was that he was planning to take her ashes back to Japan.</p>
<p>EO: Did they bury anything? They burned these books. Did you leave anything else? I mean, where, what did you do with your things?</p>
<p>AH: Oh, all right. Many families owned their homes, so they had a lot more problems in terms of their economic situation and property. We were so poor, we didn't own the home, we were renting, so that, that was not as big a problem for us. Our problem was what to take, what to destroy, what to sell. And the neighbors, the persons, the non-Japanese who were not moving, being asked to move, knew that the shorter time we had to leave, the more willing we would be to lower our prices. So there were "vultures" all around, hanging around for days, waiting for the day that we would move, and that we would literally have to give things away. My mother, of course, had some small items, beautiful little dishes from Japan, and I think some heirlooms that she decided to sell -- brooches, <i>obitome</i> -- things like that that I, I know that she had to get rid of, to sell, because she felt we must take what is absolutely necessary as long as we were permitted to take only what we could carry, at the time. And I have heard many stories of mothers who were so furious at the insulting prices that were offered by buyers, that they rather, rather than sell them at these prices, they would break the dishes or the big platters that they cherished so much. I believe those who left for the camps early on did not have the opportunity, or the knowledge at the time, or the permission by the government, that they could store some things. That kind of information came later on and those who moved into these army-run assembly centers later on, say, June, July, they were told that they could store some things. So many of those families were able to keep household goods, furnitures, where those of us who left very early could not do that. I myself -- yes?</p>
<p>EO: At whose expense?</p>
<p>AH: The furniture could be stored sometimes in Buddhist churches, or community centers. The government itself offered in certain areas to store the furniture, but with a caveat: you store them at your own expense, at your own risk. And, of course, as, when many folks went back to that area later on, they found their homes and property vandalized, broken, stolen.</p></div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-date-of-interview" class="element">
        <h3>Date of Interview</h3>
                                    <div class="element-text">March 20, 1994</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-time-summary" class="element">
        <h3>Time Summary</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-bit-ratefrequency" class="element">
        <h3>Bit Rate/Frequency</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="oral-history-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">7:32</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-location" class="element">
        <h3>Location</h3>
                                    <div class="element-text">San Francisco, California</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-interviewee" class="element">
        <h3>Interviewee</h3>
                                    <div class="element-text">Aiko Herzig-Yoshinaga</div>
                    </div><!-- end element -->
            <div id="oral-history-item-type-metadata-related-primary-sources" class="element">
        <h3>Related Primary Sources</h3>
                                    <div class="element-text">314, 315, 316, 317, 318, 320, 321, 322</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file video-quicktime"><video width="320" height="240" controls >
                    <source src="https://cyh.rrchnm.org/archive/files/319_denshovh-haiko-2-05_4f25ec7d68.mp4" type="video/mp4" />
                    <source src="https://cyh.rrchnm.org/archive/files/319_denshovh-haiko-2-05_4f25ec7d68.ogv" type="video/ogg" />
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      <pubDate>Wed, 14 Oct 2009 17:05:37 +0000</pubDate>
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